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Kronos: Listen Local - Yerba Buena Center for the Arts

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FOR IMMEDIATE RELEASEMedia Contact: Maureen Dixon,415.321.1307; mdixon@ybca.org<strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong> and <strong>Kronos</strong> Per<strong>for</strong>ming <strong>Arts</strong> Association present<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong><strong>Kronos</strong> Quartet Celebrates San Francisco with Music byFour San Francisco-based Composers:World Premiere: And <strong>the</strong> Movement of <strong>the</strong> Tongue by Pamela ZWorld Premiere: String Quartet No. 3, The Mezzanine by Nathaniel StookeyWest Coast Premiere: Carrying <strong>the</strong> Past by Dan BeckerPlus selected arrangements by Stephen Prutsman<strong>Kronos</strong> Quartet, photo: Michael WilsonThursday-Friday, February 21-22, 2013, 8 p.m., Lam Research Theater at YBCAConcert conversation with <strong>the</strong> composers on Friday, February 21, 2013, 7-7:30 p.m.1


<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong> at YBCA, February 21-22, 2013Advance tickets: $25-30 regular/$20-25 students, seniors, teachersAt <strong>the</strong> door: $30-35 regular/$25-30 students, seniors, teachers$20-25 YBCA Members; FREE <strong>for</strong> YBCA:YouLam Research Theater at YBCA, 700 Howard Street, San Francisco, CA 94103Tickets and In<strong>for</strong>mation: www.ybca.org, 415.978.2787SAN FRANCISCO (January 29, 2013) – San Francisco’s own Grammy Award-winning <strong>Kronos</strong>Quartet concludes its multi-year partnership with <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong> on Thursdayand Friday, February 21–22, with <strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong>, a program highlighting <strong>the</strong> vibrantcreative voices of its hometown composers. Internationally renowned <strong>for</strong> innovativecollaborations spanning dozens of countries and cultures, <strong>Kronos</strong> turns its focus to its home turf<strong>for</strong> two world premieres, including And <strong>the</strong> Movement of <strong>the</strong> Tongue, a new work <strong>for</strong> stringquartet and electronics by San Francisco’s celebrated media artist Pamela Z, co-commissionedby YBCA and <strong>the</strong> <strong>Kronos</strong> Per<strong>for</strong>ming <strong>Arts</strong> Association; and <strong>the</strong> Nicholson Baker–inspired StringQuartet No. 3, The Mezzanine by Nathaniel Stookey, who at age 17 was <strong>the</strong> youngestcomposer ever commissioned <strong>for</strong> <strong>the</strong> San Francisco Symphony’s New and Unusual MusicSeries. The program also features <strong>the</strong> West Coast premiere of Carrying <strong>the</strong> Past by DanBecker, Chair of <strong>the</strong> Composition Department at <strong>the</strong> San Francisco Conservatory of Music, andfour works arranged by longtime <strong>Kronos</strong> collaborator Stephen Prutsman.“I’m so excited about <strong>the</strong>se concerts, because San Francisco is a huge part of <strong>Kronos</strong>’ identity,”said <strong>Kronos</strong> founder and artistic director David Harrington. “If you look at all of <strong>the</strong> cultures andtraditions around <strong>the</strong> world that we've explored in our music, you're really holding up a mirror toSan Francisco's own incredibly diverse culture. And <strong>the</strong> audience will definitely experience thisamazing breadth in <strong>the</strong> music of <strong>the</strong>se San Francisco composers. Here, '<strong>Listen</strong> <strong>Local</strong>' reallymeans '<strong>Listen</strong> Global.'"ABOUT THE COMPOSERSPamela Z, based in San Francisco since 1984, is a composer/per<strong>for</strong>merand media artist who works primarily with voice, live electronicprocessing, sampling technology and video. Her large-scale multi-mediaworks have been presented at venues including Z Space and ODC in SanFrancisco and The Kitchen in New York, and her media works have beenpresented in exhibitions at <strong>the</strong> Whitney Museum (NY), <strong>the</strong>Diözesanmuseum (Cologne), and <strong>the</strong> Krannert Art Museum (Illinois). And<strong>the</strong> Movement of <strong>the</strong> Tongue, co-commissioned by <strong>Kronos</strong> Per<strong>for</strong>ming<strong>Arts</strong> Association and YBCA, is a work about speaking accents—specifically accented English that starts as an exploration of <strong>the</strong> profusionof broad-ranging accents that abound in <strong>the</strong> San Francisco Bay Area. “Ihave always had a fascination with language and speech, and have mademany works that use <strong>the</strong> sound of <strong>the</strong> human voice as both an inspirationand a primary source <strong>for</strong> <strong>the</strong> actual generation of <strong>the</strong> music,” saysPamela Z. To create this piece, she conducted and recorded interviews with a number of BayArea residents who speak English with a variety of ei<strong>the</strong>r regional, <strong>for</strong>eign language, or culturalaccents, creating hundreds of audio clips, which were used to construct <strong>the</strong> text collage thatbecame an armature <strong>for</strong> <strong>the</strong> work.


