Download 6th Intl Silent Film Brochure - The Japan Foundation ...
Download 6th Intl Silent Film Brochure - The Japan Foundation ...
Download 6th Intl Silent Film Brochure - The Japan Foundation ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
1925<br />
LA CASA DE LA TROYA<br />
SATURDAY 25 AUGUST, 3PM<br />
Director: Alejandro Pérez Lugín, Manuel Noriega Cast: Alfonso Orozco, Luis Peña, Juan de<br />
Orduña, Guillermo Muñoz, Domingo del Moral and Clotilde Romero<br />
Genre: Comedy Runtime: 162 Minutes<br />
Fernando embarks upon an<br />
adventure to Santiago with<br />
the aim of getting his life<br />
together and finally earning his<br />
degree in Law. <strong>The</strong>re, he stays in<br />
one of the student dormitories<br />
commonly known as “La casa de<br />
la Troya”. Upon arriving, he meets<br />
a Galician girl named Carmen<br />
with whom he falls in love and,<br />
in one of the parties they attend<br />
together, he decides to propose to<br />
her. However, this is opposed by<br />
Carmen´s aunt who then intends to<br />
destroy the relationship. Carmen<br />
decides to enter a convent but,<br />
in the end, Fernando succeeds in<br />
winning her back with the help of<br />
his friends.<br />
RSVP: Nicole 526 1482 loc. 115 | email: cultx2mni@cervantes.es<br />
Months after the cinematograph was<br />
introduced to the public in 1895, it<br />
eventually found its way to Spain<br />
mostly thanks to the French filmmakers who<br />
had travelled extensively with their new<br />
invention. Gelabert’s “Riña en un café” (1897),<br />
considered to be the first Spanish feature<br />
film, broke the monotony brought about by<br />
the usual newsreels and documentaries. Soon<br />
the film industry would find itself constantly<br />
battling a lack of resources but this did not<br />
deter the production of quality films. Genres<br />
grew to cater to the public and to compete<br />
against European and American productions<br />
which enjoyed more financing and better<br />
technology. It would have been during<br />
the 1920s when the silent film eventually<br />
achieves public success. It can be said that<br />
the growth of the film industry followed that<br />
of the economy of Spain as it initially found<br />
its hub in Barcelona while later on moving to<br />
Madrid after WWI.<br />
IGNACIO<br />
PLAZA<br />
HISTORY<br />
OF SILENT<br />
CINEMA IN<br />
SPAIN<br />
SINOSIKAT?<br />
In an industry where one’s success<br />
depends on whom you sound<br />
like, SinoSikat? breaks musical<br />
stereotypes with their own<br />
concoction of home grown music.<br />
Driven by their craft, they draw their<br />
influences from both, the past and<br />
the future. <strong>The</strong>y have proven to be<br />
quite a force in the music industry,<br />
wowing audiences both, in the<br />
underground and in the mainstream,<br />
local & international, young & old.<br />
<strong>The</strong>ir lead singer, Kat Agarrado, also<br />
won Wave 89.9’s 1st Urban Music<br />
Awards’ 2009 Style Icon of the Year<br />
title, proving that the band’s cultural<br />
stamp goes beyond the boundaries<br />
of music. SinoSikat? will be joined by<br />
Ignacio Plaza, a Spanish live-scorer<br />
best-known for his cine-conciertos<br />
and his contributions to the<br />
cinematheque industry. Together,<br />
SinoSikat and Plaza will treat the<br />
audience to a collaboration of sound<br />
and sight that will surely give any<br />
given rom-com today a run for its<br />
money.<br />
“A cine-concert allows for a single film to be screened<br />
in different ways every time it is shown.” <strong>The</strong> work of<br />
composing and improvising always highlights the thrill of<br />
spontaneity that grows between the film and live music.<br />
<strong>The</strong> life and craft of Ignacio Plaza has always followed<br />
these basic principles. Since 2008, he has been with the<br />
French Cinematheque of Paris where he plays numerous<br />
instruments either as a solo or dual act with fellow artist<br />
and improvisers. Apart from his work in the cinematography<br />
industry, he also performs in a number of jazz collaborations<br />
mainly throughout Spain and France.<br />
6TH INTERNATIONAL SILENT FILM FESTIVAL | MANILA