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Detailed Syllabus- Outline, End Term Exam Guidelines, Structure, etc.

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Approved in BOS meeting in the Subject ofDance held on 12.06.2013Annexure-I of BOS MeetingDEPARTMENT OF PERFORMING ARTSHIMACHAL PRADESH UNIVERSITYOUT LINES OF SYLLABI AND COURSES OF READINGIN THE SUBJECT OF DANCE FOR B.A. WITH MAJOR IN DANCE ANDMINOR ELECTIVE IN DANCE (2013-2014 onwards)(A) <strong>Structure</strong> <strong>Outline</strong> of Major in DANCE (Minimum Credits to be Earned=56)Semester Course Code Course Type Course Name Credit(s)I(Odd)II(Even)Compulsory Course ICompulsory Course II(Skill Based)To be Selectedfrom the list ofCompulsoryCoursesTo be Selectedfrom the list ofCompulsoryCourses (SkillBased)BADAN101 Major Core Course I Introduction of Tal 4BADAN102 Major Core Course II (Introduction ofMinor ElectiveCourse I (a)Minor ElectiveCourse I (b)GI and H Course ICompulsory CourseIIICompulsory CourseIV(Skill Based)Dance <strong>Term</strong>s)(Practical - I)To be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list GI andHobby CoursesTo be Selectedfrom the list ofCompulsoryCoursesTo be Selectedfrom the list ofCompulsoryCourses (SkillBased)BADAN203 Major Core Course III Introduction ofIndian ClassicalDanceBADAN204Major Core CourseIV(Fundamental ofTechniques ofKathak)(Practical - II)3344413344CumulatedCreditsCategorywiseCompulsory– 6Core – 8Elective – 8GI & H – 1Total – 23Compulsory– 6 (12)Core – 8(16)Elective – 8(16)GI & H – 1(2)Total 23 (46)1


Semester Course Code Course Type Course Name Credit(s)III(Odd)IV(Even)Minor ElectiveCourse II (a)Minor ElectiveCourse II (b)GI and H Course IICompulsory CourseVCompulsory CourseVITo be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list GI andHobby CoursesTo be Selectedfrom the list ofCompulsoryCoursesTo be Selectedfrom the list ofCompulsoryCourses (SkillBased)BADAN305 Major Core Course V Knowledge ofNritta technicalitiesBADAN306 Major Core Course VI (FundamentalTechniques ofKathak Dance)(Practical-III)BADAN407BADAN408Minor ElectiveCourse III (a)Minor ElectiveCourse III (b)GI and H Course IIIMajor Core CourseVIIMajor Core CourseVIIITo be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list GI andHobby CoursesKnowledge ofDifferent DanceFormBasic PracticalDemonstration onTal & Bhava(Practical-IV)BADAN409 Major Core Course IX Stage Performancewith Bhava(Practical-V)4413344441444CumulatedCreditsCategorywiseCompulsory– 6 (18)(Complete)Core – 8(24)Elective – 8(24)GI & H – 1(3)(Complete)Total 23 (69)Core – 12(36)Elective – 8((32)Core /Elective(additional) -4Total 24 (93)2


Semester Course Code Course Type Course Name Credit(s)V(Odd)Minor ElectiveCourse IV (a)Minor ElectiveCourse IV (b)To be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list forMinor ElectiveSubject other thanDanceCore / ElectiveCourse (Additional)*BADAN510 Major Core Course X General andApplied Theory ofIndian DanceBADAN511 Major Core Course XI (Practical-VI)Stage PerformanceBADAN512 Major Core Course (Practical-VII)XIIBADAN613Minor ElectiveCourse V(a)Minor ElectiveCourse V(b)Core / ElectiveCourse (Additional)*Major Core CourseXIIITo be Selectedfrom the list forMinor ElectiveSubject other thanDanceTo be Selectedfrom the list forMinor ElectiveSubject other thanDanceAny one of theAdditional or openelective coursesExtension of IndianDance andGharana System4444444444CumulatedCreditsCategorywiseCore – 12(48)Elective – 8(40)(Complete)Core /Elective(additional) -4Total 24(117)VI(Even)BADAN614Major Core CourseXIVCore / ElectiveCourse (Additional)*Core / ElectiveCourse (Additional)*Core / ElectiveCourse (Additional)*Core / ElectiveCourse (Additional)*Core / ElectiveCourse (Additional)*(Practical-VIII)Stage Performanceand Viva-voceAny one of theAdditional or openelective coursesAny one of theAdditional or openelective coursesAny one of theAdditional or openelective coursesAny one of theAdditional or openelective coursesAny one of theAdditional or openelective courses444444Core – 8(56)Core /Elective(additional) –20*Total 28(145)3


