Jazzfest facts, hot off the press. - New Jersey Jazz Society
Jazzfest facts, hot off the press. - New Jersey Jazz Society
Jazzfest facts, hot off the press. - New Jersey Jazz Society
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<strong>Jersey</strong>Articles<strong>Jazz</strong><strong><strong>Jazz</strong>fest</strong> in <strong>the</strong> Black Box TheatreBy Joe Lang NJJS Music Committee ChairJAZZFESTPREVIEWAmong <strong>the</strong> many reasons we opted to move to Drew University for <strong>the</strong> sanofi-aventis <strong><strong>Jazz</strong>fest</strong>2007 was <strong>the</strong> superior indoor venues available on <strong>the</strong> Drew campus. Both indoor venueswe’ll be using, <strong>the</strong> Black Box Rehearsal Theatre and <strong>the</strong> Concert Hall, are in <strong>the</strong> Dorothy YoungCenter for <strong>the</strong> Arts, and are acoustically superior to those we used at our prior location.For this issue plus <strong>the</strong> next two issues of <strong>Jersey</strong> <strong>Jazz</strong>, I’ll present information about <strong>the</strong> groups that will beplaying at <strong><strong>Jazz</strong>fest</strong>, concentrating on one of <strong>the</strong> three venues each month. For this month, let’s take a lookat <strong>the</strong> groups appearing in <strong>the</strong> Black Box.clockwise from far left:Sarah Partridge,Jay Leonhart Trio,Bob DoroughOn Saturday June 9, this stage will be home to<strong>the</strong> NANCY NELSON TRIO and <strong>the</strong> BOBDOROUGH TRIO. SARAH PARTRIDGE AND HER TRIOalong with <strong>the</strong> JAY LEONHART TRIO will share <strong>the</strong>room on Sunday June 10.■ Vocalist Nancy Nelson is a long-time favoriteof NJJS members, having first appeared at <strong>the</strong>initial Pee Wee Russell Memorial Stomp in 1970when she was still a teenager. Contemporarieswith whom she worked included <strong>the</strong> Vachébro<strong>the</strong>rs, Warren and Allan, Randy Reinhart andBobby Gordon. Early in her career, Nancy touredwith jazz legends like Bobby Hackett and TeddyWilson. Primarily working in <strong>New</strong> <strong>Jersey</strong>, Nancyhas performed in jazz, <strong>the</strong>ater and classicalsettings. She also keeps busy as a piano teacher inBernardsville, where she resides with her husbandand daughter. Accompanying Nancy will bepianist Keith Ingham and bassist Boots Maleson.Keith has a long string of credits as a pianist,musical director and arranger. He is equally adeptas an accompanist and as a wonderfully creativejazz player. Among <strong>the</strong> vocalists who have enjoyedKeith’s empa<strong>the</strong>tic support, in addition to Nancy,are Maxine Sullivan, Susannah McCorkle andJoyce Breach. He garnered Grammy nominationsfor his recorded work with Maxine Sullivan.Boots Maleson is one of <strong>the</strong> steadiest, swingingestand most creative bassists on <strong>the</strong> scene. He’sworked as a member of <strong>the</strong> Ron Carter Nonet,plays regularly with vocalists Daryl Sherman andRonny Whyte, among o<strong>the</strong>rs, and has performedin <strong>the</strong> bands for several Broadway shows. Thisgroup is guaranteed to perform great songs withimmaculate taste, and a consistently freshapproach to <strong>the</strong>ir material.■ If one were to define <strong>the</strong> word hip, a damn finedefinition would be Bob Dorough. Now 83 yearsold, although you would never guess that to behis age upon meeting him, Bob has been a fixtureon <strong>the</strong> <strong>New</strong> York City area jazz scene since hearrived here from Arkansas in <strong>the</strong> late 1940s. Histalents are diverse. He is an excellent bebop-basedjazz pianist, a quirky, but effective vocalist, aterrific songwriter, and a man of great wit andwarmth. Despite his extensive jazz credentials, heis probably best known as <strong>the</strong> creator of <strong>the</strong> songsfor “Schoolhouse Rock,” many written with hislong time friend and collaborator Dave Frishberg.Their most famous song not written for <strong>the</strong> abovetelevision series is <strong>the</strong> aptly “I’m Hip,” a tongue incheek discourse on <strong>the</strong> ever too frequent pseudohipsterswho are infamous as hangers-on in jazzcircles. The o<strong>the</strong>r members of <strong>the</strong> Bob DoroughTrio are guitarist Steve Berger and bassist PatO’Leary, both long-standing members of <strong>the</strong>group, and each is a well-respected and busysideman. Any performance by <strong>the</strong> Bob DoroughTrio is guaranteed to showcase outstandingmusicianship, and a sense of whimsy that is partof <strong>the</strong> innate nature of <strong>the</strong>se fine performers.