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Teaching Romeo and Juliet to ESL Students in ... - learningdomain

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maybe for my students. So, it is necessary that my students’ first <strong>in</strong>troduction withShakespeare is easy <strong>and</strong> enterta<strong>in</strong><strong>in</strong>g. We can approach Shakespeare <strong>in</strong> different ways<strong>and</strong> read him on a variety of different levels, allow<strong>in</strong>g all students <strong>to</strong> enjoy it.This project is a challeng<strong>in</strong>g task for me. It can be very successful if the teacherdesigns an organized sequence of activities from the simplest <strong>to</strong> the most complex ones.TEACHING STRATEGIESThe follow<strong>in</strong>g paper provides a n<strong>in</strong>e-week lesson plan on approaches <strong>and</strong> strategies suchas recitation, summaries, journals, discussions, role-plays, <strong>and</strong> an adapted performance ofthe play. These activities are varied <strong>and</strong> carefully designed <strong>to</strong> establish a k<strong>in</strong>d ofcommunication between students <strong>and</strong> Shakespeare. We need <strong>to</strong> be flexible with ourstudents’ different needs <strong>and</strong> abilities <strong>to</strong> offer them what they need <strong>to</strong> learn .Pre-read<strong>in</strong>g activitiesHis<strong>to</strong>rical BackgroundI will start my unit by <strong>in</strong>troduc<strong>in</strong>g some <strong>in</strong>terest<strong>in</strong>g his<strong>to</strong>rical tips about the Renaissanceby means of a “Did you know” activity. The teacher may get some of the <strong>in</strong>formationabout the Elizabethan background from an encyclopedia. <strong>Students</strong> will enjoy learn<strong>in</strong>ghow life was back <strong>in</strong> the sixteenth century: why travell<strong>in</strong>g was so difficult, why gett<strong>in</strong>gsick was much more dangerous, why w<strong>in</strong>e was safer than water, why they were us<strong>in</strong>gheavy perfumes <strong>and</strong> why there was no bath<strong>in</strong>g. No wear<strong>in</strong>g clean clothes <strong>and</strong> ur<strong>in</strong>at<strong>in</strong>g<strong>in</strong> corners were someth<strong>in</strong>g that was usual back <strong>in</strong> those days.Elizabethan TheaterNext, I will provide students with some <strong>in</strong>formation about the Elizabethan Theater <strong>and</strong>the way plays were performed. <strong>Students</strong> will realize that our modern facilities are verydifferent from Elizabethan ones. <strong>Students</strong> will build, with construction paper, their ownreplica of the Globe with the help of the art teacher if necessary. In the model they willshow that the Elizabethan Theater was open-air, circular <strong>in</strong> shape, with three levels ofseat<strong>in</strong>g. The stage was surrounded by an audience who generally sat accord<strong>in</strong>g <strong>to</strong> socialclass. A flag <strong>in</strong> red, black or white was raised depend<strong>in</strong>g on the genre of the play, <strong>and</strong>plays were staged <strong>in</strong> the afternoon us<strong>in</strong>g the daylight. <strong>Students</strong> will be aware that therewas no curta<strong>in</strong> <strong>and</strong> no formal scenery, no direc<strong>to</strong>r <strong>and</strong> no producer <strong>and</strong>, f<strong>in</strong>ally, thatfemale roles were played by young boys. The plays were performed for two hourswithout s<strong>to</strong>pp<strong>in</strong>g. There was no pause <strong>in</strong> action <strong>and</strong> the lack of scenery <strong>in</strong>volved theaudience’s participation with their own imag<strong>in</strong>ation. (Norrie Epste<strong>in</strong>, 44)A draw<strong>in</strong>g of the Globe can also be allowed for those students who feel morecomfortable with a picture rather than with the model. The picture will be done56

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