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Lesson 18:Maria Tallchief American Ballerina

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<strong>Maria</strong> <strong>Tallchief</strong><strong>American</strong> <strong>Ballerina</strong>by Miki TerasawaHOUGHTON MIFFLIN


<strong>Maria</strong> <strong>Tallchief</strong><strong>American</strong> <strong>Ballerina</strong>by Miki TerasawaPHOTOGRAPHY CREDITS: Cover © SF Palm/Stagelmage/The Image Works. Title page © Alamy Ltd. 2 © Hulton-DeutschCollection/CORBIS. 4 © CORBIS. 5 © Mary Evans Picture Library/The Image Works. 6-7 © Lebrecht Music & Arts/The ImageWorks. 8 © Bettmann/CORBIS. 9 © Lipnitzki/Roger Viollet/Getty Images. 11 © SF Palm/StageImage/The Image Works.12 © Alamy Ltd. 13 © Mark Mainz/Getty Images. 14 © A.Y. Owen/Time Life Pictures/Getty Images.Copyright © by Houghton Mifflin Company. All rights reserved.No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, includingphotocopying or recording, or by any information storage or retrieval system without the prior written permission of thecopyright owner unless such copying is expressly permitted by federal copyright law. With the exception of nonprofittranscription into Braille, Houghton Mifflin is not authorized to grant permission for further uses of this work. Permissionmust be obtained from the individual copyright owner as identified herein. Address requests for permission to make copiesof Houghton Mifflin material to School Permissions, Houghton Mifflin Company, 222 Berkeley Street, Boston, MA 02116.Printed in ChinaISBN-13: 978-0-547-02577-3ISBN-10: 0-547-02577-71 2 3 4 5 6 7 8 9 RRD 15 14 13 12 11 10 09 08


November 27, 1949November 27, 1949, is a special date in thehistory of <strong>American</strong> ballet. That night, a balletcalled The Firebird was performed in New YorkCity. When the dancing ended, the audience wentwild. They clapped and stomped and shouted.They cheered, “<strong>Tallchief</strong>! <strong>Tallchief</strong>! <strong>Tallchief</strong>!”The crowd was cheering for a young dancerfrom Oklahoma. She had just danced the role ofthe Firebird. Her name was <strong>Maria</strong> <strong>Tallchief</strong>.On that night in 1949, <strong>Maria</strong> <strong>Tallchief</strong>became a star.<strong>Maria</strong> <strong>Tallchief</strong>’s careeras a ballerina lastedmore than two decades.2


An <strong>American</strong><strong>Ballerina</strong><strong>Maria</strong> <strong>Tallchief</strong>was one of the mostimportant ballerinas ofour time. Her dancingwas legendary. Manyballets were createdfor her.<strong>Tallchief</strong> still holds aunique place in ballethistory. She was the first<strong>American</strong> ballerina tobecome internationallyfamous. Before her, therewere no great <strong>American</strong>ballerinas. Many peoplebelieved that <strong>American</strong>scould never becomegreat ballet dancers.The Historyof BalletWhy did people believethat <strong>American</strong>s couldnever become greatballet dancers? Theanswer lies in ballet’shistory.Ballet began in Franceand Italy over 400 yearsago. It quickly spreadacross Europe. It becamevery popular in Russia. By1900, ballet had reachedAmerica, too. But<strong>American</strong> dancers werenot taken seriously.3


Fifth and sixthgraders study inan Indianreservation schoolin Oklahoma.An Osage Childhood<strong>Maria</strong> <strong>Tallchief</strong> was born Elizabeth Marie TallChief on January 24, 1925, in Fairfax, Oklahoma.Her parents, Alexander and Ruth Tall Chief, calledher “Betty Marie.” A younger sister, Marjorie, wasborn two years later.The little town of Fairfax was part of a Native<strong>American</strong> reservation. The reservation was hometo the Osage Nation. Betty Marie’s father,Alexander Tall Chief, was an important member ofthe Osage tribe. Her mother, Ruth Tall Chief, wasof Irish and Scottish background.The Tall Chief home also included Marjorieand Betty Marie’s grandmother, Eliza Tall Chief.Grandma Tall Chief was a traditional Osagewoman. She kept her hair in a braid. She wore anOsage blanket around her shoulders.4


