B Y M A R K F R I T Z - ColdType

COLDTYPE
Thomson Newspapers Issue 3 / 1995
EYEWITNESS
RWANDA:
“
WORDS
CANNOT
DESCRIBE…
Idoubt if there is any other place in the world where so
many people who write for a living have used the phrase,
“Words cannot describe …” You can describe how 15
women were forced to lie down in a circle outside a maternity
clinic and then bludgeoned with cudgels. You can
report precisely and evocatively how families hugged each
other in terrified resignation as they were sliced with machetes
between the pews of a Roman Catholic church. (TURN TO PAGE 2)
B Y M A R K F R I T Z
”

Eyewitness Rwanda
CONTINUED FROM FRONT PAGE
You can try to evoke the eerie unreality of seeing a single
arm poking out from the packed dirt of a mass grave containing
hundreds of bodies. Or walking through a city in
which every occupant is a corpse.
But no medium can capture the confluence of sense at
riot. You can’t describe each expression of shock and pain
on each decaying face.
You can’t begin to convey the thick, dense lingering odor
of human decay that clings to the clothes and seems to have
its own taste. You can’t replay for the reader the soundtrack
of a hundred thousand flies so bloated from feeding that
they can barely stay aloft. You can’t count every orphan
wandering the roads alone.
I took three trips to Rwanda between early May
and mid-August last year. Each was a study in the ways a
human being can die. There was the mass starvation, dehydration
and disease at the Rwandan refugee camps in eastern
Zaire — the type of death that was common in Somalia.
There were the shrapnel-torn bodies of uniformed soldiers
killed in battle, the type of death common to any guerrilla
war fought in the bush.
Then there were the robotic massacres in the towns and
villages, the thousands of moments when one group of villagers
suddenly rose up and killed another group with every
device at its disposal: clubs with wooden studs, machetes,
guns, grenades, spears. Even a sharpened umbrella.
This was a special type of killing, among neighbors, up
close and personal. The scope and scale and swiftness of
such remorseless cruelty gave Rwanda its standing among
history’s truly horrible moments.
One day last May, AP photographer Jean-Marc Bouju
and I went to a village where everybody was dead. Perhaps
5,000 bodies lay in the streets, in the schoolrooms, in the
church, in the hospital, outside the maternity clinic. We
wrapped T-shirts over our mouths and noses and forced
ourselves to look inside every building, examine every scene.
We wanted to try to understand.
Families embraced each other in church. A teacher lay
beneath a schoolroom blackboard. A couple clung to each
other beneath a picture of Jesus Christ. A schoolboy, who
looked as if he’d been frozen in terrified motion, lay sprawled
amid overturned desks.
We found some survivors in a refugee camp in a nearby
town. They told us the victims far outnumbered the killers.
Yet most people went to their deaths on their knees, in terrified
obedience.A few days later, we found some people who
confessed to being killers being held by the anti-government
rebels. We asked them the obvious question. Why?
What is strange after spending too much time in Rwanda
is that seemingly incomprehensible events begin to take
on a perverse logic.
Many of the people who killed were illiterate peasants.
They were told that a rebel army was coming to butcher
them. They were told that there were supporters of this army
in their midst. They were told they had to kill these people
before this army arrived or they, and their children, would
soon die horribly.
Many of these people truly believed they were doing their
patriotic duty. Old people dutifully compiled death lists that
showed who had ancestors from the rival ethnic group. Children
listened to the conversations of their playmates’ parents,
trying to detect whether they said anything negative
about the government.
When the radio said it was time to kill the people
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While the men dealt with the adults, the women
in her town gathered up the children of the families
deemed to be enemies. They put them in a circle
and began pounding their heads with bulbous clubs
designed for this unfathomable task
opposed to the government, the masses slid off a dark edge
into insanity.
Women were raped before and during their deaths. Eyes
were gouged out, testicles cut off, babies decapitated, pregnant
women speared through the womb.
One mother of five told me how she killed two of her
neighbor’s children. While the men dealt with the adults, the
women in her town gathered up the children of the families
deemed to be enemies. They put them in a circle and began
pounding their heads with bulbous clubs designed for this
unfathomable task. “They didn’t have time to scream,” the
woman told me. “They just made big eyes.”
A man told me how he killed two of his old schoolmates,
who screamed that they were his friends as he slashed them
with his machete.
In much of Africa, women grind a root called cassava into
a paste by using what are essentially huge mortars and pestles.
The pestles are like clubs and the mortars are about the
size of a bassinet. A young student I spoke with said he saw
babies being placed in these mortars and ground to a bloody
pulp.
Almost overlooked amid the death in Rwanda is the large
number of people permanently maimed.
I met an Italian doctor who spent his entire day ampu-
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ILLUSTRATION: ANDREW PEYCHA
tating gangrenous limbs, some of them
crawling with maggots. At one point in his
tour, after he felt he’d seen everything, a
man staggered into the clinic with his brain
clearly visible through a deep machete gash
in his head. “I couldn’t save him,” the doctor
said.
The civil war and the massacres, of
course, triggered one of the worst refugee
crises of the post-World War II era. There
were great crosscurrents of people who
seemed to alight en masse virtually
overnight.
I don’t know how many times I would
travel down a road that I’d traveled a day
or two before and see 50,000 or 100,000
people setting up camp, seemingly appearing
out of nowhere.
Amid the sickness and death, a simple,
mundane sign of normalcy, even happiness,
was a jolt. Early one morning in the
southern town of Cabbing, I was awakened
by the sound of children singing.
On an otherwise empty street, a dozen
youngsters from a refugee camp down the
road were walking to a new well on the other
side of town, carrying and clanking
together a motley collection of scavenged
water containers.
They had passed a mass grave. They
had passed destroyed homes of murdered
people. They even had passed men who
harassed them because some of the children
were members of the Tutsi minority.
Eight of the 12 had lost parents in the massacres.
One 10-year-old girl had watched men
drown her father in a cattle dip. She had
watched them take her mother away to
what was likely an even more prolonged
and tormented fate. All these kids had
seen the most horrible things a human
being can experience. And yet, on a sunny
day in the company of themselves, these
children found a reason to sing.
Toward the end of my
first tour, after I’d grown accustomed to seeing hundreds of
bodies in every possible configuration of death, I reached a
small moment of personal truth. I was traveling from the
capital Kigali, when we passed what appeared to be a boy no
more than 15 years old who had been dead for a few weeks
on the shoulder of the highway. I gave the corpse such a passing,
casual glance that moments later I was rattled by my
own reaction. I’d lost the ability to be appalled, and it was
time to move on to another assignment.
Human cruelty is not infinite in degree, I believe. It has a
ceiling, a wall, a point at which violence and horror reach a
saturation point, where pain and death reach the apex of
pointlessness and any further depravity becomes redundant.
That level, that ceiling, that ultimate degree of cold inhumanity,
I think, was reached in Rwanda. ■
Mark Fritz won a Pulitzer Prize for his reporting for
Associated Press West African during the Rwanda ethnic
massacres. His reporting from that conflict also earned him
an ASNE deadline award. Fritz is now a national writer for
AP, based in New York. This article, reprinted from the
magazine IPI Report, was originally given as a speech
to an AP Managing Editors conference.

