Volker Langhoff BVK
Volker Langhoff BVK
Volker Langhoff BVK
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mobile +49 (0)171-388 47 11 <strong>Volker</strong> <strong>Langhoff</strong> <strong>BVK</strong><br />
‣ Filmography Camera<br />
‣ Documentary (selection)<br />
kameramann · director of photography<br />
The Ghost Writer - EPK/The Making Of/Behind the Scenes<br />
Laurent Bouzereau, Summit International, 60min, HDCam<br />
Gefangen in der Hungersteppe<br />
Günther Heinzel, Dr. Achim Engelberg<br />
NFP Berlin, 45min, HDV<br />
Room 4070 (Raum 4070)<br />
Torsten Striegnitz, Jana Kalms<br />
Credofilm Berlin, 80min, BetacamSP<br />
Mommy says... I ‘m Special<br />
Umesh Shetty, Focus Direct Dubai, 60min, HDCam<br />
Ibn Sina Opera Avicenna - The Making Of<br />
Taïeb Louhichi, Mizalat Production Kairo, 30min, DigilBetacam<br />
Honecker’s Flucht - Das Ende eines deutschen Kommunisten<br />
Die Honeckers in Chile<br />
Thomas Grimm, Zeitzeugen TV Berlin, 30 and 45min, DigilBetam<br />
highest viewing rate of the year for a documentary in German TV<br />
Stolpes Finale - Ein Landesvater tritt ab<br />
Heike Hartung & Griet von Petersdorff, ORB Potsdam, 28min, DigitalBetacam<br />
Stephan Lebensmut<br />
Ilka Schulz, Academy of Media Arts Cologne, 30min, DV<br />
Legenden - Zarah Leander Annette Plomin, Drefa Leipzig, 45min, DigitalBetacam<br />
Schlachtfeld Vietnam - Der schwierige Frieden<br />
Jörg Hafkemeyer, Cintec Berlin, 45min, BetacamSP<br />
Gripsholm - Zwischen Gestern und Morgen (The Making Of)<br />
Glüsha Arslan, Wilkening Film Potsdam, 45 min, DigitalBetacam<br />
B-52 Hartmut Bitomsky<br />
CoFilm Hamburg, 109 min, 35 mm, Berlinale Forum<br />
When the Wall Came Tumbling Down - 50 Hours that Changed the World<br />
(Als die Mauer fiel - 50 Stunden die die Welt veränderten)<br />
Gunther Scholz, Hans-Herman Hertle, Cineimpuls Berlin, Bavarian TV Price (Blue Panther)<br />
one of the most programmed documentaries in German TV in recent years, 89min, DigitalBetacam<br />
Crimson Snow (Blutroter Schnee)<br />
Gunther Scholz, Cintec Berlin, 30min, BetacamSP<br />
Zwischen Hier und Dort - Der Schriftsteller Giwi Margwelaschwili<br />
Irene Langemann, Lichtfilm Cologne, 30min, BetacamSP<br />
Im Schatten der Mauer<br />
Beate F. Neumann, HFF Babelsberg, 20min, 16mm<br />
Uprising '89, Dresden - Epilog (Aufbruch ’89, Dresden - Epilog)<br />
Thomas Eichberg and HFF team, HFF Babelsberg, 30min, S-VHS-Pro<br />
Berlinale Forum<br />
Uprising '89, Dresden (Aufbruch ’89, Dresden)<br />
co-director & co-cinematographer, HFF Babelsberg, 60min, 16 mm<br />
Golden Dove Leipzig, Berlinale Forum<br />
am rosengarten 31 · d-15566 schöneiche · berlin · germany<br />
+49 (0) 171 - 388 47 11 · volker.langhoff@mac.com · www.volker-langhoff.de
‣ Fiction (selection)<br />
The Ghost Writer (Camera Operator - Video Segments, VFX plates)<br />
Roman Polanski, DoP Pawel Edelman, 128min, 35mm<br />
The Mysterious Treasure of Troy<br />
(Der geheimnisvolle Schatz von Troja) (2nd unit camera)<br />
Dror Zahavi, DoP Gero Steffen, teamWorx Berlin, 2x 90min, 16mm<br />
Golden Camera<br />
The Airlift (Die Luftbrücke)(2nd unit camera)<br />
Dror Zahavi, DoP Gero Steffen, teamWorx Berlin, 2x 90min, 16mm<br />
Die Zeit nach der Trauer (storyboard & 2nd unit camera)<br />
Beate F. Neumann, DoP Jürgen Heimlich, Tatfilm Leipzig, 90min, DigitalBetacam<br />
Zuckerbrot (underwater camera)<br />
Hartmut Schoen, DoP Gero Steffen, TeamWorx Berlin, 90min, 16mm<br />
Violin Solo (Geigensolo)<br />
Karin Malwitz, KAMA Film Frankfurt, 45min, 35mm<br />
finalist German Short Film Price<br />
Find Your Way Back<br />
Yoo Guhn Tay, CalArts, Los Angeles, 25min, 16mm<br />
Where the Elephant Sits (storyboard & 2nd unit camera)<br />
Mark Lowenthal, Trunk To Tale Productions Los Angeles, 105min, 35mm,<br />