<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong> at YBCA, February 21-22, 2013San Francisco native Nathaniel Stookey has worked with many of <strong>the</strong>world’s great orchestras, including The Philadelphia Orchestra, TheCleveland Orchestra, The Chicago Symphony, <strong>the</strong> Los AngelesPhilharmonic, and Manchester’s venerable Hallé Orchestra, where he wascomposer-in-residence under Kent Nagano. Stookey’s The Composer isDead, a collaboration with Bay Area author Lemony Snicket (DanielHandler), is one of <strong>the</strong> five most per<strong>for</strong>med classical works of <strong>the</strong> 21 stcentury, worldwide. About his Third String Quartet, titled “The Mezzanine”after <strong>the</strong> debut novel by ano<strong>the</strong>r onetime Bay Area author, NicholsonBaker, Stookey says: "We composers often go to great lengths todiscourage our audience from looking <strong>for</strong> connections between our musicand <strong>the</strong> titles we give it. In <strong>the</strong> case of my third quartet, <strong>the</strong> music really isabout escalators, drinking straws, shoelaces, vending machines andcigarette butts...I would like to thank Nicholson Baker <strong>for</strong> <strong>for</strong>ever changing my world view, andDavid Harrington <strong>for</strong> <strong>for</strong>ever changing <strong>the</strong> string quartet.”Dan Becker composes music (current commissions include a collaborative dance work withGarrett+Moulton Productions), studies music (he received his DMA fromYale), teaches music (he chairs <strong>the</strong> Composition Department at <strong>the</strong> SanFrancisco Conservatory of Music), organizes music (as founder of <strong>the</strong>Common Sense Composers' Collective), and advocates <strong>for</strong> new music(he has served on <strong>the</strong> boards of such organizations as <strong>the</strong> AmericanMusic <strong>Center</strong>.) About Carrying <strong>the</strong> Past, Becker says, "In <strong>the</strong> 1990s myfamily discovered some long lost 78 rpm recordings of my grandfa<strong>the</strong>r,Eddie Sandson, who played lead trumpet in some of <strong>the</strong> big bands in<strong>the</strong> early 1920s. Fascinated and haunted by this music <strong>for</strong> years now,my new work <strong>for</strong> <strong>the</strong> <strong>Kronos</strong> Quartet is <strong>the</strong> latest exploration of <strong>the</strong>relationship between my own musical sensibilities and <strong>the</strong> witty andsweetly guileless music that I rediscovered through my grandfa<strong>the</strong>r'srecordings.”Stephen Prutsman, born in Los Angeles and a San Francisco resident <strong>for</strong> two decades, moveseasily from classical to jazz to world music as pianist, composer, conductor and curator,continuing to explore and seek common ground in music of all culturesand languages. He was a medal winner at <strong>the</strong> Tchaikovsky and QueenElisabeth piano competitions, and has per<strong>for</strong>med as soloist with manyof <strong>the</strong> world’s leading orchestras on international concert stages. From2004 to 2007 Prutsman was Artistic Partner with <strong>the</strong> St. Paul ChamberOrchestra where he led concertos from <strong>the</strong> keyboard, conducted worksof living composers, arranged music <strong>for</strong> world music collaborations, andcomposed several new works <strong>for</strong> <strong>the</strong> orchestra. As a composer,Prutsman’s long collaboration with <strong>Kronos</strong> has resulted in over 40arrangements and compositions <strong>for</strong> <strong>the</strong> quartet. He’s worked on a widevariety of pieces with <strong>Kronos</strong>, ranging from <strong>the</strong> Bollywood, Ethiopianand Lebanese pieces in <strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong>, to his arrangement ofAfghan rubab virtuoso Homayun Sakhi’s Rainbow, which premiered atYBCA in 2008.<strong>Kronos</strong>/YBCA CollaborationThe <strong>Kronos</strong> Quartet/<strong>Kronos</strong> Per<strong>for</strong>ming <strong>Arts</strong> Association and <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong>entered into a multi-year partnership in <strong>the</strong> fall of 2010 in which YBCA would be <strong>Kronos</strong>'


