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Hispanics in the United States - Bolerium Books

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plates, staplebound 10x7 <strong>in</strong>ch pla<strong>in</strong> pr<strong>in</strong>ted wraps, general brown<strong>in</strong>g ofstock with slight signs of handl<strong>in</strong>g. Garces and colleagues went <strong>in</strong>to anarea already exasperated by Spanish depredations, and were summarilyexecuted. 15.00341. Cultural Awareness Tra<strong>in</strong><strong>in</strong>g Project. California cultural awarenessresource guide for adult educators and employers. San Francisco, Ch<strong>in</strong>atownResources Development Center, 1982. 298p., 8.5x11 <strong>in</strong>ches, wraps. Anattempt to look at California's chang<strong>in</strong>g demography, focus<strong>in</strong>g on people ofAfrican, Ch<strong>in</strong>ese, Filip<strong>in</strong>o, Lat<strong>in</strong>o, Indoch<strong>in</strong>ese and Native Americanorig<strong>in</strong>s, prepared by consultants <strong>in</strong> each area. 75.00342. Cuneo, Pablo. Bronka stooler boo boo boo. Berkeley, Mo<strong>the</strong>r's Hen, 1986.9p., later pr<strong>in</strong>t<strong>in</strong>g, <strong>in</strong>troduction by Floyd Salas, wraps. (Mucho somos)25.00The title story, three l<strong>in</strong>es long, mentions Dracula and dwells onvampirism ("The bats eat rat fish. Dracula turns <strong>in</strong>to a bat. Then he suckspeople's blood and he lives <strong>in</strong> a haunted house" &c &c --won't tell you howit ends). We th<strong>in</strong>k that "Bronka Stooler" is Pablo's render<strong>in</strong>g of BramStoker. "Boo boo boo," I'm tell<strong>in</strong>g a scary story.343. D'Amico, Albert Generoso. Bro<strong>the</strong>rly wrath. San Francisco, Ma<strong>in</strong>streetFoundation, 1981. 286p., hardcover with slightly edgeworn dj, old pricelabel on sp<strong>in</strong>e. 18.00Novel abouy race relations <strong>in</strong> San Francisco <strong>in</strong> 1980. Stated to be from <strong>the</strong>first run of 500 copies sold as a fundraiser for <strong>the</strong> Ma<strong>in</strong>street Foundation,a jail-diversion program based <strong>in</strong> San Francisco.344. D'Aqu<strong>in</strong>o, Hernando. S<strong>in</strong>fonia Martiana (vida y pasion), prologo deRafael Estenger. Miami, Ediciones Universal, 1971. 83p., wraps. The CubanAmerican exile version of Marti. D'Aqu<strong>in</strong>o is a pseudonym for Manuel H.Hernandez, a former Chief Justice of <strong>the</strong> Court of Havana who fled to <strong>the</strong>US. 25.00345. Davila, Arturo V; Osiris Delgado Mercado; Myrna Rodriguez. Catalogo delas obras de arte en la colección del Ateneo Puertorriqueño. San Juan,Ateneo Puertorriqueño, 1996. 224p., wraps, very good. 95.00346. Davis, Cary, Carl Haub, and JoAnne Willette. U.S. <strong>Hispanics</strong>: chang<strong>in</strong>g<strong>the</strong> face of America, <strong>in</strong> Population Bullet<strong>in</strong>, vol. 38, no. 3, June 1983.44p., wraps. 12.00347. Davis, Mike. Magical urbanism; Lat<strong>in</strong>os re<strong>in</strong>vent <strong>the</strong> US city. London,Verso, 2000. xviii, 172p., dj. 10.00348. Daydí-Tolson, Santiago, ed. Five poets of Aztlán; Alfonso Rodríguez, ElHuitlacoche, Leroy V. Qu<strong>in</strong>tana, Alma Villanueva, Carmen Tafolla.B<strong>in</strong>ghamton, Bil<strong>in</strong>gual Press, 1985. 224p.,wraps. 18.00349. Ano<strong>the</strong>r copy, rear wrap slightly creased and rubbed. 15.00350. de Baca, Carlos C. Vicente Silva; <strong>the</strong> Terror of Las Vegas. [Las Vegas,NM], Tate Gallery Publication, 1968. [ii] 48p., 6x9.5 <strong>in</strong>ches, frontisportraitof Silva, <strong>in</strong>troduction, very good repr<strong>in</strong>t <strong>in</strong> pictorial wraps.40.00Manuel de Baca wrote <strong>the</strong> orig<strong>in</strong>al <strong>in</strong> Spanish <strong>in</strong> <strong>the</strong> 1890s. The orig<strong>in</strong>alEnglish-language edition by Carlos de Baca was written <strong>in</strong> 1938 and is veryscarce and noted <strong>in</strong> Six-Guns and Saddle Lea<strong>the</strong>r no. 103 and 106. This is a1960s self-published repr<strong>in</strong>t by a New Mexico gallery-owner. Silva was abandit <strong>in</strong> Las Vegas, NM.

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