By IRV OSLIN
Alas, poor Jimmy, I knew him well. Well, let’s
say I knew him. A memorial service was held
in Detroit recently honoring Jimmy Hoffa, the
former Teamsters honcho who disappeared 20
years ago. I’d like to offer my own tribute to
Hoffa, whom I met while we were inmates at
the Federal Penitentiary in Lewisburg, Pennsylvania.
Hoffa was assigned to the A&O detail — known formally
as “Admission and Orientation.” Essentially, this was the
prison welcome wagon. When new inmates came through
the door, they were greeted by fellow cons wielding scissors
and shaving razors. No, this wasn’t part of a sadistic initiation
ritual: All new inmates got a haircut and shave. The haircuts
were administered by fellow convicts. To prevent “accidents,”
the authorities allowed the inmates to shave themselves.
New arrivals also got a couple of dozen sets of fingerprints
taken and a fresh set of mug shots. Thanks to Hoffa,
I received something usually not included with the A&O
package — fatherly advice.
Having been raised on Cleveland’s West Side, I was
already street smart. But this was prison: the rules were different
here. Although I had learned some of them during
short stints at various local jails, there were still a few things
I didn’t know about prison “etiquette.” Hoffa’s advice probably
spared me a lot of misery. If not worse.
Generally speaking, prison celebrities are arrogant and
obnoxious. They expect — and usually receive — special
treatment from both the authorities and inmates. (Eros publisher
Ralph Ginsberg, whom I later met at Allenwood Federal
Prison Camp, comes to mind.) Hoffa wasn’t like that.
He introduced himself as though he were just another guy
on the assembly line. And, in a way, that’s what he was.
Hoffa came over to me while I was sitting on a wooden
bench waiting to get my mug shots taken. (Instead of the
usual method, Lewisburg had one of those four-for-a-quarter
booths — the kind you used to see in Woolworth stores.
Of course, the coin mechanisms had been removed and you
weren’t allowed to make silly faces.) “Welcome to Lewisburg,”
he said. “You can come in here straight as an arrow,
but — if you don’t watch your ass — you might not walk out
that way. If you walk out at all.”
I nodded in acknowledgment. “You look like a good,
COLUMBUS GUARDIAN
Dear Jimmy
Prison etiquette according to Hoffa
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clean-cut kid,” he said. I was 19 then. And, yes, I was wholesome
looking. A fellow inmate once commented that I
looked like someone who had walked out of a Norman
Rockwell painting.
“I’m straight, if that’s what you mean,” I responded.
Then Hoffa explained some of the finer points of the
inmates’ code of conduct.
Rule number one: Never accept anything from another
inmate. I had been aware of this rule, but I hadn’t yet grasped
its subtleties. Hoffa spelled it out. If another inmate gives
you, say, a cigarette, he is entitled to ask for it back at any
time. But there’s a catch: you have to give him the same cigarette
— a substitute won’t do. If you can’t produce the same
cigarette you have been given, the other inmate is justified in
beating you up, raping you or killing you. (For the latter, he
could face state or federal charges, but would be considered
blameless among fellow inmates.)
Hoffa also explained that asking other convicts what they
were in for was considered impolite. By the same token it
wasn’t a good idea to let others know why you were there.
According to Hoffa, it was best to keep your fellow inmates
guessing. “Let ’em think you’re the kind of guy who would
kill his own mother for a pack of cigarettes,” he told me.
The most important advice Hoffa had to offer was about
self-defense. Just as there are no atheists in foxholes, there
are no pacifists in prison. He explained that the chief difference
between the street and prison is that in jail there is
nowhere to run. Hoffa told me that if anyone even looked as
though he intended to confront me I should go ballistic
immediately. “Pick up the nearest piece of furniture and whaleon
him,” he said.
As it was, I never had to go off on anyone while I was in
prison. The other inmates knew I would, and that was
enough. Hoffa’s advice had served me well.
I was later transferred to Allenwood and never got a
chance to thank Hoffa. I remember feeling a twinge of sadness
when I learned of his disappearance 20 years ago. I’m
sure few people shed a tear over his assumed demise. After
all, people involved in organized crime thrive on mayhem
and corruption, and not many of us feel sorry for them when
they get their comeuppance.
But then half the creeps running this country have more
skeletons in their closets and blood on their hands than most
underworld goons. And none of them ever did anything for
me. ■
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ILLUSTRATION: DEAN STANTON
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Published by Thomson Newspapers, 65 Queen Street West,
Toronto, Ontario M5H 2M8, Canada.
Tel: (416) 814-4250 or (416) 864-1710, ext 4250.
Fax: (416) 594-6567 or (905) 275-9659
Editor: Tony Sutton
Associate Editors: Earle B. Gill, Ed Cassavoy
CONTRIBUTORS TO THIS ISSUE:
Mark Fritz, Associated Press, New York ◆ Irv Oslin, Columbus Guardian,
Ohio ◆ Dave Marsh, MetroTimes, Detroit, Michigan ◆ James Ponti,
Orlando Weekly, Florida ◆ Robert Fisk, The Independent, London
◆ Andrew O’Hagan, London ◆ Gerald Flood, Wayne Glowacki,
Winnipeg Free Press, Manitoba ◆ Ruth Dudley Edwards,
The Independent, London ◆ Alan Jackson, The Scotsman, Edinburgh
◆ Mike Ulmer, The Globe and Mail, Toronto, Ontario ◆ Mark Stahl,
Middletown Journal, Ohio ◆ Brian Gable, The Globe and Mail,
Toronto, Ontario
ILLUSTRATIONS:
David Anderson ◆ Brian Strassburg, ◆ Andrew Peycha
◆ Emmanuel Lopez ◆ Anthony Vander Schaaf ◆ Joe Morse
◆ Brian Gable ◆ Dean Stanton
EDITOR’S NOTES
No apologies for revisiting the horrors of the
genocidal war in Rwanda for this issue’s cover
story. Mark Fritz’s essay is one of the finest pieces
of writing to come out of that madness. Fritz, who
won a Pulitzer Prize this year for his work in Africa, goes further
and deeper than most journalists in describing the sheer
horror of that dreadful conflict. But neither he nor anyone else
has yet come up with a logical explanation for the sequence of
events that turned sullen anger into blind, explosive anarchy.
Perhaps there is no explanation.
We’re also proud to publish an extract from The Missing, a
remarkable first book by London writer Andrew O’Hagan,
which describes a different type of horror, one that is far too
frequent these days. Lost Boys, which begins on page 9, is an
evocative account of one of the thousands of children who disappear
every year in Britain.
Regular contributor Robert Fisk, another awardwinning
journalist from The Independent, writes an eyewitness
account of being caught up in a bomb blast in yet
another civil war, this time in Algeria, on page 8.
Closer to home, Gerald Flood tells a heart-wrenching story
of a Canadian family who met hell head on when a mother and
her two young children were trapped by a blaze inside the cab
of a tractor. Flood’s evocative story of the fire and its painful
aftermath — with photographs by Wayne Glowacki —
begins on the center pages.
However, all’s not doom and gloom in this issue. Rock
author Dave Marsh checks out the opening of the Rock ’n’
Roll Hall of Fame in Cleveland, James Ponti looks critically at
circus life, Ruth Dudley Edwards discusses the eating habits
of young America, Alan Jackson goes to a tennis tournament,
Mike Ulmer wonders what makes women tick, Mark Stahl
takes his camera to a Marine boot camp, Irv Oslin meets
Jimmy Hoffa, and we meet cartoonist Brian Gable. Enjoy!
TONY SUTTON
Postscript: As the last issue went to press, we were told that
we had been nominated for a National Magazine award for
Russell Monk’s photo essay from Rwanda published in the
first issue of ColdType. Did we win? Hell, no — but we
partied just the same. Some of the gang, as usual, celebrated
more than others. In fact, if the award had been for hangover
of the year, we’d have won — heads down!

