Download (pdf, 2753 kByte) - Henle Verlag

Breitkopf & Härtel ❙❙ G. Henle Verlag

THE NEW EDITIONS.Mozart’s music is eternally youngand stimulating, and is approachedin a new way by each new generation.Today’s musicians have the choicebetween countless editions – olderand newer ones.Our 21st-century Mozart editionsreflect the most recent state ofinternational Mozart scholarship– Urtext editions for our time,prepared by experienced editors andendorsed by world-famous artists.Breitkopf & HärtelG. Henle Verlag“Mozart 21” is an inestimably importantproject for me and for all who wantan up-to-the-minute performance-qualityMozart Urtext. I can warmly recommendthe many Breitkopf and Henle editionsthat I know. And thanks to their in-depthcommentaries, they even spare onethe examination of the original sources.RENÉ JACOBS Conductor

PIANO MUSIC4• Critically revised and reprinted: proven Urtext classics• The early violin sonatas in the alternative versions for piano solo authorized by MozartPIANO SOLOPiano Sonata D major K. 284 (205b)New Edition, revised by Ernst Herttrich (2012)Fingering by Hans-Martin Theopold❙ HN 1063Piano Sonata C major K. 309 (284b)New Edition, revised by Ernst Herttrich (2012)Fingering by Hans-Martin Theopold❙ HN 1065Piano PiecesFrom “Nannerl Music Book” K. 1a–f, 2–5, 9a (5a), 6–8;Londoner Music Book K. 15a–15qq; Piano Piece F majorK. 33B; Fugues G major, D major K. 154a (Anh. A 61/62)and g minor K. 401 (375e); Preludes K. deest (Anh. C15.11), C major K. 395 (300g); Prelude (Fantasy) andFugue C major K. 394 (383a); Sonata Movement B flatmajor K. 400 (372a) and g minor K. 312 (590d);Fantasies c minor K. 396 (385f) and d minor K. 397 (385g);Fragment of a Suite C major K. 399 (385i); Marche funèbrec minor K. 453a; Rondos D major K. 485 and a minorK. 511; Adagio b minor K. 540; Gigue G major K. 574;Andantino E flat major K. 236 (588b); Andante for aMusical Clock F major K. 616; Adagio for Glass HarmonicaC major K. 356 (617a); Menuets D major K. 355 (576b)and K. 103 (61d), C major K. 61gII, D major K. 94 (73h),K. 176, K. 315a (315g); Kontretänze K. deest (269b)and from “The Thunderstorm“ K. 534; Marcia C majorK. 408/1 (383e); 6 German Dances K. 509Appendix: K. Anh. 20a (626b/25); K. Anh. 207(Anh. C27.06); K. Anh. 135 (547a); Fragments fromK. 9b (5b), K. 15nn, K. 15rr, K. 15ss, K. 399 (385i)New Edition, revised by Ullrich Scheideler (2006)Fingering by Walther Lampe andAndreas GroethuysenPaperbound ❙ HN 22Clothbound ❙ HN 23“Wunderkind“-SonatasEdition for Piano soloedited by Wolf-Dieter Seiffert (2013)Fingering by Ariane HaeringVolume ISonatas K. 6–9 ❙ HN 1094Volume IISonatas K. 10–15 ❙ HN 1095Volume IIISonatas K. 26–31 ❙ HN 1096• The early violin sonatas in the alternative versionsfor piano solo authorized by Mozart(Vol. I and III are first editions)PIANO FOUR-HANDSWorks for Piano Four-handsPiano Sonatas D major K. 381 (123a), B flat major K. 358(186c), F major K. 497, C major K. 521, C major K. 19d;Andante with Variations G major K. 501; AllegroK. 357 (497a) and Andante K. 357 (500a) G major;Fugue g minor K. 401 (375e); Piece for a Musical Clockf minor K. 594; Piece for a Musical Clock f minor K. 608New Edition, revised by Peter Jost (2011)Fingering by Andreas GroethuysenPaperbound ❙ HN 932Clothbound ❙ HN 933• Sole complete edition to reflect the current stateof research• Contains the Fugue K. 401 (written for piano ororgan)• Features the presumably inauthentic SonataK. 19d in the Appendix

