2. Award-w<strong>in</strong>n<strong>in</strong>g <strong>Irish</strong> authors for Key Stage 3White Lies by O’Sullivan, Mark, Wolfhound Press, 0-86327-592-3This rollercoaster of the stormy relationship between two seventeen-year-olds is told by eachcharacter <strong>in</strong> turnabout chapters by Nance, black and adopted, and OD, a school drop-out withattitude.Nance journeys <strong>in</strong>to the past to discover her roots and identity only to f<strong>in</strong>d the truth is nearerhome. OD dropped out of school at sixteen, works on a job creation scheme on a build<strong>in</strong>g siteand has an attitude. Unable to get on with his washed-up, alcoholic trumpet-play<strong>in</strong>g father,he becomes embroiled <strong>in</strong> shady deal<strong>in</strong>gs, his best friend Beano gets <strong>in</strong>to drugs, and he falls outwith Nance.Liv<strong>in</strong>g their lives on the edge of adulthood, they have to face up to choices and the truth beh<strong>in</strong>d white lies.Mark O’Sullivan is, perhaps, the most gifted of writers for young people <strong>in</strong> <strong>Ireland</strong>.NanceI suppose you could call it delayed shock. It had beentwo weeks s<strong>in</strong>ce I’d found the photo, and my life had goneon as normal. At least, that’s how it must have seemed toOD, my boyfriend, and to everyone else. But <strong>in</strong>side I’dgone numb. I couldn’t th<strong>in</strong>k, I couldn’t study. I felt noth<strong>in</strong>g.And then I cracked.The child <strong>in</strong> the photo was me. I was certa<strong>in</strong> of it. Mybrown sk<strong>in</strong>, the tight black curls, someth<strong>in</strong>g about the eyes.I don’t know how long I spent there, gap<strong>in</strong>g at the photo,before I put it back exactly where I found it; but, to thisday, I can remember every detail of it. The impossibly bluesky, the lush green trees <strong>in</strong> the background, the brightcolours of their clothes. There were five adults <strong>in</strong> thephoto.... The strange th<strong>in</strong>g ... was that not one of themwere smil<strong>in</strong>g except the woman who held me. Thisconv<strong>in</strong>ced me even more she really was my natural mother.ODWhen you th<strong>in</strong>k th<strong>in</strong>gs can’t get any worse, that’s when you can be sure theywill. Call it OD’s Law if you like - Disaster plus X (the unknown, the future, thenext m<strong>in</strong>ute) equals Double Disaster. That afternoon, as I left Jimmy <strong>in</strong> hisfantasy world where money didn’t matter, I was lower than zero. Then I shotdown the m<strong>in</strong>us scale.I was at the gate before I copped Seanie’s puke-green Popemobile parked nearBeano’s house. I couldn’t make sense of the scene. It was like see<strong>in</strong>g a hearseoutside a disco or someth<strong>in</strong>g off-the-wall like that. Seanie wasn’t look<strong>in</strong>g <strong>in</strong> mydirection but star<strong>in</strong>g worriedly at the passenger seat. Next th<strong>in</strong>g I saw Nance’shead appear. I didn’t wait to see her face. I staggered back towards the houselike I was go<strong>in</strong>g home after a night at the Galtee Lounge. I went out the backway by the lane beh<strong>in</strong>d our house.My heart was bang<strong>in</strong>g out a mad beat somewhere between reggae, rap andhouse. The lyrics went someth<strong>in</strong>g like ‘It doesn’t matter’, or ‘So what’, but theydidn’t fit the rhythm. At the same time, someone must have been stick<strong>in</strong>g p<strong>in</strong>s<strong>in</strong>to a little effigy of me because my knee was peppered with st<strong>in</strong>g<strong>in</strong>g jabs.Also by Mark O’SullivanSilent Stones, Wolfhound Press, 0-86327-722-5A gripp<strong>in</strong>g, thought-provok<strong>in</strong>g and mov<strong>in</strong>g story of two teenagers forced to come to terms with their families’ pastsat Cloghercree <strong>in</strong> the <strong>Irish</strong> Midlands. Mayfly Blenthyne is there because her English New-Age traveller parentsbelieve that the ancient stand<strong>in</strong>g stones will miraculously cure her dy<strong>in</strong>g mother. Robby Wade is there because,trapped between his embittered great-uncle and the shadow of his dead IRA father, he cannot escape. Matters cometo a head when Cloghercree is <strong>in</strong>vaded