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GREEN ROOM MUSIC OF TUNBRIDGE WELLSWHEN I MOVED to <strong>Pembury</strong> from South-East London 13 years ago, one of my firstpriorities was to become involved in <strong>the</strong> local music scene by joining <strong>the</strong> TunbridgeWells Choral Society. After a few months, a fellow singer suggested that I join <strong>the</strong>committee of Green Room Music (GRM), a society which arranges six classical chamberconcerts a year in Trinity Theatre, Tunbridge Wells. Never having had anything to do withmusic administration before, I wondered what use I could possibly be on <strong>the</strong> committee.However, during my ‘vetting’ lunch at Trinity, <strong>the</strong> Chairman, Dennis Smith, quickly put meat ease and invited me onto <strong>the</strong> committee on <strong>the</strong> basis of my enthusiasm, ra<strong>the</strong>r than anyrelevant skills.Dennis gave me a potted history of GRM. The first recital was held in <strong>the</strong> Elizabethan Barnin 1967 as part of <strong>the</strong> Green Room Club of Royal Tunbridge Wells to campaign for a<strong>the</strong>atre and arts centre in Tunbridge Wells. In 1970 <strong>the</strong> recitals were transferred to <strong>the</strong>Assembly Hall where, for many years, audience numbers climbed and famous artists such asJanet Baker, Paul Tortelier and Alfred Brendel attracted sell-out audiences of over 1,000.But by 1987 audience numbers were falling so, for financial reasons, it was decided totransfer <strong>the</strong> recitals to Trinity Theatre and we have enjoyed this lovely, intimate venue eversince.I must have done something right on <strong>the</strong> GRM committee because after a couple of yearsI was appointed Series Director and found myself, virtually overnight, negotiating fees anddates with international artists, including <strong>the</strong> King’s Singers, Emma Kirkby and EmmaJohnson. If any of <strong>the</strong>m guessed how inexperienced I was, nei<strong>the</strong>r <strong>the</strong>y nor <strong>the</strong>ir agentsever let on! And <strong>the</strong> supportIreceived from <strong>the</strong> GreenRoom committee was alwaysoverwhelming. Sadly, in 2005I had to resign from my postfor personal reasons, althoughIremain on <strong>the</strong> committee.The new Series Director,Amanda Smith, has takenGRM forward in leaps andbounds. The 2008/2009season, starting on21 September, is <strong>the</strong> mostexciting and innovative yetand will include recitals by <strong>the</strong>English Chamber OrchestraEnsemble, <strong>the</strong> Gould PianoJohn WilliamsPHOTO: KATHY PANAMATrio, <strong>the</strong> Royal String Quartet, <strong>the</strong> O (percussion) Duo, <strong>the</strong> Endellion String Quartet andJohn Williams. As well as <strong>the</strong>se fantastic concerts <strong>the</strong>re will be pre-concert talks, openrehearsals providing a “fly on <strong>the</strong> wall view” of musicians in rehearsal, <strong>the</strong> O Duo will holda workshop introducing percussion for all <strong>the</strong> family, entitled Crash, Bang, Wallop, and youcan find out about <strong>the</strong> man behind <strong>the</strong> guitar in conversation with John Williams before hiscontinued on page 2827