SOLO INSTRUMENT AND PIANO• Piano reductions made by great performers and experienced arrangers• Piano reductions that are easy on the fingers and rewarding to the ear• Concertos with refreshingly new cadenzas in the “Mozart style”• Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without5TWO PIANOS FOUR-HANDSPiano Concerto (No. 9) E flat major K. 271“Jenamy”edited by Cliff Eisen andRobert D. Levin (2001)Cadenzas by Cliff Eisen and Robert D. LevinEdition for 2 PianosPiano Reduction by Walter Heinz Bernstein❙ EB 8640Piano Concerto (No. 17) G major K. 453edited by Stephan Hörner (2008)Cadenzas by Wolfgang Amadeus MozartEdition for 2 PianosPiano Reduction and Fingering by András Schiff❙ HN 765 ❙ EB 10765• “This piano reduction is perfectly suited for sightreadingand does not feel cluttered at any moment.”(Piano News)Piano Concerto (No. 21) C major K. 467edited by Norbert Gertsch (2007)Edition for 2 PianosPiano Reduction, Cadenzas and Fingeringby András Schiff❙ HN 766 ❙ EB 10766Piano Concerto (No. 23) A major K. 488edited by Ernst-Günter Heinemann (2008)Cadenza by Wolfgang Amadeus MozartEdition for 2 PianosPiano Reduction and Fingering by András Schiff❙ HN 767 ❙ EB 10767Piano Concerto (No. 25) C major K. 503edited by Ernst Herttrich (2011)Edition for 2 PianosPiano Reduction, Cadenzas and Fingeringby András Schiff❙ HN 825 ❙ EB 10825• New source evaluation gives more weight to thefirst edition of 1797VIOLIN AND PIANOSingle Movements K. 216, 269 and 373for Violin and Orchestraedited by Wolf-Dieter Seiffert (2002)Edition for Violin and PianoPiano Reduction by Siegfried Petrenz,Cadenzas and Fingering by Kurt Guntner❙ HN 707 *Violin Concerto (No. 1) B flat major K. 207edited by Wolf-Dieter Seiffert (2003)Edition for Violin and PianoPiano Reduction by Siegfried Petrenz,Cadenzas and Fingering by Kurt Guntner❙ HN 706 *Violin Concerto (No. 2) D major K. 211edited by Wolf-Dieter Seiffert (2003)Edition for Violin and PianoPiano Reduction by Siegfried Petrenz,Cadenzas and Fingering by Kurt Guntner❙ HN 705 *Violin Concerto (No. 3) G major K. 216edited by Cliff Eisen (2002)Edition for Violin and PianoPiano Reduction by Werner Breig,Cadenzas and Lead-ins by Andrew Manze❙ EB 8737Violin Concerto (No. 3) G major K. 216edited by Wolf-Dieter Seiffert (2002)Edition for Violin and PianoPiano Reduction by Siegfried Petrenz,Cadenzas and Fingering by Kurt Guntner❙ HN 688 *Violin Concerto (No. 4) D major K. 218edited by Cliff Eisen (2003)Edition for Violin and PianoPiano Reduction by Werner Breig,Cadenzas and Lead-ins by Andrew Manze❙ EB 8738Violin Concerto (No. 4) D major K. 218edited by Wolf-Dieter Seiffert (2001)Edition for Violin and PianoPiano Reduction by Siegfried Petrenz,Cadenzas and Fingering by Kurt Guntner❙ HN 680 *

SOLO INSTRUMENT AND PIANO• Piano reductions made by great performers and experienced arrangers• Piano reductions that are easy on the fingers and rewarding to the ear• Concertos with refreshingly new cadenzas in the “Mozart style”7FLUTE AND PIANOAndante C major K. 315 (285e)for Flute and Orchestraedited by Henrik Wiese (2005)Edition for Flute and PianoPiano Reduction by Jan Philip Schulze,Cadenzas by Robert D. Levin❙ HN 675 ❙ EB 10675Flute Concerto G major K. 313 (285c)edited by Henrik Wiese (2006)Edition for Flute and PianoPiano Reduction by Jan Philip Schulze,Cadenzas and Lead-ins by Henrik Wiese❙ EB 8644• Includes a facsimile of the solo