By DAVE MARSH
Standing by the side of Cleveland’s brand-new Rock
and Roll Hall of Fame stage, Soul Asylum’s Dave
Pirner held a card instructing him to introduce
Robbie Robertson. (Hometown ID being the
order of the evening, I suggested, “Hey, hosers!
Hold on to your toques — from Toronto, here’s
Robbie Robertson!”) Pirner had bigger things on his mind.
“This is all kinda sentimental,” he complained. “You’ve
gotta draw that line. I mean, I know I step over it all the time,
and I’ll probably keep doing it, but all this …”
“Nah,” I said. “Your job isn’t to draw lines. It’s to dance all
over the line.” Pirner laughed. “Yeah, I guess … But don’t you
think this is all gettin’ pretty institutionalized?”
“Hey, you were just on stage with Iggy. Ask him. We
fought that battle 25 years ago, and we lost a lotta parts of it.
The question now isn’t whether rock ’n’ roll is gonna be institutionalized.
It’s whether we’re going to have good institutions
or bad ones.”
As always, Pirner was asking the right questions — the
ones that made the night and the existence (at long last) of
the Rock and Roll Hall of Fame Museum, exciting. Could
we get it right? Was it worth the bother? I had the right
answers, at least for that moment, but only because I’d actually
been through the museum. Seeing the place had forcibly
reminded me why this night was no ordinary HBO extravaganza.
As if a show that featured Bob Dylan, Aretha
Franklin, James Brown, Jerry Lee Lewis and Little Richard,
and used Booker T. and the MGs and the E Street Band as
its main backing bands, could have had anything ordinary
about it.
Soul Asylum had just played its heart out behind Iggy’s
Back Door Man and Lou Reed’s Sweet Jane. Earlier, Al Green
shocked even his biggest fans with a set that climaxed with a
rendition of Sam Cooke’s A Change is Gonna Come that
proved the concert’s supreme highlight. Bruce Springsteen
and the E Street Band backed Chuck Berry on a flawless
Johnny B. Goode to open the show. Then, of all the damn
things, Bon Jovi lent powerful support to Eric Burdon on a
set of Animals songs that climaxed with We’ve Gotta Get
Outta This Place.
At that point, I had to laugh. For Chrissie Hynde — who
shortly thereafter battered her way through My City Was
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METROTIMES, DETROIT
Building a home
for rock ’n’ roll
Badly lit, claustrophobic, and — for my taste —
the greatest museum in the world
Gone and a beautiful version of The Needle and the Damage
Done, that served as tribute to both Neil Young and her own
lost bandmates, We’ve Gotta Get Outta This Place must have
once bespoken her determination to leave Cleveland’s environs.
Now, the song paid the best sort of irony symbolized
by the I.M. Pei building next door. That’s why we had come:
Rock’s multigenerational rebellion had landed it in a $92million
palace of swank.
Well, pardon me, but I’m a rock ’n’ roll fan; I have been to
the Rock and Roll Hall of Fame, and swank ain’t the half of
it. For my taste, it is (give or take the Prado), the greatest
museum in the world, and not only because it celebrates my
culture. No, what’s great about this museum is that it celebrates
that culture properly (confession of moderate selfinterest:
I sit on the Hall’s nominating committee). Like the
The question now isn’t
whether rock ’n’ roll is gonna
be institutionalized.
It’s whether we’re gonna
have good institutions
or bad ones
concert and its list of inductees, the Hall isn’t perfect —it’s
too human and vital for that. The Hendrix and Motown displays
are weak (although the Temptations’ costumes
brought me back to my 15-year-old envy), Don Everly probably
did give his dad that guitar but certainly not after writing
Bye Bye Love, given that he didn’t write it; and no matter
what the curators think, there is no memorabilia from Bruce
Springsteen’s 1979 tour because he didn’t tour that year. The
Hall of Fame itself is housed in an ill-lit, claustrophobic mausoleum
stuck at the top of a virtually inaccessible staircase.
So what? The triumphs and treasures within rock ’n’
roll’s new palace far outweigh its inevitable flaws. You walk
PAGE 4
straight down the Ahmet N. Ertegun Exhibition Hall into
the center of controversy, an exhibit of the history of
attempts to censor and repress rock, featuring ’50s fanatics,
Frank Zappa and Tipper Gore. (“Well, they made this just
for you,” said a friend. “Nah, Dennis Barrie made this for
himself,” I said. Barrie, the museum’s director, came to Cleveland
from Cincinnati, where he had been busted — but ultimately
prevailed — for displaying Robert Mapplethorpe
photographs. Hopefully, his presence in the music world will
stiffen the spines of his employers on such issues — maybe
he’ll even be able to get Michael White, the mayor of Cleveland,
to stop harassing rock clubs in his town.)
Turn the corner and you’re into a series of displays focusing
attention on regional and stylistic groupings: early rock
(including a fabulous if hilarious Billy Lee Riley mannequin),
grunge and punk, hip-hop and, on one wall, blues
and R&B featuring everything from the handmade squareshaped
guitar Bo Diddley made in high school 50 years ago
to the battered black “money box” Howlin’ Wolf always kept
right by his knee onstage to the torn-up fuselage of a small
airplane bearing the words “Otis” and “Redding” in green
paint on white metal.
The hall’s movie theaters play Time-Life’s history of rock
’n’ roll and more obscure films. In private carrels, you can
hear late lamented deejays, discover the “best” 500 rock
songs (pretty good selection) and learn how particular records
were created. The display cases offer tributes to individual
labels so good that Sam Phillips stood as if mesmerized
at the Sun exhibit. All in all, it’s the most useful deployment
of cybertechnology I’ve ever seen. The museum makes
no false generic distinctions: P-Funk costumes and memorabilia
stand next to smashed-up Who guitars and Keith
Moon drumheads. And this goes on for three floors, including,
among many many other things, an exhibit of rock magazines
that includes the first issue of Creem with my byline
in it, which made me proud as well as pleased. Just about
every musician who saw the place felt the same way as ol’
Sam and me, too.
The difference between the Hall of Fame Museum and
its most obvious analog, your average Hard Rock Café,
doesn’t come from what’s on display. The Hard Rocks definitely
have more gold records and framed electric guitars and
maybe even a better selection of any given artist’s costumery.
But the Hard Rock presents rock ’n’ roll as a jumble. The

museum helps you make sense of the music and where it
came from — at best, I can imagine a kid leaving with a better
sense of how to disrupt everything, just because the flow
of the place is so conducive to seeing the music and culture as
something with a line of continuity that extends straight into
the future. The 14-year-old who accompanied me seemed
most impressed by how the curators had made everything
fit together. I felt most amazed by how shrewdly they’d gotten
out of the way and let the music and its relevant artifacts
tell their own story; and those are just different versions of
the same experience..
The concert at Cleveland Stadium had different problems.
The absence of many British stars — among the vets,
only the Kinks and Burdon showed and, of course, since U2
there haven’t been any big stars from the Isles — forced the
Gin Blossoms to sing the Beatles, Jon Bon Jovi to stand in
for John Lennon and Sheryl Crow to represent the Rolling
Stones. All were overmatched. The program didn’t feature a
single Elvis song, which John Fogerty or some-damn-body,
probably should have rectified. Other stars seemed defeated
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by the context: If the audience and reviewers didn’t understand
the beauty of Jackson Browne’s The Tracks of My
Tears, the saucy audacity of Natalie Merchant’s Dinah
Washington tribute (well, Ahmet Ertegun liked it, and that’s
a tribute by itself) or the spectacular power of James Brown’s
revue (of course it was too big and busy; that’s sorta the
point), that’s their problem.
But again … so what? Shows like this are about what’s
possible, not what’s most desirable, and chances are none of
the above volunteered for their impossible tasks. Having
James Brown and Aretha Franklin aboard and allowing
them to do their version of what was appropriate is more historically
appropriate — and respectful — than forcing them
into a version of their ancient selves. Would I rather have
seen the Stones, some version of The Who and Wilson
Pickett? Sure, but I’d also rather have seen Elvis, Marvin
Gaye and Bob Marley.
The meaning of the show came more out of Rolling Stone
magazine publisher Jann Wenner’s wonderful speech (and
Jann is not generally a wonderful speaker), in which he
pledged the hall would be a place to heal generational and
racial divisions. Watching Natalie dance with Booker T,
hearing Dylan and Springsteen on their gorgeous Forever
Young, looking at the young rockist audience get it when
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Sam Moore sang the definitive soul ballad, When Something
is Wrong with My Baby, that promise felt confirmed.
As such tele-spectacles go, this Hall of Fame gave the best
I’ve ever seen. Long after midnight, when Little Richard hit
the stage and proved that he remains the greatest pure singer
of the ’50s, when Moore and Fogerty did a drop-dead, unrehearsed
Midnight Hour, when Martha Reeves proved her
Motown aplomb by getting away with stopping Dancing in
the Street and starting over because of equipment failure, the
Hall of Fame concert transcended — as music — any such
show I’ve ever attended. It made me recall once again what it
was that drove people like me and Iggy and Pirner and
Springsteen and Moore and Fogerty and Hynde and Merchant
“out of our minds and into our bodies” through the
medium of sound. It promised that this will continue to happen.
It told me that having created an institution and waxed
sentimental was living proof not of the failure of rock ’n’ roll
but of its endurance and power. Hail! Hail! We have, at long
last, been delivered from the days of old, and our delivery
came the only way possible, by honoring and loving the past
for the present it gave us. ■
Dave Marsh is the author of more than a dozen books on
popular music, culture and politics.
ILLUSTRATION: JOE MORSE

