P E R S P E C T I V ENow is the time to embrace our own future by def<strong>in</strong><strong>in</strong>g what it is we do <strong>and</strong> by address<strong>in</strong>gour ethical obligation to society.ConclusionsSo given our past hist<strong>or</strong>y, the public perceptions of our profession, <strong>and</strong> the seem<strong>in</strong>gly cont<strong>in</strong>ual fear that<strong>in</strong>teri<strong>or</strong> design will be subsumed by architecture, what are we to do when at times our future is be<strong>in</strong>gchallenged <strong>and</strong> seems bleak? It is time to thoughtfully consider the four futures proposed f<strong>or</strong> our profession<strong>and</strong> end<strong>or</strong>se the one (<strong>or</strong> comb<strong>in</strong>ation thereof) that will once aga<strong>in</strong> move us f<strong>or</strong>ward. <strong>The</strong> choices range froma ‘‘do noth<strong>in</strong>g’’ approach to a split between residential <strong>and</strong> commercial designers with the latter group tak<strong>in</strong>gthe name of <strong>in</strong>teri<strong>or</strong> architecture. F<strong>or</strong> too long we have let others def<strong>in</strong>e who we are. Now is the time toembrace our own future by def<strong>in</strong><strong>in</strong>g what it is we do <strong>and</strong> by address<strong>in</strong>g our ethical obligation to society.Harwood (2006) has advanced a 2015 Hypothesis to move the <strong>in</strong>teri<strong>or</strong> design profession f<strong>or</strong>ward <strong>in</strong> the ‘‘threeEs’’, but until we m<strong>or</strong>e effectively communicate our value <strong>and</strong> adopt a social compact that is understood <strong>in</strong>the public <strong>and</strong> legislative arenas, the perception of the <strong>in</strong>teri<strong>or</strong> design profession will rema<strong>in</strong> the same nomatter what our name.Questions1. When consider<strong>in</strong>g the Four Futures as outl<strong>in</strong>ed <strong>in</strong> this Perspective, what proposed Future would bestmove <strong>Interi<strong>or</strong></strong> <strong>Design</strong> f<strong>or</strong>ward? What is the rationale f<strong>or</strong> choos<strong>in</strong>g this Future? How can this Future bejustified over other Futures?2. Who/what are the maj<strong>or</strong> ‘‘players’’ <strong>in</strong> the adoption of this Future? Why?3. What strategies would best facilitate adoption of this Future?Appendix<strong>The</strong> follow<strong>in</strong>g def<strong>in</strong>itions were taken from the U.S. Department of Education, Institute of Education Sciences.<strong>Interi<strong>or</strong></strong> <strong>Architecture</strong>:An <strong>in</strong>structional program that prepares <strong>in</strong>dividuals f<strong>or</strong> the <strong>in</strong>dependent professional practice of <strong>in</strong>teri<strong>or</strong>architecture—the processes <strong>and</strong> techniques of design<strong>in</strong>g liv<strong>in</strong>g, w<strong>or</strong>k <strong>and</strong> leisure <strong>in</strong>do<strong>or</strong> environments as<strong>in</strong>tegral components of a build<strong>in</strong>g system. Includes <strong>in</strong>struction <strong>in</strong> build<strong>in</strong>g design <strong>and</strong> structural systems,heat<strong>in</strong>g <strong>and</strong> cool<strong>in</strong>g systems, safety <strong>and</strong> health st<strong>and</strong>ards, <strong>and</strong> <strong>in</strong>teri<strong>or</strong> design pr<strong>in</strong>ciples <strong>and</strong> st<strong>and</strong>ards.Def<strong>in</strong>ition listed under ‘‘<strong>Architecture</strong> <strong>and</strong> related services’’ at http://nces.ed.gov/pubs2002/cip2000/ciplist90.asp?CIP2=04<strong>Interi<strong>or</strong></strong> <strong>Design</strong>:A program <strong>in</strong> the