part of the first edition• Includes cadenzas from the earliest handwrittensourcesFlute Concerto G major K. 313 (285c)edited by András Adorján (2000)Edition for Flute and PianoPiano Reduction by Siegfried Petrenz,Cadenzas by Robert D. Levin❙ HN 673Flute Concerto D major K. 314 (285d)edited by Henrik Wiese (2009)Edition for Flute and PianoPiano Reduction by Jan Philip Schulze,Cadenzas and Lead-ins by Henrik Wiese❙ EB 8047Flute Concerto D major K. 314 (285d)edited by András Adorján (2000)Edition for Flute and PianoPiano Reduction by Siegfried Petrenz,Cadenzas by Robert D. Levin❙ HN 674FLUTE, HARP AND PIANOConcerto C major K. 299 (297c)for Flute, Harp and Orchestraedited by András Adorján (2004)Edition for Flute, Harp and PianoPiano Reduction by Jan Philip Schulze,Cadenzas by Robert D. Levin❙ HN 768OBOE AND PIANO• Both editions of K. 314 offer the synoptical printingof the divergently transmitted solo part: from Breitkopfas a “study part” after the “performance part,” andfrom Henle in a meticulously prepared supplementOboe Concerto C major K. 314 (285d)edited by Henrik Wiese (2009)Edition for Flute and PianoPiano Reduction by Jan Philip Schulze,Cadenzas and Lead-ins by Henrik Wiese❙ EB 8048Oboe Concerto C major K. 314 (285d)edited and with an additional bookletby Ingo Goritzki (2001)Edition for Oboe and PianoPiano Reduction by Siegfried Petrenz,Cadenzas by Robert Levin❙ HN 695CLARINET AND PIANOClarinet Concerto A major K. 622edited by Henrik Wiese (2003)Edition for Clarinet and PianoPiano Reduction by Jan Philip Schulze❙ HN 729• “Henle doesn’t believe in skimping: An informativepreface listing all sources and commentaries on thereconstruction of the bass-clarinet part enhances thepiano reduction – which is supplied with footnotes –as well as the two individual parts.”(Schweizer Musikzeitung)Clarinet Quintet A major K. 581edited by Werner Breig (2005)Edition for Clarinet [A] and PianoPiano Reduction by Werner Breig❙ EB 8784• “In a painstaking work cycle and argumentationalprocedure, Breig has – inasmuch as this is possible –successfully produced a version that is so convincingthat one feels it must have been exactly like thisin Mozart’s autograph as well.”(Acta Mozartiana)

SOLO INSTRUMENT AND PIANO8• Piano reductions made by great performers and experienced arrangers• Piano reductions that are easy on the fingers and rewarding to the ear• Concertos with refreshingly new cadenzas in the “Mozart style”BASSOON AND PIANOBassoon Concerto B flat major K. 191 (186e)edited by Ernst Herttrich (2006)Edition for Bassoon and PianoPiano Reduction by Siegfried Petrenz,Cadenzas by Robert D. Levin❙ HN 801 ❙ EB 10801• “The edition of the Bassoon Concerto fostersthe sincerest hope for further ‘Hessian-Bavarian’coproductions.”(Acta Mozartiana)HORN AND PIANOHorn Concerto E flat major K. 370b+371edited by Robert D. Levin (2003)Edition for Horn and PianoPiano Reduction by Christian Rudolf Riedel,Cadenzas and Lead-ins by Robert D. Levin❙ EB 8697Horn Concerto (No. 1) D major K. 412/514with “Süßmayr Rondo” K. 514 and RondofragmentK. 412, completed by Henrik Wieseedited by Henrik Wiese (2001)Edition for Horn and PianoPiano Reduction by Jan Philip Schulze❙ HN 701Horn Concerto (No. 2) E flat major K. 417edited by Henrik Wiese (2002)Edition for Horn and PianoPiano Reduction by Jan Philip Schulze❙ HN 702Horn Concerto (No. 3) E flat major K. 447edited by Henrik Wiese (2000)Edition for Horn and PianoPiano Reduction by Jan Philip Schulze,Cadenzas by Robert D. Levin❙ HN 703• “Whoever cannot or does not want to rely on hisor her improvisational talent can use this materialwithout reservation.”(Acta Mozartiana)Horn Concerto (No. 4) E flat major K. 495edited by Henrik Wiese (2002)Edition for Horn and PianoPiano Reduction by Jan Philip Schulze,Cadenzas by Robert D. Levin❙ HN 704• Horn part in four-color printing as in Mozart’sautograph color notation