<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong> at YBCA, February 21-22, 2013exclusive San Francisco home <strong>for</strong> concerts and experimentation <strong>for</strong> three seasons. <strong>Kronos</strong> andYBCA have co-produced per<strong>for</strong>mance programs each season, and have co-commissionedthree new works so far. In <strong>the</strong> 2010–2011 season, <strong>Kronos</strong> presented <strong>the</strong> program Black Angels,which included <strong>the</strong> world premiere of Sahba Aminikia’s String Quartet no. 3, A Threnody <strong>for</strong>Those Who Remain, commissioned <strong>for</strong> <strong>Kronos</strong> through this partnership. This was followed by AChinese Home with guest per<strong>for</strong>mer Wu Man. In addition to Women’s Voices, featuring guestvocalist Tanya Tagaq and <strong>the</strong> world premiere of <strong>the</strong> newest commission, Vân-Ánh VanessaVõ’s All Clear, <strong>Kronos</strong> also per<strong>for</strong>med ano<strong>the</strong>r commission in YBCA’s 2011–2012 season,Fragile with Eiko & Koma."<strong>Kronos</strong> has been thrilled with <strong>the</strong> three-year partnership with <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong>.We are inspired by <strong>the</strong> <strong>Center</strong>'s programs and artistic vision, and we feel a great synergy in ourmutual commitment to <strong>the</strong> creation and per<strong>for</strong>mance of new work. We’ve been excited by <strong>the</strong>opportunity to deepen our relationship with YBCA and its audiences. <strong>Kronos</strong> has always lovedper<strong>for</strong>ming at YBCA, and have enjoyed planning very special programs and per<strong>for</strong>mances inour hometown." — David Harrington, Artistic Director, <strong>Kronos</strong> Quartet.“The <strong>Kronos</strong> Quartet is one of <strong>the</strong> world’s leading string quartets, pushing <strong>the</strong> boundaries ofcontemporary music and constantly reinventing <strong>the</strong>mselves through <strong>the</strong>ir explorations withartistic partners. YBCA has been honored to partner with <strong>the</strong> <strong>Kronos</strong> Quartet—an organizationthat shares our vision and commitment to innovation—which delights music fans with new worksand experimentations and will <strong>for</strong> several years to come.” — Kenneth J. Foster, ExecutiveDirector, <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong>.About <strong>Kronos</strong> QuartetFor nearly 40 years, San Francisco's <strong>Kronos</strong> Quartet—David Harrington, John Sherba (violins),Hank Dutt (viola), and Jeffrey Zeigler (cello)—has pursued a singular artistic vision, combining aspirit of fearless exploration with a commitment to expanding <strong>the</strong> range and context of <strong>the</strong> stringquartet. In <strong>the</strong> process, <strong>the</strong> Grammy-winning <strong>Kronos</strong> has become one of <strong>the</strong> most celebratedand influential ensembles of our time, per<strong>for</strong>ming thousands of concerts worldwide, releasingmore than 45 recordings of extraordinary breadth and creativity, collaborating with many of <strong>the</strong>world’s most eclectic composers and per<strong>for</strong>mers, and commissioning more than 750 new worksand arrangements <strong>for</strong> string quartet. In 2011, <strong>Kronos</strong> became <strong>the</strong> only recipients of both <strong>the</strong>Polar Music Prize and <strong>the</strong> Avery Fisher Prize, two of <strong>the</strong> most prestigious awards given tomusicians.Since 1973, <strong>Kronos</strong> has built a compellingly eclectic repertoire <strong>for</strong> string quartet, per<strong>for</strong>ming andrecording works by 20th-century masters (Bartók, Shostakovich, Webern), contemporarycomposers (Aleksandra Vrebalov, John Adams, Alfred Schnittke), jazz legends (OrnetteColeman, Charles Mingus, Thelonious Monk), and artists from even far<strong>the</strong>r afield (rock guitarlegend Jimi Hendrix, Azeri vocalist Alim Qasimov, interdisciplinary composer/per<strong>for</strong>mer MeredithMonk).Integral to <strong>Kronos</strong>' work is a series of long-running, in-depth collaborations with many of <strong>the</strong>world's <strong>for</strong>emost composers. <strong>Kronos</strong> has worked extensively with composers such as "Fa<strong>the</strong>r ofMinimalism" Terry Riley, whose work with <strong>Kronos</strong> includes Salome Dances <strong>for</strong> Peace, <strong>the</strong>multimedia production Sun Rings, and 2005's The Cusp of Magic; Philip Glass, recording hisstring quartets and scores to films like Mishima and Dracula; Azerbaijan’s Franghiz Ali-Zadeh,featured on <strong>the</strong> 2005 release Mugam Sayagi: Music of Franghiz Ali-Zadeh; Steve Reich, whose<strong>Kronos</strong>-recorded Different Trains earned <strong>the</strong> composer a Grammy; Argentina's Osvaldo Golijov,whose work with <strong>Kronos</strong> includes both compositions and extensive arrangements <strong>for</strong> albumslike <strong>Kronos</strong> Caravan and Nuevo; and many more.


