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"A castle in the making!" N°3 (PDF - 778 Ko) - Guédelon

"A castle in the making!" N°3 (PDF - 778 Ko) - Guédelon

"A castle in the making!" N°3 (PDF - 778 Ko) - Guédelon

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A door for <strong>the</strong> great towerThe <strong>castle</strong>'s third door has been fitted. The wood for <strong>the</strong> entrance to <strong>the</strong> great tower is made from cleft oak planks. Thedoor itself took 3 weeks for <strong>the</strong> carpenters to prepare; <strong>the</strong> iron strapwork represents a month of work at <strong>the</strong> forge; ittook a fur<strong>the</strong>r week to fit <strong>the</strong> strapwork and hang <strong>the</strong> door. The strapwork is <strong>in</strong> part defensive and <strong>in</strong> part a show ofwealth and prestige.The door was not made from sawnplanks, but from cleft logs. The faceswere f<strong>in</strong>ished with a side-axe. Theadvantage of us<strong>in</strong>g cleft wood ra<strong>the</strong>rthan sawn wood is that it works with<strong>the</strong> gra<strong>in</strong> of <strong>the</strong> wood ra<strong>the</strong>r thancutt<strong>in</strong>g across it, it ma<strong>in</strong>ta<strong>in</strong>s <strong>the</strong> strengthand reduces its exposure to rot.Meanwhile <strong>the</strong> blacksmiths forged <strong>the</strong>door's h<strong>in</strong>ges and decorativestrapwork. The ma<strong>in</strong> h<strong>in</strong>ges are <strong>the</strong>nfixed to <strong>the</strong> door.With <strong>the</strong> help of <strong>the</strong> carter, <strong>the</strong> doorwas <strong>the</strong>n transported from <strong>the</strong> carpenters'lodge to <strong>the</strong> base of <strong>the</strong> greattower.Experimental archaeology<strong>in</strong> actionTo recreate a 13th century <strong>castle</strong> door isquite a feat; very few examples exist fromthis period. In design<strong>in</strong>g and mak<strong>in</strong>g <strong>the</strong>strapwork, <strong>Guédelon</strong>’s blacksmiths,Olivier and Adrien, respected <strong>the</strong> spirit ofearly 13th century blacksmiths, but alsoreplicated <strong>the</strong> production techniques ofthat age, and referred to precise archaeologicalmodels: church doors from Lignac,Jaleyrac, Ydes and Serandon <strong>in</strong> <strong>the</strong>centre of France.The new door is <strong>the</strong> third to be fitted at<strong>Guédelon</strong>. A door from <strong>the</strong> lord's chamberto <strong>the</strong> wall-walk was hung at <strong>the</strong> end of<strong>the</strong> 2009 season and <strong>the</strong> first door was<strong>in</strong>stalled on <strong>the</strong> ground-floor of <strong>the</strong> chapeltower <strong>in</strong> 2003. We realise now that,strictly speak<strong>in</strong>g, this first door has noplace <strong>in</strong> a 13th century <strong>castle</strong>: it is madefrom sawn planks of wood; it lacksdefensive iron strapwork and anyassailants would be delighted to f<strong>in</strong>d <strong>the</strong>lock on <strong>the</strong> outside!The carpenters could make last m<strong>in</strong>uteadjustments and <strong>the</strong> blacksmithscould <strong>the</strong>n fix <strong>the</strong> strapwork <strong>in</strong> place.At <strong>the</strong> end of each branch are forgedgrotesque heads. There are 20 <strong>in</strong> alland not one is <strong>the</strong> same.The first door may well be modified later<strong>in</strong> <strong>the</strong> build<strong>in</strong>g programme; however it willrema<strong>in</strong> <strong>in</strong> <strong>the</strong> <strong>castle</strong>. It is an importantpart of our story and is evidence of <strong>the</strong>steep learn<strong>in</strong>g curve we faced when wetook on this monumental task.© SAS <strong>Guédelon</strong>. December 2010. No part of this publication-text or photos- may bereproduced without prior permission: guedelon@guedelon.frFrom <strong>the</strong> courtyard From <strong>the</strong> corridor

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