CHAMBER MUSIC• Many editions feature fold-out pages to avoid page turns9Adagio and Rondo K. 617for Glass Harmonica (Piano), Flute, Oboe, Viola andVioloncelloedited by Henrik Wiese (2001)Parts complete❙ HN 677Divertimenti for 2 Oboes, 2 Horns and2 BassoonsDivertimenti F major K. 213, B flat major K. 240,E flat major K. 252 (240a), F major K. 253 andB flat major K. 270edited by Felix Loy (2013)Parts complete❙ HN 1191Divertimento K. 525 “A Little NightMusic”edited by Wolf-Dieter Seiffert (2010)Partitur and Parts complete❙ HN 1005Additional Parts: Violin 1, Violin 2,Viola, Violoncello/Basso❙ HN 1006–1009Gran Partita B flat major K. 361 (370a)for 2 Oboes, 2 Clarinets, 2 Basset Horns, 4 Horns,2 Bassoons and Double Bassedited by Henrik Wiese (2005)Parts complete❙ HN 809Horn Quintet E flat major K. 407 (386c)for Horn, Violin, 2 Violas and Violoncelloedited by Henrik Wiese and Norbert Müllemann (2010)Parts complete❙ HN 826Clarinet Quintet A major K. 581for Clarinet, 2 Violins, Viola and Violoncelloedited by Werner Breig (2005)Score and Parts❙ KM 2289Edition for Clarinet [A] and PianoPianoauszug by Werner Breig❙ EB 8784• Includes a conjectured reconstruction of the nontransmittedoriginal version for basset clarinet• and an additional part for this instrument, which isnow available again today thanks to the productionof new instruments of this typeClarinet Quintet A major K. 581and Fragment K. Anh. 91 (516c)for Clarinet, 2 Violins, Viola and Violoncelloedited by Henrik Wiese (2005)Parts complete❙ HN 769Piano TriosDivertimento B flat major K. 254, Trios G major K. 496,E flat major K. 498 “Kegelstatt-Trio”, B flat major K. 502,E major K. 542, C major K. 548 and G major K. 564New Edition, revised by Ernst Herttrich (2006)Parts complete❙ HN 247Oboe Quartet F major K. 370 (368b)for Oboe, Violin, Viola and Violoncelloedited by Ernst Herttrich (2005)Parts complete❙ HN 794Quintet E flat major K. 452for Piano, Oboe, Clarinet, Horn and Bassoonedited by Wolf-Dieter Seiffert (2000)Parts complete❙ HN 665• First movement with many corrections of previouslyfalsely transmitted notes• First printing of last movement to feature authentic closewithout (false) ossiaSerenade E flat major K. 375for 2 Clarinets, 2 Horns and 2 Bassoonsedited by Henrik Wiese (2005)Parts complete❙ HN 795Serenade E flat major K. 375for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoonsedited by Henrik Wiese (2005)Parts complete❙ HN 796Serenade c minor K. 388 (384a)for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoonsedited by Henrik Wiese (2005)Parts complete❙ HN 797