*Additional Elective Courses offered by Dance Department (can be chosen for earning creditsover and above 56 Major subject credits, 40 Minor elective credits, 18 Compulsory coursecredits and 3 G I&H Course credits)SemesterCourseCodeCourse TypeIV/V/VI BADAN615 Core / ElectiveCourse(Additional)*IV/V/VI BADAN616 Core / ElectiveCourse(Additional)*IV/V/VI BADAN117 Core / ElectiveCourse(Additional)*IV/V/VI BADAN618 Core / ElectiveCourse(Additional)*Course NameKnowledge of folk dance ofHimachal Pradesh(Practical) - IFundamental techniques ofbasic hand movements(Practical) - IIHistory of Kathak dance(Theory)Importance of bhava indance(Practical) - IIICredit(s)4444CumulatedCreditsCategorywiseIV/V/VI BADAN619 Core / ElectiveCourse(Additional)*IV/V/VI BADAN620 Core / ElectiveCourse(Additional)*IV/V/VI BADAN621 Core / ElectiveCourse(Additional)*IV/V/VI BADAN622 Core / ElectiveCourse(Additional)*Historical studies of dancetermsPractical - IV 4General and applied Theoryof Kathak DancePractical - v 444General Interest and Hobby Courses Offered by Dance DepartmentSemesterI/II/IIII/II/IIII/II/IIII/II/IIII/II/IIICourse CodeBADAN723BADAN724BADAN725BADAN726BADAN727CourseTypeGI/HGI/HGI/HGI/HGI/HCourse NameGeneral Theory of Dance(Theory and Practical)Indian Dance and GharanaSystem(Theory and Practical)Detail Study of Movement(Theory and Practical)Biography of musician(Theory and Practical)Introduction of dance terms(Theory and practical)Credit(s)11111CumulatedCreditsCategorywise4


(A) <strong>Structure</strong> <strong>Outline</strong> of Minor Elective in Dance for other than Major Dance Students (MinimumCredits to be Earned=20)CumulatedSemester Course Code Course Name Course NamewiseCredit( Creditss) Category-I(Odd)II(Even)III(Odd)IV(Even)BADAN101BADAN204BADAN305CompulsoryCourse ICompulsoryCourse II (SkillBased)Major CoreCourse IMajor CoreCourse IIMinor Elective Introduction of TalCourse I (a)Minor Elective4Course I (b)GI and H Course I 1Compulsory3Course IIICompulsoryCourse IV(Skill3Based)Major CoreCourse IIIMajor CoreCourse IVMinor ElectiveCourse II (a)Minor ElectiveCourse II (b)GI and H CourseIICompulsoryCourse VCompulsoryCourse VIMajor CoreCourse VMajor CoreCourse VIMinor ElectiveCourse III (a)Minor ElectiveCourse III (b)GI and H CourseIIIMajor CoreCourse VIIMajor CoreCourse VIIIMajor CoreCourse IX(Fundamental ofTechniques ofKathak)(Practical )3 Compulsory –63Core – 8Minor Elective1(a) – 4(4)4 Minor Elective1(b)=44 Total MinorElectives – 84(8)44441GI & H – 1Total – 23Compulsory –6 (12)Core – 8 (16)Minor Elective1I(a) – 4 (8)Minor Elective1I(b) – 4 (8)Total MinorElectives – 8(16)GI & H – 1 (2)Total 23 (46)3 Compulsory –6 (18)3 (Complete)Core – 8 (24)4 Minor Elective------ 4III(a) – 4 (12)Minor ElectiveIII(b) – 4 (12)Knowledge of Nritta4 Elective – 8technicalities(24)------------41GI & H – 1 (3)(Complete)Total 23 (69)------ 4------ 4------ 4Core – 12 (36)Minor ElectiveIV(a) – 4 (16)Minor ElectiveIV(b) – 4 (16)5


