BRAMWELL TOVEYjanicejacksonBramwell Tovey conductorFor a biography of Maestro Tovey pleaserefer to page 20.Janice Jackson sopranoJanice Jackson is one of Canada’s foremostinterpreters of contemporary vocal repertoire.She has sung over 170 world premieres ofnew works, many written specifically for her,and performed in modern music festivalsand concert halls around the world – Beijing,Paris, Vienna, Amsterdam, Hamburg, Torino,Toronto, Montreal, and more. Jackson hasbeen a frequent guest artist with modernmusic ensembles in Canada, Europe, andChina, and she has made numerous radiorecordings with Dutch radio and the CanadianBroadcasting Corporation.Ms. Jackson has produced and starred in foursold out solo shows combining contemporarymusic and theatre in Halifax. Her latest onewoman show was “Vonda de Ville in TemporalFollies” composed by Lukas Pearse receivedrave reviews. She is the Artistic Director ofVocalypse Productions based in Halifax.Scott Goodb. Toronto, Ontario / April 8, 1972Etudes for Chamber EnsembleA musician is, to varying degree, a publicfigure, subject like all to public scrutiny in theform of the review. Sometimes, this publishedcritique can be less than flattering.In one particular instance, I wanted to reactdefensively, but realized an argument ofwords would be useless, and perhaps muchmore damaging. Thus, I decided to compose apiece of music in reflection of the experience,allowing the critic to be my teacher. Theseétudes are that piece. The étude nature ofthis collection is of both compositional andperformance in purpose. In particular, a studyin using minimal materials, and of differingand irregular meters and rhythms.Program Notes © 2011 Scott GoodEmily Doolittleb. Halifax, Nova Scotia / October 16, 1972four pieces about waterfour pieces about water was one of fivepieces by five young composers fromacross Canada commissioned by EnsembleContemporain de Montréal for their“Generation 2000” tour. Each composer wasasked to write a piece that reflected theregion of the country from which they came.Being from Nova Scotia, one of the CanadianMaritime provinces, I chose the idea of wateras a unifying theme. Not only does “water”relate to many of the natural features andweather systems which are so prominent inthe Maritimes – rivers, ocean, snow and rain– but it also immediately suggested manycolorful and varied musical ideas. Though thepiece is mostly fairly abstract, it occasionallyuses extended techniques such as blowingthrough the instruments without playing apitch, to evoke specific sounds from variousnatural environments.Program Notes © 2011 Emily Doolittle30 allegro
Dorothy Changb. Winfield, Illinois / November 12, 1970Chamber VariationsChamber Variations was commissioned fora performance in the Assembly Chamberof the New York State Capitol Building, witheach movement inspired by a differentaspect of this magnificent historical hall.The first movement, ‘Stone and Granite’takes it inspiration from the grandeur of theoriginal structure. Completed in 1879, thehall featured a huge Gothic-arch vaultedstone ceiling with numerous supporting ribsand four massive granite pillars. The musicmirrors the architectural structure of theroom, with pairs of instruments outliningindependent lines rising at various rates,and an overall air of stateliness. The secondmovement, ‘Spin Machine’, is characterizedby declamatory statements and surges ofmotion and intensity. The fast paced energyof this movement is meant to convey asense of ‘fast-forwarding’ through time withconstant shifts and bustling activity. The thirdmovement, ‘In Stillness’, is a reflection of theAssembly Chamber as it stands today, withits original floors covered in deep rich redcarpeting and the grand stone ceiling hiddenby wooden reinforcements. The room is moreserene than grandiose, but still striking. ‘InStillness’ depicts the beauty of the afternoonsun streaming through the chamber’sstained-glass windows, creating a warm glowthroughout the silent hall.Program Notes © 2011 Dorothy ChangTim Bradyb. Montréal, Québec / July 11, 1956HardcoreMy wife introduced me to the music of TheTragically Hip in the 1990’s. Their leadsinger, Gord Downie, also writes the lyrics,which I love. So when I discovered a bookof his poetry in a second-hand book storein Halifax, I knew I had to write this piece,inspired by the words of Gord Downie. ■Program Notes © 2011 Tim Bradyallegro 31