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What's in a Name? Interior Design and/or Interior Architecture: The ...

What's in a Name? Interior Design and/or Interior Architecture: The ...

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P E R S P E C T I V ENow is the time to embrace our own future by def<strong>in</strong><strong>in</strong>g what it is we do <strong>and</strong> by address<strong>in</strong>gour ethical obligation to society.ConclusionsSo given our past hist<strong>or</strong>y, the public perceptions of our profession, <strong>and</strong> the seem<strong>in</strong>gly cont<strong>in</strong>ual fear that<strong>in</strong>teri<strong>or</strong> design will be subsumed by architecture, what are we to do when at times our future is be<strong>in</strong>gchallenged <strong>and</strong> seems bleak? It is time to thoughtfully consider the four futures proposed f<strong>or</strong> our profession<strong>and</strong> end<strong>or</strong>se the one (<strong>or</strong> comb<strong>in</strong>ation thereof) that will once aga<strong>in</strong> move us f<strong>or</strong>ward. <strong>The</strong> choices range froma ‘‘do noth<strong>in</strong>g’’ approach to a split between residential <strong>and</strong> commercial designers with the latter group tak<strong>in</strong>gthe name of <strong>in</strong>teri<strong>or</strong> architecture. F<strong>or</strong> too long we have let others def<strong>in</strong>e who we are. Now is the time toembrace our own future by def<strong>in</strong><strong>in</strong>g what it is we do <strong>and</strong> by address<strong>in</strong>g our ethical obligation to society.Harwood (2006) has advanced a 2015 Hypothesis to move the <strong>in</strong>teri<strong>or</strong> design profession f<strong>or</strong>ward <strong>in</strong> the ‘‘threeEs’’, but until we m<strong>or</strong>e effectively communicate our value <strong>and</strong> adopt a social compact that is understood <strong>in</strong>the public <strong>and</strong> legislative arenas, the perception of the <strong>in</strong>teri<strong>or</strong> design profession will rema<strong>in</strong> the same nomatter what our name.Questions1. When consider<strong>in</strong>g the Four Futures as outl<strong>in</strong>ed <strong>in</strong> this Perspective, what proposed Future would bestmove <strong>Interi<strong>or</strong></strong> <strong>Design</strong> f<strong>or</strong>ward? What is the rationale f<strong>or</strong> choos<strong>in</strong>g this Future? How can this Future bejustified over other Futures?2. Who/what are the maj<strong>or</strong> ‘‘players’’ <strong>in</strong> the adoption of this Future? Why?3. What strategies would best facilitate adoption of this Future?Appendix<strong>The</strong> follow<strong>in</strong>g def<strong>in</strong>itions were taken from the U.S. Department of Education, Institute of Education Sciences.<strong>Interi<strong>or</strong></strong> <strong>Architecture</strong>:An <strong>in</strong>structional program that prepares <strong>in</strong>dividuals f<strong>or</strong> the <strong>in</strong>dependent professional practice of <strong>in</strong>teri<strong>or</strong>architecture—the processes <strong>and</strong> techniques of design<strong>in</strong>g liv<strong>in</strong>g, w<strong>or</strong>k <strong>and</strong> leisure <strong>in</strong>do<strong>or</strong> environments as<strong>in</strong>tegral components of a build<strong>in</strong>g system. Includes <strong>in</strong>struction <strong>in</strong> build<strong>in</strong>g design <strong>and</strong> structural systems,heat<strong>in</strong>g <strong>and</strong> cool<strong>in</strong>g systems, safety <strong>and</strong> health st<strong>and</strong>ards, <strong>and</strong> <strong>in</strong>teri<strong>or</strong> design pr<strong>in</strong>ciples <strong>and</strong> st<strong>and</strong>ards.Def<strong>in</strong>ition listed under ‘‘<strong>Architecture</strong> <strong>and</strong> related services’’ at http://nces.ed.gov/pubs2002/cip2000/ciplist90.asp?CIP2=04<strong>Interi<strong>or</strong></strong> <strong>Design</strong>:A program <strong>in</strong> the applied visual arts that prepares <strong>in</strong>dividuals to apply artistic pr<strong>in</strong>ciples <strong>and</strong> techniques tothe professional plann<strong>in</strong>g, design<strong>in</strong>g, equipp<strong>in</strong>g, <strong>and</strong> furnish<strong>in</strong>g residential <strong>and</strong> commercial <strong>in</strong>teri<strong>or</strong> spaces.Includes <strong>in</strong>struction <strong>in</strong> computer applications draft<strong>in</strong>g <strong>and</strong> graphic techniques; pr<strong>in</strong>ciples of <strong>in</strong>teri<strong>or</strong> light<strong>in</strong>g,acoustics, systems <strong>in</strong>tegration, <strong>and</strong> col<strong>or</strong> co<strong>or</strong>d<strong>in</strong>ation; furniture <strong>and</strong> furnish<strong>in</strong>gs; textiles <strong>and</strong> their f<strong>in</strong>ish<strong>in</strong>g;the hist<strong>or</strong>y of <strong>in</strong>teri<strong>or</strong> design <strong>and</strong> period styles; basic structural design; build<strong>in</strong>g codes <strong>and</strong> <strong>in</strong>spectionregulations; <strong>and</strong> applications to office, hotel, fact<strong>or</strong>y, restaurant <strong>and</strong> hous<strong>in</strong>g design.Def<strong>in</strong>ition listed under ‘‘Visual <strong>and</strong> perf<strong>or</strong>m<strong>in</strong>g arts’’ at http://nces.ed.gov/pubs2002/cip2000/ciplist.asp?CIP2=50Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong> xviiVolume 35 Number 1 2009

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