applied visual arts that prepares <strong>in</strong>dividuals to apply artistic pr<strong>in</strong>ciples <strong>and</strong> techniques tothe professional plann<strong>in</strong>g, design<strong>in</strong>g, equipp<strong>in</strong>g, <strong>and</strong> furnish<strong>in</strong>g residential <strong>and</strong> commercial <strong>in</strong>teri<strong>or</strong> spaces.Includes <strong>in</strong>struction <strong>in</strong> computer applications draft<strong>in</strong>g <strong>and</strong> graphic techniques; pr<strong>in</strong>ciples of <strong>in</strong>teri<strong>or</strong> light<strong>in</strong>g,acoustics, systems <strong>in</strong>tegration, <strong>and</strong> col<strong>or</strong> co<strong>or</strong>d<strong>in</strong>ation; furniture <strong>and</strong> furnish<strong>in</strong>gs; textiles <strong>and</strong> their f<strong>in</strong>ish<strong>in</strong>g;the hist<strong>or</strong>y of <strong>in</strong>teri<strong>or</strong> design <strong>and</strong> period styles; basic structural design; build<strong>in</strong>g codes <strong>and</strong> <strong>in</strong>spectionregulations; <strong>and</strong> applications to office, hotel, fact<strong>or</strong>y, restaurant <strong>and</strong> hous<strong>in</strong>g design.Def<strong>in</strong>ition listed under ‘‘Visual <strong>and</strong> perf<strong>or</strong>m<strong>in</strong>g arts’’ at http://nces.ed.gov/pubs2002/cip2000/ciplist.asp?CIP2=50Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong> xviiVolume 35 Number 1 2009
P E R S P E C T I V EReferencesAnderson, B. G., Honey, P. L., & Dudek, M. T. (2007). <strong>Interi<strong>or</strong></strong> design’s social compact: Key to the quest f<strong>or</strong> professional status. Journal of<strong>Interi<strong>or</strong></strong> <strong>Design</strong>, 33(2), v–xiii.Bowles, M. (2007, Spr<strong>in</strong>g). Untapped knowledge. Perspective: Journal of the International <strong>Interi<strong>or</strong></strong> <strong>Design</strong> Association, 8–16.Bowles, M. (2008, Summer). <strong>Design</strong>ers are professionals. Perspective: Journal of the International <strong>Interi<strong>or</strong></strong> <strong>Design</strong> Association, 38–44.Brigham, B. (2009, May). Truth be told. <strong>Interi<strong>or</strong></strong>s & Sources, 16, 106.Carpenter, D. M., & Ross, J. K. (2008, Summer). <strong>Design</strong><strong>in</strong>g cartels through cens<strong>or</strong>ship. Regulation, 31, 14–18.Dickson, A. W., & White, A. C. (1994). <strong>The</strong> Polsky F<strong>or</strong>um: <strong>The</strong> creaton of a vision f<strong>or</strong> the <strong>in</strong>teri<strong>or</strong> design profession <strong>in</strong> the year 2010. Journalof <strong>Interi<strong>or</strong></strong> <strong>Design</strong>, 20(2), 3–11.Dickson, A. W., & White, A. C. (1997). <strong>Interi<strong>or</strong></strong> design criticism: Develop<strong>in</strong>g a culture of reverence f<strong>or</strong> the <strong>in</strong>teri<strong>or</strong> environment. Journal of<strong>Interi<strong>or</strong></strong> <strong>Design</strong>, 23(1), 4–10.Friedmann, A. (1975). Introduction. Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong> Education <strong>and</strong> Research, 1(1), 2.Friend, S. (2009, May). If you’ve got it, flaunt it. <strong>Interi<strong>or</strong></strong>s & Sources, 16, 110.Grimm, J. W., & Kronus, C. L. (1973). Occupations <strong>and</strong> publics: A framew<strong>or</strong>k f<strong>or</strong> analysis. <strong>The</strong> Sociological Quarterly, 14(1), 68–87.Guer<strong>in</strong>, D., & Mart<strong>in</strong>, C. (2001). <strong>The</strong> <strong>in</strong>teri<strong>or</strong> design profession’s body of knowledge: Its def<strong>in</strong>ition <strong>and</strong> documentation. T<strong>or</strong>onto: Associationof Registered <strong>Interi<strong>or</strong></strong> <strong>Design</strong>ers of Ontario.Guest, R. C. (2008, January/February). It’s time we m<strong>in</strong>d our bus<strong>in</strong>ess. <strong>Interi<strong>or</strong></strong>s & Sources, 15, 54–55.Harwood, B. (2006). <strong>The</strong> 1995 hypothesis + the 2015 hypothesis. Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong>, 31(2), xi–xxii.Holliday, K. (2007). <strong>The</strong> architecture profession <strong>and</strong> the public: Leopold Eidlitz’s ‘‘Discourses between two T-squares.’’ Journal of ArchitecturalEducation, 61(1), 32–43.<strong>Interi<strong>or</strong></strong> <strong>Design</strong> Protection Council. (2008, May). Rebuttal to ASID Message Guide. Retrieved August 28, 2009, fromhttp://www.IDPC<strong>in</strong>fo.<strong>or</strong>g.Lipton, J. P., O’Conn<strong>or</strong>, M., Terry, C., & Bellamy, E. (1991). Neutral job titles <strong>and</strong> occupational stereotypes: When legal <strong>and</strong> psychologicalrealities conflict. Journal of Psychology, 125(2), 129–151.Mart<strong>in</strong>, C. S. (2008). Rebuttal of the rep<strong>or</strong>t by the Institute of Justice entitled <strong>Design</strong><strong>in</strong>g cartels: How <strong>in</strong>dustry <strong>in</strong>siders cut out competition.Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong>, 33(3), 1–49.Massey, A. (2008). <strong>Interi<strong>or</strong></strong> <strong>Design</strong> S<strong>in</strong>ce 1900 (3rd ed.). London: Thames & Hudson.National Council f<strong>or</strong> <strong>Interi<strong>or</strong></strong> <strong>Design</strong> Qualification. (2009). Who We Are: Purpose. Retrieved May 23, 2009, fromhttp://www.ncidq.<strong>or</strong>g/who/<strong>in</strong>dex.asp.National Kitchen & Bath Association. (2008, February). Position Statement. (Available from NKBA, 687 Willow Grove Street, Hackettstown,NJ 07840 <strong>or</strong> onl<strong>in</strong>e at http://www.iopfda.<strong>or</strong>g).Oswald, P. A. (2003). Sex-typ<strong>in</strong>g <strong>and</strong> prestige rat<strong>in</strong>gs of occupations as <strong>in</strong>dices of occupational stereotypes. Perceptual <strong>and</strong> Mot<strong>or</strong> Skills,97(3), 953–959.Sokol, D., (2008, October). <strong>Design</strong> with conscience. Architectural Rec<strong>or</strong>d, 196, 85–89.Stolper, J. H. (1978). Focus on the future: <strong>The</strong> profession of <strong>in</strong>teri<strong>or</strong> design. Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong> Education <strong>and</strong> Research, IV(2), 50–54.Thielbar, G., & Feldman, S. D. (1969). Occupational stereotype <strong>and</strong> prestige. Social F<strong>or</strong>ces, 48(1), 64–72.Turp<strong>in</strong>, J. (2007). <strong>The</strong> hist<strong>or</strong>y of women <strong>in</strong> <strong>in</strong>teri<strong>or</strong> design: A review of the literature. Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong>, 33(1), 1–15.Waxman, L. K., & Clemons, S. (2007). Student perceptions: Debunk<strong>in</strong>g television’s p<strong>or</strong>trayal of <strong>in</strong>teri<strong>or</strong> design. Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong>,32(2), v–xi.White, A. C., & Dickson, A. W. (1993). Who’s keep<strong>in</strong>g the fire? An analysis of who’s be<strong>in</strong>g published <strong>in</strong> a maj<strong>or</strong> <strong>in</strong>teri<strong>or</strong> design periodical.Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong> Education <strong>and</strong> Research, 18(1,2), 87–94.Whitfield, T. W. A., & Smith, G. (2003). <strong>The</strong> social st<strong>and</strong><strong>in</strong>g of the design professions: An <strong>in</strong>tercultural comparison. Journal of InterculturalStudies, 24(2), 115–135.Journal of <strong>Interi<strong>or</strong></strong> <strong>Design</strong> xviiiVolume 35 Number 1 2009