Semester Course Code Course Name Course NameV(Odd)VI(Even)BADAN408BADAN510Minor ElectiveCourse IV(a)Minor ElectiveCourse IV (b)Core / ElectiveCourseMajor CoreCourse XMajor CoreCourse XIMajor CoreCourse XIIMinor ElectiveCourse V(a)Minor ElectiveCourse V(b)Core / ElectiveCourse(Additional)*Major CoreCourse XIIIMajor CoreCourse XIVCore / ElectiveCourse(Additional)*Core / ElectiveCourse(Additional)*Core / ElectiveCourse(Additional)*Core / ElectiveCourse(Additional)*Core / ElectiveCourse(Additional)*(Basic practicaldemonstration on taland bhava)(Practical)Credit(s)4------ 4------ 4------ 4------ 4------ 4Knowledge ofAbhinaya Darpan4------ 44------ 4------ 444444CumulatedCreditsCategorywiseTotal MinorElectives – 8(32)Core / Elective(additional) - 4Total 24 (93)Core – 12 (48)Minor ElectiveV(a) – 4 (20)Minor ElectiveV(b) – 4 (20)Total MinorElectives – 8(40)(Complete)Core / Elective(additional) - 4Total 24 (117)Core – 8 (56)Core / Elective(additional) –20*Total 28 (145)6


InstructionsLecture 1 Hr. Tutorial 1Hr. Practical 2 Hr.For Theory Courses45 15 0For Practical Courses6 0 27 (27 x 2=54)1. CCACCA SYSTEM for theory and practical examination:ItemMarksTest – I 15Test – II 15Class Test/ Tutorials /Assignments 10Quiz/Seminars/Presentation 5Attendance 5Total 502. ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)a) The first semester theory examination will be of 50 marks and the time schedule will be of threehours.b) The time for dance practical will be of 20 minutes per student3. The theory question paper will be as under:a) Ten Multiple choice questions (MCQ) for one mark each. 10x1=10 marksb) Four short question for two marks each 4x2=8 marksc) There are four units. In each unit there are 2 questions Student have to select one question fromeach Unit. These question are of Long Type which carry 8 marks each. 4x8= 32 marks18+8+8+8+8=50 marks1. The dance student can opt from (Harmonium or Tabla or Vocal Dance) as per choice2. There will be not more than 10 students in one group and for more than 10 students another groupwill be formed3. The practical examination shall not be conducted by the class teacher. For practical examinationthe examiner will be appointed from outside.4. The playing of Harmonium in dance practical is compulsory.7


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ Tutorials Quiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSSemester ITheoryCourse Code - BADAN101Introduction of TalUnit 1(a) Definition of the following.(1) Tala (2) Laya (3) Matra (4) Theka (5) Tali (6) Khali (7) Sum(b) Short notes on the following.(1) Tha (2) Dugun (3) Tigun (4) Chaugun (5) Tatkar.Unit 2.(a) Six main Angas, Pratyangas and their upangas as given in Abhinaya Darpan(b) Qualties of Ghungroo (Abhinay Darpan)Unit 3.Notation systemAbility to write notation of Teental of the following terms:Tatkar (2) Thaat-1 (3) Tihai-1 (4) Amad-1 (5) Tukara-1Unit 4.Ability to write the following Taals and their description with their:- Thah, Dugun.Teental (2) Dadara (3) Keharawa (4) Tilwara8


