Words & ReflectionsA rabbi said there’s not enough Jewishnews. An African American charged thatonly bad events are covered in hisneighborhood. A Colombian womanobserved that newscasts lump Hispanicstogether. A man who is gay recountedhow “stupid” TV reporterscall his orientation a “lifestyle.” And ateacher who believes TV news is irrelevanturged her students not to watch.What I found were not people disconnectingfrom local TV news; formany, a connection to their lives andconcerns had never been made. Notunrelated was the realization that despitea plethora of TV news outlets, itturned out that I was the first televisionjournalist most of the people in mystory had met.I visited kids at a high-school newspaper.In love with journalism, theywere confused by local TV news. Studenteditor Geraldine Rozenmanlearned one thing from textbooks aboutnews coverage, then saw another onTV. “So much sensationalism,” she said.“Helicopters swooping in, breathlessreporters on the ground, and for what?An accident on I-95? Please. They coulddevote those resources to somethingimportant.”Pericles Jude, born in Haiti, raisedin Miami’s predominantly black LibertyCity, was disillusioned. “They’realways covering a drug bust, crime or arobbery, especially where I live. I’veseen the TV guys. They can’t wait toleave.” Romina Garber was livid. Lastyear, she covered a huge gay rights rallybefore a crucial county commissionvote on a human rights ordinance.Thrilled, she immediately started lookingfor local news reporters. “Nothing,nobody, and the organizers were hopingsome local TV station would come,”she remembered. “It was so relevant.An attack against one group is an attackagainst everybody. No TV. I guess theywere covering something violent.”David Burkhard hoped violencewouldn’t visit his neighborhood. But acouple of years ago, a violent murderdid happen to a family across the street.TV trucks and reporters descended,badgering the victim’s family. Theypounded next on Burkhard’s door.“Have they no decency? The questionsweren’t even good. ‘Did you know thevictim?’ ‘How does it feel to live nearby?’When they went ‘live,’ the reporterswere superficial, relying on a policespokesman. I like breaking news, Iwant to know what’s going on, butlocal news is extreme and tacky,” thiscollege professor said. “This wasn’tsomething that affected the entire community,anyway.”Again and again, viewers recountedexamples of isolated stories impactingfew people that wound up leading theshow for no other reason than to titillatethe audience for a moment. Beforesome of the better reported storiesappeared, these viewers had alreadysurfed to a different station, concluding“Local news is no good.”“It’s sensationalism that appeals tothe lowest common denominator,”contractor Michael Jordan told me.“How about some substantial issuesthat don’t involve murder and mayhem,most of which should be put in a30-second segment at the end of theshow?”“Is posing a reporter outside a hospitalor government building hoursafter the news is over supposed tomake us think something’s still goingon?” asked retiree David Thornburgh.He’s exactly right. Producers have beentaught that “live shots” project immediacyand excitement, providing a sensethat a story could “break” again at anymoment, even though their news judgmenttells them it won’t.There’s always been a fine line betweenTV news and entertainment. Thatline’s been wiped out on some localnewscasts. “Don’t dumb down youraudience,” said Karelia Carbonell, aprivate school counselor. “Intellectually,we want more.” When she occasionallywatches TV news, “all stationslook the same.” After I let her knowthat some stations do it right, she’stuning in again, but cautiously. A smallvictory.No one I spoke with wants “happytalk” or “family-friendly news.” Few seeanything offensive about a car chase ora murder scene, if the story is reportedintelligently. Cover everything, theytold me, but keep it in perspective and,above all, stop blowing routine newsout of proportion just because there is“great picture.”All of this advice is easier said thanacted upon, particularly when many inlocal stations are convinced that viewerssuch as these aren’t telling the truth.“People say they don’t like what we do,but secretly they love mayhem andfluff,” is the mantra heard constantly innewsrooms.In other businesses, a long-term failureto increase customers because executivesignore mounting evidence ofwhat people say they don’t like aboutthe product would result in dismissalsor demotions. But this doesn’t happenin local news, where tired excuses fordwindling audiences seem to thrive onrepetition. “There are too many demandson viewers’ time,” some conclude.“They get home too late for theearly news and can’t stay awake for thelate news,” others say. And, more recently,we’ve heard a lot about “thecable option.”If newscasts offered solid content,perhaps more viewers would tune ininstead of turning off or seeking alternatives.But if the audience continuesto shrink, concerns like the ones peopleexpressed to me won’t matter because,eventually, nobody will be watching.But I hope it doesn’t have to go that farbefore local news responds to whatviewers tell us they want, and we improvehow our reporters treat peoplein gathering news and how the newswe do report gets conveyed to ourviewers. ■Ike Seamans is senior correspondentfor WTVJ (NBC) News in Miami. Ajournalist for 35 years and a formerNBC News correspondent and bureauchief in Tel Aviv and Moscow,his reporting appears on NBC andMSNBC. He also writes op-eds andbook reviews for The Miami Herald,is a columnist for several communitynewspapers in South Florida,and writes a weekly commentary forhis station’s Web site.Ike.seamans@nbc.com98 <strong>Nieman</strong> Reports / Fall 2001