by the ruthless terrorist, Razor McCabe, on the run from the police.Sisters ... no way! by Park<strong>in</strong>son, Siobhán, O’Brien Press, 0-86278-495-6A flipper - and brilliant - book, it deals with teenage life <strong>in</strong> an amus<strong>in</strong>g and unusual way, us<strong>in</strong>g a dual diaryformat and two very different characters to expose very sensitive and personal problems common to youngpeople, problems largely caused by adults.C<strong>in</strong>dy does not want her dad to remarry after her mother’s death - especially not the divorced mum of theprissy and utterly bor<strong>in</strong>g Ashl<strong>in</strong>g. Ashl<strong>in</strong>g, <strong>in</strong> turn, wants her mother to f<strong>in</strong>d a nice man, but does it have tobe the widowed father of the noxious C<strong>in</strong>dy, arch-snob and ultra-op<strong>in</strong>ionated? No way do these two wantto become sisters and make their feel<strong>in</strong>gs clear <strong>in</strong> their diaries.IiS, Enrich<strong>in</strong>g English <strong>in</strong> <strong>secondary</strong> <strong>schools</strong>, 4
Ashl<strong>in</strong>g, Wednesday, 21 & 28 MayIt happened aga<strong>in</strong> this even<strong>in</strong>g. Mum was on thephone dur<strong>in</strong>g my practis<strong>in</strong>g time. This time theother person rang her, though, so it’s not her fault.I’m dy<strong>in</strong>g to know if it’s the tall dark stranger. Ihope so. Wouldn’t it be great if Mum had a - Idon’t know how to put this - ‘boyfriend’ soundstoo girlish, ‘man’ sounds too racy, ‘partner’ soundstoo proprietorial, ‘friend’ sounds too coy. Butmaybe it was just somebody she got talk<strong>in</strong>g to outside the gallery.Maybe she was just tell<strong>in</strong>g him where the cloakroom was. Maybe theywere just two people exchang<strong>in</strong>g remarks on the street. But who isr<strong>in</strong>g<strong>in</strong>g her up? I just hope he’s not married, that’s all. Mum wouldn’tdream of it if he is of course. I mean, I hope he’s not married andpretend<strong>in</strong>g not to be....Well! a great leap forward! Mum’s go<strong>in</strong>g out tonight with Richard.Richard is her new gentleman caller. That’s what she called himwhen she told us about him. It’s a little joke, that, a reference to aplay, I th<strong>in</strong>k. I don’t know much about plays. Maths and science aremore my l<strong>in</strong>e than EnglishShe told us this morn<strong>in</strong>g at breakfast. I don’t th<strong>in</strong>k she chosebreakfast on purpose because it’s a rushed meal and we have to leavefirst to catch the bus. I th<strong>in</strong>k she must have been work<strong>in</strong>g up to it forsometime.C<strong>in</strong>dy, Friday, 23 MayIt makes you wonder. I mean, Mum is not even two months dead,and there he is throw<strong>in</strong>g himself at another woman. How could hebe so callous? He can’t have loved her at all. Or maybe he did just atthe beg<strong>in</strong>n<strong>in</strong>g. I mean, there’s me, after all, so there must have beensometh<strong>in</strong>g there at one time. I was born six months after they weremarried. Mum used to joke about it, say I was a miracle baby. WhenI was small, I used to believe it, that I was really amaz<strong>in</strong>gly premature,but when I got older, I realised she was only jok<strong>in</strong>g, that she waspregnant when she got married. I used to be proud of that. I felt itproved my parents were unconventional and passionate. Now itmakes me wonder. Maybe she pressurised him <strong>in</strong>to marry<strong>in</strong>g her.Maybe she even got pregnant on purpose so he’d have to marry her.Maybe she only wanted an <strong>Irish</strong> passport. (I haven’t worked out why,though, that’s still a bit obscure.)I often wondered why I was an only child. I assumed it wassometh<strong>in</strong>g gynaecological. Mum used to have a terrible time with herperiods, and when I was about ten she f<strong>in</strong>ally had a hysterectomy, soI thought that was it. But now I wonder. Maybe they had given upsleep<strong>in</strong>g together. I mean, they always had a double bed, but youknow what I mean, though now I come to th<strong>in</strong>k of it, Dad used tospend a lot of time <strong>in</strong> the spare room, even before she got sick.Maybe he’s been a philanderer all along. The pig.Also