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of Questions and Questions to be Maximum MarksAnswersAnswered1 Unit 1 Practical All 202 Unit 2 Practical All 153 Unit 3 Practical All 15Total 50SYLLABUSSemester ICourse Code - BADAN102(Practical - I)Introduction of Dance termsUnit 1Unit 2Unit 3Teen TalTatkar (Basic steps) and its Thaah, Dugun, Laya Karies.Basic Hand movements combines with the Tatkar.Thaat-1 (4) Tehai-2 (5) Amad-1 (6) Salami-1 (7) Tukara-1 (8) Chakardar Tukara-1.Padhant of whole material by handPractical of hand movement with Taal.Padhantof Thaah, Dugun, Layakaries of the following taals by hand.(1) Teental (2) Tilwara (3) Dadra (4) Keharawa.9


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ Tutorials Quiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSSemester IITheoryCourse Code – BADAN203Introduction of Indian Classical DanceUnit 1(a) Definition of the following.1. Sangeet 2. Avartan 3. Thaat 4. Amad 5. Salami 6. Tukra 7. Tehai.(b) Short notes on the following.1. Tandava 2. Lasya 3. Natya 4. Nritt 5. Nritya.Unit 2Unit 3(a) Origin of Dance according to Natya Shastra.(b) four neck movements.Write the notation of Teental of the following terms:(1) Thaat-1 (2) Aamad-1 (3) Salami-1 (4) Tukara-1 (5) Paran-1(6) Chakardar (6) Tehai-1.Unit 4Ability to write the following Taals and their description with their: - Taah, Dugun.(1) Tilwara (2) Rupak (3) Ekta10


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 202 Unit 2 Practical All 153 Unit 3 Practical All 15Total 50SYLLABUSSemester IICourse Code – BADAN204(Practical-II)Fundamental Techniques of KathakUnit 1Unit 2Unit 3Teental(1) Tatkar in Single, Dugum, Chaugun Laya Karies.(2) Thaat-1(3) Salami-1(4) Amad-1(5) Tukara-1(6) Tehai-2Padhant of whole material by handPadhant of Taah, Dugun, Chugun Layakaries of the following taals.(1) Rupak Taal (2) Teen Tal (3) Tilwara (4) Keharawa.11


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test –Class Test/ Tutorials Quiz/Seminars/Presentation Attendance TotalII/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSSemester IIITheoryCourse Code – BADAN305Knowledge of Nritta TechnicalitiesUnit 1Unit 2Unit 3Unit 4Definition of the following:-1. Kavit 2. Paran 3. Chakardar Paran 4. Tora/Tukara 5. Vandana 6. Uthan 7. Nagma.(a) Study of Sixteen Asamyukta Mudras based on Abhinaya Darpan.(a) Origin and Development of Kathak Dance from ancient to mugal period.(b) Elementary knowledge of Abhinya with its four parts.Ability to write notation of Teental of the following terms:(1) Thaat-1 (2) Aamad-1 (3) Tukara-2 (4) Chakardar Tukara-1 (5) Paran-1(6) Chakardar Paran-1 (7) Permelu-1Ability to write the following Taals and their description with their:- Taah, Dugun, Chaugun.(1) Teental (2) jhaptal (3) sultal (4) Chutal12


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 202 Unit 2 Practical All 153 Unit 3 Practical All 15Total 50SYLLABUSSemester IIICourse Code – BADAN306(Practical-III)Fundamental Techniques of Kathak DanceUnit 1Unit 2Unit 3Practical demonstration of Teental with nagma with its.Tatkar in Thah, Dugun, Tigun, Chaugun Layakaries.1. Thaat (Advance)-1 (2) Techai-3 (3) Paran Aamad-1 (4) Uthan-1 (5) Tukara-2(6) Chakardar Tukara-1 (7) Paran-1 (8) Chakardar Paran-1 (9) Parmelu-110. Five Palatay with TihaiPadhant of whole material by hand.Padhant of Thaah, Dugun, Chaugun Layakaries of the following tall.(1) Teental (2) Thaptal (3) Sultal (4) Chutal.13


