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1923<br />

SAFETY LAST<br />

MONDAY 27 AUGUST, 7PM<br />

Director: Fred C. Newmeyer, Sam Taylor Cast: Harold Lloyd, Mildred Davis and Bill Strother<br />

Genre: Comedy, Romance, Thriller Runtime: 70 Minutes<br />

When a store clerk<br />

organizes a contest to<br />

climb the outside of a<br />

tall building, circumstances force<br />

him to make the perilous climb<br />

himself.<br />

A 1923 romantic comedy<br />

silent film starring Harold Lloyd,<br />

the film’s title is a play on the<br />

common expression, “safety first.”<br />

This photo of Lloyd dangling from<br />

the hands of a large clock outside<br />

of a skyscraper is considered one<br />

of the most famous images from<br />

the silent film era. <strong>The</strong> film was<br />

highly successful and critically<br />

hailed, establishing Lloyd as a<br />

major figure in early motion<br />

pictures. It is still popular at<br />

revivals, and it is viewed today as<br />

one of the great film comedies.<br />

RSVP: Reysa Email: Alenzuelarc@state.gov Call: 301 2556/ 2553<br />

HISTORY<br />

OF SILENT<br />

CINEMA IN THE<br />

USA<br />

American silent films were at the<br />

forefront in the development of<br />

the cinema as the first modern form<br />

of art and entertainment. American<br />

inventor and entrepreneur Thomas<br />

Edison realized that motion pictures<br />

could attract a paying audience,<br />

and designed an individual viewing<br />

device called the Kinetoscope<br />

that premiered April 14, 1894 in<br />

New York City. Starting in 1914,<br />

Charlie Chaplin became arguably<br />

the greatest and most enduring film<br />

star of all time. Many film historians<br />

believe that the true potential of<br />

movie-making was not realized until<br />

D.W. Griffith’s 1915 feature film<br />

“<strong>The</strong> Birth of a Nation” and his 1916<br />

epic “Intolerance”. <strong>The</strong> tremendous<br />

success of “<strong>The</strong> Jazz Singer”,<br />

released in 1927, started a public<br />

fascination with sound. By 1929, the<br />

film industry was fully committed to<br />

“talkies” and silent films were a relic<br />

of the past. Chaplin’s 1936 classic<br />

“Modern Times” signaled the end of<br />

the American silent film era.<br />

RADIO-<br />

ACTIVE<br />

SAGO<br />

PROJECT<br />

<strong>The</strong> eight-piece ensemble from the<br />

suburbs of Quezon City, Philippines<br />

plays a critically acclaimed melange<br />

of spoken word poetry, bebop, freejazz,<br />

punk, soul, funk, afro-Latin,<br />

rock, and a mad sundry of musical<br />

styles sprinkled with massive doses<br />

of humor and irony.<br />

<strong>The</strong> Radioactive Sago Projectís<br />

perennially surprising stylistic<br />

excursions have earned them a cult<br />

following, from critics to art fans,<br />

even to discerning rock audiences.<br />

<strong>The</strong> band is fronted by four-time<br />

Palanca Award-winning writer Lourd<br />

De Veyra, along with alumni from the<br />

UP College of Music, two-time Gawad<br />

Urian awardee for Best Music, Francis<br />

De Veyra on bass, Jay Gapasin on<br />

drums, Junji Lerma on guitars, Pards<br />

Tupas on trombone, Arwin Nava on<br />

percussion, and Wowie Ansano on<br />

trumpet. Eventually, the band added<br />

Roxy Modesto (tenor and baritone<br />

saxophone) and B-boy Garcia<br />

(turntables) to beef-up the lineup.<br />

6TH INTERNATIONAL SILENT FILM FESTIVAL | MANILA

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