By JAMES PONTI
One night a group of performers from the
Clyde Beatty-Cole Bros. Circus went to a
Red Lobster restaurant in Princeton, N.J.
There they met a circus groupie who
accompanied them back to the big top.
After a failed attempt to have sex with the
Human Cannonball inside his cannon (“Calling Dr. Freud.
Will Dr. Sigmund Freud please report to the center ring?”),
the woman raised the tent with six different performers, who
videotaped the action.
The evening came to a halt only when one of the men
noticed an upside-down cross on the back of her neck. She
then admitted that she was, in fact, a devil worshipper.
Maybe they were thinking she was a girl scout. Ah, but for
the wholesome traditional entertainment that is the circus.
Let’s just get this out of the way: I HATE THE CIRCUS.
It’s not a my-mom-never-took-me-so-I’m-envious kind of
hatred. Rather, it’s an it-falls-somewhere-in-there-with-the-
NRA-and-Melanie-Griffith kind of hatred. Dante may have
devised a hell with nine rings, but mine has only
three, and in the middle is Gunther Gable
Williams. Bruce Feiler loves the circus. The
above incident is recorded in his
new book, Under The Big Top
(Scribner, $23), which chronicles
the year he spent traveling with the
Deland-based circus as a clown.
On first blush, I leapt to the
conclusion that, despite Feiler’s
degrees from Yale and Cambridge,
anyone willing to spend
a year with a freak show
must be an idiot. Still,
journalistic ethics
required that I read the
book and interview Feiler with an
ORLANDO WEEKLY
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Carny
knowledge
Deceit, depravity and delirium
in a season with the
Clyde Beatty-Cole Bros. Circus
open mind. The book did change my opinion. I now think
he is a flatulent idiot. But more on that later.
Feiler’s book actually is quite good. It is thoughtful and
observant. Misguided, but thoughtful and observant. Like
many great books, it begins in Deland, Florida, winter home
of the circus that bills itself as the largest of the remaining
tent shows. But reading the book and talking to Feiler was
not unlike my experiences with Mormon missionaries —
high marks for dedication but the message never quite connects.
Why would anyone with a good background and
two well-received books to his credit spend a year as a clown?
The inside jacket blurb offers this view: “Since childhood,
Bruce Feiler dreamed of running away to join the circus …”
He says that after five years spent living in England and
Japan (the latter of which was the backdrop for his adventures
teaching English and working as a reporter and which
produced his first book, Learning to Bow: Inside the Heart of
Japan), he felt the urge to see America: “What better way to
explore America than from the back lot of a circus?” he says.
Apparently, logic is no longer part of the Yale curriculum.
“Throughout American history, this idea of being on a
road is a great myth,” says Feiler, who cites examples such as
Huck Finn and John Updike’s Rabbit books. And he was
With foul-mouthed
outbursts, it’s easy to see why
the clowns are made to be
silent in front of an audience
PAGE 6
attracted to the idea of being part of a traveling community.
Ultimately, though, he melts in the face of an old faithful —
seeing dreams come true. “For two shows a day, seven shows
a week, you are making people happy.”
Sweet as cotton candy, that view reflects just one side of
Feiler’s book. The other reads like a personal injury attorney’s
wet dream.
Here, for example, is the account of human cannonball
Elvin Bale, known as the “Great Melvor” and “Daredevil of
the Century.” In a 1987 show in Hong Kong, his cannon shot
him beyond the net, and he ruptured his spinal cord. After
the injury, Bale convinced his pool man to take over the act.
Then the pool man shoots across an arena and rips a 12-foot
gash in the air bag before crashing to the ground. (Despite
the extent of his injuries, only Feiler realizes that the man
needs to go to the hospital.)
Feiler himself gets into the act when he accidentally
knocks over a stilt performer and sends him crashing to the
asphalt pavement of a shopping mall parking lot. And there
is the harrowing tale of the great Russian trapeze artists who
are, in fact, Mexicans in turbans: One falls from the trapeze,
lands on his neck and miraculously breaks only his collarbone.
Animal lovers will be drawn to a story from Reading,
Penn., where two tigers escape during a show and venture
into the audience. Likewise they will be riveted as a drunken
fan sneaks into the animal pen late one night and is killed by
Petunia the elephant.
One circus veteran estimates that in his 30 years with the
show, he has counted 25 elephant-related deaths, 10 truckdriving
fatalities and a half-dozen electrocutions.
This is not to suggest that the circus is just a bunch of
really nice people who have the occasional accident. During
his year under the big top, Feiler came into contact with
enough wrongdoing that he was able to classify these seven
circus sins: murder, rape, arson, bigamy, bestiality, group sex
and organized crime.
But despite all this, something somehow still speaks to

the audience. “Circus at its heart is this tension between the
skill of the animals and the bumbling of the clowns,” Feiler
says. In his book, he cites the circus axiom that the two
biggest attractions are the clowns and the elephants. (Well,
maybe except for those 25 people.) Apparently there is also
tension between circus employees. A caste system separates
everybody into neat occupational sects. Privacy is such a rare
commodity that one day Feiler was accosted by someone
from the next trailer for being too flatulent the previous
night. (Although he confesses that he did let rip one so big
that it set off the propane detector in his Winnebago.)
Under The Big Top is at its best when it re-creates the
unusual world in which the performers and workers
live — an entire functioning community
that travels, unchanged, from city to city
through a frenzy of long days. Feiler
gives us portraits of performers who,
despite awful pay, are almost religious
in their devotion to the work and
lifestyle. Indeed, they never sit with
their backs to the ring; likewise, it is bad
luck for them to walk directly across the ring.
“The only thing that keeps them doing it,” he says,
“is this higher love for the circus.”
At the center of the world, of course, are the
clowns, who were slow to receive Feiler into their ranks.
(Renee Storey, vice president for administration with the
Clyde Beatty-Cole Bros. Circus, recalled that Feiler made his
writing intentions clear from the start but still was made to
audition for the salaried clown position; by season’s end, she
says, he had worked his way up to emcee The Great Stomach
Pump Gag.) With foul-mouthed outbursts reminiscent of
Andrew Dice Clay, it’s easy to understand why the clowns
are made to be silent in front of the audience.
COLDTYPE
“The appeal of the clowns has little to do with danger and
has all to do with forbidden desire,” Feiler says “I view
clowns, and maybe the whole circus, as representing our id
— this idea that these are things we’ve always wanted to do
but would get in trouble if we did them.
“You look at clown acts, drag clowns, slapstick, kick in
the pants. They’re breaking the rules, doing things that are
forbidden. I think it’s the same with the rest of the circus.”
Whenever possible, Feiler offers historic perspective on
the role of the circus in America. “There is a real difference
in the appeal of the circus in 1995 and the appeal in 1895,” he
says. “A hundred years ago, when the circus
came to town, it was the only game in town.
For them, the circus was this window to
the world. Exotic animals, foreign people,
strange customs brought to life.
There is the origin of its appeal. It was a
living National Geographic.
“The difference is that a hundred
years ago, the circus did these
things that were very, very modern.
The circus no longer has this
monopoly on modern. So the circus
presents itself not as cutting
edge, but as old-fashioned. The essence of the
appeal today is that the circus is real.”
In all this warm nostalgia, it’s worth noting that one of
those old-fashioned appeals is that the circus is a money
machine. Feiler reveals that the same souvenir costs more in
Reading, Penn., than it does in Wilmington, N.C. And it
costs even more in New York City than in Reading.
But this type of price gouging isn’t reserved for patrons.
Circus employees practice every form of racketeering imaginable
against one another to augment their meager pay. Feiler
says this extends to everything from the delivery of mail to
the delivery of fresh water for the rumbling RVs.
He also sees a strong sexual current running through the
big top. “The circus is incredibly erotic. One of the curses of
PAGE 7
Barnum is that he perpetuated the fact that the circus is for
kids. Think about the skimpy costumes and bulging muscles.
There’s this incredible sex appeal to seeing a circus,” he
says, adding, “The word ‘trick’ is reserved for streetwalkers
and wire walkers.”
Still, he sees a genuine loss in the fact that audiences
today are not literate in the history of the acts and performers.
A traditionalist down the line, he is dead set against the
Cirque du Soleil approach, which adds theater and illusion
with a thematic musical score. “I don’t consider it a circus,”
he says.And he does not concede fading interest. “They said
that movies were going to kill the circus, that television, video
games [would kill it off]. In 1995, 20 million people will see a
circus in America, which is the highest number in history.
The reason they’re coming is because the circus at its heart is
real people doing real things.
“Look at the things people are doing in the circus. They’re
stepping into a cage with wild animals. They’re keeping 10
objects in the air at once. At its root it is escape, and it is
reminding us of these dreams that we had as a kid — these
dreams we cannot afford to let get by.”
He has been surprised to find that, despite giving away
so many secrets, his book has been well received by its subjects.
The Clyde Beatty-Cole Bros. Circus is even selling
copies on its current tour. Apparently the feeling is that audience
members won’t have read enough to demand their
money back until after the big top is packed and off to another
town.
Still, Bruce Feiler did all right by the circus. He showed us
the wizard behind the curtain, but as he did so he sang his
praises. There is no denying that he loves the circus as much
now as when he was a child.
In fact, he has a game that he likes to play with his friends.
He tells them to close their eyes and imagine being at a circus,
to visualize a triple somersault on the trapeze, taste the cotton
candy on their lips, even smell the elephant dung. And he
claims that 100 out of 100 times, the person smiles.
One hundred out of 100 times, I just want to cry. ■
ILLUSTRATION: BRIAN STRASSBURG