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test –Class Test/ Tutorials Quiz/Seminars/Presentation Attendance TotalII/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSSemester IVTheoryCourse Code – BADAN407Knowledge of Different Dance FormUnit 1Unit 2Unit 3Unit 4Definition of following terms.1. Paran Amad 2. Permelu 3. Gat 4. Gat Bhava 5. Tarana6. Katakash 7. Hela.Knowledge of the following terms.1. Eight eye glances 2. Nine Head movements.<strong>Detailed</strong> study of Bhartnatyam Dance and Oddisi Dance forms.<strong>Detailed</strong> knowledge of different school of Kathak dance.Life sk<strong>etc</strong>hes of:-1. Shambhu Maharaj2. Pt. Birju MaharajAbility to write Jhaptaal with its:(1) Tatkar-1 (2) Thaat-1 (3) Tihai-2 (4) Aamad-2 (5) Tora-2 (6) Paran-(7) Chakardar Paran-1 (8) PermeluComparative study of the following Tallas.(1) Teental and Tilwara (2) Jhaptal and Sultal14


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 152 Unit 2 Practical All 153 Unit 3 Practical All 104 Unit 4 Practical All 10Total 50SYLLABUSSemester IVCourse Code – BADAN408(Practical-IV)Basic Practical Demonstration on Tal & BhavaUnit 1Unit 2Unit 3Unit 4Practical demonstration of Jhaptal with nagma with its.1. Tatkar in Taach, Dugun, Chaugun Layakaries.2. Thaat-1 (3) Tehai-2 (4) Paran Aamad-1 (5) Aamad-1 (6) Tukara -1(7) Paran -1 (8) Chakardar Paran-1 (9) Permelu-1.Padhant of whole material by handTwo Gat Nikas in TeentalPadhant of Thaah, Dugun and Chaugun, Layakaries of the following taals by hands:-Teental, Jhaptal, DhamartalBasic Practical demonstration of Bhava Lika.(1) Saraswati Vandana (2) Guru Vandana (3) Shiv Vandana.15


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 302 Unit 2 Practical All 20Total 50SYLLABUSSemester IVCourse Code – BADAN409(Practical-V)Stage Performance with BhavaUnit 1Stage performance in Tal Teental, or VandanaThaat, Aamad, Tukara, Paran, Permelu,Gat Bhava, Gat Nikas, or PalatayUnit 2.Dhamar Tal. 1 Thaat, 2 Aamad, 3Tukara, 1Paran,1 Permelu, 2 Tihai16


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test –Class Test/ Tutorials Quiz/Seminars/Presentation Attendance TotalII/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSSemester VCourse Code – BADAN510(Theory)Knowledge of Abhinaya DarpanUnit 1Unit 2Unit 3Unit 4Details of Single Hands and combined hand Mudras with their uses in Dances.Explanation of Abhinya with its four parts.Knowledge of nine head gestures and eight eyes glances according to AbhinayDarpan alongwith their uses in Dance.Elementary knowledge of Nayak and Niyakas.Basic knowledge of following Talas and ability to writ them in Notation form.Deep Chandi, Sawari, Asht Mangal, Jhaptal, Jhoomra.17


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 202 Unit 2 Practical All 153 Unit 3 Practical All 15Total 50SYLLABUSSemester VCourse Code – BADAN511(Practical-VI)Techniques of Bharamaries in DanceUnit 1Unit 2Unit 3Tatkar: Kramlay, (Thah, Dugun, Tigun, Chugun, Athagun)Ability to perform Chakkars (Bhyarmaries)Tihaies of different layas.Advanced ThaatAamadNatwari TukraParam (Farmayashi Chakkardar)Gat NikasGat Bhav (Makhan Chori)18


