Yibiyung – Program - Belvoir St Theatre

2000 Roxanne received a specialcommendation Matilda Award.Recently she co-wrote a radio playcalled Caravans with SteveMayer-Miller, Director of CrossroadArts in Mackay.BRUCEMcKINVENCostume DesignerBruce graduated from QueenslandUniversity of Technology’s VisualArts course in 1994 and NIDA’sDesign course in 1997. Prior toNIDA he was Design Assistantfor various Brisbane and Sydneybasedcompanies. With CompanyB he was Assistant CostumeDesigner on The Adventures ofSnugglepot & Cuddlepie and LittleRagged Blossom (co-produced withWindmill Performing Arts). Otherset and costume design creditsinclude The Story of the Miraclesat Cookie’s Table (Griffin TheatreCompany); Othello [costumes](Bell Shakespeare); The DyingGaul, Hamlet [set] (State TheatreCompany of South Australia); Bill &Mary, A Conversation, The LonesomeWest, Proof, Eating Ice Cream withyour Eyes Closed, God is a DJ,Vincent in Brixton, Hitchcock Blonde,A Streetcar Named Desire, AmericanBuffalo, Constance Drinkwater,Private Fears in Public Places, Heroes,Prisoner of Second Avenue, TheAugust Moon (Queensland TheatreCompany); Last Drinks, UrbanDingoes, Walking by Apple Tree Creek(La Boite Theatre Company) andThe 7 Stages of Grieving (SydneyTheatre Company – Education).For dance, he has designed for KateChampion’s Force Majeure, AustralianDance Theatre, Expressions DanceCompany, Tasdance, West AustralianBallet, Natalie Weir, Garry Stewart,Brian Lucas and Clare Dyson. Forthe Adelaide Festival, Bruce workedin numerous production and designroles from 1994 to 2004. Hisfilm credits include Wardrobe ArtFinisher on Mission Impossible II andCostume/Props Maker on ScoobyDoo. In 2001, Bruce was awardedThe Mike Walsh Fellowship whichenabled him to work with Dublindance company CoisCéim.KYLEMORRISONAssistant DirectorKyle has been working in the theatreindustry in Western Australia asan actor for fourteen years with fortheatre companies such as BlackSwan Theatre Company, DeckchairTheatre and Yirra Yaakin NoongarTheatre. As a Director Kyle’s creditsinclude the school production Inthe Nyitting Time (Yirra YaakinNoongar Theatre Company) and asan Assistant Director Romeo andJuliet (Sydney Theatre Company– Education) and Female of theSpecies (Black Swan TheatreCompany).JACOB NASHSet DesignerJacob graduated from the NIDADesign Course in 2005. Yibiyungis his first main stage productionfor Company B. For B Sharp andmurri fulla films he designed RubenGuthrie and Jesus Hopped the ‘A’Train. His other theatre creditsinclude Macbeth (Bell Shakespeare);Romeo and Juliet (Sydney TheatreCompany – Education); Lessonsin Flight (Darlinghurst TheatreCompany); My Girragundji (CanuteProductions); Njunjul the Sun(Kooemba Jdarra IndigenousPerforming Arts). He also worked inthe costume department inpre-production on Baz Luhrmann’slatest film Australia and in the artdepartment on The Circuit, a sixpart television series which airedon SBS. In addition, Jacob haswritten and directed Blood Lines,a five-minute short film whichis part of a thirteen part seriescalled A Bit of Black Business, anAustralian Film Commission andSBS Independent initiative. Jacobwas also the Assistant Directoron the International ShakespeareLaboratory with The AlmeidaTheatre Company’s Artistic DirectorMichael Attenborough and CecilyBerry, an initiative coordinated bythe Sydney Theatre Company.DAVID PAGEUncle/TrackerIn the 1980s David studied at CASM,the Centre for Aboriginal Studies inMusic at Adelaide University. Sincegraduating he has both performedand composed for theatre, danceand film. As a performer his mostrecent Company B credit was hisone-man show Page 8, whichtoured nationally and internationally.Among his other acting credits areMurras (Adelaide Fringe Festival);Big Sister (Riverside Theatre); TheSunshine Club, Fountains Beyond(Queensland Theatre Company) andThe Cherry Pickers (Sydney TheatreCompany). For film he has performed