CHAMBER MUSIC10• Many editions feature fold-out pages to avoid page turnsSonata B flat major K. 292 (196c)for Bassoon and Violoncelloedited by Henrik Wiese (2010)Score and PartsFigured Bass Realization by Wolfgang Kostujak❙ HN 827String Quintets IString Quintet B flat major K. 174 with early versionsfor 2 Violins, 2 Violas and Violoncelloedited by Wolf-Dieter Seiffert (2008)Parts complete❙ HN 777• “It’s Henle, it’s heaven sent. Everything that’s neededfor chamber music playing at any level is here. Clarityof presentation, totally trustworthy scholarship, barnumbers (at the start of each stave!), excellent qualitypaper; you get the feeling you can play the musicimmaculately even before you have tuned yourinstrument. If only these editions had been availablewhen I was a student.”(News & Views)String Quintets IIString Quintets c minor K. 406 (516b), C major K. 515and g minor K. 516for 2 Violins, 2 Violas and Violoncelloedited by Wolf-Dieter Seiffert (2006)Parts complete❙ HN 778• K. 515 and K. 516: Previously unknown Mozartcorrections taken into consideration here for thefirst timeString Quintets IIIString Quintets D major K. 593 and E flat major K. 614for 2 Violins, 2 Violas and Violoncelloedited by Wolf-Dieter Seiffert (2010)Parts complete❙ HN 779• K. 593, 4 th movement: First ossia printing of theautograph and (divergent) reading of the first edition• K. 614, 1 st movement: First printing of the authenticmusic text of the primary theme (without trills atmany passages)

CONCERT ARIAS• Includes many first editions• In-depth prefaces provide historical and musical backgroand information• Information on vocal performance practice and a list of contemporary instructional works• Complete aria texts in German and English translations• Suggestions by distinguished Mozart interpreters for cadenzas, lead-ins and embellishments11Concert Arias for Sopranoedited by Franz Beyer (1999–2002)with Cadenzas by Juliane BanseEdition for Soprano and PianoPiano Reductions by Franz Beyer, Wolfgang AmadeusMozart, Christian Rudolf Riedel and Julius RietzVolume 1Conservati fedele K. 23Cara, se le mie pene K. 6 deestA Berenice – Sol nascente K. 70 (61c)Per pietà, bell’ idol mio K. 78 (73b)Fra cento affanni K. 88 (73c)Oh, temerario Arbace! – Per quel paterno amplessoK. 79 (73d)Misero me! – Misero pargoletto K. 77 (73e)Se ardire e speranza K. 82 (73o)Se tutti i mali miei K. 83 (73p)Non caro l’affetto K. 74bDer Liebe himmlisches Gefühl K. 119 (382h)❙ EB 8671Volume 2Ridente la calma K. 152 (210a)Ah! spiegarti, oh Dio K. 178 (417c)Voi avete un cor fedele K. 217Ah, lo previdi! – Ah, t’invola – Deh, non varcar K. 272Alcandro, lo confesso – Non sò d’onde viene K. 294Basta, vincesti – Ah non lasciarmi, no K.486a (295a)Popoli di Tessaglia! – Io non chiedo, eterni DeiK. 316 (400h)Ma che vi fece, o stelle – Sperai vicino il lido K. 368Misera! dove son – Ah! non son io che parlo K. 369A questo seno deh vieni – Or che il cielo a me ti rendeK. 374Nehmt meinen Dank, ihr holden Gönner! K. 383Mia speranza adorata! – Ah non sai qual pena sia K. 416❙ EB 8672Concert Arias for TenorVa, dal furor portata K. 21 (19c)Or che il dover – Tali e cotanti sono K. 36 (33i)Si mostra la sorte K. 209Con ossequio, con rispetto K. 210Clarice cara mia sposa K. 256Se al labbro mio non credi K. 295Per pietà, non ricercate K. 420Misero! O sogno – Aura, che intorno spiri K. 431 (425b)Müsst ich auch durch tausend Drachen K. 435 (416b)Dove mai trovar quel ciglio?, aus K. 430 (424a)Non temer, amato bene, aus K. 490edited by Franz Beyer (2005)Cadenzas and Lead-ins by Christoph PrégardienEdition for Tenor and PianoPiano Reductions by Franz Beyer, Christian Rudolf Riedeland Julius Rietz❙ EB 8778Concert Arias for BassIo ti lascio, oh cara, addio K. Anh. 245 (621a)Cosi dunque tradisci – Aspri rimorsi atroci K. 432 (421a)Männer suchen stets