13.07.2015 Views

SEx! DRugS! Rock & Roll! - the Red Hook Star-Revue

SEx! DRugS! Rock & Roll! - the Red Hook Star-Revue

SEx! DRugS! Rock & Roll! - the Red Hook Star-Revue

SHOW MORE
SHOW LESS
  • No tags were found...

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

FRANK GALEANOREAL ESTATE1 0 4 U N I O N S T • ( B E T C O L U M B I A & V A N B R U N T S T S )P H 7 1 8 . 5 9 6 . 9 5 4 5 • F A X 7 1 8 . 5 9 6 . 9 4 7 9RESIDENTIAL & COMMERCIALS A L E S &R E N T A L SWE WILL DO OUR BEST TO ASSIST YOU IN YOUR REAL ESTATE NEEDS!GREG 917.453.3651 • JERRY 347.612.2250 • BOB 917.692.2250FOR SALE IN RED HOOKFOR LEASE$969,000 $1,500,000red hook warehouse4,000SF -$4,700/MONICE 3 FAMILY W ROOF DECKS+ PARKING ON SULLIVAN ST• 2BR/2BTH DUPLEX OVER 2BR/1BTHOVER 1BR• 2 CAR PARKING - 2 ROOF DECKS-COMMON W/D• NYC VIEWS - BUILT 2004- EXCELL CONDITION.PIONEER ST & VAN BRUNT STCORNER 4 FAMILY + STORE• TWO 1BR + ONE JR 1BR + ONE 2BR + STORE •• RENOVATED 3 YRS AGO- EXCELL CONDITION• RENT ROLL OF $96,000/YR - 6.5 CAP RATEACROSS FROM BATTERY TUNNEL• 18’ CEILINGS, HI ROLL UP GATE• FINISHED OFFICES W 3 BATHROOMS• BUILDING IS EFFICIENT IN HEATING, ELECWe pride ourselves on our intimate,neighborly service...we are dedicated to excellence and committed to those we serve!red hook - 2BR$2,500-STEPS TO FAIRWAYcolumbia st diner1600SF -$2,900/MOunion st offices1,200SF -$1,700/MO2BR W AMAZING VIEWS OF HARBOR• 900 SF ON 4TH FL W HUGE DECKW VIEWS• CUSTOM KITCHEN, WASHER-DRYER• GOOD SIZED BRS W LOTS OF CLOSETS• BE THE FIRST TO LIVE IN THIS NEW APTFULLY EQUIPPED LUNCHEONETTE• 1600SF + BASEMENT + YARD• EXPOSED BRICK-SOME KEY $$ FOR EQUIP• LONG LEASE AVAILBLE - MOVE RIGHT IN• NEIGHBORHOOD NEEDS OF EARLY/LATE DININGSTEPS TO SMITH ST-NICE OFFICES •• BUILT OUT LOWER LEVEL OFFICES• 1,200 SQ FT - HEAT AND ELECTRIC INCL.• NICE BATHROOM & WARMING KITCHEN• PERFECT FOR DOCTOR, THERAPIST, REHABPage 4 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010


Editorial:We Have to Tell Them What We WantTake a look at <strong>the</strong> document to <strong>the</strong>right. It is page 50 of a report entitledVision 2020, which is being preparedby NYC planners and will serve as aguideline for <strong>the</strong> future of our waterfront.Page 50 is <strong>the</strong> only page pertinentto us, and it pretty much saysthat everything will remain status quofor <strong>the</strong> Columbia Waterfront District,meaning that <strong>the</strong> maritime industrystays on waterfront that by all rightsshould be our public parkland.I went to <strong>the</strong> public meeting that washeld last month and voiced my opinionthat things have changed aroundhere, and <strong>the</strong>re are many more peoplethat would benefit from parkland thanbenefit from <strong>the</strong> supposed 600 unionjobs that <strong>the</strong> land is being held hostageto. Amanda Burden, chairing <strong>the</strong>meeting listened to me as she listeneddozens of o<strong>the</strong>r citizens who showedup at <strong>the</strong> meeting to voice <strong>the</strong>ir ownparticular issues.Housing Advocates Worry PETRA May Jeopardize Public Housing(continued from front page)was presented to <strong>the</strong> House FinancialServices Committee last May byHUD Secretary Shaun Donovan, whoemphasized <strong>the</strong> urgency of <strong>the</strong> currentfinancial crisis in public housing. “Wehave already lost about 150,000 unitsof public housing because of <strong>the</strong> inabilityto preserve <strong>the</strong>m,” he said.Lisa Cowan, who serves as Presidentof <strong>the</strong> Board of Directors at <strong>Red</strong> <strong>Hook</strong>Initiative, called for <strong>the</strong> informationsession last month and invited MoGeorge of Community Voices Heard(CVH) - an advocacy organization forlow-income people based in New YorkCity - to speak about PETRA andtake questions from <strong>the</strong> audience.George encouraged listeners to get involvedin <strong>the</strong> evolution of <strong>the</strong> bill byattending an upcoming “PETRA Forum,”which will feature a panel discussionwith Chairman John B. Rheaof NYCHA (who supports <strong>the</strong> bill)and o<strong>the</strong>r key players, followed by afeedback session for community input.One audience member kept repeating<strong>the</strong> phrase - “We need to hold <strong>the</strong>irfeet to <strong>the</strong> fire.”No one is denying that public housingis in serious financial trouble.Cowan, who is also a resident of <strong>the</strong>East Houses, can personally testifyto public housing’s lack of funds andits effects on <strong>the</strong> quality of life in herown community. “Repairs are not beingdone on time, and when <strong>the</strong>y aredone, it’s a patch-up job,” she said inan interview. “A lot of <strong>the</strong> outsidebricks need to be fixed. When it rains<strong>the</strong>re’s a lot of water damage in <strong>the</strong>walls. So <strong>the</strong>y fix <strong>the</strong> inside, but if <strong>the</strong>outside is not fixed, later we have <strong>the</strong>same problem.”The NYC Department of Transportationis currently holding stakeholdermeetings on <strong>the</strong> subject of a trolley carin <strong>Red</strong> <strong>Hook</strong>. This newspaper wouldhave been happier if <strong>the</strong> subject hadbeen broadened to be a transportationstudy, as readers will remember thatwe support a monorail instead, howeverthis is an important study none<strong>the</strong>less,and at some point <strong>the</strong>re willbe a public meeting as well.Reporter Matt Graber writes on ourfront page about meetings that havebeen held (and one upcoming one)where concerned residents are learningabout plans <strong>the</strong> federal government hasin transforming our housing projects.The point is that in each of <strong>the</strong>secases government officials are askingus what we want. It is often toomuch to ask us to actually attend<strong>the</strong>se meetings, but we can take a fewminutes to let <strong>the</strong>m know by mail oremail our opinions and desires. TheySimilar complaints were voiced atlast month’s <strong>Red</strong> <strong>Hook</strong> East TenantAssociation meeting by a female residentwho said she had been waitingfor months for someone to come andpatch up <strong>the</strong> holes in her walls thatwere <strong>the</strong> results of water damage. Inthose few months, <strong>the</strong> holes had gottenworse, and <strong>the</strong> tenant complaineddirectly to <strong>the</strong> building manager -who attended <strong>the</strong> meeting - about <strong>the</strong>mice that were constantly hopping inand out of her walls. All <strong>the</strong> managercould do was listen to <strong>the</strong> complaint,and <strong>the</strong>n tell her <strong>the</strong> same thing shehas heard for months: to keep waiting.Walk around <strong>the</strong> <strong>Red</strong> <strong>Hook</strong> Housesand you will see scaffoldings up against<strong>the</strong> sides of buildings, suggesting thatactually want to know<strong>the</strong> opinion of us regularsouls. If we don’t tell<strong>the</strong>m, <strong>the</strong>n <strong>the</strong> vestedmoney interests will winout over <strong>the</strong> commongood. Historian JohnBurkard tells us on page16 of this issue abouthow organized efforts of<strong>the</strong> <strong>Red</strong> <strong>Hook</strong> communitysaved us from PortAuthority plans thatwould have devastatedour neighborhood.Go to <strong>the</strong> websites belowand tell <strong>the</strong>m what youthink. Do it right now,because deadlines forcomments are very soon.Trolleycar: http://tinyurl.com/2d2kj94Vision 2020: http://tinyurl.com/294grgrrepairs are in fact being made. VanessaStaton, office manager at <strong>Red</strong> <strong>Hook</strong>Initiative says “<strong>the</strong>y are just for show.One time <strong>the</strong>y had a scaffolding up forfive years - and nothing was done.”PETRA is controversial because itwould allow housing authorities todraw from a combination of publicand private sources of capital. Thefear is that if loan payments were notkept up, <strong>the</strong> lenders would forecloseand take over <strong>the</strong> housing project.Congressman Barney Frank led <strong>the</strong>cross-examination against SecretaryDonavan back in May, demandingthat he explain what would happenin such a case. “If you are living ina place that is owned by <strong>the</strong> government,”Chairman Frank said, “you areunder one set of rules. When a privateentity takes over, what does that do toyour constitutional rights, to <strong>the</strong> relationshipwith <strong>the</strong> City - <strong>the</strong> Mayorcan’t fire you anymore. That’s a veryimportant set of questions.”The offices of Congresswomen NydiaVelasquez, both here in Brooklyn andher press secretary in Washington DC,declined to comment on <strong>the</strong> PETRAbill and <strong>the</strong> concerns raised by ChairmanFrank, CVH, and o<strong>the</strong>r opponentsof <strong>the</strong> bill.The “PETRA Forum” will be heldon Saturday, November 6th at <strong>the</strong>Community Service Society at 105East 22nd Street near Park Avenue.It will run from 10 am to 12:30 pm.Long Walk Home BY J.W. zEHPage 6 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010


Area Soup Kitchens, Pantries Ensure PeopleDon’t Go Hungry This ThanksgivingBy Josie RubioWhile a recent rankingshowed an 11 percentoverall drop in donationsamong 400 of <strong>the</strong> nation’s biggestcharities last year, people in Brooklynare still generous with <strong>the</strong>ir time onThanksgiving Day. In fact, Park SlopeChristian Help—also unofficiallyknown as CHIPS—has established acutoff for <strong>the</strong> number of volunteers.“It’s a tradition with people,” says SisterMary Maloney, director. “They liketo do something for Thanksgiving.”The soup kitchen and women’s shelter,located at 200 Fourth Avenue, betweenSackett and Degraw is <strong>the</strong> closestsoup kitchen open on ThanksgivingDay, typically serving from 11:30 amto about 4:30 pm. The meal includesturkey, dressing, cranberries, sweet potatoes,mashed potatoes, vegetablesand assorted pies, and is comprised offood purchased by Park Slope ChristianHelp and goods donated by individuals,schools, churches and synagogues. “Peopleare very generous,” Maloney says.The event has grown from about 13attendees at <strong>the</strong> first Thanksgivingdinner in <strong>the</strong> early ’70s to about 300 inrecent years. CHIPS serves hot mealsto about 150 to 200 people—includingpeople from <strong>the</strong> <strong>Red</strong> <strong>Hook</strong> area—six days a week from about 11 am to 4pm Monday through Saturday.While Thanksgiving volunteers areappreciated, Park Slope ChristianHelp, which is run by <strong>the</strong> FranciscanSisters of <strong>the</strong> Poor Foundation, is alsoin need of volunteers on o<strong>the</strong>r holi-CHIPS Director, Sister Mary Maloneywith Francis Residence guest.days, such as Christmas, and during<strong>the</strong> rest of <strong>the</strong> year. Currently, <strong>the</strong>nonprofit has about 100 volunteers.Park Slope Christian Help also is inneed of men’s clothing.For <strong>the</strong> past 10 years, <strong>the</strong> Calvary BaptistChurch of <strong>Red</strong> <strong>Hook</strong>, 773 HicksSt., has served a Thanksgiving meal <strong>the</strong>Wednesday before Thanksgiving Day.This year, church administrator WinnieIsaac says that she’s “almost positive”that <strong>the</strong> event will continue this yearon November 24. The meals are heldon Wednesday from 11:30 am to 1 pm,so that volunteers can spend time with<strong>the</strong>ir families on Thursday. Typically, <strong>the</strong>soup kitchen is open on Tuesdays andThursdays and serves about 50 people.Several food pantries also distributegroceries in <strong>the</strong> area. Movement ofPentecostal, 90-92 Summit St., acceptsnon-perishables, such as cannedgoods, bagged foods, pasta and rice,and distributes food on Sundaysfrom noon to 2 pm. Food First, 165Conover, distributes weekly pantrybags in <strong>Red</strong> <strong>Hook</strong>.For more information:Park Slope Christian Help, 200 Fourth Ave. 718 237-2962 www.chipsonline.orgCalvary Baptist Church of <strong>Red</strong> <strong>Hook</strong> , 773 Hicks St (718) 522-5159Movement of Pentecostal, 90-92 Summit St.Food First , 165 Conover Street (718) 624-1950 www.foodfirstinc.comWe are Much Morethan Bagels!!!!Catering• We Prepare Huge Platesfor Special Occasions• Hot Buffalo Wings• Fried Shrimp• Friend Calamari• Lasagna• Potato and Egg• Eggplant Parm• Steak and Peppers• Roast Turkey• Pastrami• Veal Cutlet• Sausage and Peppers• Wrap Platters• Cheese Platters• Homemade Salads• Hot Buffet parties as lowas $13.95 per person• Cold Buffet Parties as lowas $6.95 per person• Huge Heroes up to 6 Feet!• Much Much More!!!Open 7 days 5 am - 5 pmFREE Delivery$5 minimumCorporate Accounts WelcomedMajor Credit Cards AcceptedBreakfast• Breakfast Sandwiches• All Breakfast Plates servedwith bacon, ham or sausage!• Oatmeal/Grits/Cereal• All Types of Omelettes• Available and cooked toOrder• Of Course, <strong>the</strong> best Bagels!Lunch• Homemade Soup Daily• Hot Plates with DeliciousSides• Burgers, Sandwiches,• Fresh Fish Thursdays andFridays• Boars Head Cold Cuts by<strong>the</strong> Pound• Wraps Made to Order• Corned Beef a Specialty!383 Van Brunt Street (corner Coffey)Brooklyn, NY 11231718 855-2623Six Packed Panels by Vince MusacchiaNovember 2010<strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> Page 7