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 252 Unit 2 Practical All 25Total 50SYLLABUSUnit 1Unit 2Unit 3Unit 4Semester-VICourse Code-BADAN-512Practical-IIFundamental Techniques of Tabla and Harmonium PlayingAbility to demonstrate Tabla and their Parts.Ability to demonstrate following Talas on Tabla with Tha andDugam, Laya Karies. Teental Jhaptal, Dadra, KaharawaHarmonium Basic Sargam in any RagLahara in Teen Tal, or Jhaptal.19


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test –Class Test/ Tutorials Quiz/Seminars/Presentation Attendance TotalII/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSSemester VICourse Code – BADANS613TheoryStage Requirement for DanceUnit 1Unit 2Unit 3Unit 4General Knowledge of following.Make up requirementStage requirementLehara and other requirement of accompaniment on musical instruments.Stage light.Knowledge of variety of Ghungroos and their use in dance.Elementary knowledge of nine Rasas and their use in dance.20


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 302 Unit 2 Practical All 20Total 50SYLLABUSSemester VICourse Code – BADAN614(Practical-VIII)Stage performance with Padhant and Viva-VoceUnit 1Unit 2Stage performance anyone of the following talasTal Teental, Tal Dhamar, Tal Jhaptal.Vandana, Thaat, Aamad, Tukra, Paran, Tihai, Permalu, Lari.21


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ Tutorials Quiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50Unit 1SYLLABUSCourse Code – BADANS615(Theory)Knowledge of Folk dance of Himachal PradeshKnowledge of following different type of folk song:Nati, Baramasa, Gangi, JJhuri, Ching, Barlaj, Mal,Unit 2Folk InstrumentsKnowledge of Himachal Pradesh folk instruments.Shahanai, Karnal, RamsingaNagara, Hudak, Dholak, Tasha, DhaphalUnit 3Folk DanceElementary knowledge of Himachal folk dances.Nati, Jhamakara, Gidha, Luddi.Unit 4Introduction of Folk Songs of Himachal22


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 202 Unit 2 Practical All 153 Unit 3 Practical All 15Total 50SYLLABUSCourse Code – BADAN616(Practical)Fundamental Techniques of Basic hand movementUnit 1Unit 2Unit 3Basic hand movement combined with the tatkar.Tatkar in single, Dugun, Chaugun lays.Practical knowledge of Asmyukta Hasta.Padhant of Thah, Dugun, and Chaugun Layrkaries of the following TalasTeental, Jhaptal, Dhamar, Keharava,Fold Dance of Chamba or Kangra.23


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test –Class Test/ Tutorials Quiz/Seminars/Presentation Attendance TotalII/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSCourse Code – BADAN617(Theory)History of Katak DanceUnit 1Unit 2Unit 3Unit 4History of Dance (Hindu Period, Muslim Period)<strong>Detailed</strong> study of Lucknow, Jaipur & Banaras Charana.Life sk<strong>etc</strong>hes of following Guru’sMaharaj Bindain, Maharaj Kalaka Prasad Ji, Shambhu MaharajElementary Knowledge of nine classical dance form.24


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 202 Unit 2 Practical All 153 Unit 3 Practical All 15Total 50SYLLABUSCourse Code – BADAN618(Practical)Importance of Bhava in DanceUnit 1Unit 2Unit 3Vandana, Ganesh StutiChautal- Thhat, Aamad, Tukara, Tora, Paran, Chakardar Paran, Tihai, Kavit.Gat Nikas & Gat Bhava in Talteental, Singar, Holi.25


