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PUBLICATIONS Spring 2011 - Cornerhouse

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SPRING <strong>2011</strong><br />

Rita McBride<br />

Westways<br />

text by Matthew Licht<br />

edited by Rita McBride<br />

Rita McBride is a prominent<br />

American artist based in Düsseldorf,<br />

whose sculptures and installations<br />

deal with fiction and public space and<br />

often provide a set for performances<br />

and lectures. She has edited a series<br />

of books for which she invited other<br />

artists and writers to write short<br />

stories involving constraints and a<br />

relationship to the art world. Each<br />

of the books corresponds to a sub<br />

literary genre (crime novels, Sci-Fi,<br />

soft-eroticism, etc). Westways is<br />

the fifth in Rita McBride’s continuing<br />

‘Ways’ series of collaborative novels,<br />

this time with writer and climber<br />

Matthew Licht. We follow Mae West<br />

from her childhood in 19th century<br />

Brooklyn through her adventures with<br />

W.C. Fields at the 1931 Oktoberfest<br />

to a Sapphic encounter with Leni<br />

Riefenstahl on safari in the 1970s,<br />

picking up a fighter pilot, Salvador<br />

Dalí, and Billy Wilder for the ride.<br />

Published to coincide with the<br />

completion of McBride’s 52-metrehigh<br />

Mae West public commission at<br />

Munich’s Effnerplatz. The publication<br />

is part of the series of artists’ projects<br />

edited by Christoph Keller.<br />

JRP|Ringier £10.00<br />

ISBN 978-3-03764-135-4<br />

softback 94 pages<br />

1 b&w illustration<br />

178 x 115 mm<br />

20<br />

Emmanuelle Pagano<br />

La Décommande<br />

Commissioned by La Maison<br />

rouge – Fondation Antoine de<br />

Galbert, a member of the FACE<br />

Association (Foundation of Arts for a<br />

Contemporary Europe), the French<br />

author Emmanuelle Pagano drew<br />

her inspiration from Franz Kafka’s<br />

short story Investigations of a Dog<br />

(1922) to write The Cancellation, or<br />

the unlikely encounter of two people<br />

who are worlds apart. This new short<br />

story also echoes the artworks –<br />

reproduced in the book – by the 36<br />

international artists of the touring<br />

exhibition Investigations of a Dog<br />

organized by FACE in 2009 – <strong>2011</strong>.<br />

Four other short stories – especially<br />

written for the project by Aristide<br />

Antonas, Jonas Hassen Khemiri,<br />

Rui Cardoso Martins, and Tiziano<br />

Scarpa – and an exhibition catalogue<br />

are published simultaneously. The<br />

French writer Emmanuelle Pagano<br />

graduated in Fine Arts and focused<br />

on the field of cinema aesthetics.<br />

She has written seven books since<br />

2002 and especially favours the<br />

short story format. She has won<br />

several literary prizes and her novels<br />

have been translated into German,<br />

Italian and Spanish. Published with<br />

FACE (Foundation of Arts for a<br />

Contemporary Europe).<br />

JRP|Ringier £7.00<br />

ISBN 978-3-03764-172-9<br />

softback 64 pages<br />

31 colour illustrations<br />

165 x 105 mm<br />

French text<br />

Richard Prince<br />

T-Shirt Paintings<br />

text by Jeanne Greenberg<br />

edited by Fabienne Stephan<br />

American artist Richard Prince<br />

recycles found materials from<br />

American popular culture, most often<br />

images from advertisement and<br />

magazine photography which he rephotographs,<br />

silkscreens, overpaints,<br />

frames, enlarges, or arranges<br />

in collages, playing with their<br />

somehow empty meaning. Citation,<br />

détournement, appropriation: any<br />

possible treatment of these clichés is<br />

explored and played with. Conceived<br />

by the artist, this book gathers<br />

unpublished images and well-known<br />

works using T-Shirts as a medium.<br />

Brilliantly laid-out and composed,<br />

the book is full of wit, humor, and<br />

surprising encounters. Published on<br />

the occasion of Prince’s exhibition at<br />

Salon 94, New York.<br />

JRP|Ringier £14.00 tbc<br />

ISBN 978-3-03764-213-9<br />

