1Jim Hogan, an elderly gentleman insuit and tie, was sitting in the hotellobby near a seisiun of youngmusicians from the Barefield CeilfBand of Ennis, Co. Clare.A formermember of another Clare ceilf band,the renowned Kilfenora, he waslistening intently to these youngsters,all between 13 and 18, playing flutes,fiddles, and other instruments.I walked over to him to pay myrespects, and before I could speak, helooked up at me and said, "Beautifulmusic, isn't it?" I nodded, realizing thatthe traditional music of his homecounty still deeply stirred Hogan, anemigrant from Clare to NorthAmerica almost half a century ago.Turning his gaze back to the teens, headded, "The music's in good hands."It was a sentiment shared by 1,200other attendees of the NorthAmerican Convention held by<strong>Comhaltas</strong> Ceolt6iri Eireann in theHoward Johnson Plaza Hotel, Toronto,Canada, during April 20-22. This yearwas special, marking the 50 thanniversary of CCE, an organizationheadquartered in Dublin that firsttook root in 195 I in Mullingar, Co.Westmeath, to promote andshowcase the best of <strong>Ireland</strong>'s musicaland dance traditions. And thosetraditions were on overflowing displaythroughout the weekend, aptlythemed "A Musical Odyssey". My ownran nearly round-the-clock fromFriday to Sunday.Sleepless in TorontoA set-dance workshop led byTipperary's Pat Murphy, author of thepopular dance book "Toss theFeathers", had hundreds out on thewooden floor of the main ballroomearly Friday evening. In groups ofeight, they heeded the gently proddinginstruction of Murphy, who movedaround the floor with a cordlessmicrophone to guide the dancersthrough their steps.Afterward, a formal concert in a largedownstairs space began auspiciouslyElizabeth McDonald (centre) of Nova Scotia who received a special presdentation at Convention 200 IDevotees of traditional music and danceflock to TorontoEarle Hitchner, Irish Echowith New York's Felix Dolan onkeyboards accompanying threemusicians from Galway: Killimorbutton accordionist Ena O'Brien, whoimmigrated to Canada in 1964;Ballinakill f1utist Mike Rafferty, whocame to the US in 1949, and Ahascraghfiddler Larry Reynolds, a state-sideresident since 1953.This quartetplayed a set short in length but long inpleasure, including two spirited jigs, "ATrip to Athlone/Killavill".They were followed by two groups of13 musicians each from the BarefieldCeilf Band, and it was clear that theirteacher and leader, Denis Liddy, anexcellent fiddler himself, had done hisjob well. These Clare teens showed alevel of musical maturity beyond theiryears, something also apparent ontheir self-issued CD from a couple ofyears ago.Traversing the floors of the hotel, Iheard music seeping out of rooms invirtually every corridor. In thesubterranean Sean Gorman's Pub,musicians congregated to play longinto the night and morning.Elsewhere, performers young and oldnudged into nooks and crammed intocrannies, and even a bank of payphones in a remote part of the lobbyprovided an impromptu venue forsome tunes by half a dozen musicians.In the main ballroom, a ceilf was in fullSenator Labhras Murchu greetingO'Loghlin in front of The Scatteringpresentation. This look on Clare personalitiesabroad features Eamonn as one the Banner'sfavourite sonsHe/en Gannon (next year's Conventioncathaoirleach in St Louis) receiving apresentation from Minister Mary Coughlanwatched by Frank Kennedy17
