PUBLICATIONS Spring 2011 - Cornerhouse
PUBLICATIONS Spring 2011 - Cornerhouse
PUBLICATIONS Spring 2011 - Cornerhouse
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SPRING <strong>2011</strong><br />
Verlag der Buchhandlung<br />
Walther König<br />
distributed by <strong>Cornerhouse</strong> in the UK<br />
Absalon<br />
texts by Absalon, Bernard Marcadé, Nina<br />
Möntmann, Moshe Ninio, Beate Söntgen,<br />
Philip Ursprung, Hortensia Völckers<br />
foreword by Hortensia Völckers<br />
edited by Susanne Pfeffer<br />
The Israeli artist Absalon was<br />
fascinated by spaces, which<br />
he reworked in systematic and<br />
successive ways with questions<br />
around essential human activities<br />
and basic geometric forms (the<br />
rectangular, the square, the<br />
triangle and the circle) being his<br />
points of departure. It was in 1987<br />
that he started to empty out the<br />
spaces he found before eventually<br />
restructuring and refilling them<br />
with the help of simple forms.<br />
These test assemblies – further<br />
developed later on by means of<br />
objects, drawings, photographs and<br />
films – came full circle in Absalon’s<br />
Cellules: individualized, ascetic and<br />
contemplative living units. This new<br />
publication on the occasion of the<br />
extensive retrospective at the KW<br />
Institute of Contemporary Art qualifies<br />
both as a catalogue raisonné and a<br />
monograph. The catalogue is the first<br />
ever to offer illustrations and theory<br />
covering Absalon’s entire oeuvre.<br />
Verlag der Buchhandlung Walther König £49.00<br />
ISBN 978-3-86560-952-6<br />
hardback 352 pages<br />
189 b&w illustrations<br />
300 x 225 mm<br />
English and German text<br />
28<br />
Kai Althoff & Nick Z<br />
Dream Cereal<br />
Featuring 60 drawings, this book<br />
was conceived as a continuation of<br />
the artistic collaboration between Kai<br />
Althoff and artist Nick Z, which was<br />
first established in their 2007 joint<br />
exhibition at Gladstone Gallery, We<br />
Are Better Friends For It. Entitled,<br />
Dream Cereal, this book further<br />
explores the underlying themes of<br />
their exhibition and collaboration,<br />
borrowing from moments of history,<br />
religious iconography, and countercultural<br />
movements to create<br />
evocative contexts that are propped<br />
upon narratives simultaneously<br />
arcane yet familiar, at once deeply<br />
personal yet universal.<br />
Verlag der Buchhandlung Walther König £29.50<br />
ISBN 978-3-86560-951-9<br />
hardback 60 pages<br />
illustrated in colour and b&w<br />
305 x 229 mm<br />
Bernadette<br />
Corporation<br />
The Complete Poem<br />
texts and edited by Bernadette Corporation<br />
The idea of the book is to present<br />
these two elements – poem and<br />
fashion shoot – in a single package,<br />
as one complex object. This<br />
combination of original literature and<br />
commissioned fashion photography<br />
undermines the traditional autonomy<br />
of literary and visual genres. The<br />
book itself is a conceptual gesture:<br />
the display of a mediation, or the<br />
presentation of a redistribution.<br />
Bernadette Corporation was formed<br />
in a Manhattan nightclub in 1994, and<br />
began organizing DIY social events<br />
that evolved into unauthorized art<br />
carnivals in SoHo parking lots. From<br />
1995 to 1997, the group worked<br />
under the guise of an underground<br />
fashion label. In 1999 it selfpublished<br />
a magazine, Made in USA,<br />
and began producing videos.<br />
Verlag der Buchhandlung Walther König £27.00<br />
ISBN 978-3-86560-870-3<br />
softback 180 pages<br />
40 colour illustrations<br />
280 x 215 mm<br />
John Bock<br />
FischGrätenMelkStand /<br />
Herringbone Milking Parlour<br />
text by Andreas Schlaegel<br />
edited by Angela Rosenberg, John Bock<br />