Smooth Sailing for <strong>the</strong> <strong>Red</strong> <strong>Hook</strong> BoatersDuring <strong>the</strong> Fall Harvest Food FlotillaBy Josie RubioTaxis whisked Canada-boundvacationers to <strong>the</strong> formidable19-deck Caribbean Princess,docked at <strong>the</strong> Brooklyn CruiseTerminal, <strong>the</strong> morning of Saturday,Oct. 9, a sunny, warm autumn day.At Valentino Pier, however, a groupof a dozen <strong>Red</strong> <strong>Hook</strong> Boaters werepreparing to launch much smallervessels for a shorter journey — acrossButtermilk Channel to Governor’sIsland for <strong>the</strong> Fall Harvest FoodFlotilla, which kicked off <strong>the</strong> weekleading up to <strong>the</strong> <strong>Red</strong> <strong>Hook</strong> HarvestFestival, held October 16.Launching at Valentino PierColorful kayaks and canoes werelined up that morning at <strong>the</strong> launchingsite at Louis Valentino Jr. PierPark, as <strong>Red</strong> <strong>Hook</strong> Boaters donnedwetsuits. After paddling <strong>the</strong> nauticalmile to Governor’s Island, <strong>the</strong> kayakersreceived vegetables and flowersharvested from <strong>the</strong> Added ValueFarm, <strong>the</strong>n lashed <strong>the</strong> items to <strong>the</strong>irkayaks for <strong>the</strong> return to ValentinoPier. They <strong>the</strong>n handed over <strong>the</strong> produceto Added Value, for transport to<strong>the</strong> <strong>Red</strong> <strong>Hook</strong> Community Farm, atHalleck and Columbia streets.David Buckel, longtime Added Valuevolunteer and coordinator of <strong>the</strong> fifthannual Harvest Festival, came upwith <strong>the</strong> idea of <strong>the</strong> flotilla as somewhatof a reenactment of a practiceof ferrying cattle across ButtermilkChannel in <strong>the</strong> 1700s. According tolegend, before <strong>the</strong> dredging of <strong>the</strong>channel to make space for ships topass, farmers walked <strong>the</strong>ir cows atlow tide from Brooklyn to Governor’sIsland to graze.While at Governor’s Island, <strong>the</strong> boat-ers hoped to do some grazing of <strong>the</strong>irown at <strong>the</strong> Oktoberfest held that day.Robert Painter mentioned he washoping to get a <strong>Red</strong> <strong>Hook</strong> LobsterPound lobster roll.For kayaker Kim Wadsworth of ClintonHill, <strong>the</strong> flotilla was <strong>the</strong> first timeWhile at Governor’sIsland, <strong>the</strong> boatershoped to do somegrazing of <strong>the</strong>ir own at<strong>the</strong> Oktoberfest heldthat day. Robert Paintermentioned he washoping to get a <strong>Red</strong><strong>Hook</strong> Lobster Poundlobster roll.she’d paddled fur<strong>the</strong>r than <strong>the</strong> areaaround Valentino Pier. “It’s intimidatingbut exhilarating at <strong>the</strong> sametime,” she said before <strong>the</strong> launch.She wouldn’t be alone for <strong>the</strong> trip,she noted, adding that it was her firsttime in a two-person kayak. “It’s aday of firsts,” she said.The group included many seasonedkayakers, some of whom had previouslypaddled as far as Staten Island.Many had kayaked to Governor’sIsland in July for <strong>the</strong> City of WaterDay, a festival held from <strong>the</strong> HudsonRiver to Raritan Bay to celebrateNew York City’s waterfronts.The <strong>Red</strong> <strong>Hook</strong> Boaters paddled from Valentino Pier to Governor’s Island, during <strong>the</strong>flotilla, in conjunction with Added Value. Photo by Lisa QuatraleThe flotilla kicked off <strong>the</strong> week ofactivities for <strong>the</strong> annual <strong>Red</strong> <strong>Hook</strong>Harvest, a popular annual event thatcelebrates sustainable food and <strong>the</strong>season’s harvest. This was <strong>the</strong> lastpublic event of <strong>the</strong> season for <strong>the</strong> <strong>Red</strong><strong>Hook</strong> Boaters, who offer free kayakingin club kayaks and canoes on Sundaysfrom 1 to 5 pm mid-May to earlyOctober and on Thursdays from 6 to8 pm in June, July and August.After <strong>the</strong> Food Flotilla returned,Painter said, “We all had a greattime. Beautiful day, good companyand tides in our favor all <strong>the</strong> way.”<strong>Red</strong> <strong>Hook</strong> resident Elizabeth Freundnoted that Buttermilk Channel is oneof her favorite paddle trips, adding, “Ihave a country life in <strong>the</strong> city. “For more information about <strong>the</strong> <strong>Red</strong><strong>Hook</strong> Boaters, visit redhookboaters.org.Great Wea<strong>the</strong>r for Harvest Festival Following a Disaster of Wind and HailOn Monday October 11th, a dramatic hailstorm cut down much of Added Value’s fall harvestand damaged <strong>the</strong> greenhouse. In a wonderful display of <strong>the</strong> strength of community, more than4,000 people attended <strong>the</strong> 5th Annual <strong>Red</strong> <strong>Hook</strong> Harvest Festival on Saturday October 16th. Afundraising dinner will be held at The Good Fork on Wednesday, November 3rd. Proceeds froma special 4 course dinner will go towards <strong>the</strong> rebuilding. The dinner will be $75 per person.For reservations, please call 718 643 6636 and ask for <strong>the</strong> “Added Value dinner.” The GoodFork restaurant is located at 391 Van Brunt Street, Brooklyn. Chef and owner Sohui Kim speakabout Added Value and <strong>the</strong> Farm. (photos by George Fiala).Page 8 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010