Glas Bear - Berlinale<br />
Vademecum Vitalis<br />
Martin Robacki, HFF-Babelsberg, 24min, 35mm<br />
‣ Spot & Music Video (selection)<br />
Feuertaufe Martin Robacki, Robacki Production Berlin, HD EOS 7<br />
Zwillingsspiel Martin Robacki, Robacki Production Berlin, miniDV & ARRI D20<br />
National Bank of Abu Dhabi Antony L’Huillier, Redmark Studios Dubai, miniDV<br />
V8 Star Lausitzring Nicolas Böll, Vmax Media Berlin, DVCPro<br />
Use Me - Chris Bennett Justin Stauber, Renegade Entertainment Los Angeles, miniDV<br />
Siemens - UMTS Andreas Schlosser, Intervideo Mainz, 9 spots, 16mm,<br />
Award of Master - Corporate Media<br />
Tattoos Thor Freudenthal, Sony Picture Entertainment, Imageworks Los Angeles, Super35,<br />
part of Imageworks’ show reel<br />
‣ Video Art (selection)<br />
5 Minuten Siverding video project, Berlin University of the Arts (UdK)<br />
Mungunchimeg Batmunk (Mongolia), co-director, editing<br />
Hippolithos - die andere Tru(e)man-Show<br />
theater and multimedia project, Berlin University of the Arts (UdK)<br />
Beate F. Neumann, video art, lighting design<br />
The little Prince<br />
theater video project, California Institute of the Arts, Valencia, USA<br />
concept, direction, cinematography, editing, assisted by Marjam Oskui (USA)<br />
Die Hamletmachine<br />
theater video project, Humboldt University Berlin<br />
Achim Engelberg, Ares Michaelides, image, lighting design
‣ Education<br />
CalArts - California Institute of the Arts<br />
School of Film-Video, Live Action Program, Master of Fine Arts (MFA)<br />
HFF Potsdam-Babelsberg<br />
Film and Television Academy (HFF) Konrad Wolf, Cinematography Program,<br />
Diplom-Kameramann (MFA equivalent)<br />
Academy Foundation<br />
scholarship by the Academy of Motion Picture Arts and Sciences (A.M.P.A.S.),<br />
special intern with John Bailey, ASC and Laszlo Kovacs, ASC<br />
As Good As It Gets (TriStar) James L. Brooks, starring Jack Nicholson, Helen Hunt, Cuba Gooding<br />
Multiplicity (Columbia Pictures) Harold Ramis, starring Michael Keaton, Andie MacDowell<br />
CalArts scholarship by the California Institute of the Arts<br />
DAAD scholarship by the German Academic Exchange Service<br />
BBS Berlin-Treptow Certified Electrician (Facharbeiter Elektromechaniker)<br />
EOS Rüdersdorf Abitur (University Entrance Diploma)<br />
‣ Teaching Experience (selection)<br />
die medienakademie<br />
seminars on camera and lighting, Berlin 2010-11<br />
Ostfalia - University of Applied Sciences<br />
seminars on camera and lighting, Salzgitter 2009 -2011<br />
FAM - Fernsehakademie Mitteldeutschland<br />
seminars on camera and lighting, Leipzig 2007-11<br />
DEKRA Medienakademie berlin<br />
seminars on camera, Berlin 2007<br />
IAFT - International Academy of Film and Television<br />
Mentor Program, lectureship, Cebu Philippines 2006-07<br />
CvO - Carl von Ossietzky University Oldenburg<br />
Department 2, Arts-Media, lectureship, Oldenburg Germany 2003-04<br />
CalArts - California Institute of the Arts<br />
School of Film-Video, Teaching Assistant of Kris Malkiewicz, Valencia/Los Angeles USA<br />
1994-96<br />
‣ Filmtheory, Writing<br />
Image and Aspect Ratio - Composition and Framing in Wide Screen Cinematography<br />
101 pages, HFF Potsdam-Babelsberg 1994<br />
Super16 as HDTV Source - A Report on Requiem for a Landscape<br />
49 pages, HFF Potsdam-Babelsberg 1992<br />
‣ Further Information<br />
born on 25. August 1964 in Berlin, Germany<br />
driving license (all classes)<br />
sport boat and scuba diving license<br />
travel and work experience in 43 countries, 4 years USA, 1 year Middle East, 1 year Philippines<br />
German native, fluent English<br />
member of the German Society of Cinematographers - <strong>BVK</strong>
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