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The Time Machine - International World History Project

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<strong>The</strong> <strong>Time</strong> <strong>Machine</strong>last, in one of the really air-tight cases, I found a box ofmatches. Very eagerly I tried them. <strong>The</strong>y were perfectlygood. <strong>The</strong>y were not even damp. I turned to Weena.‘Dance,’ I cried to her in her own tongue. For now I hada weapon indeed against the horrible creatures we feared.And so, in that derelict museum, upon the thick softcarpeting of dust, to Weena’s huge delight, I solemnlyperformed a kind of composite dance, whistling THELAND OF THE LEAL as cheerfully as I could. In part itwas a modest CANCAN, in part a step dance, in part askirt-dance (so far as my tail-coat permitted), and in partoriginal. For I am naturally inventive, as you know.‘Now, I still think that for this box of matches to haveescaped the wear of time for immemorial years was a moststrange, as for me it was a most fortunate thing. Yet, oddlyenough, I found a far unlikelier substance, and that wascamphor. I found it in a sealed jar, that by chance, Isuppose, had been really hermetically sealed. I fancied atfirst that it was paraffin wax, and smashed the glassaccordingly. But the odour of camphor was unmistakable.In the universal decay this volatile substance had chancedto survive, perhaps through many thousands of centuries.It reminded me of a sepia painting I had once seen donefrom the ink of a fossil Belemnite that must have perished110 of 148

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