ArtView Krista DragomerLeaf, Hailstorm and all that Blows BetweenFall is a punishing lover. Ballroom dance of colors flashing taupe-lace hemlines under brocades of burgundy and ochre, flourishes of red lipstick, red fingernails, pivoting on brittle,brown bones, rock-stepping in steel toes. The thick soupy smell of fall, pungent and fibrously full-bodied stirs me (usually a reluctant morning participant) well before dawn. It is ascent that can compel you to begin <strong>the</strong> day in <strong>the</strong> dark listening to <strong>the</strong> most gut-wrenching song over and over again. That repetition is <strong>the</strong> pulse of <strong>the</strong> season; everywhere life isdecomposing, all vibrating down to a slow, bear-like bass hum, a gravity-bound beat of a world asleep, hibernating.Despite <strong>the</strong> flash and trash of fall’s seduction, it is a season pensive and melancholy. Perhaps it is <strong>the</strong> blunting of <strong>the</strong> horizon on gray days that brings those feelings. Not <strong>the</strong>cycles of death in <strong>the</strong> natural world but our own thoughts—thoughts that have been out wandering through sunscapes for <strong>the</strong> last three months—now pulled close enough to touch,to see and hear fully. In <strong>the</strong> grayness of rainy autumn days <strong>the</strong> world is contracted, and <strong>the</strong>re is always a sense of loss when you gain focus, limitless possibilities now girded intodecisive shapes with order, structure, rules and consequences.That is <strong>the</strong> madness of fall. I feel <strong>the</strong> golden dappled light on my face and I am flush with fantasies of home and hearth despite <strong>the</strong> knowledge that <strong>the</strong> season will be leavingquickly, coolly, like she has done so many times before. Autumn is full with <strong>the</strong> anxiety of extremes. It keeps us moving and searching for a solid place to rest.In <strong>the</strong> late afternoon before <strong>the</strong> October 11 hailstorm I was in <strong>the</strong> Backyard garden picking sage and came upon <strong>the</strong> delicate structure of a plum tree leaf. Its papery blade haddisintegrated and all that remained was <strong>the</strong> central midrib and webbing of fine veins. The leaf is beautiful, <strong>the</strong> perfect curve of it, full and cupped at <strong>the</strong> bottom, elegantly taperedtoward <strong>the</strong> tip. Pinnate, I learned from Arbor Day tree glossary, meaning <strong>the</strong> veins of <strong>the</strong> blade are arranged like <strong>the</strong> vanes of a fea<strong>the</strong>r. On ei<strong>the</strong>r side of <strong>the</strong> leaf’s toothlessmargin was a single pea-sized brown bumpy seed.Pale, <strong>the</strong> color of tea with milk, <strong>the</strong> leaf was nearly invisible against <strong>the</strong> mulched earth. As my eyes became more sensitive to its shape I started to spot more knitted betweenchives and pachysandra. Soon I found myself crawling through <strong>the</strong> garden on all fours, carefully ga<strong>the</strong>ring up <strong>the</strong>se little forms. After two hours I had ga<strong>the</strong>red up more than 20leaves, some with seeds, some without, and a great many of <strong>the</strong>m fully intact. Holding up <strong>the</strong> bottom ribbing of my sweater to form a cradling dip, I gingerly placed <strong>the</strong> treasureinside and carried <strong>the</strong>m home.Sitting at my kitchen table, I wondered about <strong>the</strong> leaf, <strong>the</strong> tree, and its presence here in <strong>Red</strong> <strong>Hook</strong>. How long has that family of tree been in this place? Is it a transplant, like somany of us now making our homes here in this neighborhood? And if so, from what distant shore did it blow over? What mix of chance and circumstance sent it sailing in <strong>the</strong> firstplace?A few hours later, bullets of ice assailed windows, whitened streets, macerated garden collard greens and overturned garbage bins. As I watched <strong>the</strong> hailstorm through my rearwindow, I thought about <strong>the</strong> leaves in <strong>the</strong> garden, imagining pellets of ice hitting <strong>the</strong> seeds, separating and scattering <strong>the</strong>m near and far. The storm called to mind a short story byVirginia Woolf that I had read last fall and which had moved through me in much <strong>the</strong> same way; cracking against bone, punching light through twisting masses of muscle and tissuewhile in <strong>the</strong> blood, cells, platelets, and plasma made emergency committees to rush around figuring out what is damage and what is an opening letting <strong>the</strong> air in, finally.In Woolf’s story, A Mark on <strong>the</strong> Wall, <strong>the</strong> narrator sees a black mark on <strong>the</strong> white wall above <strong>the</strong> mantelpiece and wonders what it might be. She flits between fragmentary thoughts,relishing interruptions in her reveries to contemplate <strong>the</strong> mark from where she is seated, saying “I want to think quietly, calmly, spaciously, never to be interrupted, never tohave to rise from my chair, to slip easily from one thing to ano<strong>the</strong>r, without any sense of hostility or obstacle. I want to sink deeper and deeper, away from <strong>the</strong> surface, with itshard separate facts.” And she does, her thoughts winding through a soft-focused and boundary-less world until she begins to feel that deep dread we feel in total darkness, <strong>the</strong>dismantling fear of loosing <strong>the</strong> recognizable shape of oneself. Here she focuses again on <strong>the</strong> mark, saying “Indeed, now that I have fixed my eyes upon it, I feel that I have graspeda plank in <strong>the</strong> sea; I feel a satisfying sense of reality…Here is something definite, something real. Thus, waking from a midnight dream of horror, one hastily turns on <strong>the</strong> light andlies quiescent, worshipping <strong>the</strong> chest of drawers, worshiping solidity, worshiping reality, worshiping <strong>the</strong> impersonal world which is a proof of some existence o<strong>the</strong>r than ours. Thatis what one wants to be sure of…”These two passages paired underscore <strong>the</strong> excruciating motion of <strong>the</strong> season, and of great art: a ceaseless turning between extremes that renders you incapable of believing <strong>the</strong>world around you to be as real as you have known it to be, and at <strong>the</strong> same time confirming <strong>the</strong> specificity of it, distilling attention down to one element. The red of an apple in aCezanne still life, <strong>the</strong> round turning of it in a flat space. The shine on <strong>the</strong> nose of a Caravaggio portrait and <strong>the</strong> shadow across <strong>the</strong> cheek. The tension in <strong>the</strong> teeth of DeKooning’sWomen and heavy knees in Abakanowicz’s burlap figures. They are details and <strong>the</strong>y are <strong>the</strong> whole story, each an encapsulated world of wonder and paradox, magic in <strong>the</strong> way it canmake you feel <strong>the</strong> red, <strong>the</strong> roundness, <strong>the</strong> shine, and <strong>the</strong> shadow. Our jaws tighten and knees sink slightly in response to <strong>the</strong>se tricks of color and line.These works, like <strong>the</strong> Virginia Woolf story, terrify me because in <strong>the</strong> play between paradoxes I feel <strong>the</strong> restlessness of life, <strong>the</strong> agitation of my impossible desire to know and toescape knowing. Whe<strong>the</strong>r brought about by hail hurled at forty miles an hour or <strong>the</strong> fine filaments of <strong>the</strong> most delicately veined truth, <strong>the</strong> effect of such work is that dizzying,magical feeling of contradiction like one feels when in love. In love we are vulnerable and dangerous. Like love, good art is magic and magic is only good if it is <strong>the</strong> kind that canhurt you if used recklessly. Bits of ice are among <strong>the</strong> most ephemeral of artistic materials, and yet it is <strong>the</strong> accumulation of so many fragile moments that have such a devastatingeffect (while, it should be said here, that <strong>the</strong> leaves in <strong>the</strong> bowl on my table have not yet broken down).Storms have, in art and literature, been associated with powerful emotions and shifts in consciousness, used to tell stories of death and <strong>the</strong> supernatural. They figure as subjectand as <strong>the</strong>me; a line can move in a stormy manner, a play of color like <strong>the</strong> calm before. The series of monotype prints by Jennifer Nicholas in <strong>the</strong> BWAC Lineage show uses colorthis way, playing red against green like warm and cool wea<strong>the</strong>r fronts, crackling with complimentary friction. And Gloria Patton’s charcoal and ink drawing titled “Gods Have Gone”approaches a stormy composition with its spectrum of gray and light cut through a shadowy ground that breaks into figuration with <strong>the</strong> drips and splatters of ink in <strong>the</strong> top rightcorner, a dynamic quality that keeps <strong>the</strong> solid X axis of <strong>the</strong> visual field in a state of stormy disturbance.Against <strong>the</strong> backdrop of a storm sounding like <strong>the</strong> end of <strong>the</strong> world, I twirled one leaf in my hand, selfishly satisfied that I had collected a basket of <strong>the</strong>m before <strong>the</strong>y were peltedback into earth, rattling around <strong>the</strong> seeds I had separated from <strong>the</strong> stem and placed in a ceramic bowl, enjoying <strong>the</strong> sound and tactile pleasure of <strong>the</strong>m while thinking guiltily of myintervention into nature’s delivery system. Marveling at <strong>the</strong> intricate, violent beauty of a skeletal leaf carrying a tree-seed to be broken off by wind and rain and ice and batteredthrough <strong>the</strong> city until it takes root in some crack between <strong>the</strong> curb and <strong>the</strong> road, much like <strong>Red</strong> <strong>Hook</strong> itself growing between highway and channel, with its fractals of gardensgrowing between grit and grime, artists and bamboo bikes alongside <strong>the</strong> anchoring industry of steel and shipping, Lilla’s maple-glazed brussel sprouts and Baked’s Sweet & Saltybrownie bracketing razor-wired empty lots, <strong>the</strong> bald ugliness of my neighbor’s satellite dish and <strong>the</strong> dotting of purple morning glories trained around <strong>the</strong> base of it, <strong>the</strong> loomingGotham City-like presence of <strong>the</strong> New York Dock Company monolith and <strong>the</strong> stevedoring cranes that sing me to sleep each night. All <strong>the</strong>se features of our neighborhood are sostrangely loveable in <strong>the</strong> way that <strong>the</strong>y require in us ever-changing seasons of preparation and improvisation.Next month I promise I will focus. I will let <strong>the</strong> austerity of November constrain my thoughts into something incisive and specific, a careful consideration of <strong>the</strong> Cuba: My Revolutionshow on view at <strong>the</strong> Kentler (October 2 – December 12) curated by Mariella Bisson, thinking of <strong>the</strong>se works by Intervena Lockpez and Dean Haspiel in dialogue with MarjaneSatrapi’s Persepolis, contemplating <strong>the</strong> use of <strong>the</strong> graphic novel by women artists as way to tell <strong>the</strong>ir stories of living through revolution. I will enlist <strong>the</strong> help of curator andartist friends to think aloud about <strong>the</strong>se drawings, about <strong>the</strong>ir presence in <strong>the</strong> gallery, about gallery shows of comic-related art. And outside <strong>the</strong> galleries, I will seek out <strong>the</strong>interventionists amongst us, <strong>the</strong> vigilante curators and guerilla artists in our neighborhood that keep us aware and awake. But I couldn’t let <strong>the</strong> season get away with shaking usup like that and <strong>the</strong>n scuttling off quiet as dry brown against cold pavement. Her effect on me is too pervasive, and I love <strong>the</strong> fall too much to go about not speaking her name.Sometimes when a lover is demanding attention you just have to give in.There is a buffalo running down Van Brunt Street. <strong>Red</strong> <strong>Hook</strong> islike that, teeming with curiosities, artistic adventures and momentsof unexpected poetry. This section is dedicated to <strong>the</strong> art in ourcommunity, intentional or not, happening outside of gallery walls.Seen a strange sight in <strong>the</strong> neighborhood and can’t quite figure outif it is art or not? Don’t hate, curate! And let me know what you’dlike to see mentioned here (thanks to Jackie Mabey, art assistantextraordinaire and curator-at-large, and Kim Nguyen of Vancouver’sAccess Gallery for <strong>the</strong>ir trans-coastal wit). Krista@<strong>Red</strong><strong>Hook</strong><strong>Star</strong>.comKicking off DHC is “A Drive-In” organized by Jessie Stead. Theevent, which derives its title from Bruce Connor’s collaged work “AMovie” (1958), is an outdoor experimental film screening that takesplace in <strong>the</strong> lot at <strong>the</strong> end of Union Street,adjacent to <strong>the</strong> Work gallery.When asked about <strong>the</strong> relationship between <strong>the</strong> movie event and<strong>the</strong> gallery, Stead explains: “The Drive-In event has a free formconnection to <strong>the</strong> fantastic gallery exhibits at <strong>the</strong> Work Gallery (formore about those contact Director Eric Ayotte, erayotte@gmail.com). Its kind of an intermittent and sporadic satellite to <strong>the</strong> gallery,an extension for showcasing single channel video/film and also aplatform for moving image work and its collision with live music, uncategorizableperformances, and of course ‘<strong>the</strong> art of hanging outin a parking lot’.”Interactivity is encouraged in <strong>the</strong>se events, with seatingarrangements that include materials like bubble wrap,marshmallows, and whistles provided to facilitate creativedisruption. Stead describes <strong>the</strong> improvisational quality of <strong>the</strong> event,saying: “There have been six events since <strong>the</strong> first “A Drive-In”which was held on October 18, 2008, and each one has been reallydifferent from <strong>the</strong> o<strong>the</strong>rs, it varies according to who gets involvedas presenters and performers and also <strong>the</strong> audience and how <strong>the</strong>yend up interacting with <strong>the</strong> space and <strong>the</strong> work. Its always a totalsurprise even for me what actually happens at each one, its just bynature such an unpredictable event, even just technically speaking, butthat’s what makes it exciting.”To be notified of <strong>the</strong> next event, tentatively scheduled for <strong>the</strong> spring, join<strong>the</strong> Work Gallery email list: http://www.redtinshack.com/contact.Don’t Hate, Curate!photo by Anrei Degenhardt, everything else by KristaPage10 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010 November 2010<strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> Page 11


Shopping <strong>Red</strong> <strong>Hook</strong>Mollie Dash, co-owner of <strong>the</strong>newly-opened EverbriteMercantile Co., may nothave discovered her talent for makingjewelry had her best friend Williebeen more punctual. While living inLos Angeles, Dash would create jewelryto pass <strong>the</strong> time while waiting tobe picked up by her friend, who hada car to get around <strong>the</strong> city. ThoughWillie was perpetually late, Dashhad time to make pieces from discardedart supplies she acquired whileearning a BFA from Virginia CommonwealthUniversity in Richmond,Virginia. “I started with donatedSculpey and donated copper electricEverbrite Mercantile Co. DisplaysUnique Items, Sense of HumorBy Josie Rubiofrom Knoxville, Tennessee-basedYee-Haw Industries, maker of Graciasthank-you notes and a squirrel sewonpatch, to London’s Playforeverracing cars and airplane toys.Of <strong>the</strong> selection, Dash says, “I can’treally describe it, but it’s just whatI like.” These items include one-ofa-kindhandpainted Zachary Pryorearrings, as well as a Black + BlumRingo magazine rack that can beexpanded simply by adding ano<strong>the</strong>rring. Planters and incense burnersfrom Nobuhiro Sato are not onlydesigned to look like houses, but <strong>the</strong>mortar products age and wea<strong>the</strong>r. In“The sign above<strong>the</strong> shop issimply a roundPac Man-likecreature <strong>the</strong>yrefer to asThompkins,Lauas’ alter ego.A word bubble isblank, but Lauasplans to addmagnetic lettersso for storeannouncements.”well as Lauas, a computer programmerand web designer. “Itdefinitely suits our personalitiesa lot better,” Dash says.And elements of <strong>the</strong>ir personalities— and senses of humor— can be found throughout <strong>the</strong>store. The sign above <strong>the</strong> shopis simply a round Pac Manlikecreature <strong>the</strong>y refer to asThompkins, Lauas’ alter ego. Aword bubble is blank, but Dashsays that Lauas plans to putmagnetic letters in <strong>the</strong> bubbleso Thompkins can make storeannouncements from time totime.And <strong>the</strong> log bearing eyes and amouth that sits near <strong>the</strong> toys?“Loggy!” <strong>the</strong>y explain in unison. Thelog, which also has wheels attachedto <strong>the</strong> bottom, is <strong>the</strong> creation of Lauas.As for <strong>the</strong> vintage arcade bowlinggame, Lauas won it on eBay and tooka train to Cleveland to bring <strong>the</strong>game to Brooklyn by truck. The gameis popular with customers, including ayoung “bowling savant” that recentlyvisited <strong>the</strong> store, according to Lauas.“A little 2-year-old did <strong>the</strong> best gamein days,” he says. “A 7-10 split. Thatblew me away.”Everbrite Mercantile Company, 351Van Brunt Street, open 11am - 7pmTues thru Sun. Closed Mondays. 347-546-8701wire,” says Dash, who moved to NewYork City in 2004.Her jewelry, on display at <strong>the</strong> shopshe opened October 11 with BryanLauas, still incorporates many reclaimeditems that she finds at fleamarkets, antique stores and yardsales. A row of bracelets, for example,incorporate old Pennsylvania huntingpermits. Since <strong>the</strong> jewelry ismade with a minimum of new itemsand repurposes old materials, it’s alsoeco-friendly.The shop contains an array of accessories,personal care items, toys,T-shirts and home décor items, all selectedby Dash and Lauas. You’ll finditems from o<strong>the</strong>r Brooklyn artisans,such as a six-continent silhouettenecklace from <strong>the</strong> Design Glut duo ofLiz Kinnmark and Kegan Fisher. But<strong>the</strong> shop’s selections span <strong>the</strong> globe—<strong>the</strong> personal care section, you’ll findJao Ltd. products, such as hand sanitizer,lip balm and moisturizer madewithout dyes, petroleum or artificialfragrances. There’s also Portland,Oregon–based APAK creations, suchas adorable mugs and wallets. A signtoward <strong>the</strong> back of <strong>the</strong> store promises“man stuff,” including hardwareand tools, photo equipment, obscurevideo games and engines powered bysteam and heat.Everbrite Mercantile Co. started asan online shop in 2009, springingfrom Dash’s jewelry business. (Herwork can also be found at molliedash.com, Sodafine in Williamsburg and atOld Hollywood in Greenpoint and at<strong>the</strong> Limelight Marketplace in Manhattan.)After Dash and Lauas movedto <strong>Red</strong> <strong>Hook</strong> in March of 2010, <strong>the</strong>ystarted looking around Brooklyn fora retail space and eventually discovered<strong>the</strong> former Atlantis Found spotat 351 Van Brunt Street. ThoughDash and Lauas had showcasedEverbrite items from time-to-time at<strong>the</strong> Brooklyn Flea and several o<strong>the</strong>rshows, <strong>the</strong> two decided it would bebest to have a retail shop that coulddouble as a workspace for Dash, asNovember 2010<strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> Page 9


