12.07.2015 Views

Issue 135 - the Pembury Village Website

Issue 135 - the Pembury Village Website

Issue 135 - the Pembury Village Website

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

GREEN ROOM MUSIC OF TUNBRIDGE WELLSWHEN I MOVED to <strong>Pembury</strong> from South-East London 13 years ago, one of my firstpriorities was to become involved in <strong>the</strong> local music scene by joining <strong>the</strong> TunbridgeWells Choral Society. After a few months, a fellow singer suggested that I join <strong>the</strong>committee of Green Room Music (GRM), a society which arranges six classical chamberconcerts a year in Trinity Theatre, Tunbridge Wells. Never having had anything to do withmusic administration before, I wondered what use I could possibly be on <strong>the</strong> committee.However, during my ‘vetting’ lunch at Trinity, <strong>the</strong> Chairman, Dennis Smith, quickly put meat ease and invited me onto <strong>the</strong> committee on <strong>the</strong> basis of my enthusiasm, ra<strong>the</strong>r than anyrelevant skills.Dennis gave me a potted history of GRM. The first recital was held in <strong>the</strong> Elizabethan Barnin 1967 as part of <strong>the</strong> Green Room Club of Royal Tunbridge Wells to campaign for a<strong>the</strong>atre and arts centre in Tunbridge Wells. In 1970 <strong>the</strong> recitals were transferred to <strong>the</strong>Assembly Hall where, for many years, audience numbers climbed and famous artists such asJanet Baker, Paul Tortelier and Alfred Brendel attracted sell-out audiences of over 1,000.But by 1987 audience numbers were falling so, for financial reasons, it was decided totransfer <strong>the</strong> recitals to Trinity Theatre and we have enjoyed this lovely, intimate venue eversince.I must have done something right on <strong>the</strong> GRM committee because after a couple of yearsI was appointed Series Director and found myself, virtually overnight, negotiating fees anddates with international artists, including <strong>the</strong> King’s Singers, Emma Kirkby and EmmaJohnson. If any of <strong>the</strong>m guessed how inexperienced I was, nei<strong>the</strong>r <strong>the</strong>y nor <strong>the</strong>ir agentsever let on! And <strong>the</strong> supportIreceived from <strong>the</strong> GreenRoom committee was alwaysoverwhelming. Sadly, in 2005I had to resign from my postfor personal reasons, althoughIremain on <strong>the</strong> committee.The new Series Director,Amanda Smith, has takenGRM forward in leaps andbounds. The 2008/2009season, starting on21 September, is <strong>the</strong> mostexciting and innovative yetand will include recitals by <strong>the</strong>English Chamber OrchestraEnsemble, <strong>the</strong> Gould PianoJohn WilliamsPHOTO: KATHY PANAMATrio, <strong>the</strong> Royal String Quartet, <strong>the</strong> O (percussion) Duo, <strong>the</strong> Endellion String Quartet andJohn Williams. As well as <strong>the</strong>se fantastic concerts <strong>the</strong>re will be pre-concert talks, openrehearsals providing a “fly on <strong>the</strong> wall view” of musicians in rehearsal, <strong>the</strong> O Duo will holda workshop introducing percussion for all <strong>the</strong> family, entitled Crash, Bang, Wallop, and youcan find out about <strong>the</strong> man behind <strong>the</strong> guitar in conversation with John Williams before hiscontinued on page 2827

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!