TREOIRCLONMEL HITTHE HIGH NOTEAodhan 6 Faolain, The Nationalist<strong>Comhaltas</strong> Ceolt6irf Eireann's fiftyyears of dedication to the promotionof Irish traditional music and culturehas been honoured in the form of acivic reception by ClonmelCorporation.The group was honoured by themembers of the local authority at theTown Hall last week, to mark boththeir 50 th anniversary and thetremendous work that organisationhas done in Clonmel and further afield.The Mayor of Clonmel Cllr BrianO 'Oonnell said that the Corporationwas honoured to give this group,which had done so much to promoteIrishness the world over, a fo rmalreception.At a local level both the Clonmel andPowerstown/Lisronagh branches haddone a lot of good work over theyears. He praised the efforts of OesOelahunty and Tommy Barrett fortheir involvement in the localbranches of <strong>Comhaltas</strong> Ceolt6iri.He referred to the organisation'shumble beginnings at a meeting inMullingar in 1951 . He also spoke athow the organisation had expandedand thrived, not just in <strong>Ireland</strong>, but allover the world in the interveningyears.The group was set up to promoteIrish music, song and dance at a timewhen those in sophisticated andintellectual circles tended to scoff atthose traditions.The group had been highly successful.Following on from the successes ofearly Fleadhs, branches of <strong>Comhaltas</strong>Ceolt6iri sprangup all over theworld.Theinfluence it hadon Irish exileswas also a greatachievement.In recent t imesthe three f1eadhcheoils that tookPictured at a MayoralReception fro cct in theTown Hall, Clonmel, BrianO'Oonnell, Mayor: SenatorLabhras 6 Murchu, OirectorGeneral cc£, RoryCunningham, ChairmanClonmel Branch, PatLoughman, Chairman countyBoard, Bridie O'Oonnell, ChrisSheehan, ChairmanPowerstownlUsronagh<strong>Comhaltas</strong>. place in Clonmel were tremendousfor the town. Hopefully it would notbe too long before the Fleadh Cheoilwould be back in Clonmel.Alderman Seamus Healy said thatthanks to <strong>Comhaltas</strong> Ceolt6iriEireann Irish traditional music, songand dance is seen as something good.They had done great work inClonmel and all over <strong>Ireland</strong>.''This is an historic occasion.Everyone knows about the <strong>Comhaltas</strong>commitment to things that are Irish.The group's influence all over theworld is huge," said Alderman TomAmbrose.Cllr Tommy Norris said that<strong>Comhaltas</strong> Ceolt6iri could also standfor craic, continuity andentertainment. They have done somuch good work locally andnationally in the last 50 years and theCouncillor wished them furthersuccess in the future."You have been great ambassadors for<strong>Ireland</strong>," said Cllr Ted Boyle whoadded that many people have comeback to the town over the years as aresult of the three f1eadhs that tookplace in Clonmel,37Cllr Vera Hewitt said that <strong>Comhaltas</strong>Ceolt6iri deserved great credit dueto their efforts to foster an interestin music in young people.Cllr Billy Shoer added that theirinfluence had attracted many touriststo come out and seek the real<strong>Ireland</strong>. They had done as much forthe country economically as a multinational.In response <strong>Comhaltas</strong> Ceolt6iriEireann General Secretary andSenator Labhras 6 Murchu said thatit was wonderful being honoured andrecognised by your own.He had many fond memories of thetown from the days that he workedwith South Tipperary Co. Council andorganised ceili dances, including onein the town's Courthouse."It is important that people are notashamed of their Irishness," said theSenator who added that it issomething that has been one of thegroup's core principles.The organisation had attractedmembership from many hundredsof non-Irish in places as diverse asMoscow, Tokyo and Budapest, citiesnot noted fo r having strong linkswith <strong>Ireland</strong>.He also referred to the fact thatthere are 50 branches in NorthAmerica. Their members are a mixof Irish and non-Irish and are drawnfrom places such as Seattle andNashville.Music and culture are very powerfuland have helped bring peopletogether both in <strong>Ireland</strong> and abroad.On one occasion, through <strong>Comhaltas</strong>Ceolt6irf, a group of North and SouthKoreans met in the same room wellbefore the two nations were talkingto each other.He also hit out at those who claimtraditional Irish culture is isolationistor bigoted. Bands from the Orangetradition in the North haveparticipated in events involving<strong>Comhaltas</strong> Ceolt6iri.<strong>Comhaltas</strong> Ceolt6irf's CountyTipperary Chairman, Mr PatLoughman, thanked the Corporationfor honouring the organisation.