It was a Sunday morning, and a minister strode
past me with a Labrador. “That looks like a
contented spot,” he said, dog and dog collar
glistening. I sat in the middle of a little wood,
just to the side of Kenilworth Chapel in East
London, on October 9, 1994. The church
looked closed and unattended. All around me,
in tangles of ivy and nettles and scrub, lay hundreds
of dilapidated gravestones. They sloped
every which way and off into the distance,
across a wide open ground beneath the Beckton
flyover. The graveyards in English cities,
especially in the east of those cities, are nearly always wasted
and terrible. In Scotland, the tombstones are made to
stand up and the grass is most often cut and weeded. I was
fairly shocked the first time I saw a London graveyard — in
Walthamstow, I remember. It had nothing to do with the
decorous, landscaped dead-parks of recent memory: It was
a place where riot and decay ruled. It looked like a spot
where time was having its way.
I sat on a stone, bent over a piece of paper. I was copying
down the inscriptions on some of the gravestones. As I was
doing so, two boys — around 10 — nipped between the
graves just a little off to the right. One of them wore a West
Ham soccer jersey; the other was a flash of yellow. Their missiles
(clods of dirt and pebble-dash) would come from
nowhere and bounce off the tomb still standing. You’d hear
giggles and see some yellow, then a stripe of claret; they’d
peep for a second and disappear. The more I ignored them,
the braver they got. They started letting out little hollers,
rinky-dink battle charges, but I sat still. I was laughing a bit
by this time, and they obviously knew I knew about them.
Eventually, they got within one or two tombstones, and I
looked up from the page. “What is it?” I said. “C *** ,” they
said, running away, tumbling through a wall of ivy as if the
whole world was after them.
The stone to my right was Africa-shaped and fringed
with damp moss. Most of the writing was gone now. “Also
Rebecca Askham, mother of the above,” I could make out.
COLDTYPE
Lost
BOOK EXTRACT
Boys Each year, thousands of young
people simply disappear from the face
of the earth. Andrew O’Hagan
tells the story of one of them, Daniel
Handley, who was later found
murdered. This is an extract from
O’Hagan’s highly acclaimed first
book, The Missing, recently
published by Picador
And then: “who died October 1st 1903. Aged 50 years.” The
nettles around the bottom were at the top of their power.
They stood for pain. The stone on my other side was in
memory of “Frank Cyril Nicholson, who died January 13th
1897, aged 14 year.”
It was a cool day, very quiet at times, then some horn or
deep engine on the dual carriageway would break in. Frank
Cyril died after 14 years; died, it seems, of natural causes. His
death must have been very sad, but was probably not mysterious.
His was a named loss. The cause was known; the end
was marked, his spot was here and was in a manner of speaking
sacred. I sat thinking about all this, feeling the breeze well
enough and considering the script carved below Frank Cyril’s
dates: “In the midst of life,” it said, “we are in death.”
I had a stick, and with other people, later that day, I
searched the long field of stones around the Chapel for traces
of a missing boy. Daniel Handley, aged nine, had been missing
from his home on the Windsor Park Estate since the previous
Sunday. As I made my way down the field, losing sight
PAGE 9
of other people, I grew more and more uneasy. This was the
largest patch of scrub near to Daniel’s home. I turned over
in my head the various things that could have happened. I
looked through the undergrowth, poking with the stick, and
I reached a place almost under the flyover itself. The traffic
noise was now thunderous, and the grass seemed longer
than at any other point. My breath was quite short. It felt
wrong to walk in this deep grass. Not just unsafe. Wrong.
As I made my way through the field, looking into the grass
and under bushes for signs of the boy — hoping there would
be nothing — I found it hard to keep my footing.
The light at the top of Canary Wharf blinked just over
the other side of the carriageway and the sun was high up.
The tower looked broad and massive, and its windows
gleamed like the vicar’s collar. Daniel Handley was missing,
and we were there trying to find him. We were there, walking
on graves, trying to find the missing boy.
The previous day I’d gone to Daniel’s house. The Windsor
Park Estate sits very near the Royal Albert Dock, just on
the north bank of the Thames beside East Ham and Barking.
It’s an area made up of newish housing schemes, heavy
roads, flyovers, industrial parks, expansive malls and playing
fields. At the beginning of the estate, on the corner of
Windsor Terrace and Woolwich Manor Way, about five
minutes from Daniel’s house, there’s a giant building site.
There are mounds of rubble and dirt, roving dumpers, stacks
of brick, packs of cement and pyramids of cellophanewrapped
pipe. There’s a giant sign at the edge of the rubble:
“Another prestigious hotel development for Whitbread
Medway Inns, constructed by Dean & Bowes Ltd., Huntingdon.”
The site was fenced off, though I managed to have
a look around without much trouble. It was mostly empty,
with hard-hatted workmen doing their thing in this or that
corner. The ground was uneven, it was full of holes, but I
guessed the police had already considered that.
A large Asda superstore stands across the road, with bus
stops planted outside. Daniel worked here as a bag filler —
you know, putting people’s shopping into bags at the till.
This was how he earned pocket money, and he was a well-