<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong> at YBCA, February 21-22, 2013In addition to composers, <strong>Kronos</strong> counts numerous artists from around <strong>the</strong> world among itsregular collaborators, including Chinese pipa virtuoso Wu Man; <strong>the</strong> legendary Bollywood"playback singer" Asha Bhosle; Inuit throat singer Tanya Tagaq; Mexican rockers Café Tacuba;<strong>the</strong> Romanian gypsy band Taraf de Haïdouks; and <strong>the</strong> renowned American soprano DawnUpshaw. <strong>Kronos</strong> has per<strong>for</strong>med live with <strong>the</strong> likes of icons Allen Ginsberg, Zakir Hussain,Modern Jazz Quartet, Noam Chomsky, Rokia Traoré, Tom Waits, Howard Zinn, Betty Carter,and David Bowie, and has appeared on recordings by such diverse talents as Nine Inch Nails,Amon Tobin, Dan Zanes, DJ Spooky, Dave Mat<strong>the</strong>ws, Nelly Furtado, Joan Armatrading, andDon Walser.A non-profit organization, <strong>the</strong> <strong>Kronos</strong> Quartet/<strong>Kronos</strong> Per<strong>for</strong>ming <strong>Arts</strong> Association is committedto mentoring emerging musicians and composers, and to creating, per<strong>for</strong>ming, and recordingnew works. The quartet spends five months of each year on tour, appearing in concert halls,clubs, and festivals around <strong>the</strong> world including BAM Next Wave Festival, Carnegie Hall, <strong>the</strong>Barbican in London, WOMAD, UCLA's Royce Hall, Amsterdam's Concertgebouw, ShanghaiConcert Hall, and <strong>the</strong> Sydney Opera House. <strong>Kronos</strong> is equally prolific and wide-ranging onrecordings. The ensemble's expansive discography on Nonesuch Records includes collectionssuch as Pieces of Africa (1992), a showcase of African-born composers, which simultaneouslytopped Billboard's Classical and World Music lists; 1998's ten-disc anthology, <strong>Kronos</strong> Quartet:25 Years; Nuevo (2002), a Grammy- and Latin Grammy-nominated celebration of Mexicanculture; <strong>the</strong> 2003 Grammy-winner, Alban Berg's Lyric Suite; and Floodplain (2009), spotlightingmusic from regions of <strong>the</strong> world riven by conflict. www.kronosquartet.orgAbout <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong><strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong> (YBCA), located in San Francisco's <strong>Yerba</strong> <strong>Buena</strong> culturaldistrict, is one of <strong>the</strong> nation's leading multidisciplinary contemporary arts centers. With a beliefthat contemporary art is at <strong>the</strong> heart of community life, YBCA brings audiences and artists of allbackgrounds toge<strong>the</strong>r to express and experience creativity. The organization is known <strong>for</strong>nurturing emerging artists at <strong>the</strong> <strong>for</strong>efront of <strong>the</strong>ir fields and presenting works that blend art<strong>for</strong>ms and explore <strong>the</strong> events and ideas of our time. As part of its commitment to <strong>the</strong> SanFrancisco Bay Area, YBCA supports <strong>the</strong> local arts community and reflects <strong>the</strong> region's diversityof people and thought through its arts and public programming.YBCA programs around four Big Ideas to organize its wide-ranging programs and provide acontext with which to engage <strong>the</strong> art. The Big Ideas are: ENCOUNTER: Engaging <strong>the</strong> socialcontext; SOAR: The search <strong>for</strong> meaning; REFLECT: Considering <strong>the</strong> personal; and DARE:Innovations in art, action, audience. These ideas, which encompass art from all disciplines, aredesigned to focus an investigation of contemporary art and its relationship to <strong>the</strong> largerworld. Using <strong>the</strong> Big Ideas as portals, YBCA has established a framework of thought that invitesexploration and risk-taking, quiet reflection and active engagement.Per<strong>for</strong>ming arts, visual arts and film/video programs are curated <strong>the</strong>matically around Big Ideaswhich illustrate <strong>the</strong> connections and associations between <strong>the</strong> works. Public programs and BigIdea Nights, YBCA's popular free open house series, are dedicated to establishing a deeperunderstanding and appreciation of contemporary art. YBCA presents programming year-roundin <strong>the</strong> Forum, Screening Room, Galleries and <strong>the</strong> Lam Research Theater (<strong>for</strong>merly <strong>the</strong> NovellusTheater). For tickets and in<strong>for</strong>mation, call 415.978.ARTS (2787) or visit www.ybca.org.