Books and CommentarySilencing Voices for Racial Change During the 1950’sNational magazine editors published those urging moderation and the status quo.By Carol PolsgroveNot long after the 1954 Brown v.Board of Education decisionopened the door to racialchange in America, Georgia authorLillian Smith received what seemed toher a peculiar request. The AntiochReview, a little literary magazine, hadsent along to her a piece the editorproposed to run and asked if she wouldrespond to it. The article, by a NewYork-born, white Alabama professor,was little more than an exercise incontempt.“[M]ost Alabama Negroes,” NormanA. Brittin wrote, “live in crowded hutsand shanties, they are ignorant, theyare dirty, they are frequently drunkenand immoral, their reading matter istrashy or nonexistent, their speech isan ungrammatical patois.” The articlethen went downhill: “By and large,Alabama Negroes are still primitives.”Smith, one of several whitesoutherners invited to respond to theseviews in the same issue, was appalled.This was the stuff of demagoguery.Publishing it only encouraged it. Refusingthe invitation, she asked theeditors, “What has happened to theintellectual life of Antioch?”Whatever had happened at theAntioch Review had happened at othermagazines. In a November 1956 AtlanticMonthly article (identified by aneditorial note as “the fundamental casefor the white South”), Herbert RavenelSass maintained that the United Stateswas “overwhelmingly a pure white nation”and ought to stay that way. Desegregationof the schools would inevitablylead to “widespread racialamalgamation.” To balance the article,the Atlantic published the words ofwhite historian Oscar Handlin who,curiously, accepted Sass’s premise—the undesirability of social mixing. Buthe argued that school desegregationwould not necessarily lead to it.In January 1956, Harper’s, generallya liberal magazine, ran an article inwhich a South Carolina newspapereditor, Thomas R. Waring, attributedan array of faults to African Americans—venerealdisease, illegitimacy,crime, intellectual backwardness.Harper’s prefaced the article with adisclaimer: The editors did not agreewith Waring, but published the essay inthe interest of “dialogue.”In a book titled “The Cold Rebellion:The South’s Oligarchy in Revolt,”published just a few years later in 1962,African-American journalist Lewis W.Jones would offer Waring’s words asan example of the many such articlesthat placed African Americans “in anunfavorable light” at this bend of theroad. At least, he said, Harper’s editors“had taken pains to point out theauthor’s errors of fact and logic. Mosteditors do not undertake to commenton the half-truths and innuendo withwhich these articles are often crowded.”At a time when national magazinesmight well have been leading the wayto change, they instead opened theirpages to those who resisted it. Whensouthern white novelist WilliamFaulkner wanted to ask the North to“go slow” in pressing desegregation onthe South, he turned to Life, and Liferan his plea in the spring of 1956. Butwhen Lillian Smith cabled Life andasked for space to respond, the magazineturned her down.It is not hard to see why Life put itspages at Faulkner’s disposal. He was,after all, a Nobel Prize winner, highlyrespected by the literary establishment.At the same time, Lillian Smith, too,had a right to be heard. Not as gifted anovelist as Faulkner, she had neverthelesswritten two bestselling books aboutrace in the South, “Strange Fruit” and“Killers of the Dream.” Both books hadreached a wide audience.Yet Smith, clear about her own supportfor desegregation, watched whileFaulkner and southern newspaper editorsRalph McGill and Hodding Carter,Jr., published their cautious views inmagazines with circulations in the millions.Before the Brown decision, neitherMcGill, editor of the Atlanta Constitution,nor Carter, editor of a smallerpaper in Greenville, Mississippi, hadfavored desegregation outright. Althoughthey had spoken againstsegregation’s worst abuses, they hadnot spoken against segregation itself.Now, since change must come, theyspoke for change, but in good time.They, cautious and cautioning, and notLillian Smith, were speaking for thewhite South in the big magazines.Novelist Robert Penn Warren joinedtheir moderate voices in a 1956 Lifearticle that then appeared as a book,<strong>Nieman</strong> Reports / Fall 2001 99