Nightlife:Columbia WaterfrontBurlesque with Free Shows at Sugar LoungeBy Josie RubioDistrict Exposed toLocal burlesque performer Kiki Valentine has no problem sharing herdisdain for <strong>the</strong> upcoming Burlesque Hollywood film, featuring Cherand Christina Aguilera. “There’s not even a pastie in <strong>the</strong> whole preview,”she laments. For a true burlesque experience, locals can headto Sugar Lounge, where Valentine and fellow performers Rosabelle Selavy andJustina Flash will present “<strong>Red</strong> Burlesque Manifesto” on Saturday, November 6.The free shows, slated to become a once-a-month event at Sugar Lounge,began in October, when <strong>the</strong> show was moved to <strong>the</strong> Columbia Street bar aftera venue in nearby Boerum Hill cancelled a scheduled performance. Until<strong>the</strong>n, Valentine, a <strong>Red</strong> <strong>Hook</strong> resident, had been reluctant to perform so closeto home, wanting to maintain a separation between her home and creative/professional lives. But she says she enjoys providing <strong>the</strong> neighborhood with afree entertainment option during trying economic times.“People want this type of entertainment, so I feel obligated to provide that,” shesays. “It feels nice to be able to do that in <strong>Red</strong> <strong>Hook</strong>, where I live, as opposedto always doing something in <strong>the</strong> city.” Valentine regularly produces and directsThe Sunday Show, a censorship-free monthly exposition of performance artists,at various places on <strong>the</strong> Lower East Side, including Fontana’s Bar and EllaLounge while <strong>the</strong> regular venue, <strong>the</strong> Slipper Room, is closed for renovations.While <strong>the</strong> Sunday Show is an established variety act, <strong>the</strong> Sugar Loungeperformances are on a smaller scale. Valentine’s definition of low-key may bea bit different from most, judging from her offhand mention that Justina Flashwill be hula-hooping with fire at <strong>the</strong> upcoming <strong>Red</strong> Burlesque Manifesto. Valentine,who has been involved in burlesque since 2003, admits she’s becomea bit desensitized. “I guess for me I’m kind of like P.T. Barnum,” she says. “I’veseen all this stuff a million times.”For many audience members at <strong>the</strong> previous Sugar Lounge performance, however,it was <strong>the</strong> first time seeing a burlesque show, Valentine says. “Burlesque isan art form basically consisting of a <strong>the</strong>atrical striptease, often comedic,” shesays. “It’s not overly sexual, but it’s obviously not conservative entertainment.”Valentine has many creative outlets, as a writer, producer and performanceartist, but she enjoys <strong>the</strong> artistic freedom that burlesque provides. “Burlesqueis really like when you’re a kid and you get to have recess,” she says. “It’s funand it’s light and it gives you <strong>the</strong> opportunity to talk about heavier issues, likepolitics, like racism, like discrimination in a playful manner, whereas if I’msitting on a radio show or a panel, it becomes very dry and serious.”Valentine addresses <strong>the</strong> Metropolitan Transportation Authority fare increasesin a pro-active, yet playful manner with <strong>the</strong> MTA Service Specialists, a groupcomprised of her and three o<strong>the</strong>r women who travel <strong>the</strong> trains dressed inKiki in <strong>Red</strong>, photo by Polly Sonicpillbox hats and dresses fashioned after 1960s flight attendants. Since 2008,<strong>the</strong> group has voluntarily provided help to train passengers, distributing handsanitizer, providing directions, collecting trash and encouraging <strong>the</strong> MTA’srules of conduct, such as encouraging people to give up <strong>the</strong>ir seats for pregnantor elderly passengers.In 2009, Valentine received a cease and desist letter from <strong>the</strong> MTA, whichargued that <strong>the</strong> group was creating “confusion in <strong>the</strong> marketplace.” Valentinesays, “How are you going to stop people who are volunteering, doing somethingnice?” The MTA Service Specialists have been allowed to continue <strong>the</strong>ir workand probably will take to <strong>the</strong> rails again in early November.With more planned MTA fare hikes, Valentine says that she’s happy toprovide free local shows that don’t require a Metrocard. “It will be differentperformers and a lot of <strong>the</strong>m are pretty well-known,” she says. “And <strong>the</strong>y’rewilling to come out to <strong>Red</strong> <strong>Hook</strong> to expose <strong>the</strong>mselves,” here Valentinepauses and laughs, <strong>the</strong>n clarifies, “expose <strong>the</strong> art form to an audience thatprobably wouldn’t travel into <strong>the</strong> city.”See <strong>the</strong> free performance of <strong>Red</strong> Burlesque Manifesto at Sugar Lounge, 147 ColumbiaSt., on November 6 at 11 pm. The first 40 people who RSVP via <strong>the</strong> SugarLounge Facebook page are guaranteed entry before 10 pm.Theater:Theater Troupe Hits Close to HomelessnessWith ‘It Could Happen to You’By Josie RubioAddressing societal issuesand making social commentarythrough <strong>the</strong>atercan be traced to <strong>the</strong> inception of<strong>the</strong> performing arts. Yet <strong>the</strong> Jan HusHomeless Theatre Troupe, performingNovember 8 at <strong>the</strong> Miccio Center,in conjunction with <strong>Red</strong> <strong>Hook</strong>–focusedFalconworks Artists Group, hasa unique aspect that lends a specialimpact to its interactive play, “ItCould Happen to You.” Nine of <strong>the</strong>11 performers are currently homeless.“Only one currently has a steady spot ina shelter, as of this moment,” says KatyRubin, Theatre of <strong>the</strong> Oppressed instructorat Jan Hus Homeless Outreach.“The o<strong>the</strong>r actors spend <strong>the</strong> nightsoutside or in <strong>the</strong> subway tunnels.”Rubin works with youth, adults, immigrantsand <strong>the</strong> recently incarceratedas a facilitator of <strong>the</strong> Theater of<strong>the</strong> Oppressed, which creates interactive<strong>the</strong>ater workshops for socialchange. Earlier this year, Amy Conley,an outreach worker at <strong>the</strong> Jan HusHomeless Outreach and AdvocacyProgram on <strong>the</strong> Upper East Side, contactedRubin. The Jan Hus HomelessTheatre Troupe first met in late June,beginning with training in games andexercises, <strong>the</strong>n creating <strong>the</strong> show.Writing true to lifeThough <strong>the</strong> script isn’t followed wordfor word, <strong>the</strong> play was created by <strong>the</strong>troupe members, who ultimately makeall decisions about content, designand acting. “The play is written by <strong>the</strong>troupe, and every event that happensin <strong>the</strong> play has happened to oneof <strong>the</strong> actors in real life,” Rubin says.Situations and experiences dealt withinclude discrimination in family courtbased on past homelessness and addiction—despite<strong>the</strong> improvement of <strong>the</strong>person’s situation—and instances of <strong>the</strong>police throwing away belongings of <strong>the</strong>homeless or arresting a homeless personfor a very minor offense, she says.After <strong>the</strong> play, <strong>the</strong>re’s an interactiveforum, a central element of <strong>the</strong> Theaterof <strong>the</strong> Oppressed, says Rubin.“The audience identifies with <strong>the</strong>struggles faced by <strong>the</strong> protagonists,and enters <strong>the</strong> scene in <strong>the</strong> protagonist'splace to try different alternativesin <strong>the</strong> moment of conflict,” shesays. “Then <strong>the</strong> audience and <strong>the</strong>actors toge<strong>the</strong>r debate <strong>the</strong> practicalityof each alternative. We are notlooking for one solution, but ra<strong>the</strong>rbrainstorming toge<strong>the</strong>r <strong>the</strong> many possiblealternatives to approaching aseemingly impossible situation.”Falconworks, which aims to empowerindividuals and communities and createsocial change in South Brooklyn,uses <strong>the</strong> Theater of <strong>the</strong> OppressedTechniques in its Riot Act and <strong>Red</strong><strong>Hook</strong> Theater Project to developoriginal <strong>the</strong>ater, says Reg Flowers, Falconworksfounder and artistic director.The presentation of “It Could Happento You” will serve as part of <strong>the</strong> trainingoffered by Falconworks ArtistsGroup, which was founded in 1997and established as a nonprofit in 2004.The play will also “allow our participantsand <strong>the</strong> <strong>Red</strong> <strong>Hook</strong> communityto experience this technique appliedto a compelling social issue,” he says.(continued on next page)Page 12 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010


Stumptown Coffee Roasters Opens a NewBrew Bar in Its <strong>Red</strong> <strong>Hook</strong> WarehouseBy Josie RubioIn late September, a new placeopened in <strong>Red</strong> <strong>Hook</strong> whereconnoisseurs can ponder just<strong>the</strong> right blends and speakwith knowledgeable peopleabout varietals and tasting options.And it’s not one of <strong>the</strong> newer wineshops. Portland, Oregon–basedStumptown Coffee Roasters opened abrew bar in its <strong>Red</strong> <strong>Hook</strong> warehouse,a tasting room where coffee fanaticsand novices alike can learn abouthome brewing techniques.“There’s a larger awareness about coffee,”says Steve Kirbach, head roaster.He adds that it’s being seen as moreof a “higher-end product, more akinto wine.”Stumptown Brew Bar, currently openfrom 10 am to 5 pm on Saturdaysand Sundays only, isn’t your typicalcoffeehouse, where conversationsand <strong>the</strong> clack of laptop keys arepunctuated by <strong>the</strong> occasional roar ofan espresso machine. In fact, unlike<strong>the</strong> Manhattan Stumptown café in<strong>the</strong> Ace Hotel, <strong>the</strong>re are no espressomachines at all.The bar instead focuses on <strong>the</strong> artof brewing coffee at home. Coffee isavailable to go and <strong>the</strong>re’s also a largelone table for those who want to sipin-house. “It offers a venue for peopleto learn about coffee,” says Kirbach.The wood-paneled space itself issimple, with bags of coffee beans artfullypiled to one side.“We offer a wide range of single“Coffee fanatics andnovices alike canlearn about homebrewing techniques.”origin coffees as well as some of ourblends,” Kirbach says. But <strong>the</strong> brewbar not only offers array of types ofcoffee; a chalkboard also announcessix brewing methods from whichto choose. Visitors can select from<strong>the</strong> following: pour-over single cup,Hario V60 (ano<strong>the</strong>r type of pour-Visitors to <strong>the</strong> Stumptown Coffee Roasters brew bar can not only select a type ofcoffee, but also <strong>the</strong> brewing method. Photo courtesy Stumptown.over method), AeroPress, Chemex,vacuum pot and, probably <strong>the</strong> mostfamiliar, <strong>the</strong> French press. Priceranges for 8-ounce coffees are $3 to$4.75, while 12 ounces of <strong>the</strong> HarioV60 and pour-over are $3.75. Doublesof <strong>the</strong> French press and Chemexare $8.50.The coffee can also be purchasedin 12-ounce bags, in <strong>the</strong> $10.75 to$14.25 price range, ground on premisesor sold as whole beans. Selectionsinclude many coffees that are directtrade, Stumptown’s own certificationmeaning that <strong>the</strong> coffee beanfarmer, with whom Stumptown hasa direct relationship, is paid a higherpremium than average. These coffeesinclude Indonesian Gajah Aceh,Guatemala Benavente, Costa RicaLos Angeles, Costa Rica Don MayoReserva and Holler Mountain Blend.The shop also sells coffee brewingequipment and grinders. The brewbar eventually will host brewing demonstrationsand coffee cuppings.Baked’s New Recipe Book Updates Classics(continued from page 1)nor<strong>the</strong>ast, <strong>the</strong> o<strong>the</strong>r from <strong>the</strong> south, are melded in <strong>the</strong> <strong>Red</strong> Velvet WhoopiePie recipe. The Baked team takes on seemingly straightforward regional desserts,such as Boston Cream Pie Cake and Mississippi Mud Pie, with addedcare and complexity. People from throughout <strong>the</strong> country will recognize <strong>the</strong>irown regional favorites, such as Buckeyes, a chocolate and peanut butter confectionbeloved by Ohioans.Overall, Lewis and Poliafito provide a volume of delicious supplements totime-honored family classics, and surely some recipes that will eventuallybecome favorites. Below is a recipe from Baked Explorations that is befittingthis time of year. In <strong>the</strong> Baked Note, raw-milk Vermont cheddar is recommended,though any cheddar will work—<strong>the</strong> sharper, <strong>the</strong> better.Pumpkin Cheddar MuffinsPhoto by Tina RuppIngredients1 cup canned solid-pack pumpkin puree3 tablespoons sour cream2 large eggs1/2 cup (1 stick) unsalted butter, melted and cooled2 cups all-purpose flour1 1/2 teaspoons baking powder1/4 teaspoon cayenne pepper1 1/2 teaspoons salt1 1/2 teaspoons freshly ground black pepper1/2 cup firmly packed dark brown sugar11/4 cups (about 4 ounces) grated sharp cheddar2 tablespoons pumpkin seeds (optional)Preheat <strong>the</strong> oven to 400 degrees F. Lightly spray each cup of a standard 12-cup muffin pan with alittle bit of vegetable spray and use a paper towel to spread <strong>the</strong> oil evenly along <strong>the</strong> bottom and up<strong>the</strong> sides of each cup.In a large bowl, whisk toge<strong>the</strong>r <strong>the</strong> pumpkin and sour cream. Add <strong>the</strong> eggs and butter and whiskuntil combined.In ano<strong>the</strong>r large bowl, whisk toge<strong>the</strong>r <strong>the</strong> flour, baking powder, cayenne pepper, salt, black pepperand brown sugar. Make a well in <strong>the</strong> middle of <strong>the</strong> dry ingredients. Pour <strong>the</strong> wet ingredients into<strong>the</strong> well, and fold until just combined. Fold in three-quarters of <strong>the</strong> cheese.Divide <strong>the</strong> batter among <strong>the</strong> muffin cups. Sprinkle <strong>the</strong> remaining cheddar and <strong>the</strong> pumpkin seedson top of <strong>the</strong> muffins. Bake <strong>the</strong>m for 20 minutes, or until golden brown. Let <strong>the</strong> muffin pan cool ona rack for 10 minutes before turning out <strong>the</strong> muffins. Serve <strong>the</strong>m warm.Jan Hus HomelessTheater TroupeEntertains at <strong>the</strong>Miccio Center(continued from previous page)The intention of <strong>the</strong> play is to raiseawareness about inhuman treatment of<strong>the</strong> homeless, says Rubin. “We want toencourage our audiences to understandthat homelessness can happen to anyone,and that we all have <strong>the</strong> responsibilityto work towards ending homelessnessin NYC and improving <strong>the</strong>quality of life for all our neighbors.”The Jan Hus Homeless Theatre Troupeperforms November 8 at 7 pm at <strong>the</strong> MiccioCenter, 110 9th Street, Brooklyn. Call(718) 395-3218 for more information.192 Union Street • Brooklyn, NY 11231718.643.1719 • Fax 718.246.0899November 2010<strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> Page 13