zu naschen K. 433 (416c)Alcandro lo confesso – Non sò d’onde viene K. 512Mentre ti lascio, oh figlia K. 513Ich möchte wohl der Kaiser sein K. 539Un bacio di mano K. 541Rivolgete a lui lo sguardo K. 584Per questa bella mano K. 612edited by Franz Beyer (2008)with Embellishments by Robert HollEdition for Bass and PianoPiano Reductions by Franz Beyer andChristian Rudolf Riedel❙ EB 8798Volume 3Vorrei spiegarvi, oh Dio! K. 418No, che non sei capace K. 419Ch’io mi scordi di te? – Non temer, amato bene K. 505Bella mia fiamma, addio – Resta, oh cara K. 528Ah se in ciel, benigne stelle K. 548Al desio di chi t’adora K. 577Alma grande e nobil core K. 578Un moto di gioia K. 579Schon lacht der holde Frühling K. 580Chi sà, chi sà, qual sia K. 582Vado, ma dove? oh Dei! K. 583❙ EB 8673

SOLO CONCERTOS12• Urtext material coordinated for performance practice:• Score with Critical Report and clearly marked editorial additions• Orchestral parts with clearly presented musical text, without “ifs or buts”• Piano reductions made in collaboration with leading Mozart performersPIANO AND ORCHESTRAPiano Concerto (No. 9) E flat major K. 271“Jenamy”edited by Cliff Eisen and Robert D. Levin (2001)Score ❙ PB 5300Orchestral parts ❙ OB 5300Edition for 2 PianosPiano Reduction by Walter Heinz Bernstein,Cadenzas by Cliff Eisen and Robert D. Levin❙ EB 8640Piano Concerto (No. 17) G major K. 453edited by Stephan Hörner (2008)Cadenzas by Wolfgang Amadeus MozartScore ❙ PB 15108Orchestral parts ❙ OB 15108Edition for 2 PianosPiano Reduction and Fingering by András Schiff❙ HN 765 ❙ EB 10765Piano Concerto (No. 21) C major K. 467edited by Norbert Gertsch (2007)Score ❙ PB 15106Orchestral parts ❙ OB 15106Edition for 2 PianosPiano Reduction, Fingering and Cadenzasby András Schiff❙ HN 766 ❙ EB 10766Piano Concerto (No. 23) A major K. 488edited by Ernst-Günter Heinemann (2008)Cadenza by Wolfgang Amadeus MozartScore ❙ PB 15107Orchestral parts ❙ OB 15107Edition for 2 PianosPiano Reduction and Fingering by András Schiff❙ HN 767 ❙ EB 10767Piano Concerto (No. 25) C major K. 503edited by Ernst Herttrich (2011)Score ❙ PB 15123Orchestral parts ❙ OB 15123Edition for 2 PianosPiano Reduction, Fingering and Cadenzasby András Schiff❙ HN 825 ❙ EB 10825• New source evaluation gives more weight to thefirst edition of 1797VIOLIN AND ORCHESTRA• “All who purchase these editions can rest assuredthat they have acquired the most authenticmusical texts by Mozart available.”(Acta Mozartiana)Violin Concerto (No. 3) G major K. 216edited by Cliff Eisen (2002)Score ❙ PB 5369Orchestral parts ❙ OB 5369Edition for Violin and PianoPiano Reduction by Werner Breig,Cadenzas and Lead-ins by Andrew Manze❙ EB 8737Violin Concerto (No. 4) D major K. 218edited by Cliff Eisen (2003)Score ❙ PB 5370Orchestral parts ❙ OB 5370Edition for Violin and PianoPiano Reduction by Werner Breig,Cadenzas and Lead-ins by Andrew Manze❙ EB 8738Violin Concerto (No. 5) A major K. 219edited by Cliff Eisen (2004)Score ❙ PB 5371Orchestral parts ❙ OB 5371Edition for Violin and PianoPiano Reduction by Werner Breig,Cadenzas and Lead-ins by Andrew Manze❙ EB 8739VIOLIN, VIOLA AND ORCHESTRASinfonia concertante E flat major K. 364 (320d)edited by Wolf-Dieter Seiffert (2006)Cadenzas by Wolfgang Amadeus MozartScore ❙ PB 15102Orchestral parts ❙ OB 15102Edition for Violin, Viola and KlavierPiano Reduction by Siegfried Petrenz,Fingering and Bowing by Frank Peter Zimmermannand Tabea Zimmermann❙ HN 798 ❙ EB 10798• First correct source evaluation gives rise to a greatquantity of improvements