known face around the area. He was out playing on his BMX
bike the day he disappeared. It was silver and had no saddle.
Like many kids his age, he would use the kerbs and ramps
around the scheme, and the empty industrial estates just
beyond it, to practice stunts on his bike. He was out doing
that sort of thing on Sunday, October 2, and he played for
some time at the house of a friend, but he failed to return
home afterward. He set out late in the afternoon but had
somehow not made it. That evening, two boys found an
abandoned silver BMX on Eisenhower Drive, round the corner
from Daniel’s house. The boys took it back to their home
in Clapton, where they wiped it down and thought to keep it.
When they heard of the missing boy, though, they gave the
bike to the police, who found that it was Daniel’s.
Daniel was the fourth of Maxine William’s five boys. In
April 1994, Maxine had left the family home she shared with
her husband, David Handley, in Newark Knok and taken
the kids to live at the house of her boyfriend, Alex Joseph, at
Lobelia Close in Beckton. Daniel went to Beckton Cross primary
school and was one of those kids who’d talk to anyone.
He already had girlfriends and was one of the daredevils at
school, one of the live wires, one of the minor pushers-andshovers.
He had, in the usual manner for the younger of several
boys, a fair amount of brotherly reputation to live up to
or to live down. Some of his brothers were thought to be
quite flash and to be fairly unshy when it came to the business
of standing up for things. His schoolmates talked to me
of the Handleys as of one of those families who can easily
absorb trouble and who could dish it out just as easily. The
mother’s boyfriend, Alex, is black, and even in an area as
multi-racial as East London can be, there was a certain
amount of prejudice in the local area about the fact of his living
in Lobelia Close with a white woman and her children.
People talked about them, and they did so, it seems, even
before Daniel disappeared.
Daniel had been wearing a red boiler suit that day, which
had the word “Racing” stitched onto the left pocket. Underneath
he had a green jumper. He also wore brown boots. The
lake at the top of Beckton District Park had been dredged
with special equipment; the gasworks and sewage treatment
plant to the east had been searched repeatedly; warehouses
and parks had been gone into; and door-to-door calls were
under way all week. I turned into the Close the day they were
due to start digging in the garden. There were television vans
parked along the sides, and journalists were lining up behind
the police tape, anxious for photos and news. At first, there
was only a solitary female police officer guarding the house.
The tape stretched across the road in such a way that people
who lived on either side of the Handley’s house had to run
underneath it. Most of those going by were kids, and they
zoomed right under the tape on their BMXs and racers; they
did it repeatedly. They were showing off for the journalists
and clearly trying to wind up the lady officer.
Aman from the Mail on Sunday walked round
and round the Close, chatting at all the doors, getting himself
steamed up. Every time he heard something interesting —
and often when he heard something not — he’d draw out his
mobile phone and call his news desk. He’d repeat it to them
hastily, clearly experiencing some sort of deadline fever. The
policewoman told me she thought he was “facetious,” and
sort of rolled her eyes when the Daily Star walked up. Even
amid the solemnity and dead seriousness of this stake out,
there was something very funny about the man from the
Star. Everyone looked at him. He stalked up and down the
COLDTYPE COLDTYPE
He was yet another missing child, and most people had given up hope of ever finding him or ever finding him well. They weren’t to be proved wrong on the last bit.
pavement, sucking one cigarette after another down to nothing,
his head bowed with the weight of two or three cameras.
His hair was very short at the front, very long at the back and
greasy all over, his suit was shiny, and the trousers flapped at
half-mast. He had a thin mustache and he walked up and
down like a loopy pigeon.
He pointed to a little Asian boy who played just in front
of the tape: “Is your mom in, sonny?” The boy nodded. “Can
you ask her to come out here a minute?” The boy ran inside.
A few seconds later an adult arm appeared at the door, but
only for long enough to pull the thing shut and turn the key
in the lock. “That,” said The Star, “is a definite no.”
“Why don’t you stand on the back wall?” said a blond
woman in shades.
“Tried that.”
“Eight of them, there’s eight of them digging in the garden,”
said an older guy, a producer-type, who had just
stepped out of a red Volvo. “I think one of the snappers has
got them at it.”
Maxine Williams and Alex Joseph, Daniel’s mother and
her boyfriend, were in a DSS safe-house during the search.
One of the neighbors, a middle-aged white man, backed up
by his jittering wife, takes the opportunity to speak with the
assembled press. He has the air of someone familiar with the
plot. He emphasizes certain things, he makes a few tough
points about how one should live in a community, and then
he hammers home a series of assertions that you wouldn’t
care to hear. I couldn’t print them, and the TV journalists
knew — as he spoke — that they wouldn’t be able to broadcast
them either. Halfway through his spiel, I saw the guy
from Newsroom South-East switch off his camera.
I stayed by the fence for a while after the other people had
PAGE 10
gone. I wanted to talk with the kids. The Asian woman from
next door eventually turned the key. She came over and
asked if there had been any more news. I gave her what I had.
She offered me coffee and told me I could look out of her
bedroom window if I wanted. It was right over the spot
where they were digging. I didn’t go in. The police were coming
in and out from the yard, wearing blue jumpers and
white gloves. CID were doing the rounds of the houses,
dressed in gray suits and carrying clipboards. A crowd of
small boys had gathered around the tape.
“Give us a cigarette,” said one.
“You’re too young,” says I.
“Am I f *** . I’ve smoked for ages.”
“Age are you?”
“Nine,” he says, pulling a 10-pack from his pocket and
lighting one up behind a tiny cupped hand.
“Same age as Daniel,” I said.
“He smoked as well. He used to go out with my big sister.
What do you think has happened to him?”
“I don’t know. What do you think?” At this point the
others butt in. Two of them are 13, one other is nine. They
give me their theories, tell me all about their parents’ suspicions
and reel out the local gossip. The little one is still swaggering
about with his fag, clowning and blowing excellent
smoke-rings.
They talked about Alex, about how good a fighter he was.
“He’s a bodybuilder,” said one of the thirteens.
“Brilliant muscles like that,” said another, pulling up a
sleeve of his T-shirt.
“Can we talk into your tape recorder?” shouted Jason, the
miniature smoker. I gave it to them, and they started barking
into it — sentences and short stories all to do with such and
such, among them being “dickless” or “a virgin” or “pricks”
and “bastards.”
“Daniel is just like any other kid,” said the neighbor with
the jittering wife. “These children were often kept away from
school. I’d see it, and I’d want to complain. I knew something
wasn’t right. One of the kids told me that Alex’s mom was
the funniest person alive. She gave them money; you’d see
her staggering across Lobelia Close with a can of Superlager,
her dog Lady limping at her back.”
“She’s brilliant,” said Jason, handing back my recorder.
Just then, an ice-cream van — Tony’s Super Whip — came
jangling down the street, and they all went after it.
Several months later, Daniel Handley was still missing.
There was no sign of him; nothing had turned up from the
searches or from the digging. Police were going over the same
ground again and again. Mr. Joseph, the boyfriend, was in
the psychiatric wing of Pentonville Prison, having been
charged with offences committed against some other children.
Daniel’s mother was on remand, charged with similar
offences under the Children Act. For six months or so,
Daniel Handley’s whereabouts were unknown.
He was yet another missing child, and most people had
given up hope of ever finding him or of ever finding him well.
They weren’t to be proved wrong on the last bit. The boy’s
body, still clad in his red boiler suit, was found in a wooded
area outside Bristol in April. He’d been murdered and placed
in a rough grave, covered in leaves and dirt. That’s where he’d
lain all those months.
The police spoke of a pedophile ring and revealed details
of Operation Oyster, an attempt by officers to close in on an
East London gang. Witnesses came forward. A woman in
Bristol recalled seeing someone just like Daniel, a little boy
in red, in the company of three men in a cafe. The boy
seemed quite happy, quite cheerful, and the men were friendly
enough too. But, for whatever reason, a clear picture of the
group remained in her head. A boy like Daniel was spotted
again in Bristol one Sunday in November. Two men were
holding his hands tight, walking him down the street. The
boy seemed a bit distressed.
The child who rode down Eisenhower Drive on his saddleless
bike that bright afternoon in October had encountered
something dreadful on his way. The police have issued
photo-fits and descriptions and called for every sort of assistance.
They are waiting for more responses and, in the meantime,
have brought down the files on missing local children.
There are thousands of missing persons in Britain
whose disappearance, unlike Daniel’s, is never reported.
They fall out of troubled homes, Special Care and approved
schools every other day. Under new regulations, many people
with mental health trouble are decanted out of hospitals
and into the streets and night shelters that now act as a sort
of security net for them. Such people — often voluntarily at
first — lose sight of all that they have been before. Many you
talk to can’t remember much or anything about who they
used to be. Runaways, amnesiacs, schizophrenics, victims of
abuse.
PAGE 11
ILLUSTRATION: EMMANUAL LOPEZ, CRACKERS WORLD
Every year, thousands burst — or are thrust — out of what
community they have known; they take up their lives anonymously,
often on the streets of Britain’s bigger cities. Most
of them lose touch; benefits are often unclaimed; relatives are
gladly left behind or were never there in the first place. Such
missing persons you might call the unmissed, and it is possible
that more than 200,000 people at any given time in
Britain can be described this way.
Whether missed or not, the common condition of all the
missing (apart from their being out of sight) is that their documentary
lives stop at the point they disappear. This termination,
in fact, explains what it means to be a missing person
in a country such as Britain. From birth, something like
a small maelstrom of official paper swirls round your body,
defining your human relations (birth and marriage certificates);
outlining your religious life (baptisms, Holy Communions,
Confirmations); describing your physical progression
(medical records); the history of your teeth (dental
records); your education (report cards, school files); giving
evidence of your social life (club minutes, membership
cards); your professional life (employment records, application
forms, job appraisal reports); your mental or custodial
history (psychiatric reports, social work papers, prison
records); your domestic routines (phone records, gas bills,
newspapers delivered); and hundreds of extant documents
relating to the conduct or the business of your life. These are
bits of paper long forgotten by you and by most people.
These official records (to say nothing of private documents,
letters and diaries) give a very full account of who you are
and what your movements have been over the course of your
life.
Ours is a very written-down sort of life; it can’t easily be
erased, nor can the binding power of ongoing records be easily
snapped. Many of these records follow you wherever you
go, and in the normal run of things, they can cause you to be
traced very quickly. Missing people have — for one of a variety
of reasons I’m turning over — severed, or been severed
from, their written life.
They are not cashing checks in their own name, they are
not drawing benefits or earning money through their
National Insurance number, they are not paying tax, they are
not visiting a doctor or a dentist in possession of their files,
and, as police investigators quickly find out during a search,
they are not regularly matching the pattern of what is known
about them.
You can change your identity, but it is not just a matter of
going to another town and calling yourself Jeremy. It is a
gigantic undertaking: a trail of subterfuge and avoidance of
past documents leads away from the who-you-were to the
who-you-are-now.
This scenario mostly applies to the non-vulnerable missing
— that’s to say, people who may deliberately go missing
for reasons of their own. It applies less to the unmissed or
to vulnerables whose disappearance is much more sinister.
There is no big deal, for them, in turning away from the documents
of the past. For runaways and abuse victims and
schizophrenics, those documents are not binding in the way
they are for your average mortgage holder in Northampton.
They are unmissed, and nobody is making the connections:
They never had checkbooks, they never had work, and they
will have all sort of names to offer to hostel workers and doctors
if they ever see them.
Children who disappear, the most vulnerable category of
all, have no big documentary lives anyway, they just have
lives. When they go missing, there can only be the possibility
of foul play, a strange accident or strangers. The police call
them mispers. They’re everywhere and nowhere, in the world
and out of it, each of them different and each the same.
Mispers. ■