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test –Class Test/ Tutorials Quiz/Seminars/Presentation Attendance TotalII/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperPart 1No. of Questions<strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarks10 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSCourse Code – BADAN619Historical study of dance terms(Theory)Unit 1Unit 2Unit 3Unit 4Origin of Tala and its various aspects.Brief study of folk and classical dance.<strong>Detailed</strong> knowledge of Costumes used in Kathak in different periods of its growth.A brief history of other classical styles of Dances other than the one offered for study26


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 302 Unit 2 Practical All 20Total 50SYLLABUSCourse Code – BADAN620(Practical)Unit 1Unit 2Swari Tal (Matra 15)Tatkars in Single, Dugun and Chaugun Layakaries :Amad : 1Tora : 6Paran : 2Chakardar Paran : 1Kavit : 2Padhant of whole above material by hand27


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test –Class Test/ Tutorials Quiz/Seminars/Presentation Attendance TotalII/Assignments15 15 10 5 5 50(B) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 03:00Hrs.Details of ESE <strong>Exam</strong>ination Pattern for Theory PaperNo. of Questions <strong>Syllabus</strong>CoverageNature of Questionsand AnswersQuestions to beattemptedMaximumMarksPart 110 (1 mark each) Complete Objective Type 10 104 (2 marks each) Complete Short answer type 4 8Part 2Section 1 2 Section 1 Long answer type 01 8Section 2 2 Section 2 Long answer type 01 8Section 3 2 Section 3 Long answer type 01 8Section 4 2 Section 4 Long answer type 01 8Total 50SYLLABUSCourse Code – BADAN621General and applied Theory of dance(Theory)Unit 1Unit 2Unit 3Unit 4Knowledge of Natwari: its origin and its role in the formulation of Kathak in present formImportance of Ras-Bhav in Dance.Definition of Kavit, Kasak, Musak and Kataksh.<strong>Detailed</strong> knowledge of the Folk Dances in the Region28


Bachelor of Arts in DanceCCA (Continuous Comprehensive Assessment)andESE (<strong>End</strong> Semester <strong>Exam</strong>ination) Pattern(A) CCA (Continuous Comprehensive Assessment)Test – I Test – II Class Test/ TutorialsQuiz/Seminars/Presentation Attendance Total/Assignments15 15 10 5 5 50(A) ESE (<strong>End</strong> Semester <strong>Exam</strong>ination)Maximum Marks Allotted Minimum Pass Marks Time Allowed50 23 20 Min. for each CandidateDetails of <strong>Exam</strong>ination pattern for Practical Paper<strong>Syllabus</strong> Coverage Nature of <strong>Exam</strong>ination Questions to be Answered Maximum Marks1 Unit 1 Practical All 202 Unit 2 Practical All 30Total 50SYLLABUSCourse Code – BADAN622(Theory)Dhamar-TaalUnit 1Unit 2Tatkar with PaltasAbility to dance in Teen Taal, varieties of Tatkar in different LayakariesAmad: 1, Thath, Fast Aamd, Paran, Tukara, tora, Chakkadarparan, Kavit,Gat Nikas, Gat BhavPadhant of whole material by hand29


General Interest and Hobby courses offered by Dance DepartmentCourse code- BADAN723General Theory of DanceTheory and Practical1. Asanyukta hand mudras and their uses in dance based on Abhinaya Darpan. Basicknowledge of the Tha, Dugun, Tigun, Chaugun, Matra, Tali Khali, Sum Theka Bhari AvantanTihai Lahara,Tatkar, sangeet2. Elementary knowledge of Manipuri dance and Bhartnatayam style dance form.3. Natan Bhaad (Nritt Natya, Nritya)4. (a) Notation of following Talas along with Tha, Dugun, Chaugun Laya Karies -Teental,Jhaptal Dadara(b) Notation of all tukra, toras and paran <strong>etc</strong>. of the prescribed talas.5. Tal Trital6. Tatlar in single, Dugun and Chugun Layakaries7. Basic hand movement combined with the tatkar.8. That-1, Salami-1, Aamad-2, Tukara-2, Chakradar Tukara-1, Paran-2, Chakradar Paran-1, Tihai-2,9. Two simple gats with Chal,10. Padhant of whole material by hand.11. Padhant of Tha, Dugun and Chaugun Layakaries of (1) Teental, (2) Jhptal, (3) Dadara,30