For many, this exhibition, curated<br />
and installed by John Bock, was the<br />
most radical and interesting art event<br />
in Berlin in 2010. With numerous<br />
installation and detail photographs,<br />
this catalogue gives the reader a very<br />
visual impression of the 11 metrehigh,<br />
walk through, labyrinthian steel<br />
construction. Within the four floors<br />
of the structure, both functional and<br />
grotesque, the artwork of 60 different<br />
artists fuses with the space around<br />
it. Published to accompany the<br />
exhibition at Temporäre Kunsthalle,<br />
Berlin, July – August, 2010.<br />
Verlag der Buchhandlung Walther König £28.00<br />
ISBN 978-3-86560-872-7<br />
hardback 144 pages<br />
111 colour illustrations<br />
210 x 290 mm<br />
English and German text<br />
Monica Bonvicini<br />
Both Ends<br />
texts by Rein Wolfs, Ursula Maria Probst,<br />
Vanessa Joan Müller<br />
‘I decided to try art because it was<br />
the only way to be a worker and<br />
an intellectual at the same time.’<br />
(Monica Bonvicini)<br />
In her art, Monica Bonvicini raises<br />
issues regarding gender and<br />
power relationships in all kinds of<br />
contexts. At the centre of her work<br />
are architecture and public spaces,<br />
the world of labour, sexuality, as<br />
well as politics and representation,<br />
whose close connections she<br />
reveals. Conceptual pieces as well<br />
as sculptural works and spatial<br />
installations are presented in this<br />
monograph. Monica Bonvicini’s<br />
diversity of form and continuity of<br />
content becomes clear through<br />
this overview. Her oeuvre reflects<br />
a firm political stance, which,<br />
however, never stops at the mere<br />
communication of her position by<br />
artistic means. Instead, Bonvicini<br />
continuously seeks confrontation<br />
at an artistic level: through breaks<br />
with routine of representation and<br />
traditional viewing habits. Published<br />
alongside the exhibition at Kunsthalle<br />
Fridericianum, Kassel, August –<br />
November 2010.<br />
Verlag der Buchhandlung Walther König £32.00<br />
ISBN 978-3-86560-873-4<br />
softback 168 pages<br />
150 colour illustrations<br />
310 x 210 mm<br />
English and German text<br />
Candice Breitz<br />
The Scripted Life<br />
texts by Beatrice von Bismarck, Colin<br />
Richards, Okwui Enwezor, Edgar Schmitz<br />
edited by Yilmaz Dziewior, Kunsthaus Bregenz<br />
Identity formation and media life –<br />
two dominant and recurring themes<br />
in the work of Candice Breitz – form<br />
the leitmotif of the artist’s solo<br />
exhibition The Scripted Life at the<br />
Kunsthaus Bregenz (February – April<br />
2010), where major existing works<br />
were shown alongside more recent<br />
installations. Throughout her early<br />
work in photography and collage,<br />
and continuing to her sophisticated<br />
video installations, the Berlin-based<br />
South African artist has consistently<br />
examined and dissected mass<br />
media and popular culture, role<br />
play and gender construction,<br />
language and fragmentation,<br />
reforming and appropriating them<br />
to shape her artistic vocabulary.<br />
Essays by Beatrice von Bismarck,<br />
Colin Richards and Okwui Enwezor<br />
address various aspects of Breitz’<br />
oeuvre to form the scholarly<br />
backbone of this catalogue raisonné<br />
of the artist’s film and video works.<br />
Each work is introduced individually<br />
with a text by Edgar Schmitz, making<br />
this catalogue together with a<br />
carefully compiled appendix the most<br />
comprehensive publication on the<br />
work of Candice Breitz yet.<br />
Verlag der Buchhandlung Walther König £49.50<br />
ISBN 978-3-86560-782-9<br />
hardback 232 pages<br />
90 colour illustrations<br />
230 x 180 mm<br />
English and German text<br />
29