MUSIC:Smokey’s Round-up HangTheir Hats in <strong>Red</strong> <strong>Hook</strong>By Stephen SlaybaughSmokey's Round-up plays Sunny's Bar on Nov. 3 at 10 pm.Photo by Jim HerringtonSinger and guitarist SmokeyHormel has played with <strong>the</strong>likes of Johnny Cash, TomWaits and Neil Diamondand has been backing up Norah Joneson tour this year, but most every weekhe can be found performing righ<strong>the</strong>re in <strong>Red</strong> <strong>Hook</strong>. His western swingband, Smokey’s Round-up, has madeWednesday nights at Sunny’s Bara regular barn dance, playing songsmade popular in <strong>the</strong> early 20th centuryby <strong>the</strong> likes of Bob Wills and <strong>the</strong>Texas Playboys, Milton Brown andHis Musical Brownies, and o<strong>the</strong>rs.As a teenager growing up in Hollywood,Hormel was taught by guitargreat Jimmy Wyble, one of Wills’Texas Playboys. A recording sessionfor kids show The Backyardigans ledto <strong>the</strong> formation of <strong>the</strong> Round-upin 2007. The group’s original pedalsteel player, Bob Hoffnar, livedaround <strong>the</strong> corner from Sunny’s,and <strong>the</strong> band began rehearsing at<strong>the</strong> bar on <strong>the</strong> dead midweek night,eventually leading to <strong>the</strong> regularresidency. Hoffnar has since left <strong>the</strong>band (he moved to Texas), but <strong>the</strong>Round-up still considers Sunny’s itsmusical home.Western swing developed in <strong>the</strong>1920s, when artists like Wills andBrown, who played toge<strong>the</strong>r in <strong>the</strong>Light Crust Doughboys, formed bigbands like <strong>the</strong>ir jazz counterpartsand fused elements of swing with <strong>the</strong>traditional country sounds of <strong>the</strong>irTexan upbringing. The style reachedits height of popularity in <strong>the</strong> ‘30sand ‘40s, rising to prominence alongwith <strong>the</strong> image of <strong>the</strong> singing cowboyin motion pictures and television.Western swing had a direct influenceon rock ‘n’ roll(once called“western bop”in its formativeyears), whichwould eventuallysupersedeit.So what attractsHormel to playing <strong>the</strong>se seeminglyanachronistic songs? “You areonly as good as <strong>the</strong> songs you play,”he says via email. “This music cannotbe played properly without a goodsense of humor and a high level ofenergy and swing.”That humor, combined with <strong>the</strong>style’s up-tempo rhythms and naturalcadence, make for songs that oftenseem more heartfelt than today’smanufactured pop, though Hormelwon’t say so outright. “I don't know.Does Bob Wills have more heart thanLady Gaga? All I can say is that <strong>the</strong>seold songs have a lot of humanity.”O & B UnisexNail Salon y Barber ShopEspecialidad En Todo Tipo De PeloTintingRelaxerPermanentCut-Blow-DryExtensionsMondays - Wash & Set $10Tuesdays - Relaxer $25324 Van Brunt Street(718) 935-1612Helping him to convey that humanityare bassist Tim Luntzel, drummerAndrew Borger and CharlieBurnham on fiddle and harmonica.The Round-up keeps both <strong>the</strong> soundand <strong>the</strong> look of <strong>the</strong> tradition alive,wearing western garb and Stetsonhats while onstage (or on <strong>the</strong> floor, asis <strong>the</strong>case atSunny’s).Whileall <strong>the</strong>playersareexperiencedmusicians, <strong>the</strong>ir goals for this groupseem more about enjoyment thanany notoriety or monetary success.Indeed, <strong>the</strong> band which resides invarious parts of Brooklyn, and inSmokey’s case, in Hoboken, seemscontent to keep <strong>the</strong>ir touring scheduleto Conover Street. “We just wantto keep playing at Sunny's,” Hormelsays, “learning more songs and gettingbetter at playing <strong>the</strong> ones weknow.”“His western swing band,Smokey’s Round-up, hasmade Wednesday nights atSunny’s Bar a regular barndance.”Smokey’s Round-up will be at Sunny’sBar on November 3. They will <strong>the</strong>n betaking a month-long break, but will returnto <strong>the</strong>ir regular night on December 15.Spoil yourself ina fresh and modernsalon. Expertin color, chemicalservice andorganic productsfor all types of hair.Customized cuts foryour lifestyle andpersonality.Walk-ins welcome.Open Tuesday - Friday 11 - 8,Saturday 10:30 - 6.352 Van Brunt Street 718 935-0596Friday, November 5th, 9 PMUnionPage 14 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010


The <strong>Star</strong>-<strong>Revue</strong> Restaurant GuideRED HOOKBAKED 359 Van Brunt St., (718) 222-0345.Bakery serving cupcakes, cakes, coffee, pastries,lunch items. Free wi-fi. Open for breakfast,lunch and dinner daily. AE, DS, MC, V.THE BROOKLYN ICE HOUSE 318Van Brunt St., (718) 222-1865. Burgers, barbecueand pulled pork sandwiches. Cashonly. Open for lunch and dinner daily.DEFONTE’S SANDWICH SHOP, 379Columbia St., (718) 855-6982. Variety oflarge sandwiches, including roast beef andpotato and egg. Open for breakfast andlunch Mon-Sat. Cash only.DIEGO’S RESTAURANT, 116 SullivanSt., (718) 625-1616. Mexican and LatinAmerican cuisine. Open for lunch and dinnerMon-Sat. AE, DS, MC, V.FORT DEFIANCE 365 Van Brunt St.,(347) 453-6672. Brunch, sandwichesand small plates. Open for breakfast Tue;breakfast, lunch and dinner Mon, Wed-Sun. AE, DS, MC, V.THE GOOD FORK 391 Van BruntSt., (718) 643-6636. Menu varies; dishesinclude pork dumplings, roast chicken, parpadellewith boar ragù and steak and eggsKorean style. Dinner Tue-Sun. AE, MC, V.HOME/MADE 293 Van Brunt St., (347)223-4135. Salads, sandwiches, cheese,charcuterie and brunch. Dinner Wed-Fri,brunch and dinner Sat-Sun. AE, DS, MC, V.HOPE & ANCHOR 347 Van Brunt St.,(718) 237-0276. Large menu that includesburgers, entrees and all-day breakfast.Open for lunch and dinner Mon-Fri;breakfast, lunch and dinner Sat-Sun. AE,DS, MC, V.IKEA, One Beard St., (718) 246-4532.Swedish meatballs, pasta, wraps and sandwiches;breakfast items include eggs andcinnamon buns. Open for breakfast, lunchand dinner daily. AE, DS, MV, V.FERNANDO’S FOCACCERIA RES-TAURANT 151 Union St., (718) 855-1545. Sou<strong>the</strong>rn Italian fare, including pastaand panelle. Open for lunch and dinnerMon-Sat. Cash only.FULTUMMY’S 221 Columbia St., (347)725-3129. Coffee shop with sandwiches.Free wi-fi. Open for lunch and dinner Tue-Sat, lunch Sun. Cash only.HOUSE OF PIZZA & CALZONES132 Union St., (718) 624-9107. Pizza,calzones and sandwiches. Open for lunchand dinner daily. Cash only.IRO 115 Columbia St., (718) 254-8040.Japanese cuisine, including sushi andnoodle dishes. Open for lunch and dinnerdaily. AE, MC, V.JAKE’S BARBECUE RESTAURANT189 Columbia St., (718) 522-4531. KansasCity-style barbecue, including baby backribs. Open for lunch and dinner daily. AE,MC, V.LILLA CAFE 126 Union St., (718) 855-5700. Seasonal fare, hormone and antibiotic-freemeats, bread baked on premisesand homemade pasta from Chef ErlingBerner. BYOB. Open for dinner Tue-Sun,lunch Thu-Fri, brunch Sat-Sun. MC, V.MAZZAT 208 Columbia St., (718) 852-1652. Mediterranean. Open for lunch anddinner daily. AE, MC, V.PETITE CREVETTE 144 Union St., (718)855-2632. Seafood, including corn-andcrabchowder, salmon burgers and cioppino,from Chef Neil Ganic. BYOB. Openfor lunch and dinner Tue-Sat. Cash only.SUGAR LOUNGE 147 Columbia St.,(718) 643-2880. Coffee bar, cocktails andbreakfast (scones, croissants, muffins). Freewi-fi. Open for breakfast Mon-Fri, bar opennightly. AE.TEEDA THAI CUISINE 218 ColumbiaSt., (718) 855-1700. Thai dishes includepapaya salad, dumplings and massamuncurry. Open for lunch and dinner Mon-Sat,dinner Sun. MC, V.Credit Card Guide:AE—American Express;DS—Discover; MC—MasterCard; V—VisaKEVIN’S 277 Van Brunt St., (718) 596-8335. Seafood, seasonal and local fare.Dinner Thu-Sat, brunch Sat-Sun. AE, MC, V.MARK’S PIZZA 326 Van Brunt St.,(718) 624-0690. Open for lunch and dinnerdaily. AE, MC, V.O’BARONE 360 Van Brunt St., (347)599-2758. Nor<strong>the</strong>rn Italian cuisine. Openfor dinner daily. MC, V. Dinner daily.RED HOOK LOBSTER POUND 284Van Brunt St., (646) 326-7650. Maine lobsterrolls, Connecticut rolls and whoopiepies. Lunch and dinner Wed-Sun. MC; V.ROCKY SULLIVAN’S 34 Van Dyke St.,(718) 246-8050. Irish pub with brick-ovenpizza, sandwiches and <strong>Red</strong> <strong>Hook</strong> LobsterPound feasts Fri 6-9 pm, Sat 5-8 pm. Openfor lunch and dinner daily. AE, DS, MC, V.COLUMBIA WATERFRONTDISTRICT5 BURRO CAFE 127 Columbia St.,(718) 875-5515. Mexican. Open for lunchand dinner Tue-Fri, brunch and dinner Sat-Sun. AE, DS, MC, V.ALMA 187 Columbia St., (718) 643-5400. Modern Mexican fare. Dinner Mon-Fri, brunch/dinner Sat-Sun. AE, DS, MC, V.CALEXICO CARNE ASADA 122Union St., (718) 488-8226. Tex-Mex burritos,tacos, quesadillas and more. Open forlunch and dinner daily. Cash only.Caselnova, 215 Columbia Street(bet. Sackett & Union Sts.) 718 522-7500- traditional and creative Nor<strong>the</strong>rn andSou<strong>the</strong>rn Italian dishes.THE COFFEE DEN, 144 Union St, (718)875-8720. Sandwiches, pastries and coffee.Free wi-fi. Open for breakfast, lunchand dinner daily. Cash only.November 2010<strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> Page 15