THE INDEPENDENT, LONDON
I hate the
young, I hate
the food
A Brit travels to Boston
and discovers
a lite new world
By RUTH DUDLEY EDWARDS
Here I am in Boston, fighting a losing battle not
to hate the young. In the immediate vicinity
of the university library where I am working,
there are about 32,000 of them. It’s not that
they are badly behaved. They haven’t an assault
weapon between them, as far as I can see. It’s
not their clothes — if they want to wear loose prison gear,
ragged shorts, fatigues, rings through their noses, those
strangely irritating knapsacks, trainers so heavy they can
hardly walk and, of course, baseball caps worn backward, I
can avert my eyes. It’s not the fact that they appear to have a
concentration span of about 10 minutes. I, too, was once an
easily distracted undergraduate.
It’s not even their use of language. I have tried hard and
no longer grind my teeth every time I overhear “neat” or
“cute.” Even the word “program,” which has become American
for “thingummy” or “whatsit,” elicits from me only the
merest wince. No, what drives me crazy is their attitude to
food and drink.
I can’t cope with the fact that American college kids
appear to be unable to walk down the sidewalk — nay, even
rollerskate — without clutching an open container of some
disgusting soft drink. I can’t stand their addiction to brownies
and muffins and doughnuts and chips and danishes and
tasteless rubbish of every description. And I can’t bear the
sheer grossness of their appetites.
The student cafeteria is a microcosm of the American
devotion to infinite choice, having no fewer than 12 specialist
food outlets, including some exclusively devoted to burgers,
tacos, cookies, ice cream ’n’ frozen yogurt and sandwiches —
a euphemism for huge rolls stuffed with a dozen or so ingredients.
Yesterday, I wandered helplessly around looking for
something I wouldn’t hate and finally purchased a chicken
stir-fry sandwich, with a view to eating the contents only.
Unfortunately, the complete absence of any flavor in any of
the components prevented me from making any headway at
all.
Today, despite the cold, I opted for salad from the
Kitchen Garden section, which was dominated by a long buffet
offering almost everything I hate in salads: raw broccoli,
carrots, beanshoots, unripe melon and worse. Each virtuous
dish is accompanied by a little card listing its calories, total
fat, saturated fat, cholesterol and sodium content: “Treat
yourself right” is the injunction at the base of the card. At
the end of the display were five varieties of thick dressing, a
spoonful of any of which would run to hundreds of calories;
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Early summer in England finds the more aspirant
of its natives distinctly restless. Glyndebourne,
Henley, Wimbledon fortnight and a brace of
other top-rated artistic and sporting fixtures …
at any moment, invitations to these key events
in the haute bourgeoisie’s calendar will be issued
or withheld, causing a nation’s legions of social wannabes
to sift daily through their mail with trembling fingers.
The really rich, the less in-bred members of the aristocracy
and the obviously media-sexy have already heard the call;
after all, a light sprinkling of the loaded, the land-owning and
the Lacroix-wearing confers status and attracts column inches.
Yet increasingly, the brains behind such events observe a
new bottom line: Corporate bums on corporate seats.
For, with up to 80 percent of revenue at some major
league events generated by the business world, the warmweather
haunts of the high-living have been overrun by the
professional middle classes. “Ross, darling, you’re friends
with so many important people,” cooed one woman to
another in the queue for Pimms at London’s leafy Hurlingham
Club.
Her chum-for-the-day had been whining away the waiting
moments by dropping names as if they were napalm
bombs, and this dreamy riposte carried within it an essential
truth about the hierarchy of such occasions. Effectively,
“you scratch my back and I’ll massage yours.” For a posh day
out in the sun is all about gilt by association: I may not know
the Frightfully Big and Importants, but I know a man or
woman who does.
By no means was this seniors’ tennis championship the
day’s hottest ticket. You might have expected England’s
most coveted to be the 25 guests invited in to Richmond register
office to witness cricketer Imran Khan and millionaire’s
daughter Jemima Goldsmith take their wedding vows. But
everyone on this circuit loves a party and sustained eavesdropping
revealed that the truly envied were the 100 or so
allowed entry to the reception that followed at father-of-thebride
Sir James Goldsmith’s mansion, Ormley Lodge. And,
of course, there was the opening day of Royal Ascot, this
year with the added frisson of an appearance by Princess
Margaret on the very day former suitor Group Captain Peter
Townsend’s death was announced.
THE SCOTSMAN, EDINBURGH
COLDTYPE
Gilt by
association
Tennis used to be a genteel sport, played out in front of genuine enthusiasts.
No more. Big budget corporate entertainment means there’s gold for those
old professionals willing to sell their remaining skills to the highest bidder and for the
selected rich and famous, there by special invite, to be fawned upon by the social-climbing
masses. Alan Jackson mingled, circulated and was snubbed with the best of them
Yet with individual attendance costing a rumored £20 per
head (this may be the New Vulgarity, but who is sufficiently
vulgarian to ask a host the price of their away day?), this
was something more than just a picnic in the park. And even
amid the relatively egalitarian atmosphere of the Hurlingham’s
corporate dining room, certain invisible lines proved
to have been drawn. In between the Melon Charentais au
Pineau des Charentes and the Saumon l’Anoth au Beurre
Blanc, a formidable PR lady with a tanned and freckled decolletage
(“I’m a hideous person at heart, believe me”) ventured
a few introductions. TV personality Michael Parkinson
didn’t need one. The exiled Australian representing The
Observer and I did, however, so duly prepared our best smiles.
All went well for me until urged to meet a man with
big glasses from the city pages of a middle-market tabloid.
On hearing the name of the paper I represented, he withdrew
his proffered hand pre-shake and turned away with a bored
look, engaging in conversation instead a gentleman in a
lemon linen jacket who photographed food and old houses
for Harpers & Queen. “May you choke on your Arlequin aux
Deux Chocolats,” I thought, though realizing I was childish
to do so. But there was little time to brood. Within minutes
the Truffalines et Muscadines had been and gone (little chocolates
to you and moi, but this is a world where they like to
call a spade une pelle) and we were being urged outside to
take our places for the afternoon’s play.
“There is a huge market for the style of tennis we were all
May you choke on your
Arlequin aux Deux Chocolats,
I thought, though realizing
I was childish to do so
PAGE 18
watching 10 years ago” began the press pack soundbite of
Patrick Carr, tournament director and the man responsible
for launching last summer’s inaugural event. “Audiences
miss the more outrageous and eccentric brilliance of players
such as Ilie Nastase and Roscoe Tanner. Not surprisingly,
the Hurlingham Seniors is proving most popular with
“seniors” in the City, with them taking 75 percent of all available
tickets. Hurlingham may be exclusive, but nostalgia certainly
isn’t. Oh, what a smoothie you are, Mr. Carr. But who
would we find among the 14 other former champs competing
on grass for a combined prize money of $116,000 in this
five-day UK leg of an international Association of Tennis
Professionals tour?
Well, just as one-time hitmakers head off to Las Vegas or
the cabaret rooms of cruise liners, old sportsmen hit the sunset
trail. There in the brochure, amid a montage of mug shots
similar to those meant to familiarize the public with the staff
of leisure centers and fast-food franchises, were the grinning
likes of Over-35s Tim Mayotte and Peter McNamara and
Over-45s Mark Cox and Ken Rosewall (birth date a humbling
November 2, 1934). And just to add to the neuroses of
those who find that policemen are beginning to look
younger, other old crocks like Mats Wilander, 31, Pat Cash,
30, and the soon-to-collect-his-pension David Wheaton (a
Zimmer-defying 26) had been drafted in for a little exhibition
play.
Anyone expecting this to be a world of varicose veins and
surgical supports was in for a rude awakening, however. “I’ve
forgotten to put on any underwear,” said a clean-limbed if

chubby-faced Nastase to no one in particular as our photographer
lobbied off court to take his portrait. Then, on meeting
no response, he repeated this non sequitur: “Really, I’m
standing here without any underwear.” We smiled blankly,
not knowing what else to do. “Someone run and tell the
groupies in the front row,” was the whispered suggestion of
a man nursing a glass of warm white wine, but none of us
moved. And by the time Ilie had emerged alongside Tanner
to battle Fred Stolle and Peter Fleming in the opening round
of the Doubles, one presumed that his balls were held firm-
COLDTYPE
ly in place by the black Lycra cycling shorts newly visible
beneath his whites.
Mr. Carr was right, meanwhile. For the fans of tennis,
rather than those merely of its newest gods and goddesses,
this was an ideal way to watch the game; these vets may
move around a whole lot quicker than could the lunch-bloated
execs 15 years their junior who had escaped the office for
a day to watch them, but still it is at a sufficiently leisured
and crowd-pleasing pace to allow close scrutiny of the game.
Being more of a people than a tennis watcher, though, I
PAGE 19
ILLUSTRATION: ANTHONY VANDER SCHAAF
Will the Queen one day
ride down The Mall
toward the opening
of Parliament with
a ‘Sponsored by Kwikfit’
sash across
her regalia?
found my attention wandering. And two boxes along,
Michael Parkinson’s presence continued to cause silent
waves of tension to ebb and flow between a couple who earlier
had been seated near him at lunch. The ready flow of
anecdotes had so visibly entranced her that her beau turned
sulky and, in a significant gesture, wrested off a gray suit
jacket. Now, out in the open air but still with them, Parkie
had slipped off his tie. How would Mr. Threatened respond?
By baring his chest and producing a two-week Wimbledon
pass? I never got to find out.
The call of nature led me back inside the Hurlingham’s
cool, labyrinthine corridors in search of the gents, after which
a wrong turn on exiting found me out on the terrace, where
a glitzy, petrol-blue-metallic Rover 400 emblazoned with
promotional stickers proved to be the only reminder that
commerce had entered this former sanctum of the privileged
classes.
Through French windows, I could see waiters and waitresses
polishing glasses, positioning plates, smoothing down
the white table linen, preparing for the onslaught of tea time.
Outside, beneath button-down shirt collars, men were talking
into mobile phones — not security staff alert for intruders
but businessmen fretting that the corporate world might
collapse without them. Between them, the occasional club
member snoozed in a deck chair, copies of The Daily Telegraph
or The Times spread out across elderly limbs, the sun
beating down.
Exactly where lies the future of the English social calendar
then? Will the Queen one day drive down The Mall toward
the opening of Parliament with a “Sponsored by Kwik-Fit”
sash across her regalia? Will the guests of Coopers &
Lybrand, Schroders Investment Management and the Swiss
Bank bag all the best seats at the Boat Race? Will the movers
and shakers hurrying in to sandwiches and scones from
Wheaton vs. Cash one day inherit if not the Earth at least
the marketable remains of a once green and pleasant land?
On Tuesday evening, as the sun died down and young
mamas wearing velvet Alice bands and driving Range Rovers
cruised in to pick up Chablis-sodden spouses, the questions
went unanswered.
Certainly Class War T-shirts and Big Issue vendors were
nowhere to be seen — but sometimes subversion can prove
more effective than direct action. On returning from my
walkabout, I had gone in search of Parkie & Co. How would
the rivalry have resolved itself? Would Mr. Threatened have
wooed back his partner, or would the Barnsley Boy’s store
of stories have driven a rift of permanent dissatisfaction
between them? All three had gone, so I couldn’t know. That
night, though, I turned on News at 10, and there was Parkie
and his wife, Mary, emerging smiling from a cab outside the
Goldsmith mansion, two of the chosen oh-so-few. If only
he’d been carrying a banner advertising his next engagement,
all at the Hurlingham might have bowed down humbly and
signalled their envious respect. ■

