Stress and Intonation in Spoken English
Stress and Intonation in Spoken English
Stress and Intonation in Spoken English
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<strong>Stress</strong> <strong>and</strong> <strong>Intonation</strong> <strong>in</strong> <strong>Spoken</strong> <strong>English</strong>ContentsIntroduction ...................................................................................................................................... 2<strong>Stress</strong> <strong>and</strong> <strong>Intonation</strong> <strong>in</strong> <strong>Spoken</strong> <strong>English</strong> ............................................................................................. 2Tonic Syllable ................................................................................................................................. 2Emphatic <strong>Stress</strong> ............................................................................................................................. 2Contrastive <strong>Stress</strong> .......................................................................................................................... 3New Information <strong>Stress</strong> ................................................................................................................. 3<strong>Intonation</strong> ..................................................................................................................................... 4Tonal Patterns ............................................................................................................................... 4Describ<strong>in</strong>g Tone ............................................................................................................................. 6Pitch .............................................................................................................................................. 6Ruth Wickham, Brighton Education Tra<strong>in</strong><strong>in</strong>g Fellow, IPGKDRI1
<strong>Stress</strong> <strong>and</strong> <strong>Intonation</strong> <strong>in</strong> <strong>Spoken</strong> <strong>English</strong>Slide6This time, use emphatic stress to say each of these sentences.Slide7Contrastive <strong>Stress</strong>Contrastive stress is of course a type of emphatic stress, mak<strong>in</strong>g acorrection to what has been said or implied.Slide8Use contrastive stress when you say these sentences.Slide9New Information <strong>Stress</strong>When new <strong>in</strong>formation is presented another type of emphaticstress can be heard, as <strong>in</strong> these examples.Slide10In your group create some question <strong>and</strong> answer dialogues todemonstrate New Information <strong>Stress</strong>.Ruth Wickham, Brighton Education Tra<strong>in</strong><strong>in</strong>g Fellow, IPGKDRI3
<strong>Stress</strong> <strong>and</strong> <strong>Intonation</strong> <strong>in</strong> <strong>Spoken</strong> <strong>English</strong>Slide11See how many different ways you can say each of these sentencesus<strong>in</strong>g different stress patterns.Slide12<strong>Intonation</strong><strong>Intonation</strong> is of course closely l<strong>in</strong>ked to stress with the tonalpattern occurr<strong>in</strong>g mostly on the stressed (tonic) syllable.<strong>Intonation</strong> is the music side of language.Slide13The simple word, ‘Hello’ is spoken with different <strong>in</strong>tonation,depend<strong>in</strong>g on who we are speak<strong>in</strong>g to.Slide14When describ<strong>in</strong>g <strong>in</strong>tonation scientifically, an <strong>in</strong>tonation unit isdef<strong>in</strong>ed by pauses rather than by punctuation <strong>and</strong> sentencesnecessarily.Slide15Tonal PatternsThere are many patterns <strong>and</strong> many variations. Here are four of thema<strong>in</strong> ones that have been described by l<strong>in</strong>guists.Ruth Wickham, Brighton Education Tra<strong>in</strong><strong>in</strong>g Fellow, IPGKDRI4
<strong>Stress</strong> <strong>and</strong> <strong>Intonation</strong> <strong>in</strong> <strong>Spoken</strong> <strong>English</strong>Slide16A fall<strong>in</strong>g tone can <strong>in</strong>dicate completion, f<strong>in</strong>ality, <strong>and</strong> that it is timefor the other person to respond. (Sometimes when someone failsto use the fall<strong>in</strong>g tone, listeners are not sure whether they havef<strong>in</strong>ished or not.)Slide17Try say<strong>in</strong>g these examples with a fall<strong>in</strong>g tone. Remember the fall<strong>in</strong>gpart happens on the tonic syllable.Slide18Here are some more fall<strong>in</strong>g tone examples to try.Slide19When someone is ask<strong>in</strong>g a question that they do not already knowthe answer to, they tend to use a ris<strong>in</strong>g tone.Slide20High rise tone starts high <strong>and</strong> goes higher – it can really hurt yourears! It is an expression of surprise, ask<strong>in</strong>g the other person toclarify or repeat what they just said.Ruth Wickham, Brighton Education Tra<strong>in</strong><strong>in</strong>g Fellow, IPGKDRI5
<strong>Stress</strong> <strong>and</strong> <strong>Intonation</strong> <strong>in</strong> <strong>Spoken</strong> <strong>English</strong>Slide21The fall-rise tone goes first down <strong>and</strong> then up. Besides be<strong>in</strong>gcommon as a regional dialect <strong>in</strong> some areas, there is a h<strong>in</strong>t that thespeaker does not mean exactly what they say – <strong>in</strong> fact possibly theopposite.Slide22Describ<strong>in</strong>g ToneThere are a number of different ways to describe tone <strong>in</strong> writtenform – here is one commonly used form (because it can be easilycreated on a keyboard). Note the slashes //, remember that / isused for phonemes <strong>and</strong> [ ] for phones. The capital letters <strong>in</strong>dicatethe tonal syllable where the tonal pattern is applied. Theunderl<strong>in</strong>ed words are also stressed.Slide23The teacher will read a few sentences. Try to write them down withthe tone stress <strong>in</strong>dicators just shown.Slide24PitchWith <strong>in</strong>tonation there is a variation of pitch. However, everybodyhas their own normal pitch range. And some languages tend to bespoken at a higher or lower pitch than others.Slide25In situations of extreme excitement most peoples voices raise <strong>in</strong>pitch.Ruth Wickham, Brighton Education Tra<strong>in</strong><strong>in</strong>g Fellow, IPGKDRI6
<strong>Stress</strong> <strong>and</strong> <strong>Intonation</strong> <strong>in</strong> <strong>Spoken</strong> <strong>English</strong>Slide26Th<strong>in</strong>k of some th<strong>in</strong>gs that you might say <strong>in</strong> an emotional situationwith a high pitch.Slide27We sometimes use a very low pitch when we are add<strong>in</strong>g some<strong>in</strong>formation that may not be important.Slide28Remember – there are no simple rules for <strong>in</strong>tonation. But there aresome general guidel<strong>in</strong>es, <strong>and</strong> you need to be aware of it <strong>and</strong> it’sgood if you can also describe it accurately.Otherwise – practice! (Watch a LOT of movies <strong>in</strong> <strong>English</strong>!)Slide29Try apply<strong>in</strong>g what you have learnt to the short dramas your teacherwill give you.Slide30Ruth Wickham, Brighton Education Tra<strong>in</strong><strong>in</strong>g Fellow, IPGKDRI7