softback 72 pages<br />

64 colour illustrations<br />

280 x 195 mm<br />

Rive gauche /<br />

Rive droite<br />

texts by Yves Aupetitallot, Lionel Bovier,<br />

Alexis Jakubowicz, Marc Jancou<br />

edited by Marc Jancou<br />

Imagine the meeting between a<br />

modified telephone pole and a table<br />

lamp with a face instead of a bulb,<br />

an improbable expressionist object<br />

in ceramic, ink drawings, an ink<br />

rendering of the Superman myth,<br />

‘dreamcatchers’, and oil paintings:<br />

this is what this book – published in<br />

parallel with an eponymous exhibition<br />

drifting around the two banks of<br />

the Seine river – presents. The<br />

publication, edited by Marc Jancou<br />

(exhibition curator and New York<br />

gallerist), includes the work of 27<br />

international artists, such as Michael<br />

Bauer, Michael Cline, Andreas<br />

Hofer, Christian Holstad, Dorota<br />

Jurczak, David Noonan, Sterling<br />

Ruby, Jim Shaw, and Lucy Stein, and<br />

brings together their responses to a<br />

questionnaire, numerous illustrations,<br />

and essays by Yves Aupetitallot and<br />

Alexis Jakubowicz.<br />

JRP|Ringier £7.00<br />

ISBN 978-3-03764-154-5 English edition<br />

ISBN 978-3-03764-155-2 French edition<br />

softback 160 pages<br />

54 colour illustrations<br />

165 x 105 mm<br />

Ed Ruscha<br />

Huit textes: Vingt-trois<br />

entretiens 1965 – 2009<br />

text by Ed Ruscha<br />

edited by Jean-Pierre Criqui<br />

Since the mid-1960s, Ed Ruscha<br />

has developed an iconic body of<br />

works, simultaneously as a painter,<br />

a photographer (with such historic<br />

books as Twenty-Six Gasoline<br />

Stations, 1963), a film-maker, and<br />

an acute commentator of American<br />

culture. Born in 1937 and based in<br />

Los Angeles, he is a key figure of the<br />

last few decades and one of the first<br />

artists to have introduced a critique of<br />

popular culture and an examination<br />

of language into the visual arts. This<br />

anthology of writings and interviews,<br />

edited by Jean-Pierre Criqui (editorin-chief<br />

of the Cahiers du Musée d’art<br />

moderne), offers a first opportunity to<br />

French readers to discover Ruscha’s<br />

comments on his own work, his<br />

beginnings, his evolution, the artistic<br />

developments of the period, and the<br />

relationship between art and society.<br />

Gathering together texts from 1974 to<br />

2009, this book is a unique occasion<br />

to approach Ruscha’s work and life<br />

from the inside. Published with Les<br />

Amis de la Maison Rouge, Paris.<br />

JRP|Ringier £15.00<br />

ISBN 978-3-03764-089-0<br />

softback 240 pages<br />

42 b&w illustrations<br />

225 x 145 mm<br />

French text<br />

Hinrich Sachs: Lost<br />

Once More<br />

Five Stories<br />

texts by Ruth Buchanan, Hans-Christian Dany,<br />

Birgit Kempker, Burkhard Strassmann, Mark<br />

von Schlegell<br />

edited by Christoph Keller<br />

Lost Once More combines five short<br />

stories with cars, caravans, and<br />

other vehicles as supporting actors –<br />

stories dealing with motion, weekend<br />

forays, pilgrimage, and time travel.<br />

Five sculptures by Hinrich Sachs –<br />

replicated models of found vehicles –<br />

were the starting point for the stories<br />

commissioned by the artist from the<br />

authors Ruth Buchanan, Mark von<br />

Schlegell, Birgit Kempker, Burkhard<br />

Strassmann, and Hans-Christian<br />

Dany for this publication. Hinrich<br />

Sachs’ work reflects the global as<br />

well as the regional conditions of<br />

the production of meaning. A central<br />

artistic principle of his oeuvre is the<br />

investigation of the incidental in<br />

the relation between object, space,<br />

graphic quality, and context.<br />

The publication is part of the series<br />

of artists’ projects edited by<br />

Christoph Keller.<br />

JRP|Ringier £13.00<br />

ISBN 978-3-03764-133-0<br />

softback 160 pages<br />

14 b&w illustrations<br />

190 x 120 mm<br />

English and German text<br />

21

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