SOLO CONCERTOS• Urtext material coordinated for performance practice:• Score with Critical Report and clearly marked editorial additions• Orchestral parts with clearly presented musical text, without “ifs or buts”• Piano reductions made in collaboration with leading Mozart performers13FLUTE AND ORCHESTRAAndante C major K. 315 (285e)edited by Henrik Wiese (2005)Score ❙ PB 15101Orchestral parts ❙ OB 15101Edition for Flute and PianoPiano Reduction by Jan Philip Schulze,Cadenzas by Robert D. Levin❙ HN 675 ❙ EB 10785Flute Concerto G major K. 313 (285c)edited by Henrik Wiese (2006)Score ❙ PB 5295Orchestral parts ❙ OB 5295Edition for Flute and PianoPiano Reduction by Jan Philip Schulze,Cadenzas and Lead-ins by Henrik Wiese❙ EB 8644• Includes a facsimile of the solo part of the first edition• Includes cadenzas from the earliest handwrittensourcesFlute Concerto D major K. 314 (285c)edited by Henrik Wiese (2009)Score ❙ PB 5308Orchestral parts ❙ OB 5308Edition for Flute and PianoPiano Reduction by Jan Philip Schulze,Cadenzas and Lead-ins by Henrik Wiese❙ EB 8047OBOE AND ORCHESTRAOboe Concerto C major K. 314 (285d)edited by Henrik Wiese (2009)Score ❙ PB 5309Orchestral parts ❙ OB 5309Edition for Oboe and PianoPiano Reduction by Jan Philip Schulze,Cadenzas and Lead-ins by Henrik Wiese❙ EB 8048BASSOON AND ORCHESTRABassoon Concerto B flat major K. 191 (186e)edited by Ernst Herttrich (2006)Score ❙ PB 15103Orchestral parts ❙ OB 15103Edition for Bassoon and PianoPiano Reduction by Siegfried Petrenz,Cadenzas by Robert D. Levin❙ HN 801 ❙ EB 10801HORN AND ORCHESTRAHorn Concerto E flat major K. 370b+371edited by Robert D. Levin (2003)Score ❙ PB 5357Orchestral parts ❙ OB 5357Edition for Horn and PianoPiano Reduction by Christian Rudolf Riedel,Cadenzas and Lead-ins by Robert D. Levin❙ EB 8697

SYMPHONIES14• Urtext material coordinated for performance practice:• Score with Critical Report and clearly marked editorial additions• Orchestral parts with clearly presented musical text, without “ifs or buts”• In the Critical Report, highlighting of major differences between earlier editions through bold typeSymphony (No. 13) F major K. 112edited by Cliff Eisen (2002)Score ❙ PB 5372Orchestral parts ❙ OB 5372Symphony (No. 35) D major K. 385 “Hafner”edited by Henrik Wiese (2013)Score ❙ PB 5373Orchestral parts ❙ OB 5373• First edition that allows the performance of all threeversions of the “Hafner Music:”– Serenade with the March K. 408/2 (385a), asperformed in the summer of 1782 for the ennoblementof Sigmund Hafner– Four-movement symphony without flutes andclarinets, as in the first printing of 1785– Four-movement symphony with the flute and clarinetparts added by Mozart (Symphony K. 385)Symphony (No. 38) D major K. 504 “Prague”edited by Cliff Eisen (2002)Score ❙ PB 5254Orchestral parts ❙ OB 5254Symphony (No. 39) E flat major K. 543edited by Cliff Eisen (2011)Score ❙ PB 5296Orchestral parts ❙ OB 5296• “The musical text closely follows Mozart’s manuscript,and the idiosyncratic grouping of beams and stemswas generally maintained. With the aid of sparsebut plausible interventions, Eisen demonstrates hisscholarly expertise, especially with respect to thecontroversial articulation markings.”(neue musikzeitung)Symphony (No. 41) C major K. 551 “Jupiter”edited by Cliff Eisen (2006)Score ❙ PB 5292Orchestral parts ❙ OB 5292

