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PUBLICATIONS Spring 2011 - Cornerhouse

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SPRING <strong>2011</strong><br />

Verlag der Buchhandlung<br />

Walther König<br />

distributed by <strong>Cornerhouse</strong> in the UK<br />

Absalon<br />

texts by Absalon, Bernard Marcadé, Nina<br />

Möntmann, Moshe Ninio, Beate Söntgen,<br />

Philip Ursprung, Hortensia Völckers<br />

foreword by Hortensia Völckers<br />

edited by Susanne Pfeffer<br />

The Israeli artist Absalon was<br />

fascinated by spaces, which<br />

he reworked in systematic and<br />

successive ways with questions<br />

around essential human activities<br />

and basic geometric forms (the<br />

rectangular, the square, the<br />

triangle and the circle) being his<br />

points of departure. It was in 1987<br />

that he started to empty out the<br />

spaces he found before eventually<br />

restructuring and refilling them<br />

with the help of simple forms.<br />

These test assemblies – further<br />

developed later on by means of<br />

objects, drawings, photographs and<br />

films – came full circle in Absalon’s<br />

Cellules: individualized, ascetic and<br />

contemplative living units. This new<br />

publication on the occasion of the<br />

extensive retrospective at the KW<br />

Institute of Contemporary Art qualifies<br />

both as a catalogue raisonné and a<br />

monograph. The catalogue is the first<br />

ever to offer illustrations and theory<br />

covering Absalon’s entire oeuvre.<br />

Verlag der Buchhandlung Walther König £49.00<br />

ISBN 978-3-86560-952-6<br />

hardback 352 pages<br />

189 b&w illustrations<br />

300 x 225 mm<br />

English and German text<br />

28<br />

Kai Althoff & Nick Z<br />

Dream Cereal<br />

Featuring 60 drawings, this book<br />

was conceived as a continuation of<br />

the artistic collaboration between Kai<br />

Althoff and artist Nick Z, which was<br />

first established in their 2007 joint<br />

exhibition at Gladstone Gallery, We<br />

Are Better Friends For It. Entitled,<br />

Dream Cereal, this book further<br />

explores the underlying themes of<br />

their exhibition and collaboration,<br />

borrowing from moments of history,<br />

religious iconography, and countercultural<br />

movements to create<br />

evocative contexts that are propped<br />

upon narratives simultaneously<br />

arcane yet familiar, at once deeply<br />

personal yet universal.<br />

Verlag der Buchhandlung Walther König £29.50<br />

ISBN 978-3-86560-951-9<br />

hardback 60 pages<br />

illustrated in colour and b&w<br />

305 x 229 mm<br />

Bernadette<br />

Corporation<br />

The Complete Poem<br />

texts and edited by Bernadette Corporation<br />

The idea of the book is to present<br />

these two elements – poem and<br />

fashion shoot – in a single package,<br />

as one complex object. This<br />

combination of original literature and<br />

commissioned fashion photography<br />

undermines the traditional autonomy<br />

of literary and visual genres. The<br />

book itself is a conceptual gesture:<br />

the display of a mediation, or the<br />

presentation of a redistribution.<br />

Bernadette Corporation was formed<br />

in a Manhattan nightclub in 1994, and<br />

began organizing DIY social events<br />

that evolved into unauthorized art<br />

carnivals in SoHo parking lots. From<br />

1995 to 1997, the group worked<br />

under the guise of an underground<br />

fashion label. In 1999 it selfpublished<br />

a magazine, Made in USA,<br />

and began producing videos.<br />

Verlag der Buchhandlung Walther König £27.00<br />

ISBN 978-3-86560-870-3<br />

softback 180 pages<br />

40 colour illustrations<br />

280 x 215 mm<br />

John Bock<br />

FischGrätenMelkStand /<br />

Herringbone Milking Parlour<br />

text by Andreas Schlaegel<br />

edited by Angela Rosenberg, John Bock<br />

For many, this exhibition, curated<br />