At that time, the Osage, like many Native<strong>American</strong>s, were not treated fairly by the U.S.government. For example, it was against the lawfor them to perform traditional customs. TheOsage were worried. They feared that this wouldlead to the destruction of their culture.Grandma Tall Chief wanted to keep Osageculture alive. So she taught Betty Marie andMarjorie about their Native <strong>American</strong> background.She took them to traditional gatherings calledpowwows. Powwows were held secretly on thereservation.At the powwows, BettyMarie watched Osageelders perform traditionalsongs and dances. Yearslater, she remembered thepowwows. She wrote,“The rhythm of thosesongs has stayed with me.”This painting shows an Osageelder in traditional dress.5


6Early TalentBetty Marie and her sister liked dancing tomusic. Both girls were unusually graceful. RuthTall Chief realized that her young daughters werevery talented. She organized dance lessons forBetty Marie and Marjorie.In 1933, the Tall Chief family moved to LosAngeles. There Betty Marie met her firstimportant ballet teacher. Her name was BronislavaNijinska (brah nuh SLAH vuh nuh JIN skuh).Nijinska was from St. Petersburg, Russia. Shehad studied ballet at the famous Imperial TheatreSchool. She had trained many great dancers.


Dancing required endless practice. Nijinskatold Betty Marie, “When you sleep, sleep likeballerina. Even on the street waiting for bus, standlike ballerina!”But Betty Marie did not mind the hard work.She loved studying ballet. She became one ofNijinska’s best students.When Betty Marie turned 17, she decided tobecome a professional dancer. She tried out fordifferent ballet companies. She was accepted by theBallet Russe de Monte Carlo. The Ballet Russe wasa famous ballet company. It had many Russiandancers.Now Betty Marie was a member of the BalletRusse. She traveled with the company. Theyperformed all over the world. Betty Mariedanced almost every night.Many great dancers performed at theImperial Theatre in St. Petersburg,Russia.7


<strong>Tallchief</strong>, not Tallchieva!Audiences saw Betty Marie’s talent. The BalletRusse saw it, too. The company gave her biggerroles to dance.Then the director of the Ballet Russe made arequest. He asked Betty Marie to change her lastname. He suggested that she change Tall Chief to“Tallchieva.” “Tallchieva” sounded like a Russianname. The director thought that a dancercould only succeed with a Russian name.But Betty Marie did not want aRussian name. “Tall Chief” came fromher Native <strong>American</strong>background. She was proudof her name. So she decidedto call herself “<strong>Maria</strong><strong>Tallchief</strong>.”<strong>Maria</strong> <strong>Tallchief</strong> starred in thefamous ballet Swan Lake.8


George Balanchine was one of the greatestchoreographers of the twentieth century.Meeting George BalanchineThe year 1944 was very important for 19-yearold<strong>Maria</strong> <strong>Tallchief</strong>. That was because she met aman named George Balanchine (ba lun SHEEN).Together they would create some of the mostfamous ballets of the twentieth century.George Balanchine joined the Ballet Russe. Hewas hired as a choreographer. Choreographerscreate new ballets. They also teach them to dancers.9


10In 1944, Balanchine was already considered agenius. His ballets were fresh and different.Audiences had never seen anything like them.Balanchine’s ballets were very difficult. Hisballets made dancers spin faster, jump higher, andmove more gracefully. Many dancers had troubleperforming his ballets.But <strong>Maria</strong> <strong>Tallchief</strong> loved dancing Balanchine’sballets. She was not afraid of how difficult theywere. Learning his ballets gave her insights intoher own dancing.Balanchine was inspired by <strong>Tallchief</strong>’s dancing.He created new dances with starring rolesespecially for her.In 1947, George Balanchine left the BalletRusse. He wanted to start his own ballet companyin New York City. <strong>Maria</strong> <strong>Tallchief</strong> left the BalletRusse, too. She joined Balanchine’s new company.


