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Celebrating 30 years! - Ngaanyatjarra, Pitjantjatjara and ...

Celebrating 30 years! - Ngaanyatjarra, Pitjantjatjara and ...

Celebrating 30 years! - Ngaanyatjarra, Pitjantjatjara and ...

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Tjanpi Desert Weaversorganised, ten cultural sites visited <strong>and</strong>seventeen inma (cultural song <strong>and</strong> dance)performed. Tjanpi’s workshops are verymuch in dem<strong>and</strong> as they foster artistic<strong>and</strong> technical skills. This is in additionto allowing Tjanpi artists to enjoy otheractivities such as collecting grass withTjanpi staff, visiting significant sites,sharing important cultural information<strong>and</strong> skills, hunting <strong>and</strong> eating bush foods,making bush medicines, <strong>and</strong> connectingwith family.Tjanpi completed its last bush workshop<strong>and</strong> artist residency in Amata withcontemporary installation artist AlisonClouston. These remote bush workshopswere held over a two-year period with thesupport of the Balnaves Foundation <strong>and</strong>provided opportunities to create worksfor Kuru Alala - Eyes Open, an exhibitionwhich opened in October 2009 at theGold Coast City Art Gallery <strong>and</strong> will travelto regional venues during 2010-2012.The Kuru Alala exhibition was conceivedin collaboration with contemporaryinstallation artists Maria Fern<strong>and</strong>aCardoso <strong>and</strong> Alison Clouston whovisited the <strong>Ngaanyatjarra</strong> <strong>and</strong> APY L<strong>and</strong>srespectively, to share ideas, experiences<strong>and</strong> skills with Tjanpi artists.Cultural exchange workshops wereoffered at Alice Springs Desert Park,Araluen Art Centre during NAIDOC week,<strong>and</strong> at the Alice Springs Library, AliceSprings High School, Alice SpringsCorrectional Centre, Gold Coast CityArt Gallery, the hugely popular AliceSprings Beanie Festival <strong>and</strong> in Singaporefor local art students. In September2009 Tjanpi artists performed inma atDancesite in Alice Springs, a very popularpresentation of traditional Indigenousdance from Central Australia.Tjanpi acquired a publishing contractwith Macmillan to produce the Tjanpibook in addition to Tjanpi being includedin Macmillan’s Contemporary Mini ArtSeries. Funding for the productioncosts was acquired from the MutitjuluFoundation, Gordon Darling Foundation<strong>and</strong> Yeperenye Nominees Pty. Ltd. ManyTjanpi artists have contributed theirstories <strong>and</strong> memories <strong>and</strong> the bookwill do much to raise the profile of theweavers, reflect on Tjanpi’s uniquehistory <strong>and</strong> place in contemporary art<strong>and</strong> provide a safe keeping place ofcultural information for Anangu.Tjanpi redeveloped its website in 2010 toinclude an on-line exhibition of artworksfor sale <strong>and</strong> now has a greater scopeto increase the profile of the enterprise.Tjanpi’s Remote base in Warakurna WAwas operational throughout the year<strong>and</strong> allowed for greater communityengagement in Tjanpi’s annual programof activities <strong>and</strong> services. The Tjanpioffice <strong>and</strong> gallery in NPYWC’s WilkinsonSt. premises in Alice Springs underwentan expansion <strong>and</strong> modest but beautifultransformation this year, resulting inmore room for Tjanpi staff as well as forthe works on sale.Michelle YoungTjanpi ManagerIlluwanti Ken with tjanpi figure at Amata workshop.Katanari Butler making a tjanpi animal at Amata workshop.14 NPY Women’s Council (Aboriginal Corporation) Annual Report 2009–2010

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