PUBLICATIONS Spring 2011 - Cornerhouse
PUBLICATIONS Spring 2011 - Cornerhouse
PUBLICATIONS Spring 2011 - Cornerhouse
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SPRING <strong>2011</strong><br />
Rita McBride<br />
Westways<br />
text by Matthew Licht<br />
edited by Rita McBride<br />
Rita McBride is a prominent<br />
American artist based in Düsseldorf,<br />
whose sculptures and installations<br />
deal with fiction and public space and<br />
often provide a set for performances<br />
and lectures. She has edited a series<br />
of books for which she invited other<br />
artists and writers to write short<br />
stories involving constraints and a<br />
relationship to the art world. Each<br />
of the books corresponds to a sub<br />
literary genre (crime novels, Sci-Fi,<br />
soft-eroticism, etc). Westways is<br />
the fifth in Rita McBride’s continuing<br />
‘Ways’ series of collaborative novels,<br />
this time with writer and climber<br />
Matthew Licht. We follow Mae West<br />
from her childhood in 19th century<br />
Brooklyn through her adventures with<br />
W.C. Fields at the 1931 Oktoberfest<br />
to a Sapphic encounter with Leni<br />
Riefenstahl on safari in the 1970s,<br />
picking up a fighter pilot, Salvador<br />
Dalí, and Billy Wilder for the ride.<br />
Published to coincide with the<br />
completion of McBride’s 52-metrehigh<br />
Mae West public commission at<br />
Munich’s Effnerplatz. The publication<br />
is part of the series of artists’ projects<br />
edited by Christoph Keller.<br />
JRP|Ringier £10.00<br />
ISBN 978-3-03764-135-4<br />
softback 94 pages<br />
1 b&w illustration<br />
178 x 115 mm<br />
20<br />
Emmanuelle Pagano<br />
La Décommande<br />
Commissioned by La Maison<br />
rouge – Fondation Antoine de<br />
Galbert, a member of the FACE<br />
Association (Foundation of Arts for a<br />
Contemporary Europe), the French<br />
author Emmanuelle Pagano drew<br />
her inspiration from Franz Kafka’s<br />
short story Investigations of a Dog<br />
(1922) to write The Cancellation, or<br />
the unlikely encounter of two people<br />
who are worlds apart. This new short<br />
story also echoes the artworks –<br />
reproduced in the book – by the 36<br />
international artists of the touring<br />
exhibition Investigations of a Dog<br />
organized by FACE in 2009 – <strong>2011</strong>.<br />
Four other short stories – especially<br />
written for the project by Aristide<br />
Antonas, Jonas Hassen Khemiri,<br />
Rui Cardoso Martins, and Tiziano<br />
Scarpa – and an exhibition catalogue<br />
are published simultaneously. The<br />
French writer Emmanuelle Pagano<br />
graduated in Fine Arts and focused<br />
on the field of cinema aesthetics.<br />
She has written seven books since<br />
2002 and especially favours the<br />
short story format. She has won<br />
several literary prizes and her novels<br />
have been translated into German,<br />
Italian and Spanish. Published with<br />
FACE (Foundation of Arts for a<br />
Contemporary Europe).<br />
JRP|Ringier £7.00<br />
ISBN 978-3-03764-172-9<br />
softback 64 pages<br />
31 colour illustrations<br />
165 x 105 mm<br />
French text<br />
Richard Prince<br />
T-Shirt Paintings<br />
text by Jeanne Greenberg<br />
edited by Fabienne Stephan<br />
American artist Richard Prince<br />
recycles found materials from<br />
American popular culture, most often<br />
images from advertisement and<br />
magazine photography which he rephotographs,<br />
silkscreens, overpaints,<br />
frames, enlarges, or arranges<br />
in collages, playing with their<br />
somehow empty meaning. Citation,<br />
détournement, appropriation: any<br />
possible treatment of these clichés is<br />
explored and played with. Conceived<br />
by the artist, this book gathers<br />
unpublished images and well-known<br />
works using T-Shirts as a medium.<br />
Brilliantly laid-out and composed,<br />
the book is full of wit, humor, and<br />
surprising encounters. Published on<br />
the occasion of Prince’s exhibition at<br />
Salon 94, New York.<br />
JRP|Ringier £14.00 tbc<br />
