The Matchmaker - Center Stage
The Matchmaker - Center Stage
The Matchmaker - Center Stage
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<strong>The</strong> Gilded Age<br />
& <strong>The</strong> Empire City<br />
by Drew Lichtenberg, Associate Dramaturg<br />
One of Dolly Levi’s wishes in <strong>The</strong> <strong>Matchmaker</strong> is that New York cease to be a city<br />
of “tired, nervous ants” and metamorphose into a happy city like her beloved<br />
Ephraim’s Vienna—a place of beauty and culture. It’s a trickier negotiation than<br />
she might care to admit. She knows it takes money; but, because this is farce, she<br />
doesn’t add that New York’s cultural growth, then as now, depends upon turning<br />
a blind eye to political corruption, ethnic hatred, and brutal extremes of wealth.<br />
Commonly known as the Gilded Age, the period between 1873 and 1893 was a<br />
kind one to Gotham City, which during these years began to emerge as the global<br />
metropolis it remains today. It was an era in which a confluence of factors—<br />
exponential population growth, massive waves of immigration, rapidly increasing<br />
industry—gave rise to visible landmarks and tangible conflicts. >>><br />
Next <strong>Stage</strong>: <strong>The</strong> <strong>Matchmaker</strong> | 10