by Siobhán Park<strong>in</strong>sonBreak<strong>in</strong>g the Wishbone, O’Brien Press, 0-86278-635-5This <strong>in</strong>ventive exploration of how five homeless teenagers <strong>in</strong> a Dubl<strong>in</strong> squat face the most harrow<strong>in</strong>g situations withhumour, courage and resilience takes the form of a ‘documentary, if you like, heads to camera, as they piece theirstories together’. For Johnner it’s a bit like camp<strong>in</strong>g - for a while. Beano is manipulative, violent and controll<strong>in</strong>g,out to score whatever and whenever he can. Carol<strong>in</strong>e, overwhelmed by loss, is distant and confused. Samanthaconjures up dreams to keep herself go<strong>in</strong>g. Curly is somewhat slow but honest and steady, try<strong>in</strong>g hard to make thebest of a bad lot.The Guns of Easter by Whelan, Gerard, O’Brien Press, 0-86278-449-2It is 1916 and Jimmy Conway, aged 12, from the Dubl<strong>in</strong> slums, is caught up <strong>in</strong> the Easter Ris<strong>in</strong>g and f<strong>in</strong>dshis loyalties sorely tested.While his father is away <strong>in</strong> France, fight<strong>in</strong>g with the British army, his uncle Mick jo<strong>in</strong>s theRis<strong>in</strong>g, fight<strong>in</strong>g aga<strong>in</strong>st the British army <strong>in</strong> Dubl<strong>in</strong>, Jimmy feels he must be the provider forhis mother and two younger sisters.With the GPO <strong>in</strong> the hands of the Volunteers his family is deprived of the all-importantSeparation Allowance. Sett<strong>in</strong>g out to f<strong>in</strong>d food or money, Jimmy f<strong>in</strong>ds himself adrift <strong>in</strong> anightmare version of the world he has known and must come to terms with a great deal beforehe returns home. On one level The Guns of Easter is a story of war, on another it is the tale ofa young boy's brutal forced awaken<strong>in</strong>g to the complexities of the world and adult life.Jimmy wished more than ever that Da could be here now. The fact thathe wasn’t made Jimmy the man of the house, and at twelve years of ageJimmy found that hard. The man of the house was supposed to know rightfrom wrong, but Jimmy didn’t always f<strong>in</strong>d this so simple. And then aga<strong>in</strong>even adults couldn’t seem to agree on what was right and what wasn’t.Uncle Mick, for <strong>in</strong>stance, had been furious with Da for jo<strong>in</strong><strong>in</strong>g the army.‘How can he fight for the British?’ Mick asked Ma when he heard thenews. ‘And for what? For their money.’This was just after Da went away. A week before, Ma herself had beengiv<strong>in</strong>g out to Da for sign<strong>in</strong>g up, but now she turned on Mick.‘There’s food for the children now,’ she said. ‘That’s what thatmoney means to James. That’s all that war means to him. He wasnever out play<strong>in</strong>g soldiers like you and your Citizen Armyfriends.’Mick looked <strong>in</strong>sulted but Ma cont<strong>in</strong>ued, anger <strong>in</strong> her voicenow. ‘It’s all very well for you, Mick. You’re s<strong>in</strong>gle, and you haveno-one to look after, barr<strong>in</strong>g yourself. You can afford dreams andhigh ideas. How long would your dreams last if they were all youhad to br<strong>in</strong>g home to a house full of hungry children? Dreamsmake bad d<strong>in</strong>ners, Mick.’Also by Gerard WhelanDream Invader, O’Brien Press, 0-86278-516-2This is one of the scariest tales of ‘good versus evil’ ever written for children. The prize at stake is a little boy’s life.Every night Saskia’s cous<strong>in</strong>, Simon, wakes scream<strong>in</strong>g and terrified <strong>in</strong> his new car-shaped bed, for the most horrificjourneys are be<strong>in</strong>g undertaken <strong>in</strong> a green car by Simon and his tormentor, the Pooshipaw. The Pooshipaworchestrates Simon’s dreams. The further down the road they travelled, the more sick and frighten<strong>in</strong>g were thescenes at the roadside. With every dream Simon grew more afraid because at the end, the Pooshipaw warns Simon,‘dreams of you will be all your precious Mammy and Daddy have left’. Pooshipaw was not a nice man at all ....IiS, Enrich<strong>in</strong>g English <strong>in</strong> <strong>secondary</strong> <strong>schools</strong>, 5