ISBN 978-3-03764-213-9<br />
softback 72 pages<br />
64 colour illustrations<br />
280 x 195 mm<br />
Rive gauche /<br />
Rive droite<br />
texts by Yves Aupetitallot, Lionel Bovier,<br />
Alexis Jakubowicz, Marc Jancou<br />
edited by Marc Jancou<br />
Imagine the meeting between a<br />
modified telephone pole and a table<br />
lamp with a face instead of a bulb,<br />
an improbable expressionist object<br />
in ceramic, ink drawings, an ink<br />
rendering of the Superman myth,<br />
‘dreamcatchers’, and oil paintings:<br />
this is what this book – published in<br />
parallel with an eponymous exhibition<br />
drifting around the two banks of<br />
the Seine river – presents. The<br />
publication, edited by Marc Jancou<br />
(exhibition curator and New York<br />
gallerist), includes the work of 27<br />
international artists, such as Michael<br />
Bauer, Michael Cline, Andreas<br />
Hofer, Christian Holstad, Dorota<br />
Jurczak, David Noonan, Sterling<br />
Ruby, Jim Shaw, and Lucy Stein, and<br />
brings together their responses to a<br />
questionnaire, numerous illustrations,<br />
and essays by Yves Aupetitallot and<br />
Alexis Jakubowicz.<br />
JRP|Ringier £7.00<br />
ISBN 978-3-03764-154-5 English edition<br />
ISBN 978-3-03764-155-2 French edition<br />
softback 160 pages<br />
54 colour illustrations<br />
165 x 105 mm<br />
Ed Ruscha<br />
Huit textes: Vingt-trois<br />
entretiens 1965 – 2009<br />
text by Ed Ruscha<br />
edited by Jean-Pierre Criqui<br />
Since the mid-1960s, Ed Ruscha<br />
has developed an iconic body of<br />
works, simultaneously as a painter,<br />
a photographer (with such historic<br />
books as Twenty-Six Gasoline<br />
Stations, 1963), a film-maker, and<br />
an acute commentator of American<br />
culture. Born in 1937 and based in<br />
Los Angeles, he is a key figure of the<br />
last few decades and one of the first<br />
artists to have introduced a critique of<br />
popular culture and an examination<br />
of language into the visual arts. This<br />
anthology of writings and interviews,<br />
edited by Jean-Pierre Criqui (editorin-chief<br />
of the Cahiers du Musée d’art<br />
moderne), offers a first opportunity to<br />
French readers to discover Ruscha’s<br />
comments on his own work, his<br />
beginnings, his evolution, the artistic<br />
developments of the period, and the<br />
relationship between art and society.<br />
Gathering together texts from 1974 to<br />
2009, this book is a unique occasion<br />
to approach Ruscha’s work and life<br />
from the inside. Published with Les<br />
Amis de la Maison Rouge, Paris.<br />
JRP|Ringier £15.00<br />
ISBN 978-3-03764-089-0<br />
softback 240 pages<br />
42 b&w illustrations<br />
225 x 145 mm<br />
French text<br />
Hinrich Sachs: Lost<br />
Once More<br />
Five Stories<br />
texts by Ruth Buchanan, Hans-Christian Dany,<br />
Birgit Kempker, Burkhard Strassmann, Mark<br />
von Schlegell<br />
edited by Christoph Keller<br />
Lost Once More combines five short<br />
stories with cars, caravans, and<br />
other vehicles as supporting actors –<br />
stories dealing with motion, weekend<br />
forays, pilgrimage, and time travel.<br />
Five sculptures by Hinrich Sachs –<br />
replicated models of found vehicles –<br />
were the starting point for the stories<br />
commissioned by the artist from the<br />
authors Ruth Buchanan, Mark von<br />
Schlegell, Birgit Kempker, Burkhard<br />
Strassmann, and Hans-Christian<br />
Dany for this publication. Hinrich<br />
Sachs’ work reflects the global as<br />
well as the regional conditions of<br />
the production of meaning. A central<br />
artistic principle of his oeuvre is the<br />
investigation of the incidental in<br />
the relation between object, space,<br />
graphic quality, and context.<br />
The publication is part of the series<br />
of artists’ projects edited by<br />
Christoph Keller.<br />
JRP|Ringier £13.00<br />
ISBN 978-3-03764-133-0<br />
softback 160 pages<br />
14 b&w illustrations<br />
190 x 120 mm<br />
English and German text<br />
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