The FirebirdThe new ballet company struggled. They hadtrouble finding an audience. To survive, theyneeded a big success. That success finally came onNovember 27, 1949. That night, <strong>Maria</strong> <strong>Tallchief</strong>danced The Firebird for the first time.The Firebird is about amagical bird. The Firebirdrescues a prince from aterrible monster. It was themost difficult role<strong>Tallchief</strong> had ever danced.She had just one week topractice. She workedharder than ever before.<strong>Tallchief</strong>’s hard workpaid off. Her dancingamazed the audience. Herperformance was fierceand dazzling. She movedwith lightning speed.<strong>Maria</strong> <strong>Tallchief</strong>’sperformance as the Firebirdmade her a star.11


12Princess Wa-Xthe-ThonbaThe Firebird made <strong>Maria</strong> <strong>Tallchief</strong>famous around the world. Sheproved that <strong>American</strong>s could begreat ballet dancers.In 1953, <strong>Tallchief</strong>received one of the biggestawards of her life. TheOsage tribe and the state ofOklahoma honored her. They called June29th <strong>Maria</strong> <strong>Tallchief</strong> Day. A celebration washeld in her hometown in Oklahoma. People heldup signs that said, “Welcome Home, <strong>Maria</strong>!”Most importantly, the Osage tribe gave <strong>Maria</strong><strong>Tallchief</strong> a special name—Princess Wa-Xthe-Thonba. This means “Princess Two-Standards.”The name had special meaning because <strong>Tallchief</strong>lived in two worlds. She was both a famousballerina and an important member of the Osagetribe.


Over the next 12 years, <strong>Tallchief</strong> starred inmany ballets. George Balanchine created morethan 30 roles especially for her. Her wonderfuldancing attracted praise wherever she went.After a long and successful career, <strong>Maria</strong><strong>Tallchief</strong> retired in 1965. She shared her love ofdance by teaching ballet. She and her sister,Marjorie (who also became a dancer),formed their own ballet company.In 1996, <strong>Maria</strong> <strong>Tallchief</strong> was namedto the National Women’s Hallof Fame.Dance was always a part of<strong>Maria</strong> <strong>Tallchief</strong>’s life.13


A Pioneer of <strong>American</strong> Dance<strong>Maria</strong> <strong>Tallchief</strong> will always be remembered asa pioneer of <strong>American</strong> dance. She was the first<strong>American</strong> ballerina to become world-famous.As Princess Wa-Xthe-Thonba, she was both animportant Osage woman and a great ballerina. Herhistoric performance as the Firebird has neverbeen forgotten. She opened the door for futuregenerations of <strong>American</strong> dancers.<strong>Maria</strong> <strong>Tallchief</strong> wore aceremonial headdress at herhometown celebration.14


RespondingTARGET SKILL Fact and Opinion Think aboutthe facts and opinions the author gives about<strong>Maria</strong> <strong>Tallchief</strong>. Then copy the chart below. Add anopinion from the story to complete the chart.Fact<strong>Maria</strong> <strong>Tallchief</strong> wasborn on January 24,1925, in Fairfax,Oklahoma.Opinion?Write About ItText to Self <strong>Maria</strong> <strong>Tallchief</strong> was proud of her Native<strong>American</strong> background. Think of something aboutyourself that you are proud of. Write a paragraphthat tells what makes you proud of that part ofyourself.15


TARGET VOCABULARYbackgroundcareerdestructioneditionformulahouseholdinsightspublicationrequireduneventfulTARGET SKILL Fact and Opinion Decide whether anidea can be proved or is a feeling or belief.TARGET STRATEGY Analyze/Evaluate Think carefullyabout the text and form an opinion about it.GENRE Biography tells about events in a person’s life,written by another person.16


Level: PDRA: 38Genre:BiographyStrategy:Analyze/EvaluateSkill:Fact and OpinionWord Count: 1,3555.4.<strong>18</strong>HOUGHTON MIFFLINOnline Leveled BooksISBN-13:978-0-547-02577-3ISBN-10:0-547-02577-71032504

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