COLDTYPE
THE GLOBE AND MAIL, TORONTO
A few questions (20 actually) for the ladies
By MICHAEL ULMER
Ilike to think I know a little something about women.
My mom is a woman, always has been. I grew up in
a female-driven house with three sisters and a dad
who thought Hai Karate smelled good; women were
obviously the primary influences in my life. I married
a woman, and we had two children. Naturally, they are
girls. I understand fate: If I had seven more children, I’d have
a great girls’ baseball team.
It’s fitting then, that since I have started to write my
weekly Globe column for men most of the feedback has come
from women. Please don’t take this the wrong way, but what
the heck are you doing in our column? I mean, do we read
Margaret Wente? Is there something in the spelling of the
word M-E-N that can be misconstrued into meaning
W-O-M-E-N.
Okay, for those women who are still with me, here are
some questions (20, actually) about the things men want to
know about women. In 35 years, I have never gleaned a
worthwhile answer to any of these questions. All of these
subjects, it seems to me, should have been covered in Cubs,
because, with very few exceptions, most of us live with
women and not wolves.
Admittedly, these questions are based on rancid generalizations.
Of late, generalizations have become unfashionable,
which I think is a shame, because generally held truths are
truths nonetheless. Furthermore, there’s something open
and democratic about airing an idea, no matter how ludicrous,
that a large number of people happen to believe. I like
What’s this thing about shoes, Fabio and herbal tea?
to think the full examination of half-baked thoughts is what
this column has always been all about.
If you are a woman, answer some of these questions for
your spouse, son, dad or male friend. Don’t answer all of
them; the man may explode.
Try one a day.
If you are a man, tear out this column and present it to
your wife, mom, girlfriend, sister, friend or significant other.
Maybe you’ll have more luck getting the answers than I
have.
20 Questions for Women
1. What is this thing with shoes?
2. Why do you hate pumping gas so much?
3. Do you really expect us to believe you find Woody
Allen attractive? Would you believe us if we told you we
yearn for Roseanne because she, too, has a great sense of
humor?
4. How do you know what matches?
5. Why is the central mechanism to your most frequently
worn piece of apparel, the bra strap, more difficult to
change than a timing belt, and how can you fasten and unfasten
it backward?
6. If your appearance is so important, why do you dress
Brownies like Fudgesicles?
7. Why would any of you have a second child after what
you had to go through for the first? How can you forget the
details of childbirth but remember my mother’s birthday?
8. If we are so much bigger and stronger, why do you live
an average of six years longer than we do?
PAGE 20
9. How can you pluck your own eyebrows? We would
prefer to fill our own teeth.
10. Why do you always ask us what’s going on in a movie
when we both have been watching the exact same film for
the exact same length of time?
11. Why do you use those tiny little deodorant sticks? Are
your armpits that much smaller than ours?
12. Fabio? Come on.
13. Why do you choose such a prominent place for those
pictures of your great grandparents. Do you really think we
care how they looked?
14. Why do you insist that we always start the barbecue?
Should we take any message from the fact that it’s always
our job to activate the home appliance most likely to be
engulfed in flames?
15. Do you prefer a garden to a lawn?
16. Do you really like the taste of herbal tea?
17. Picture this: A woman is looking out the window. Her
eyes are narrowed, her lips are pursed, she is counting with
her fingers. A man asks her what she is thinking about. Why
does she always say: “Nothing”?
18. Why would anyone have her breasts augmented or
her face lifted? Is this somehow linked to playing with Mr.
Potatohead as a child?
19. If women on average have a higher rate of insulating
body fat, why are you always so cold?
20. Since both sex and sperm are now widely available for
you, why do you keep us around anyway? ■
Michael Ulmers first book,Captains: Nine Great Toronto
Maple Leafs, was recently published by MacMillan.
ILLUSTRATION: BRIAN GABLE

When it comes to abuse, men and women are all created equal. “Did I tell you to move?” Drill instructor Staff Sgt. Shelley Sergeant politely asks a recruit during basic training at Parris Island.
BOOT BOOT CAMP CAMP
MARINE
So you want to join the finest military force in the world? Well, you won’t find anything any tougher than
Uncle Sam’s Marine Corps. And their initiation camp is probably the roughest place to learn the ropes,
as Middletown Journal photographer Mark Stahl discovered when he visited Parris Island, in South Carolina,
to get a taste of real action
PAGE 19

COLDTYPE
Arms folded, ready to pounce, DI Sgt. Dennis Harrison casts an eagle eye over his new charges “They are scared and terrified
of our approach. But we are not here to play games. They must understand right away that we are not here to be their friends.”
PAGE 2
This is where Uncle Sam’s finest get their first taste of tough love
Staff Sgt. Eric Petis (left) tries a little marine-style encouragement
on a recruit who doesn’t want to climb a rope. But he will.
No task is too difficult for a marine. A trainee learns the fine
points of another necessary skill, swabbing the parade ground.
COLDTYPE
A recuit learns the finer points of the belly crawl. The 12 weeks of training help build the mental and physical toughness that a marine needs
if he is to be one of Uncle Sam’s finest. His life — and those of his colleagues — may depend on his resilience in the face of appalling adversity.
When the instructor says, “JUMP,” that’s exactly what
he expects you to do. Respect is the name of the game.
PAGE 3
The finest tongue-lashing money can buy.
That’s a promise Uncle Sam plans to keep
with every new recruit to the Marine
Corps. For two and a half months, at Parris
Island, South Carolina, the toughest
drill instructors you never want to meet
promise to pound on you as if you are just so much
clay. They’ll eyeball you, tear a strip off you, they’ll
berate, bluster and bellow. All for the good of the
Corps. But things have changed since the days of old.
Modern DIs, wary of bad public relations, never get closer
than arm’s length to their trembling recruits. Even
swearing at the grunts is a no-no in the new army. And
physical contact is restricted to weapons training. But,
although the most macho of the traditions have been
toned down, there’s still nothing sissy about the marines
— the instructors can still YELL at you so loudly that
the local residents can hear on faraway shores in north
Africa.
Cringing into this high octane assault on their senses,
young men and women — another sign of the changing
times — will tell you that basic training is a life-altering
experience they’ll never forget. And that’s music to the
ears of every drill instructor who ever walked the face of
this earth. Their mission is, was and always will be to
sear basic lessons in rifle marksmanship, combat skills,
leadership and blind devotion to getting the job done —
no matter what that that job is — into every recruit’s
thick cranium.
Call it tough love in khaki. Call it any damn thing you
want. But, when the instructor says jump, don’t ask him
— or her — how high. Just do it! ■
Don’t phone your mother, soldier. She can’t help you. Most recruits are on the verge of tears during their
first few days at boot camp — those who can’t adapt to the discipline usually drop out during this time.

PAGE 19
COLDTYPE
Brian Gable, editorial
cartoonist at The
Globe and Mail in
Toronto, was born
in Saskatchewan in
1949. After studying fine art
at the University of Saskat-
chewan and the University
of Toronto, he taught art for
nine years at Brockville,
Ontario. Gable eased into
editorial cartooning in 1977
by freelancing one cartoon a
week to the Brockville Re-
corder and Times and, in
1980, was hired full time by
the Regina Leader Post.
In 1987, he moved to The
Globe and Mail, where he shares cartooning duties with
Anthony Jenkins.
As well as winning the “Most Improved Math Student
Award” in Miss Service’s Grade 7 class, he has won Cana-
da’s National Newspaper Award for Cartooning.
Brian Gable’s new book, Another Day, Another Doom,
a collection of his cartons for The Globe, has been published
by Douglas & McIntyre, of Vancouver. It costs $14.95.
Brian Gable: From Fine Art to fine art
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