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The Matchmaker - Center Stage

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<strong>The</strong> Gilded Age<br />

& <strong>The</strong> Empire City<br />

by Drew Lichtenberg, Associate Dramaturg<br />

One of Dolly Levi’s wishes in <strong>The</strong> <strong>Matchmaker</strong> is that New York cease to be a city<br />

of “tired, nervous ants” and metamorphose into a happy city like her beloved<br />

Ephraim’s Vienna—a place of beauty and culture. It’s a trickier negotiation than<br />

she might care to admit. She knows it takes money; but, because this is farce, she<br />

doesn’t add that New York’s cultural growth, then as now, depends upon turning<br />

a blind eye to political corruption, ethnic hatred, and brutal extremes of wealth.<br />

Commonly known as the Gilded Age, the period between 1873 and 1893 was a<br />

kind one to Gotham City, which during these years began to emerge as the global<br />

metropolis it remains today. It was an era in which a confluence of factors—<br />

exponential population growth, massive waves of immigration, rapidly increasing<br />

industry—gave rise to visible landmarks and tangible conflicts. >>><br />

Next <strong>Stage</strong>: <strong>The</strong> <strong>Matchmaker</strong> | 10

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