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1923<br />
SAFETY LAST<br />
MONDAY 27 AUGUST, 7PM<br />
Director: Fred C. Newmeyer, Sam Taylor Cast: Harold Lloyd, Mildred Davis and Bill Strother<br />
Genre: Comedy, Romance, Thriller Runtime: 70 Minutes<br />
When a store clerk<br />
organizes a contest to<br />
climb the outside of a<br />
tall building, circumstances force<br />
him to make the perilous climb<br />
himself.<br />
A 1923 romantic comedy<br />
silent film starring Harold Lloyd,<br />
the film’s title is a play on the<br />
common expression, “safety first.”<br />
This photo of Lloyd dangling from<br />
the hands of a large clock outside<br />
of a skyscraper is considered one<br />
of the most famous images from<br />
the silent film era. <strong>The</strong> film was<br />
highly successful and critically<br />
hailed, establishing Lloyd as a<br />
major figure in early motion<br />
pictures. It is still popular at<br />
revivals, and it is viewed today as<br />
one of the great film comedies.<br />
RSVP: Reysa Email: Alenzuelarc@state.gov Call: 301 2556/ 2553<br />
HISTORY<br />
OF SILENT<br />
CINEMA IN THE<br />
USA<br />
American silent films were at the<br />
forefront in the development of<br />
the cinema as the first modern form<br />
of art and entertainment. American<br />
inventor and entrepreneur Thomas<br />
Edison realized that motion pictures<br />
could attract a paying audience,<br />
and designed an individual viewing<br />
device called the Kinetoscope<br />
that premiered April 14, 1894 in<br />
New York City. Starting in 1914,<br />
Charlie Chaplin became arguably<br />
the greatest and most enduring film<br />
star of all time. Many film historians<br />
believe that the true potential of<br />
movie-making was not realized until<br />
D.W. Griffith’s 1915 feature film<br />
“<strong>The</strong> Birth of a Nation” and his 1916<br />
epic “Intolerance”. <strong>The</strong> tremendous<br />
success of “<strong>The</strong> Jazz Singer”,<br />
released in 1927, started a public<br />
fascination with sound. By 1929, the<br />
film industry was fully committed to<br />
“talkies” and silent films were a relic<br />
of the past. Chaplin’s 1936 classic<br />
“Modern Times” signaled the end of<br />
the American silent film era.<br />
RADIO-<br />
ACTIVE<br />
SAGO<br />
PROJECT<br />
<strong>The</strong> eight-piece ensemble from the<br />
suburbs of Quezon City, Philippines<br />
plays a critically acclaimed melange<br />
of spoken word poetry, bebop, freejazz,<br />
punk, soul, funk, afro-Latin,<br />
rock, and a mad sundry of musical<br />
styles sprinkled with massive doses<br />
of humor and irony.<br />
<strong>The</strong> Radioactive Sago Projectís<br />
perennially surprising stylistic<br />
excursions have earned them a cult<br />
following, from critics to art fans,<br />
even to discerning rock audiences.<br />
<strong>The</strong> band is fronted by four-time<br />
Palanca Award-winning writer Lourd<br />
De Veyra, along with alumni from the<br />
UP College of Music, two-time Gawad<br />
Urian awardee for Best Music, Francis<br />
De Veyra on bass, Jay Gapasin on<br />
drums, Junji Lerma on guitars, Pards<br />
Tupas on trombone, Arwin Nava on<br />
percussion, and Wowie Ansano on<br />
trumpet. Eventually, the band added<br />
Roxy Modesto (tenor and baritone<br />
saxophone) and B-boy Garcia<br />
(turntables) to beef-up the lineup.<br />
6TH INTERNATIONAL SILENT FILM FESTIVAL | MANILA