Ryan Murphy (center) celebrates with the cast<strong>of</strong> Glee after winning the Golden Globe for BestTelevision Series – Comedy or Musical, in January.Valerie Macon/AFP/Getty Images<strong>The</strong> Making <strong>of</strong> Ryan MurphyBy Matt RoushEmmy- and Golden Globe-winner Ryan Murphy says his successwith television series and movies, including Glee and Eat Pray Love,has its roots in his IU education.<strong>The</strong> world might have been a considerably less Glee-fulplace if journalist-turned-TV wunderkind Ryan Murphy hadachieved one <strong>of</strong> his earliest ambitions: to run the <strong>Indiana</strong>Daily Student as managing editor.“My friend (Mike Hyer, BA’87) and I ran for the top jobs at theDaily Student, and every time we would run, we lost,” says Murphy,‘88, sounding a bit like one <strong>of</strong> the endearing underdog misfits fromGlee, his career-defining musical-comedy hit on the Fox network. “Ithink if I had won, I would have probably stayed in journalism, becauseI had a real passion for it at the time. But that regular defeat,I was like, ‘Oh well, they don’t like me. Maybe I’m not any good atthis.’ I remember being so crushed by those losses.”So Murphy set his sights elsewhere, and his rejection at the IDSturned out to be the catalyst that led him to his Hollywood career.“I think about that all the time, because I think that every failureleads you to where you’re supposed to be,” he says.Failure was never really in the cards for Murphy, 44. He left IU in1988 just shy <strong>of</strong> graduation to jump-start a career in feature and ce-lebrity journalism for <strong>The</strong> Miami Herald, Entertainment Weekly andothers. He moved to Los Angeles and began to work after hours ona script (still unproduced) that he sold to Steven Spielberg, launchinga new career in the business he once covered. Before Glee,which won four Emmys, including best director, for its sensationalfirst season, Murphy created the stylized high school comedy Popularfor the WB in 1999 and the controversial psychosexual plasticsurgery drama Nip/Tuck for FX in 2003.Murphy reflected on his IU years earlier this summer, taking timefrom a hectic promotional and work schedule: gearing up for Glee’ssecond season while opening his second feature film, Eat Pray Love,which he co-wrote and directed. He had just finished a press conferenceat the Beverly Hilton hotel in front <strong>of</strong> the Television CriticsAssociation, which a few days earlier bestowed Glee with Program<strong>of</strong> the Year and Outstanding New Program awards.Murphy says he was “very humbled” to receive these accoladesfrom former peers. In his acceptance speech, he described Glee asbeing “about the world we live in, but more than that, it really is< 20 > newswire / spring 2010
about the world that I would like to live in. Glee is about makingthe choice to see the world around us with a deep and abidingoptimism, and the fact that I’m standing here accepting this honorfrom you right now is pro<strong>of</strong> that truly anything is possible.”<strong>The</strong> award ceremony was a far cry from Murphy’s days as anopenly gay high school student whose show biz fantasies were atthe time just that. He knew he wanted to be a director and writer,but he didn’t know how. Since he had been the editor <strong>of</strong> his highschool newspaper in <strong>Indiana</strong>polis, and all his friends were going toIU, he decided to go too.“I went to the paper (the Daily Student), which I loved,” he says.“I had so many great opportunities there.”As arts editor, movie reviewer and celebrity pr<strong>of</strong>iler at the IDS,“I got to write crazy fun stories,” he says. “Liberace came into townone time, but I did a big pr<strong>of</strong>ile that was on the front page abouthis costumer. I always had this show biz pop culture interest.”In a twist worthy <strong>of</strong> a Glee episode, Murphy also joined the SingingHoosiers, where he directed some skits as well as performed.“I was never really comfortable being a performer,” he says.“I was too self-conscious. I didn’t think I was good enough. But Ireally enjoyed writing. And I thought maybe I could still put thosethings together.”Toward the end <strong>of</strong> his IDS career, he began writing celebritypr<strong>of</strong>iles. His IDS experience led to internships at the WashingtonPost and Miami Herald.He credits IU and the IDS with “helping mold me. … I feel Ifound my own path and I merged my interests, so by the time Ifinished college and I started being a journalist, I still had the dream<strong>of</strong> being a writer in Hollywood.”One <strong>of</strong> his former Daily Student colleagues on the arts deskremembers Murphy as “singularly smart, creative, funny and gifted”as well as “the best-dressed and best-coiffed college student anyoneknew.” Kathleen McKenna, BA’86, now a freelance correspondentfor <strong>The</strong> Boston Globe, says, “Not only was he a brilliant andfast writer, he was a skilled and encouraging editor who set the barvery high. … I recall many fun and enlightening hours beside him at“Everything about my writingcareer and my future came from{those four years at IU.”our gigantic computers, while he went through stories I’d writtenline-by-line, word-by-word, and helped me make them better.”McKenna says Murphy was fun to hang out with, too.“He was genuinely interested in human nature, which made hima terrific listener,” she says. “He was a delightful gossip and knewvirtually everything about pop culture. He was searingly honest andwould cut you to the quick if you were feeling sorry for yourself orslacking <strong>of</strong>f.”Mark Skertic, BA’86, who was editor in chief when Murphy wasopinion editor, says Murphy’s passion and creativity served him wellin an argument.“When Ryan had strong beliefs about how a story should bewritten or played, he didn’t hold back,” he says. “Not that he’dyell — it was more <strong>of</strong> a sword fight with words, with Ryan thrustingand jabbing and not giving up.”Skertic says Murphy seemed to genuinely enjoy the intellectualbattle and wordplay <strong>of</strong> an argument.“He could dish it out, and that intimidated people before theyknew him, but he could take it too,” says Skertic, a senior directorfor the Chicago <strong>of</strong>fice <strong>of</strong> Kroll, a private investigation firm.Skertic says Murphy made a name for himself on the arts desk,where he was “a master <strong>of</strong> pop culture.” His colleagues weresurprised when he wanted to move to the campus desk, but, saysSkertic, “it didn’t matter that he wasn’t working on stories aboutmusic and movies. He was a really good editor, and there were a lot<strong>of</strong> reporters who learned from Ryan how to take a mundane storyand make it interesting.”<strong>The</strong> next semester, Murphy wanted to edit the opinion page —another surprise. At the time, the hot topic on campus was whetherthe university should sell <strong>of</strong>f its investments in South Africa, whichstill practiced apartheid.“Ryan produced an opinion page that was different from anyArbutusRyan Murphy, front row, center, when he was opinioneditor <strong>of</strong> the <strong>Indiana</strong> Daily Student in 1986. Front row,from left: Kathy McKenna, BA’86, arts editor; MarkWood, BA’86, copy desk chief; Tanya (Isch) Caylor, BA’87,managing editor; Ryan Murphy; Susan (Oberlander)Dodge, BA’86, city editor; Kathy Flynn, BA’87, newseditor. Second row, from left, John Samora, photo editor;Ted Pech, BS’86, graphics editor; Shirin Parsavand, BA’87,wire editor; Mark Skertic, BA’86, editor in chief; JenniferOrsi, BA’88, campus editor; Alison (Schmidt) Skertic,BA’86, sports editor.fall 2010 / newswire < 21 >