TREOIREarle Hitchner, 'Irish Echo'In 1957 at Fleadh Cheoil na hEireannin Dungarvan, Co. Waterford, the TullaCeilf Band, led by fiddler P.J . Hayes,finally overtook their main rival, theKilfenora CeiH Band, to win first prizein the senior ceilf band competition.The Kilfenora had won the previousthree straight years, making the Tulla'svictory in this perennial clash of Claretitans all the sweeter after so manyrunner-up finishes.In March 1958, the Tulla came to theU.S. for a two-week tour as reigningAll-<strong>Ireland</strong> champions, and one oftheir performances was at New York'sCarnegie Hall. Also on the bill wereIrish-American songstress CarmelQuinn and Pat Boone, then a hugelypopular American singer in whitebuckshoes who had amassed morethan 50 hit singles and had his ownnetwork TV show from 1957 to 1960."Pat Boone was dressed to the ninesand really looked like a star," recalledEyrecourt, Co. Galway-born buttonaccordionist Martin Mulhaire, whohad played with the Tulla on thatstateside tour. "I was very impressed,having just arrived in this country, andI said to P.J. "Gee, I cannot believe thatthe Tulla will be on the same stage asthe famous Pat Boone".And P.J. said,"Who's Pat Boone?" And I said, "P.J .,you never heard of Pat Boone?" Andhe said, "I haven't a clue who he is."Then I said, "I can't believe that," andP.J. replied, "Well, I'll tell you one thing- I'll bet he never heard of me either."Over the phone from his home inQueens, N.Y Mulhaire lets out aripple of laughter at the memory. "P.J.had a very wry sense of humor andcould be quite witty and droll ," hesaid of his former friend andbandleader, who died at age 80 fromcomplications of Parkinson's diseaseat his home in Maghera, Caher, Co.Clare just before noon on May 6.A 55-year commitmentA founding member of the Tulla CeilfBand in 1946, P.J. Hayes was theirleader from 1952 onward, takingthem to All-<strong>Ireland</strong> senior titles in1957 and 1960. (After 1962 theyretired from competition). Thisextraordinary half-century of serviceand dedication kept the Tulla afloatwhen many other ceilf bands hadstruggled or sunk from Sight."Even if the Tulla had never entered acompetition, they would haveachieved the same amount of fame",believes Mulhaire. "It was P.J .'sgUidance that made the band last. Hehad a very diplomatic way of dealingwith things. He got the job done, butyou never realized he was doing it."That was as true in 1996-97 as it wasin 1958. The Tulla Ceilf Band hadrecorded "A Celebration of 50 Years"(Green Linnet, 1996), marking theirgolden anniversary, and in November1996 they performed at the GreenLinnet Irish Music Party weekend inMonticello, N.Y. The following May, theband made an unforgettableappearance at the Washington, D.e.,Irish Festival in Wolf Trap,Vienna,Va.Joining them on stage were twodistinguished alumni: Martin Mulhaireand flutist Mike Preston, who wasborn in Ballymote, Co. Sligo, but laterlived in Crusheen, Co. Clare."I was never as happy as when Ijoined the Tulla again in the Catskillsand at Wolf Trap," Preston said byphone from his home in the Bronx.He was a member of the band from1952-62, the year he immigrated toAmerica. "P.J. was a great leader, verydecent and kind."Mulhaire's recollection of that WolfTrap appearance is as warm asPreston's. "When we were picking outtunes to play together, P.J. would askeverybody if they were happy withthem. Somehow you never felt he wasthe leader or the boss, even thoughhe was. At WolfTrap, I thanked himfor keeping the band alive, especiallywith all the people who came throughit over the years. He just smiled at meand said, "Why do you think my hairis so white?"In his liner notes to "A Celebration of50 Years", P.J.'s son, Martin, wrote thatthe Tulla "was the first example ofparticipatory democracy I had everencountered. Nothing was done andno choices made that went againstthe wishes of any individual musician.Everything ... required collectiveagreement."Peadar O'Loughlin, a flutist whoplayed in the Tulla from about 1957-65, also emphasized the diplomacyand kindness of P.J. Hayes. "He never39