General Interest and Hobby courses offered by Dance DepartmentCourse code- BADAN724Indian Dance and Gharana SystemTheory and Practical1. Introduction Two of Classical Dance2. Origin of Dance According to Natya Shastra in Brief.3.<strong>Detailed</strong> study of Lucknow, Jaipur Gharana.4. Elementary knowledge of Oddisi dance and Kathakali dance form.5. Life sk<strong>etc</strong>hes of Maharaj Binaline, Pt. Sunder Prasad Ji6. Jhaptal (Basic steps and its Tha, Duguh, Chaughh, Laya)7. Thaat-1, Sallami-1, Aamad-1, Tukara-2, Chakradar tutra-1, Paran-2, Chakradar Paran-1, Tihai-2,Two simple gats with chal,8. Practice in Padhant,9. Theka of all the talas in single Dugun and Chaugun Layakaries by hand.Rupak Tal, Teen tal, Tilwara, Keharawa,31


General Interest and Hobby courses offered by Dance DepartmentCourse code- BADAN725Detail Study of MovementTheory and Practical1. <strong>Detailed</strong> study of Anga, Pratyangas, and their Upagang as given in Abhinaya Darpana.2. Six eye brow movements and four neck movements3. Folk dance of Himachal Pradesh (Nati) costume and music.4. Sanyukta hand mudras and their uses in dance based on Abhinaya Darpan.5. Dhamartal6. Tatkar in single, Dugun, Chaugun Laya karies.7. Thaat-1, Sallami-1, Aamad-1, Tukara-2, Chakradar tutra-1, Paran-2, Chakradar Paran-1, Tihai-2,Two simple gats with chal, Practice in Padhant,8. Padhant of Whole material by hand.9. Padhant of Thaah, Dugun, Chaugun Layakaries of the following taals.Rupak taal, (2) Teental (3) Tilwara (4) Keharawa32


General Interest and Hobby courses offered by Dance DepartmentCourse code- BADAN726Biography of Musician and ComposersTheory and Practical1. Life sk<strong>etc</strong>hes and contribution of the following2. Teen Taal:Maharaj Bindadin, Maharaj Kalka Prasad, Pt. Achchan Maharaj, Pt. Lachchu Maharaj,Pt.Shambhu Maharaj Pt.Birju Maharaj, Pt. sunder Prasad , Pt. Narayan Prasad,Pt. Durga Prasad , Pt. jia LalOne Uthan, Two Thaats, Two Tehais (Damdar and Bedam), One Amad,Two Tukras, Two toras, Two Chakkaradar Tora, One Simple Paran,One Chakkardar Paran, One Pharmaishi ,One Kavit, One Parmelu3. Padhant of whole material by hand33


General Interest and Hobby courses offered by Dance DepartmentCourse code- BADAN727Introduction of Dance <strong>Term</strong>sTheory and Practical1. Definitions of the following technical terms:-(1) Salami (2) Uthan (3) Paran Amad (4)Chakaradar Tora (5) Parmelu (6) Gat(7) Haav-Bhaav (8) Hela (9) Kataksh2. Knowledge of the following terms:-1) Four Neck Movements(2) Eight Eye Glances3. Practical demonstration of Teentaal with Nagma with its:-Tatkar in Thaah, Dugun & Chaugun layakariesThaat-2 (3) Tehai-2 (4) Amad-1 (5) Uthan/Salami-1(6) Tora-2 (7) Paran-1 (8) Chakardar Paran-1(9) Kavit-14. Padhant of whole material by hand.5. Practice of hand movements with taal.6. Padhant of Thaah, Dugun and Chaugun layakaries of the following taals by hand:-1) Teentaal (2) Tilwara (3) Dadra.34

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