afterimage - Experimental Television Center

25:4 Photography and the American South; Globalization and representation in Lands' End catalogs; Tracey Moffatt at Dia
Center, New York; Liz Heron and Val Williams's Illuminations: Women Writing on Photography from the 1850s to the Present;
Latin Looks: Images of Latinas and Latinos in the U.S. Media by Clara Rodriguez; Lucien Clergue, Victor Skrebneski and Arthur
Tress in L.A.; Cecelia Condit's Oh, Rapunzel; Robert Flaherty Film Seminar; reports from the Bay Area and Santa Fe; Toronto
International Film Festival; non-profit arts sector called "elitist"; American Society of Media Photographers drops Kodak;
received and noted.
25:3 The role of the demo in digital art; Jim Campbell's electronic installations; The art of the pixel; on the popularity of Cindy
Sherman; San Diego's MoPA; "The Style Conference"; "Sculpture Project in Munster"; John Akomfrah's The Last Angel of History;
Leighton Pierce's 50 Feet of String; received and noted.
25:2 SPECIAL ISSUE: CONSTRUCTING NATURE. The Center for Land Use Interpretation; the work of multi-media artist Mary
Lucier; the Quay Brothers' Institute Benjamenta; media representations of post-menopausal pregnancy; artists, gentrification
and New York City's Lower East Side, 1979-84; reviewing American landscape photography; SITE Santa Fe; Mark Dion and
Alexis Rockman's Concrete Jungle; related books; received and noted.
25:1 Communication art; the work of photographer Adam Fuss; four books on Moholy-Nagy; first-person documentary films
and videos; the photography M.F.A.; Johanna Drucker's The Century of Artists' Books; Alex Harris's A New Life: Stories &
Photographs from the Suburban South; 15th San Francisco International Asian American Film Festival; photography scene in
Columbus; independent film and video in Boston; contemporary Italian photography; community darkrooms; received and
noted; index to volume 24.
24:6 Satellite art; the films of Martin Arnold; tension between art history and cultural studies; interactions between art and
fashion; George Eastman House film preservation program; Susan Schwartzenberg's Cento: A Market Street Journal; "Anxious
Libraries: Photography and the Fate of Reading" at the Photographic Resource Center, Boston; Edmund Teske, 1911-1996;
Grace M. Mayer, 1901-1996; received and noted.
24:5 SPECIAL VISUAL STUDIES WORKSHOP EXHIBITION: From the Background to the Foreground: The Photo Backdrop and
Cultural Expression. Introduction by James B. Wyman, Curator; Arjun Appadurai's "The Colonial Backdrop"; Lucy R. Lippard's
"Frames of Mind"; Avon Neal's "Folk Art Fantasies: Photographers' Backdrops"; Sonia Eglesias y Cabrera and Maria del Carmen
León's "Memoirs of an Itinerant Photographer"; exhibition checklist.
24:4 Transnational documentaries; the photography of Roy DeCarava; "Friendly Fire" project in San Diego; reports from
London and Mexico City; Ars Electronica '96; 5th Latin Colloquium of Photography; Ann Hamilton's "The Body and the Object"
at the Wexner Center, Columbus, OH; "Mediascape" at the Guggenheim Museum; "Photography and Beyond in Japan" at the
Hara Museum of Contemporary Art, Japan; Platteland: Images from Rural South Africa by Roger Ballen; received and noted.
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