The Attempt To Abolish <strong>Red</strong> <strong>Hook</strong> Point “A Conspiracy?”by J. J. BurkardSurely this sounds like a cloakand dagger story you say, welllet me refresh your memory. Forthose old timers who lived throughand experienced <strong>the</strong>se alarming times.Times which have witnessed so manyPointers abandon, neglect, pull upstakes and leave <strong>the</strong> only place <strong>the</strong>yhave known all <strong>the</strong>ir lives. And for <strong>the</strong>newer residents also, this is a true happeningthat you’ll find hard to believe.Just where is <strong>the</strong> Point? Remember<strong>the</strong> old story - what do you like, pie orcake? Well, cake referred to <strong>the</strong> creek,for its proximity to <strong>the</strong> Gowanus Canal.And pie represented <strong>the</strong> Pointmeaning <strong>Red</strong> <strong>Hook</strong> Point. So whatare you, a Pointer or a Creeker?Almost one third of today’s <strong>Red</strong> <strong>Hook</strong>is known as <strong>the</strong> Point. An area whosemajority of residents never had accessto <strong>the</strong> B77 bus, until <strong>the</strong>y abolished<strong>the</strong> darn thing, just a couple of monthsago. An area west of Richards Street to<strong>the</strong> Buttermilk. From Hamilton Avenue,south to <strong>the</strong> last street before <strong>the</strong>water, Reed Street. But for this story weexpand north as far as Atlantic Avenue,<strong>the</strong>n sou<strong>the</strong>rly all <strong>the</strong> way to ReedStreet. Through carefully laid plansof New York City, under <strong>the</strong>n MayorJohn V. Lindsay, jointly with <strong>the</strong> PortAuthority, <strong>the</strong> Point was doomed to bewiped off <strong>the</strong> map. In <strong>the</strong> early 1960sa concerted effort to purchase all <strong>the</strong>existing houses in <strong>the</strong> area for whatwas destined to be and called <strong>the</strong> <strong>Red</strong><strong>Hook</strong> Container port, began in earnestby <strong>the</strong> City of New York.First, <strong>the</strong> rumors were spread. Theproperty was to be condemned. Peoplewere told it was no use repairing<strong>the</strong>ir property or performing maintenanceeven though it was necessaryfor soon <strong>the</strong> Port Authority is going tobulldoze your precious homes and youwould be wasting your money. Then<strong>the</strong> City of New York set up an officein <strong>the</strong> Point, with agents who sentletters out to <strong>the</strong> owners of propertyadvertising <strong>the</strong>y would buy your property.When people responded, <strong>the</strong>ywere offered ridiculously low deals.A mere fraction of what <strong>the</strong>se homeswere actually worth.I myself moved to Coffey Street, notbecause I wanted to remain in <strong>Red</strong><strong>Hook</strong> but out of necessity. When mywife gave birth to our fifth son we desperatelyneeded to leave <strong>the</strong> walkupwe occupied on Van Brunt Street.Hence, I decided with <strong>the</strong> help of aloan from my mo<strong>the</strong>r-in law to purchasea home on Coffey Street.My wife and I have called it home forover 50 years, while raising our sevenchildren. And let’s be honest aboutthis. We just couldn’t afford to moveout of <strong>Red</strong> <strong>Hook</strong>.People said I was foolish, Are youaware of what’s happening? Theywould ask. The City is going to takeall <strong>the</strong> property for a container port.Neighbor began to turn against neighbor.The desperation could be felt in<strong>the</strong> air, many did move to Bay Ridge.Some sold <strong>the</strong>ir property to <strong>the</strong> City,and <strong>the</strong>n sold it again to unsuspectingbuyers who found out later when<strong>the</strong>y tried to pay <strong>the</strong>ir real estate taxes,or obtain a loan from a bank, oreven signing up for a fuel oil delivery,<strong>the</strong> property did not belong to <strong>the</strong>m.Many just let <strong>the</strong>ir property deterioratebeyond recognition.This dark cloud was not a passingstorm; it hung over <strong>Red</strong> <strong>Hook</strong> Pointfor 10 years, 10 years that effectivelyspelled disaster. The ruination of <strong>the</strong>point as we have come to know andlove it for many many, years. Thestrange thing was that as <strong>the</strong> city wentbankrupt in 1976 <strong>the</strong> project wascalled off without telling <strong>the</strong> public.The Port Authority continued <strong>the</strong>charade of taking over <strong>the</strong> propertyin <strong>the</strong> hopes of saving <strong>the</strong> plan. Thepurchasing continued until ended byMayor Koch.But <strong>the</strong> attempts to erase <strong>the</strong> point off<strong>the</strong> map failed. Not just because <strong>the</strong> citywent bankrupt, but because <strong>the</strong> toughdiehard few true <strong>Red</strong> <strong>Hook</strong>ers foughtevery step of <strong>the</strong> way. Their fight hadpaid off. All of <strong>Red</strong> <strong>Hook</strong> did rise up outof <strong>the</strong> potential ashes and lives again.Old timers and new comers alikeshould see this story as proof that <strong>Red</strong><strong>Hook</strong> is destined for great things. It’sbeginning to show. This newspaper,The <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong> <strong>Revue</strong> in <strong>the</strong> Octoberissue is promoting <strong>the</strong> possibilityof a monorail system to speed us downtownin minutes. This is a great idea,I for one think we should settle fornothing less. If <strong>the</strong>y can build a dilapidatedtrolley run, <strong>the</strong>y certainly canbuild a modern conveyance such as<strong>the</strong> mono-rail to grace our neighborhood.It could even be routed throughall <strong>the</strong> wasted space <strong>the</strong> Port Authoritypossesses along <strong>the</strong> waterfront.The trolley idea was with us for muchtoo long, and was nothing but a dismalfailure, with lots of studies and grants.Let’s spend our money on somethingthat really has a chance. <strong>Red</strong> <strong>Hook</strong>can do without <strong>the</strong> disappointments.,The newer residents, consisting ofmostly younger people, are ambitious.Many are entrepreneurs with dreamsand wonderful ideas. <strong>Red</strong> <strong>Hook</strong> needs<strong>the</strong>se young people, <strong>the</strong>ir dreams andideas, to help our neighborhood win<strong>the</strong> respect it always deserved.Many people have contributed immenselyto <strong>Red</strong> <strong>Hook</strong>s improved status;Greg O’Connell in <strong>the</strong> course of20 years or so has resurrected most ofour waterfront. Carolina Saguaro isfulfilling her dream with her PortsideNY, and <strong>the</strong> renowned vessel MaryWhalen. So too, Dave Sharp and hisfamous Lehigh Valley Barge (a NationalLandmark). I mention just a few, but<strong>the</strong>re are so many o<strong>the</strong>rs with dreams.<strong>Red</strong> <strong>Hook</strong> has been blessed with <strong>the</strong>senew forward thinking residents.Everyone knows where <strong>the</strong> termcreek originated and it’s relation to<strong>the</strong> Gowanus Canal. But does anyoneknow where <strong>the</strong> term “point” comesfrom? Well, <strong>the</strong> Dutch get credit forthat. By naming Cyprus Tree Island, a50 to 75 foot high hill, (Roude Hoek)<strong>Red</strong> <strong>Hook</strong>, because this island’s shorelinewas covered in red colored clay.And <strong>the</strong> word Hoek, in Dutch meanspoint, not hook as in fish hook. So<strong>the</strong>re you have it. Are you a Pointeror a Creeker?It’s a good bet, that if we asked thatsame question to those who tried to doaway with <strong>Red</strong> <strong>Hook</strong> Point in <strong>the</strong> 60s,nei<strong>the</strong>r <strong>the</strong> Port Authority, nor <strong>the</strong>Mayor of New York City would be inclinedto proceed with <strong>the</strong>ir Conspiracy,fearing perhaps pie in <strong>the</strong>ir faces.(718) 243-0221(800) 718-0081Page 16 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010


Drinks and Food to Go With ItLilla Offers Tasty Seasonal Fare, Carefully Prepared Menu ItemsBy Josie RubioWhen pausing to look at<strong>the</strong> menu posted near<strong>the</strong> door of Lilla, whichopened in August on Union Streetbetween Columbia and Hicks, apasserby stopped to say she’d recentlyeaten <strong>the</strong>re and highly recommendedit. So it’s safe to say word on <strong>the</strong>street about <strong>the</strong> new restaurant, quiteliterally, has been good.On a recent dinner visit, as menuswere handed to a nearby table, onediner announced to his companion,“Everything I’ve tried here has beengood.” So if you haven’t checked outthis Columbia Waterfront Districtgem yet, consider this review a thirdrecommendation. Lilla serves up tastyseasonal fare, many of <strong>the</strong> itemsmade on premises by chef ErlingBerner, who owns <strong>the</strong> space withhis wife, Maria.Chef Berner’s impressive resumeincludes stints at <strong>the</strong> kitchens ofGramercy Tavern in <strong>the</strong> FlatironDistrict, Le Zie in Chelsea,Antonucci on <strong>the</strong> Upper EastSide, Aurelia in Millbrook, NewYork, and <strong>the</strong> Commander’s PalaceRestaurant in New Orleans.But Berner says he felt it wastime to open a restaurant of hisown. “I’ve been wanting to dothis for a long time,” he says.Berner rises early to make all<strong>the</strong> restaurant’s bread, from<strong>the</strong> pieces brought to <strong>the</strong> tableby servers at <strong>the</strong> beginning of<strong>the</strong> meal to <strong>the</strong> brioche hamburgerbuns. The chef also makes <strong>the</strong> pasta,including cavatelli, ravioli and lasagna.(Two exceptions that are notmade in-house: <strong>the</strong> capellini and <strong>the</strong>children’s hamburger bun.) All meatsare hormone- and antibiotic-free,purchased from nearby Piasanos MeatMarket in Brooklyn and D’Artagnan,<strong>the</strong>n butchered by Berner. Thechef also regularly peruses <strong>the</strong> farmers’markets, such as Union SquareGreenmarket, for seasonal vegetables.“The menu is constantly evolving,”Berner says.This type of care put into <strong>the</strong> foodcomes toge<strong>the</strong>r perfectly in <strong>the</strong> grassfedburger, served on <strong>the</strong> housemadebrioche bun with lettuce, onions, tomatoesand cheese upon request. To<strong>the</strong> side were cornichons, instead of<strong>the</strong> usual hamburger pickles, and thinhand-cut fries. Available on both<strong>the</strong> lunch and dinner menu, it couldbe one of <strong>the</strong> best burgers around.Though a homemade bun doesn’tseem like it would make a huge difference,it really elevated <strong>the</strong> simpleburger. Grass-fed burgers also tend tobe devoid of gristle/fat morsels thatare present in at least one to twobites in most burgers, and <strong>the</strong> pattywas juicy without being greasy.During <strong>the</strong> first visit in mid Octoberwith a dining companion, a serverdoled out a piece of warm bread toeach of us, with a dish of soft herbbutter to share. We sampled <strong>the</strong>delectable chicken liver pate, whicharrived with toast points, cornichonsand caramelized onions. Whenwe ran out of toast points, however,we were brought more of <strong>the</strong> housebread, which was a bit too salty topair with <strong>the</strong> pate.From <strong>the</strong> tempting entrée choices,including Amish chicken and citruspork chops, we selected <strong>the</strong> pumpkin“Though ahomemade bundoesn’t seem like itwould make a hugedifference, it reallyelevated <strong>the</strong> simpleburger. “cavatelli and a short rib special. Thetender short rib was accompanied bycarrot coins and served atop exceptionallytasty homemade mashedpotatoes. The cavatelli, cooked inbrown butter and dusted with cinnamon,were tender morsels of pasta.A word to diners, however, if it’s on<strong>the</strong> November menu: it’s a bit on<strong>the</strong> sweet side. By no means dessertsweet,it just became a bit muchhalfway through <strong>the</strong> dish. Then Icleaned my plate of those butterba<strong>the</strong>ddelights.The only disappointment was <strong>the</strong>pumpkin crème brûlée, which had atop that was too burnt. So instead of<strong>the</strong> satisfying crack of <strong>the</strong> sugar top ofthat first brûlée bite, <strong>the</strong> spoon madea sticky dent, causing <strong>the</strong> custard—which was of a consistency closer topumpkin pie filling—to ooze out at <strong>the</strong>sides of <strong>the</strong> dish.On ano<strong>the</strong>r visit, we opted for <strong>the</strong>butternut squash arancini, which deepfriedwith a delectable risotto filling,was a sweeter take on <strong>the</strong> classic. Thepear salad with pumpkin vinaigrettewas a little blasé, however; <strong>the</strong> lettuceand pearsdidn’t stand upto <strong>the</strong> hunksof salty goatcheese. Thosegood hand-cutfries arrivedwith <strong>the</strong> searedDelmonicosteak, servedwith chimichurrisauce.The seafoodcapellini comesin a nicelyspicy tomatosauce, withmussels, tendercalamari and perfectly-cooked shrimp.Our dessert choice, recommendedby <strong>the</strong> server, was more successfulon this visit: <strong>the</strong> Queen of Sheba.As <strong>the</strong> name implies, it’s a majesticdessert of dark chocolate—somewherebetween a mousse andbrownie, with a whipped creamtopping.Lilla’s childrens menuLilla is open for dinner Tuesdaythrough Sunday and for lunchThursday and Friday and alsohas a brunch menu on Saturdayand Sunday. There’s also a children’smenu that includes grilledchicken, spaghetti, a burger andgrilled fish. The 30-seat restaurantitself is simple and pleasant, wi<strong>the</strong>xposed brick and local artworkadorning <strong>the</strong> walls. In warmerwea<strong>the</strong>r, <strong>the</strong>re’s a 32-seat outdoorspace with a pergola and a culinarygarden where diners can see Bernerretrieving herbs to use in <strong>the</strong> kitchen.Currently, Lilla has no liquor license,Chef Erling Berner preparing for <strong>the</strong> night’s menu.but Old Brooklyn Wine & Liquor isconveniently located across <strong>the</strong> streetfor BYOB. As of late October, <strong>the</strong>restaurant recently started acceptingMasterCard and Visa.Plans are in <strong>the</strong> works to offerThanksgiving dinner to go, for pickupbefore noon on Thanksgiving Day.The feast is slated to include butternutsquash soup, roasted vegetables,glazed carrots, mashed potatoes, freshcranberries, a relish tray and a choiceof apple, pumpkin or pecan pie, aswell as turkey stuffing and organicturkey from a farm in upstate NewYork.The Berners not only opened arestaurant in <strong>the</strong> Columbia WaterfrontDistrict—<strong>the</strong>y also relocated to<strong>the</strong> area from Manhattan with <strong>the</strong>iryoung daughter. “We wanted to find aneighborhood we could be a part of,”says Maria Berner. And judging from<strong>the</strong> word on <strong>the</strong> street, it sounds as if<strong>the</strong>y’re a welcome addition.Eat in or Take Out. We Also Deliver!Brooklyn’s first Certified Green Restaurant.We are available for private parties up to 60.437 Third Ave, in Gowanusbetween 7th and 8th Sts.718-788-0017 MichaelandPings.comNovember 2010<strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> Page 17