<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong> Program:Dan Becker/Carrying <strong>the</strong> Past – West Coast premiereNathaniel Stookey/String Quartet No. 3, The Mezzanine – World premiereRahul Dev Burman (arr. Stephen Prustman/<strong>Kronos</strong>)/Mehbooba Mehbooba (Beloved, OBeloved)


<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong> at YBCA, February 21-22, 2013Tanburi Cemil Bey (arr. Stephen Prustman)/Evic TaksimTraditional (arr. Stephen Prustman)/Wa Habibi (O My Beloved)Gétatchèw Mèkurya (arr. Stephen Prutsman)/Aha gèdawoPamela Z/And <strong>the</strong> Movement of <strong>the</strong> Tongue – World premierePre-Concert Conversation Moderated by Sarah CahillThursday, February 21, 2013, 7-7:30 p.m.Lam Research Theater at YBCAComposers Pamela Z, Nathaniel Stookey, Dan Becker and Stephen Prutsman will speak about<strong>the</strong>ir work with pianist, writer and radio producer Sarah Cahill who will moderate <strong>the</strong> discussion.Sarah Cahill’s radio show, Then & Now, can be heard every Sunday evening from 8 to 10 p.m.on KALW, 91.7 FM in San Francisco. She is on <strong>the</strong> faculty of <strong>the</strong> San Francisco Conservatoryand curates a monthly series of new music concerts at <strong>the</strong> Berkeley Art Museum.FundingYBCA's programs are made possible in part by Abundance Foundation, Adobe, KoretFoundation, National Endowment <strong>for</strong> <strong>the</strong> <strong>Arts</strong>, and Lam Research.<strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong> is grateful to <strong>the</strong> City of San Francisco <strong>for</strong> its ongoing support.YBCA Per<strong>for</strong>mance 2012-13 is made possible in part by Doris Duke Charitable Foundation,Sales<strong>for</strong>ce, and The William and Flora Hewlett Foundation<strong>Kronos</strong>' San Francisco Home Season is supported in part by Grants <strong>for</strong> <strong>the</strong> <strong>Arts</strong>/San FranciscoHotel Tax Fund and The Bernard Osher Foundation.Dan Becker’s Carrying <strong>the</strong> Past was commissioned <strong>for</strong> <strong>the</strong> <strong>Kronos</strong> Quartet by <strong>the</strong> Phyllis C.Wattis Foundation.Nathaniel Stookey's String Quartet no. 3, "The Mezzanine," was commissioned <strong>for</strong> <strong>the</strong> <strong>Kronos</strong>Quartet by <strong>the</strong> Clarence E. Heller Charitable Foundation with additional support from <strong>the</strong> PhyllisC. Wattis Foundation.Stephen Prutsman's arrangement of Evic Taksim was commissioned <strong>for</strong> <strong>the</strong> <strong>Kronos</strong> Quartet byAngel and Priscilla Stoyanof.Stephen Prutsman's arrangement of Wa Habibi was commissioned <strong>for</strong> <strong>the</strong> <strong>Kronos</strong> Quartet bySimon Collier.Stephen Prutsman’s arrangement of Gétatchèw Mèkurya’s Aha gèdawo was commissioned <strong>for</strong><strong>the</strong> <strong>Kronos</strong> Quartet by Judi<strong>the</strong> Bizot.Pamela Z’s “And <strong>the</strong> Movement of <strong>the</strong> Tongue” was commissioned <strong>for</strong> <strong>the</strong> <strong>Kronos</strong> Quartet by<strong>the</strong> Creative Work Fund, a program of <strong>the</strong> Walter and Elise Haas Fund supported by generousgrants from ArtPlace, The William and Flora Hewlett Foundation, and The James IrvineFoundation. Additional commissioning support was provided by <strong>the</strong> Phyllis C. Wattis Foundationand <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong>.Media Sponsor: KQED# # #

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