and installed by John Bock, was the<br />

most radical and interesting art event<br />

in Berlin in 2010. With numerous<br />

installation and detail photographs,<br />

this catalogue gives the reader a very<br />

visual impression of the 11 metrehigh,<br />

walk through, labyrinthian steel<br />

construction. Within the four floors<br />

of the structure, both functional and<br />

grotesque, the artwork of 60 different<br />

artists fuses with the space around<br />

it. Published to accompany the<br />

exhibition at Temporäre Kunsthalle,<br />

Berlin, July – August, 2010.<br />

Verlag der Buchhandlung Walther König £28.00<br />

ISBN 978-3-86560-872-7<br />

hardback 144 pages<br />

111 colour illustrations<br />

210 x 290 mm<br />

English and German text<br />

Monica Bonvicini<br />

Both Ends<br />

texts by Rein Wolfs, Ursula Maria Probst,<br />

Vanessa Joan Müller<br />

‘I decided to try art because it was<br />

the only way to be a worker and<br />

an intellectual at the same time.’<br />

(Monica Bonvicini)<br />

In her art, Monica Bonvicini raises<br />

issues regarding gender and<br />

power relationships in all kinds of<br />

contexts. At the centre of her work<br />

are architecture and public spaces,<br />

the world of labour, sexuality, as<br />

well as politics and representation,<br />

whose close connections she<br />

reveals. Conceptual pieces as well<br />

as sculptural works and spatial<br />

installations are presented in this<br />

monograph. Monica Bonvicini’s<br />

diversity of form and continuity of<br />

content becomes clear through<br />

this overview. Her oeuvre reflects<br />

a firm political stance, which,<br />

however, never stops at the mere<br />

communication of her position by<br />

artistic means. Instead, Bonvicini<br />

continuously seeks confrontation<br />

at an artistic level: through breaks<br />

with routine of representation and<br />

traditional viewing habits. Published<br />

alongside the exhibition at Kunsthalle<br />

Fridericianum, Kassel, August –<br />

November 2010.<br />

Verlag der Buchhandlung Walther König £32.00<br />

ISBN 978-3-86560-873-4<br />

softback 168 pages<br />

150 colour illustrations<br />

310 x 210 mm<br />

English and German text<br />

Candice Breitz<br />

The Scripted Life<br />

texts by Beatrice von Bismarck, Colin<br />

Richards, Okwui Enwezor, Edgar Schmitz<br />

edited by Yilmaz Dziewior, Kunsthaus Bregenz<br />

Identity formation and media life –<br />

two dominant and recurring themes<br />

in the work of Candice Breitz – form<br />

the leitmotif of the artist’s solo<br />

exhibition The Scripted Life at the<br />

Kunsthaus Bregenz (February – April<br />

2010), where major existing works<br />

were shown alongside more recent<br />

installations. Throughout her early<br />

work in photography and collage,<br />

and continuing to her sophisticated<br />

video installations, the Berlin-based<br />

South African artist has consistently<br />

examined and dissected mass<br />

media and popular culture, role<br />

play and gender construction,<br />

language and fragmentation,<br />

reforming and appropriating them<br />

to shape her artistic vocabulary.<br />

Essays by Beatrice von Bismarck,<br />

Colin Richards and Okwui Enwezor<br />

address various aspects of Breitz’<br />

oeuvre to form the scholarly<br />

backbone of this catalogue raisonné<br />

of the artist’s film and video works.<br />

Each work is introduced individually<br />

with a text by Edgar Schmitz, making<br />

this catalogue together with a<br />

carefully compiled appendix the most<br />

comprehensive publication on the<br />

work of Candice Breitz yet.<br />

Verlag der Buchhandlung Walther König £49.50<br />

ISBN 978-3-86560-782-9<br />

hardback 232 pages<br />

90 colour illustrations<br />

230 x 180 mm<br />

English and German text<br />

29

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