Music & Arts CalendarCLASSES/WORKSHOPSBrooklyn General—128 Union St., (718)237-7753. Beginning Knitting Session C,11/8, 15 & 22 from 7-9 pm, $120; BeginningKnitting Session D, 11/29, 12/6 & 13 from5-7 pm, $120; Project Knitting Session E(intermediate-advanced), 11/28, 12/5 & 12from 5-7 pm, $120; Project Knitting Session C(intermediate-advanced), 11/8, 12 & 22 from7-9 pm, $120; Lace Knitting, 11/22 & 29, 12/6& 13 from 6:30-8:30 pm, $160; Sewing All DayTote Bag (intermediate), 11/27, 12/4, 11 & 18from 9:30-11:30 am, $160; PatternmakingWorkshop Session A Shift Dress, 11/21 from10 am-noon, $50; Quilting Workshop SessionB, 11/23 & 30, 12, 7 & 14 from 7-9 pm, $160;Spinning Session A (beginning level), 11/2, 9& 16 from 7-9 pm, $120. Registration for classmust be complete 24 hours in advance.Jalopy Theatre and School of Music—315Columbia St., (718) 395-3214. Vocal HarmonyBasics, with Emily Eagan, 11/21 at 1 pm, $20;Vocal Harmony Duos and Trios, with EmilyEagan and Don Friedman, 11/21 at 3 pm, $25.The Miccio Center—110 W 9th St., Brooklyn,(718) 395-3218. Acting Classes for Adults, from<strong>the</strong> <strong>Red</strong> <strong>Hook</strong> Theater Project, 11/3, 10, 17 &24 from 6-8:30 pm, 5:30 pm registration. FREE.<strong>Rock</strong>y Sullivan’s—34 Van Dyke St., (718)246-8050. Tin Whistle Classes with Chris Byrne11/1, 8, 15, 22 & 29; Beginner Irish Classeswith Peder O’Hici, 11/2, 9, 16, 23 & 30 at 7pm. Call for more info.DANCECora Dance—A Little Something from CoraDance Showcase, choreographic work ofShannon Hummel and Cora Dance, 11/13 at7:30 pm, <strong>Rock</strong>y Sullivan’s, 34 Van Dyke St.,(718) 858-2520. Suggested donation $10 orpay-what-you-can.<strong>Red</strong> Burlesque Manifesto—with DJ JC Hopkinsand performances by Kiki Valentine, RosabelleSelavy and Justina Flash, 11/6, music at11 pm, show at midnight, Sugar Lounge, 147Columbia St., (718) 643-2880. FREE. First 40people who RSVP via <strong>the</strong> Sugar Lounge Facebookpage guaranteed entry before 10 pm.EXHIBITIONSArt Lot—206 Columbia Street, at Sackett St.,Media Mix x 4, works by Cynthia Lawson Jaramillo,Babs Reingold, John Roach and MarySchiliro, through 1/9. On view 24/7.Kentler International Drawing Space—353Van Brunt St., (718) 875-2098. Cuba: My Revolution,The Making of <strong>the</strong> Graphic Novel andRelated Drawings by Inverna Lockpez andDean Haspiel, through 12/12. Open Thu-Sunnoon-5 pm.Look North Inuit Art Gallery—275 ConoverStreet, Suite 4E, (347) 721-3995. Polar Light:Greenland, photography by Rena Bass Formanand drawings by Zaria Forman, a climatechange awareness exhibition held in conjunctionwith Al Gore's “The Climate Project,”through 12/31. Call for hours; for more info,visit looknorthny.com.Margaret Palca Bakes—191 Columbia St.,(718) 802-9771. Photographs by Eric Fennell,through 11/7. Mon-Fri 7 am-7 pm, Sat 8 am-6pm, Sun 8 am-4 pm.FOOD & DRINKBotta di Vino—357 Van Brunt St., (347) 689-3664. Green Blackout Blind Tasting, candlelittasting of wrapped bottles, with acoustic jazzguitar, 11/5, 12, 19 & 26 from 8:30-10 pm; ItalianWine School, 11/4 & 11 from 6:30-8:30 pm;open 10 am-5 pm 11/26. FREE.Good Fork Benefit Dinner for <strong>Red</strong> <strong>Hook</strong>Community Farm—four-course fundraisingdinner to rebuild <strong>the</strong> <strong>Red</strong> <strong>Hook</strong> CommunityFarm after damaging hail storm, 11/3 from5:30-10 pm, Good Fork, 391 Van Brunt St.,call (718) 643-6636and ask for <strong>the</strong> Added Value dinner. Cost is$75 per person.SOMETHING ELSEBait & Tackle—320 Van Brunt St., (718) 797-4892. Crafternoon, cocktail craft group, 11/7,14, 21 & 28, times TBA. FREE.Coffey Park—Monthly Clean-Up with <strong>Red</strong><strong>Hook</strong> Dog, 11/7 from 9-10 am, contact amy.haimerl@gmail.com for more info. FREE.<strong>Rock</strong>y Sullivan’s—34 Van Dyke St., (718)246-8050. O’Donovan Rossa Society meeting,11/3 at 7 pm; <strong>Rock</strong>y Sullivan’s World FamousPub Quiz with quizmaster Sean Crowley, 11/4,11, & 18 at 8 pm.Sugar Lounge, 147 Columbia St., (718) 643-2880. Trivia Night, hosted by Maeve and Robin,11/4, 11 & 18 at 8:30 pm. FREE.MUSEUMThe Waterfront Museum & ShowboatBarge—290 Conover St. at Pier 44, (718)624-4719. The last covered wooden bargeof its kind, <strong>the</strong> Lehigh Valley Railroad Barge#79 is now a floating museum. The museum'spermanent display tells <strong>the</strong> history of <strong>the</strong> Tugand Barge “Lighterage Era” (1860-1960) andhow food and commercial goods were transportedprior to today’s bridges a n dtunnels. Experience <strong>the</strong> exciting storyof <strong>the</strong> rescue of Barge #79 byclown and juggler and enjoy<strong>the</strong> captain’s “Serious Foolishness.”Displays alsoinclude bells, barge modelsand <strong>the</strong> audio-kineticball machine sculpture byartist George Rhodes thatcontinuously whirls, goesloop-<strong>the</strong>-loop, plays musicalboxes and bounces inmid-air. Stroll in <strong>the</strong> waterfrontgarden with viewsof <strong>the</strong> Statue of Libertyand <strong>the</strong> many workboatsand recreational vesselsof <strong>the</strong> NY Harbor.Group reservationsfor schools, camps &seniors available by appointment.For directionsto <strong>the</strong> museum, visit waterfrontmuseum.org.OpenThursdays 4-8 pm, Saturdays1-5 pm. FREE.MUSICBait & Tackle—320 Van Brunt St., (718) 797-4892. Union, 11/5 at 9 pm; The Loyal We,11/6 at 9 pm. FREE.Hope & Anchor—347 Van Brunt St., (718)237-0276. Karaoke, Thursdays through Saturdaysat 9 pm-1 am.Jalopy Theatre and School of Music—315Columbia St., (718) 395-3214. <strong>Hook</strong>lyn Holler,<strong>the</strong> Dust Busters, Dom Flemmons, Eden& Johns East River String Band & SpecialGuest, 11/1 at 8:30 pm (SOLD OUT); Roots& Ruckus, 11/3, 10, 17 & 24 at 9 pm; <strong>the</strong> HotSeats, 11/4 at 9 pm, $10; M. Shanghai StringBand and Friends, 11/5 at 9 pm, $10; TheWhistling Wolves and <strong>Red</strong> Hen at 11/6 at 9pm, $10; Coyote Grace, 11/7 at 8:30 pm, $10;Tony Scherr Trio, 11/9 at 9 pm, $5; RachelleGarniez and Veveritse Brass Band, 11/11 at9 pm, $10; Jonah Bruno CD Release Party,11/12 at 9 pm; Baby Soda Jazz Band, 11/12at 10:30 pm, $10; Brooklyn County Fair: SavannahSky, Blue Harvest, <strong>the</strong> Newton Gang,<strong>the</strong> Doc Marshalls and Sean Kershaw & <strong>the</strong>New Jack Ramblers, 11/13 at 8 pm, $10 admincludes free Sixpoint Craft Ale from 8-9 pm;Randy Weinstein Group, 11/14 at 9:30 pm,$10; Jesse Lenat and <strong>the</strong> Steel Wheels, 11/16at 9 pm, $10; Mamie Minch and <strong>the</strong> GomorranSocial Aid & Pleasure Fund, 11/18 at 9 pm,$10; The Dust Busters with John Cohen, Goneto <strong>the</strong> Country: The New Lost City Ramblersaand <strong>the</strong> Folk Music Revival by Ray Allen, PeterStampfel and <strong>the</strong> E<strong>the</strong>r Frolic Mob, 11/20 at 8pm, $10; Steam Powered Hour, 11/21 at 8 pm,$10; Jessy Carolina & The Hot Mess, 11/23 at9 pm, $5; Jon Ladeau and Danny Kalb, 11/27at 8 pm, $15; The Homemade Supper ShowHosted by Shakey Dave, 11/30 at 9 pm, $10.<strong>Rock</strong>y Sullivan’s—34 Van Dyke St., (718)246-8050. Monday Night Trad Seisiun, 11/1,8, 15, 22 & 29 at 8 pm, FREE; Tuesday NightTrad Seisiun, 11/2, 9, 16, 23 & 30 at 8 pm,FREE; traditional music, 11/7, 14, 21 & 28 at4 pm, FREE; Seanchaí and <strong>the</strong> Unity Squad,11/6, 13 & 27 at 9:30 pm; Derek Warfield and<strong>the</strong> Young Wolf Tones with Seanchaí and <strong>the</strong>Unity Squad, 11/20 at 9 pm. Call for adm infonot listed.Sugar Lounge, 147 Columbia St., (718) 643-2880. Karaoke Wednesdays, hosted by BrianMansfield, 11/3, 10, 17 & 24 at 8:30 pm; LiveFridays, 11/12, 19 (with El Diablo Robatico) &26 at 10 pm; Brooklyn DJs, check <strong>the</strong> SugarloungeFacebook page for updates, 11/6, 13,20 & 27 at 10 pm. FREE.Sunny’s Bar, 253 Conover St., (718) 625-8211. Smokey’s Round-up, 11/3 at 10 pm;acoustic jam every Saturday. FREE.Union Street <strong>Star</strong> Theater—101 Union St.(between Columbia & Van Brunt), (718) 624-5568. Thursday Night Music Jam, open tomusicians and listeners; stage, PA, bass amp,drums, mic and refreshments provided, 11/4,11 & 18 from 7-10 pm. FREE.READINGSSugar Lounge, 147 Columbia St., (718) 643-2880. Slam Poetry Night, hosted by JoannHoffman, 11/1 at 8:30 pm. FREE.THEATERJan Hus Homeless Theatre Troupe—It CouldHappen to You, an interactive play performed byhomeless individuals, 11/8 at 7 pm, Miccio Center,110 9th St., Brooklyn, (718) 395-3218. FREE.The Brew GuideWhat follows is a guide to what local establishments have on tap. Sincetaps are changed frequently, beer selections are subject to change. Cheers!B61, 187 Columbia St., (718) 643-5400(reaches upstairs restaurant, Alma). Ontap: Yuengling, Brooklyn Lager, Franziskaner,Sierra Nevada Pale Ale, SixpointBengali Tiger IPA, Hoegaarden, StellaArtois, Anchor Liberty, Guinness. Opendaily 4 pm-4 am.Bait & Tackle, 320 Van Brunt St.,(718) 797-4892. Six beers on tap thatchange frequently. Mon-Fri 4 pm-4 am,Sat-Sun 2 pm-4 am.The Brooklyn Ice House, 318Van Brunt St., (718) 222-1865. On tap:Magic Hat No. 9, Bitburger, HofbrauOktoberfest, Warsteiner Oktoberfest,Guinness. Open Sun-Thu from noon-2am, Fri & Sat till 4 am.The Good Fork, 391 Van BruntSt., (718) 643-6636. Sixpoint BrownstoneAle, Captain Lawrence Kolsch,Hoegaarden. Open Tue-Sat 5:30-10:30pm, Sun till 10 pm. *Moonshine, 317 Columbia St.,(718) 858-8088. Twenty craft beers ontap that change every two weeks. As oflate October, selections include: Guinness,Harp, Yuengling, Brooklyn Lager,six Blue Point selections, Brooklyn BlackChocolate Stout, Sixpoint Sweet Action.Mon-Fri 4 pm-4 am, Sat 3 pm-4 am, Sun3 pm-2 am.Fort Defiance, 365 Van BruntSt., (347) 453-6672. On tap: ReissdorfKölsch, Abita Restoration Pale Ale, SixpointBengali Tiger IPA, Hennepin. OpenMon, Wed, Thu & Sun from 8 am-midnight,Tue till 3 pm, Fri & Sat till 2 am. *<strong>Rock</strong>y Sullivan’s, 34 Van DykeSt., (718) 246-8050. On tap: Bud Light,Stella, Guniness, Sixpoint Brownstone,Sixpoint Righteous Rye. Open Sun-Wed11 am-2 am, Thu-Sat till 4 am.**Also see Restaurant Guide.The Dancing Bear (above center) can be seen at Look North Inuit Art GalleryPage 18 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010


