newsletter - Historians of Netherlandish Art

seiner Gemälde im Schloss Hof bei Oschatz und in der dortigen
ehemaligen Schlosskirche.
Sixteenth-Century Society Conference
Montréal, October 14-17, 2010.
Papers of interest to or by HNA members
Adam W. Darlage (Oakton Community College), Pigeons
and Bats, Scissors and Shoes: Symbols in the Woodcut from
Christoph Andreas Fischer’s “The Hutterite Anabaptist Pigeon
Coop” (1607).
Rabia Gregory (University of Missouri), Printed Piety in
the Low Countries.
Claire Wenngren (Queen’s University), The Order of Pollution:
A Social History of Peasants under Elite Régime in the
Netherlands.
Susan Maxwell (University of Wisconsin, Oshkosh), Classical
Role Models for the Aspiring Ruler: A New Hero Cycle for
Crown Prince Maximilian I of Bavaria.
Erin L. Webster (University of Toronto, Scarborough), Marcus
Gheeraerts the Elder’s Interpretations of Queen Elizabeth I.
Christina Anderson (Oxford University), Where Art, Business
and Religion Meet: The Protestant Network and Pursuits
of Daniel Nijs (1572-1647), a Flemish Merchant in Venice.
Stephanie Dickey (Queen’s University), The History of the
History of Prints: Rembrandt as a Case Study.
Angela Vanhaelen (McGill University), Boredom’s Threshold:
Dutch Realism.
Christopher Heuer (Princeton University), Mannerism,
Allegory, Enmity, ca. 1930.
The three papers above were in the session “Changing Histories
of Netherlandish Art and Culture,” sponsored by HNA.
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Hope Walker (Courtauld Institute of Art), Exploring
the London Stranger-Painters: Hans Eworth and His
Contemporaries.
Alan Ross (University of Göttingen), Social Differentiation
and Fashion in the Seventeenth-Century German Republic of
Letters.
James Clifton (Museum of Fine Arts, Houston),
“L’entendement s’illumine ... par ceste vision:” Antoon Wierix’s
Engravings of a Carmelite Nun.
Christine Göttler (University of Bern), Meditation as
Animation. Willem Key’s Painting of the Pietà at the Court of
Maximilian of Bavaria in Munich.
Elissa Auerbach (Georgia College and State University),
Wife, Mother and Virgin: Mary as Everywoman in Early Modern
Dutch Art.
Jennifer Spinks (University of Melbourne), Print across
Confessional and Linguistic Borders: Reporting German Wonders
and Disasters in Sixteenth-Century France.
Katherine McIver (University of Alabama, Birmingham),
Moving House: Margarita of Austria Builds a New Palazzo in
Aquila.
Marianne Eekhout (Leiden University) War, Material Culture,
and Local Memory in the Spanish Netherlands, 1576-1629.
Dominique Pauvert (Bordeaux III), Les animaux psychopompes
dans la peinture de Bosch et Bruegel.
James Frijitani (Azusa Pacifi c University), The Beast(s) of
the Apocalypse: Albrecht Dürer and the Biblical Culture of the
Laity.
Barbara Haeger (Ohio State University), Revelation and
Insight in Two Paintings by Rubens.
Walter Melion (Emory), Pictorial Artifi ce as a Meditative
Hinge in Jan David’s Paradise of the Bridegroom and Bride ... and
Marian Garland of 1607.
Michel Weemans (École des Beaux-Arts, Bourges; École
des Hautes Études, Paris), Saint Jerome Scopus: Herri met de
Bles’s Penitent Saint Jerome.
Elizabeth Tobey (National Sporting Library), The Infl uence
of Stradanus’s Equili Series on Early Modern Artists’
Depictions of Horses.
Ingrid Carwright (Western Kentucky University), High
and Low Horses: Early Modern Equine Culture and Commerce
at the Valkenburg Horse Fair.
Eva Allen (Independent), Prints and Drawings as Compositional
Aids for Paintings in the Art of Jan Miense Molenaer.
Alison Kettering (Carleton College), Rembrandt and the
Male Nude.
Amy Frederick (Case Western Reserve), Why so sad? Melancholia
and Saskia in Rembrandt’s Graphic Oeuvre.
Tatiana String (University of North Carolina, Chapel Hill),
Tudorist Representations of Henry VIII.
Jennifer Welsh (Davidson College), Saints in Pieces and
Relics in Print: German Heiltumsbücher and Pre-Reformation
Piety.
Jessica Veith (New York University), Seventeenth-Century
Profi le Portraits in the Netherlands: Some Observations.
Ricardo de Mambro Santos (Willamette University),
Lands of Light: The Paradigm of ‘Pictorial Quality’ (schilderachtich)
in Karel van Mander’s Art and Theory.
Jennifer Newlands (Johnson County Community College
and University of Missouri), The Marie de’Medici Cycle by
Rubens: A New Perspective.
Diana Withee (San Diego), The Reichsjägermeister’s Tapestry:
Weaving as Conspiracy.
Lynette Bosch (SUNY Geneseo), Mannerism and
Neuroaesthetics.
Allison Evans (Duke), Structure and Success: The Antwerp
Tapestry Market in the 1500s.
Denise Hartmann (University of Toronto), Austrian Late
Gothic Micro-Architecture: The Pulpit at St. Stephen’s in Vienna
(ca. 1505).
Ivana Rosenblatt (Ohio State University), Envisioning the
Roles of the Christian Artist and Christian Viewer: An Analysis
of Maerten de Vos’s St. Luke Painting the Virgin.
Guita Lamsechi (University of Toronto), Hybrid Nature
and the Mnemonics of Civic Identity.
HNA Newsletter, Vol. 27, No. 2, November 2010
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