TREOIR" Letting Loose the Majo r", an originalpoem mode led after the verse ofRobert Service, once dubbed the"Canadian Kipling" for such works as"The Shooting of Dan McGrew".Toronto 200 I Committee: Back Row: Dennis Lyons, Johathon Lynn, Maureen Mulvey, Pat Q'Gorman,Eamon Q'Loghlin,Anne Marie Leonard, Phyllis Gorman. Front (sitting): Mary Carr, Ena Q'Brien,Stan Q'Donohue, Ei/een Dwyer,Ange/a Bontje.swing, the blissful payoff for thoseearlier set-dance lessons. Dancersmoved to music played by U.S. andCanadian performers, includingmembers of Inishowen, a Torontoband formed in 1977, who provedthat their "Southern" cousins have noexclusive claim to great Irishtraditional music on the continent.Those who can, teachSaturday morning and afternoon werefilled with workshops, reflecting CCE'smission of passing along as well aspreserving <strong>Ireland</strong>'s traditional culture.It was fascinating to witness thedifferent approaches taken by differentteachers, and it was refreshing to seethat musical instruction need not bedull or daunting.In Mike Rafferty's flute workshop, hemeticulously played passages of a tune,then had his 15 pupils play thosepassages together until he felt theyhad them down cold. The exercisebuilt carefully toward learning thewhole tune. He encouraged questions,answering them thoughtfully, nomatter how rudimentary or complex,and using his own flute todemonstrate each point.A dozen students, including wellknownOntarian pianist Julie Schryer(Sister of fiddler Pierre Schryer),gathered around the electrickeyboard Felix Dolan had set up forhis accompaniment class. He hadcopies of handwritten tune notationto reinforce his tutelage and also useda portable boom box for a tape ofsolo flute playing. He'd then ask hisstudents to suggest the keyappropriate for backing certain tunesheard on the tape, running his fingerslowly down the keyboard until theright key was recognized.Frank Edgley, a Canadian concertinaplayer and maker, also used copies ofhandwritten notation for the 10students in his workshop, while DenisLiddy took a teaching approachsimilar to Mike Rafferty's, performingsections of tunes, like "Mick Carroll'sBarndance", and asking his 21 fiddlestudents (New York buttonaccordionist Patty Furlong amongthem) to play the tunes back, in partor whole.Joe Molloy, who performed withLunasa flutist Kevin Crawford inBirmingham, England, led the banjoclass. Kevin Finnegan, a formermember of the Liverpool Ceilf Bandwho came to Canada in 1968, helmedthe piano accordion workshop. AndJonathan Lynn, a member of theToronto Irish Players theatricaltroupe, taught storytelling to 25students. Lynn regaled them withIn a suite on the seventh floor duringmid-afternoon, Kieran Hanrahan andPeter Browne, host and producer of"Ceilf House" on RTE, taped for laterbroadcast the playing of Ena O 'Brien,Larry Reynolds, Mike Rafferty, andFelix Dolan. " Luckpenny/SixpennyMoney" and "George White's/GreenGates" were among the traditionaltunes they performed in a joyouscelebration of Galway's musicaldiaspora in America.Also that afternoon, Mick O 'Connor,former flutist with the Dublin-basedCastle Ceilf Band that won the seniorAll-<strong>Ireland</strong> title in 1965, presented"<strong>Comhaltas</strong> Ceolteirf Eireann:TheFirst 50 Years", a documentary heproduced and narrated. The archivalfootage included pricelessperformances by the Clare duo offlutist Peadar O'Loughlin andconcertinist Paddy Murphy, and bytwo New York-based fiddlers, VincentHarrison and the late Martin Wynne.The Saturday night banquet wasdistinguished by the presence of MaryCoughlan,T.D., Minister of State forArts, Heritage. Gaeltacht and theIslands, who flew over to voice theIrish government's appreciation ofCCE's work. Others who spoke fromthe podium about the history andachievements of <strong>Comhaltas</strong> includedSen. Labhnis 6 Murchu, CCE'sdirector general; Padraig Mac Suibhne,CCE's president; Frank Kennedy,CCE's North American chair for thepast two years;Anne McConnell, chairof CCE's Regional Board of Canada,and Stan O 'Donohue, chair of theNorth American Convention.Dancing feet, musical featsAfter banquet tables and chairs wereremoved from the main ballroom'swooden floor. a ceili mer began inearnest, lasting from about I I pm19