STUDY SCORES• Musical text of the performance-practical Urtext editions in reduced dimensions (for study)• Critical Reports available for downloading (pdf files) on the Internet15PIANO MUSICPiano PiecesNew Edition, revised by Ullrich Scheideler (2006)❙ HN 9022Piano TriosNew Edition, revised by Ernst Herttrich (2006)❙ HN 9247CHAMBER MUSICClarinet Quintet A major K. 581and Fragment K. Anh. 91 (516c)edited by Henrik Wiese (2005)❙ HN 9769Divertimenti for 2 Oboes, 2 Hornsand 2 Bassoonsedited by Felix Loy (2013)❙ HN 7191Divertimento K. 525“A Little Night Music”edited by Wolf-Dieter Seiffert (2010)❙ HN 7005Gran Partita B flat major K. 361 (370a)edited by Henrik Wiese (2005)❙ HN 9809Horn Quintet E flat major K. 407 (386c)edited by Henrik Wieseand Norbert Müllemann (2010)❙ HN 9826Oboe Quartet F major K. 370 (368b)edited by Ernst Herttrich (2005)❙ HN 9794Piano Quintet E flat major K. 452 –Harmonica Quintet K. 617edited by Wolf-Dieter Seiffertand Henrik Wiese (2000/2001)❙ HN 9665Serenade E flat major K. 375 for Wind Sextetedited by Henrik Wiese (2005)❙ HN 9795Serenade E flat major K. 375 for Wind Octetedited by Henrik Wiese (2005)❙ HN 9796Serenade c minor K. 388 (384a)for Wind Octetedited by Henrik Wiese (2005)❙ HN 9797String Quintets Iedited by Wolf-Dieter Seiffert (2008)❙ HN 9777String Quintets IIedited by Wolf-Dieter Seiffert (2006)❙ HN 9778String Quintets IIIedited by Wolf-Dieter Seiffert (2010)❙ HN 9779SOLO CONCERTOSAndante C major K. 315 (285e)for Flute and Orchestraedited by Henrik Wiese (2000)❙ PB 15104Bassoon Concerto B flat majorK. 191 (186e)edited by Ernst Herttrich (2006)❙ PB 15105Piano Concerto (No. 21) C major K. 467edited by Norbert Gertsch (2007)❙ PB 15110Piano Concerto (No. 23) A major K. 488edited by Ernst-Günter Heinemann (2008)❙ PB 15111Sinfonia concertante E flat major K. 364for Violin, Viola and Orchestraedited by Wolf-Dieter Seiffert (2006)❙ PB 15109SYMPHONIESSymphony (No. 38) D major K. 504 “Prague”edited by Cliff Eisen (2002)❙ PB 5513Symphony (No. 41) C major K. 551“Jupiter”edited by Cliff Eisen (2006)❙ PB 5298

CONTENTS16PIANO MUSIC 4Piano soloPiano Four-handsSOLO INSTRUMENT AND PIANO 5Two Pianos Four-handsViolin and PianoViolin, Viola and PianoFlute and PianoFlute, Harp and PianoOboe and PianoClarinet and PianoBassoon and PianoHorn and PianoCHAMBER MUSIC 9This brochure is a joint production of the independentmusic publishers Breitkopf & Härtel, Wiesbaden, andG. Henle Verlag, Munich. It features the complete MozartUrtext editions of both publishers released since 2000.Some of these editions were made as coproductionsbetween the two firms.Breitkopf editions are marked in red ❙ and Henle in blue ❙.Publication date: 1 March 2013.Breitkopf & Härtel and G. Henle Verlag regularly issuenew Urtext editions of Mozart’s works. Keep yourselfinformed and up-to-date – about the valid retail pricesas well – by consulting the joint website in Englishand German:www.mozart21.comOr scan the QR code to visit directly our website:CONCERT ARIAS 11SOLO CONCERTOS 12Piano and OrchestraViolin and OrchestraViolin, Viola and OrchestraFlute and OrchestraOboe and OrchestraBassoon and OrchestraHorn and OrchestraSYMPHONIES 14STUDY SCORES 15Piano MusicChamber MusicSolo ConcertosSymphoniesOrder Number:99 00128 00 (Breitkopf), E-019 (Henle)Photos: Astrid Karger, Saarbrücken, and Emile Ducke,Munich (page 2)Layout: Marion Schröder, WiesbadenPrinted in Germany 3/13available through