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Kronos: Listen Local - Yerba Buena Center for the Arts

Kronos: Listen Local - Yerba Buena Center for the Arts

Kronos: Listen Local - Yerba Buena Center for the Arts

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<strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong> at YBCA, February 21-22, 2013Advance tickets: $25-30 regular/$20-25 students, seniors, teachersAt <strong>the</strong> door: $30-35 regular/$25-30 students, seniors, teachers$20-25 YBCA Members; FREE <strong>for</strong> YBCA:YouLam Research Theater at YBCA, 700 Howard Street, San Francisco, CA 94103Tickets and In<strong>for</strong>mation: www.ybca.org, 415.978.2787SAN FRANCISCO (January 29, 2013) – San Francisco’s own Grammy Award-winning <strong>Kronos</strong>Quartet concludes its multi-year partnership with <strong>Yerba</strong> <strong>Buena</strong> <strong>Center</strong> <strong>for</strong> <strong>the</strong> <strong>Arts</strong> on Thursdayand Friday, February 21–22, with <strong>Kronos</strong>: <strong>Listen</strong> <strong>Local</strong>, a program highlighting <strong>the</strong> vibrantcreative voices of its hometown composers. Internationally renowned <strong>for</strong> innovativecollaborations spanning dozens of countries and cultures, <strong>Kronos</strong> turns its focus to its home turf<strong>for</strong> two world premieres, including And <strong>the</strong> Movement of <strong>the</strong> Tongue, a new work <strong>for</strong> stringquartet and electronics by San Francisco’s celebrated media artist Pamela Z, co-commissionedby YBCA and <strong>the</strong> <strong>Kronos</strong> Per<strong>for</strong>ming <strong>Arts</strong> Association; and <strong>the</strong> Nicholson Baker–inspired StringQuartet No. 3, The Mezzanine by Nathaniel Stookey, who at age 17 was <strong>the</strong> youngestcomposer ever commissioned <strong>for</strong> <strong>the</strong> San Francisco Symphony’s New and Unusual MusicSeries. The program also features <strong>the</strong> West Coast premiere of Carrying <strong>the</strong> Past by DanBecker, Chair of <strong>the</strong> Composition Department at <strong>the</strong> San Francisco Conservatory of Music, andfour works arranged by longtime <strong>Kronos</strong> collaborator Stephen Prutsman.“I’m so excited about <strong>the</strong>se concerts, because San Francisco is a huge part of <strong>Kronos</strong>’ identity,”said <strong>Kronos</strong> founder and artistic director David Harrington. “If you look at all of <strong>the</strong> cultures andtraditions around <strong>the</strong> world that we've explored in our music, you're really holding up a mirror toSan Francisco's own incredibly diverse culture. And <strong>the</strong> audience will definitely experience thisamazing breadth in <strong>the</strong> music of <strong>the</strong>se San Francisco composers. Here, '<strong>Listen</strong> <strong>Local</strong>' reallymeans '<strong>Listen</strong> Global.'"ABOUT THE COMPOSERSPamela Z, based in San Francisco since 1984, is a composer/per<strong>for</strong>merand media artist who works primarily with voice, live electronicprocessing, sampling technology and video. Her large-scale multi-mediaworks have been presented at venues including Z Space and ODC in SanFrancisco and The Kitchen in New York, and her media works have beenpresented in exhibitions at <strong>the</strong> Whitney Museum (NY), <strong>the</strong>Diözesanmuseum (Cologne), and <strong>the</strong> Krannert Art Museum (Illinois). And<strong>the</strong> Movement of <strong>the</strong> Tongue, co-commissioned by <strong>Kronos</strong> Per<strong>for</strong>ming<strong>Arts</strong> Association and YBCA, is a work about speaking accents—specifically accented English that starts as an exploration of <strong>the</strong> profusionof broad-ranging accents that abound in <strong>the</strong> San Francisco Bay Area. “Ihave always had a fascination with language and speech, and have mademany works that use <strong>the</strong> sound of <strong>the</strong> human voice as both an inspirationand a primary source <strong>for</strong> <strong>the</strong> actual generation of <strong>the</strong> music,” saysPamela Z. To create this piece, she conducted and recorded interviews with a number of BayArea residents who speak English with a variety of ei<strong>the</strong>r regional, <strong>for</strong>eign language, or culturalaccents, creating hundreds of audio clips, which were used to construct <strong>the</strong> text collage thatbecame an armature <strong>for</strong> <strong>the</strong> work.

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