<strong>Star</strong>-<strong>Revue</strong> ClassifiedsApartment RentalsBoerum Hill 2br close to everything on SmithSt, great for shares$ 2100.James 646-853-4210 Brooklyn Bridge Realty.Boerum Hill Great deal 1br 1800 Dec 1.James 646-8534210 Brooklyn Bridge Realty.Brooklyn Heights Newly Renovated / Stepsto Subway. Charming Deck. 1 Bedroom +Computer Room. $2400.00. Joan Natale RealEstate. 718-797-4661.Brooklyn Heights Newly renovated 1br$2300 available now, James 646-8534210Brooklyn Bridge Realty.Carroll Gardens Special Deal for rent. 1Bedroom + Den. Carroll St + 3rd Ave. 3 FamilyHouse / Patio. Near Trains $1500.00 JoanNatale Real Estate. 718-797-4661.Carroll Gardens One Bedroom Apartment forRent ins. New Renovation with Dishwasher,and Hardwood Floors. $1500. DestinationReal Estate at 718-930-7999.Columbia Street $2400 / 2br - Stunning 2Bedroom, 900 sq ft 2 bedroom, washer/Dryer.Gallery Kitchen. Beautiful Bathroom . NiceBedrooms. Lots Of Light. Frank Galeano RealEstate, Jerry Leone (347) 612-2250Commercial Property<strong>Red</strong> <strong>Hook</strong> 282 Van Brunt St. For Sale exclusivelythrough Prudential Douglas Elliman.Mixed use 2-family plus commercial space offeredat 1.550M. Call Rose Anne at 718-710-1844 or Imma at 917-569-9881.Coney Island Pizzeria for Sale by Luna Park.Fully Equipped, Turn Key Operation, All UtilitiesIncluded, Indoor and Outdoor Seating. approx.1113 sq ft. $165,000 Cost of Business.Destination Real Estate at 718-930-7999.Multi-Family Beauty - 5 Market Rates! GreatIncome Producer! Offered at 1.749M. Callfor details. Prudential Douglas Elliman callRose Anne at 718-710-1844 or Imma at 917-569-9881.<strong>Red</strong> <strong>Hook</strong> Van Brunt corner for sale. Includeshigh exposure store and 2-3BR residentialunits. Bonus: Garage. $1,300,000. Call Broker:Rod Murray 631-786-2562.<strong>Red</strong> <strong>Hook</strong> Huge Commercial WarehouseSpace! Available for sale 306 Van Brunt Street2.1M offered through Prudential Douglas Elliman.Call for details! Rose Anne at 718-710-1844 or Imma at 917-569-9881.Houses for SaleCarroll Gardens Vic: Two Family Brick Buildingwith Store.. Fully occupied. $1,200,000.Destination Real Estate at 718-930-7999.Carroll Gardens Fabulous First Place – Wideand deep 5-story, 4-family brownstone. Duplexplus 3 market rate rentals. $2,450,000.Brownstonelistings.com 917-763-0437.Carroll Gardens Beautifully Renovated4-Story, 4Family on Carroll Street offers highincome or flexibility to convert to 2-3 Family.$2,295,000. Rod Murray 631-786-2562.Carroll Gardens 3rd Street Fantastic FourFamily in PS 58 School District. Boasts greatrent roll, property is steps to Smith Street’s“Restaurant Row”. $1,645,000. Rod Murray:631-786-2562.Gowanus: Absolutely gorgeous sunny gutrenovated 1 bedroom apartment on a charmingstreet. No expenses were spared on thisenergy efficient renovation! There is an amazingkitchen with stainless steel appliances, oakcabinets, pantry, and a granite breakfast counter.The full bathroom is tiled, <strong>the</strong>re is a queensize bedroom with a skylight and large doublecloset. The apartment has a video intercomsystem, baseboard heating, and built-in airconditionersand much more! Rent: $1,400D’Andrea Craig Realty (718) 855-5800<strong>Red</strong> <strong>Hook</strong> 3 family townhouse. Spacious 3BRapts with triple exposure. Full unfinished cellar+ small rear yard. Spectacular views. As-is$649K. Can be sold with adjacent lot $998K.brownstonelistings.com 718-855-4111<strong>Red</strong> <strong>Hook</strong> Totally reno’d 3-story 3-family townhouse.Each unit has cherry plank fls, new kitsw/granite counters, s/s appls, individual heatingsystems. More info www.dandreacraigrealty.comAsking 1.065M Bring offers. D’AndreaCraig Realty 718-855-5800.On Place Block. Charming well maintained 3Family Duplex + 2 rentals, small Private rearyard Asks: $1,475,000. VITA REALTY - 718-855-8482 www.vitarealestate.com3 Story with English Basement. Owner duplexwith 2 rental units, also boasts full cellar. Lotsof backyard Asks $1,400,000. AVITA REALTY- 718-222-1187Condo for SaleCobble Hill 1BR Spacious Condo $450,000.Pk Slope: 2BR Duplex Condo $670,000. PkSlope: Studio Coop w. parking $325,000.Kensington: Huge 1BR Coop $299,000.Brownstonelistings.com 718-855-4111.Columbia Terrace/C.G. West Tastefully Designed2 Bedroom Condo. Spacious work-inkitchen with stainless steel appliances W/D,P.S. 58 cc: 311.74 Asks $569K VITA REALTY- 718-855-8482 www.vitarealestate.comIn elevator building, 2 Bedroom Condo. Newkitchen with new appliances. Laundry onpremises. $499,000 Frances Kopito. Vita Realtycell (718)757-4456Help WantedGreat opportunity! Must have Real Estate License.Flexible hours, part time, or full time.For more info please call Carol Ann Natale @646-210-0103.Carroll Gardens area real estate agency islooking for an experienced & licensed realestate sales person. This person will work on<strong>the</strong> sales and rentals for houses, co-ops andcondos.We are a well-known and establishedagency and can provide lots of listings in <strong>the</strong>Carroll Gardens, Brooklyn Heights, Cobble Hilland o<strong>the</strong>r Brownstone neighborhoods. Musthave 2 years sales experience,. Reply to:joan@joannatalerealestate.comSituation WantedNeed your dog walked? Or your cat fed ifyou’re out of town? Need a babysitter days orevenings? Wish someone else could bake <strong>the</strong>cookies you said you’d bring to that pot luck thisweekend because you just don’t have time?Would you love to have all your photographsscanned and organized on a drive? Do youhave hours of home movies on VHS that you’dlike to have converted to digital files/DVDs?Wouldn’t it be great if someone could actuallygo through those hours of footage and edit itall down for you? I’m a stay-at-home mom withpet/babysitting/baking and editing experiencehoping to serve some of <strong>the</strong> needs of <strong>the</strong> <strong>Red</strong><strong>Hook</strong> vicinity! Please email me if interested inany of <strong>the</strong> above: sheilasavage75@gmail.comMoversCOOL HAND MOVERS Friendly local guysthat can relocate your life, or just shlep yournew couch from Ikea. We’ll show up on time, ina truck or van if necessary, and basically kickass -- you might even have a good time! Callfor a free estimate at (917) 584-0334 or emailat coolhandmovers@gmail.com Customer reviewson YELP.COMReal Estate Classified ads are $8per listing per month. You mayemail your ads to us, or drop <strong>the</strong>min <strong>the</strong> mail. Credit Cards accepted.Ads@<strong>Red</strong><strong>Hook</strong><strong>Star</strong>.com; 101 UnionStreet, Brooklyn, NY 11231 All o<strong>the</strong>rline ads are $5 per listing per month(up to 5 lines).This is what Jerry from Galeano RealEstate has to say aboutadvertising in <strong>the</strong> <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong>“We have had an outburstof phone calls onour Listings. We have hadseveral Rentals Closed.We have Rented a 16000sq ft warehouse.We recently Rented aBeautiful Store fronton Court Street to ‘TheBrooklyn Writers Association.The Market is once again “On The Move!”Immacolata GiocoliLic. Real Estate Salesperson917 569-9881igiocoli@elliman.comRoseanne DegliuominiLic. Real Estate Salesperson718 710-1844rdegliuomini@elleman.comDouglas Elliman Real Estate189 Court Street, Brooklyn, NY 11201Office: 718 935-6152 Cell. 718 710-1844www.prudentialelliman.com718 834-4811November 2010<strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> Page 19


215 Columbia Street (bet. Sackett & Union Sts.) 718 522-7500215 Columbia Street (bet. Sackett & Union Sts.) 718 522-7500Page 20 <strong>Red</strong> <strong>Hook</strong> <strong>Star</strong>-<strong>Revue</strong> November 2010

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!