■ Vocalist Sarah Partridge is making her secondappearance at <strong><strong>Jazz</strong>fest</strong>. Sarah’s initial spot in <strong>the</strong>public spotlight arose from her appearance as anactress in <strong>the</strong> film “Risky Business” with TomCruise. Her path took a detour, however, whenshe got up and sang “Summertime” in a Karaokespot in Los Angeles, acting on a dare from herfriends. Her singing wowed a music booker inattendance, and she suddenly found herself takingon singing gigs. Soon <strong>the</strong> acting took a back seat,and singing became her primary performancevehicle. With <strong>the</strong> release of her third album, YouAre There: Songs for My Fa<strong>the</strong>r (see “O<strong>the</strong>r Views,”JJ, February 2007 for review), Sarah is firmlyensconced among <strong>the</strong> front rank of jazz vocalperformers. With a warm voice, a great feel forrhythm, and a charismatic presence, she wins newfans with each performance. At <strong><strong>Jazz</strong>fest</strong>, Sarah willhave a sensational rhythm section with AllenFarnham on piano, Tim Horner on drums andBill Moring on bass. Allen is a first rate accompanist,having worked with vocalists like Mel Tormé,Mark Murphy and Susannah McCorkle. He is alsoan accomplished jazz pianist, and is married toano<strong>the</strong>r jazz piano star, Tomoko Ohno. Tim andBill are among <strong>the</strong> busiest rhythm sidemen on <strong>the</strong><strong>New</strong> York City scene. Both are noted for <strong>the</strong>irgreat time, and ability to adapt to many jazzstyles. The appearance of Sarah Partridge and HerTrio at <strong><strong>Jazz</strong>fest</strong> is a prelude to <strong>the</strong>ir two-weekengagement that starts on June 12 at <strong>the</strong> OakRoom of <strong>the</strong> Algonquin Hotel in <strong>New</strong> York City.■ If I started to list all of <strong>the</strong> credits of <strong>the</strong> catswho are <strong>the</strong> Jay Leonhart Trio, I might fill up halfof this issue of <strong>Jersey</strong> <strong>Jazz</strong>. The leader, bassist JayLeonhart, is among <strong>the</strong> foremost performers onhis instrument in <strong>the</strong> world of jazz, and hasworked with a diverse roster of jazz stars likeGerry Mulligan, Phil Woods, Houston Person andMel Tormé. He has performed at <strong><strong>Jazz</strong>fest</strong> manytimes in <strong>the</strong> past as both a leader and as a sideman.His performances with <strong>the</strong> trio <strong>New</strong> YorkSwing, where he is paired with pianist John Bunchand guitarist Bucky Pizzarelli, are among <strong>the</strong> mostenthusiastically received sets ever at <strong><strong>Jazz</strong>fest</strong>. Inaddition to his proficiency on <strong>the</strong> bass, he is awitty and original songwriter who performs hissongs in a singular manner. His one-man show“The Bass Lesson,” incorporates many of his songsinto a humorous and totally engaging performancepiece. For this gig, he will be in <strong>the</strong> companyof pianist Ted Rosenthal and guitarist JoeCohn. Ted was <strong>the</strong> winner of <strong>the</strong> secondThelonious Monk International Piano Competitionin 1988. Since <strong>the</strong>n, he has been in greatdemand, performing with <strong>the</strong> likes of Art Farmer,Benny Golson, James Moody and Gerry Mulligan,with whom he was <strong>the</strong> pianist in Mulligan’s lastworking quartet. He has also appeared at prioreditions of <strong><strong>Jazz</strong>fest</strong>, and is a frequent performer atShanghai <strong>Jazz</strong> in Madison, often as part of a duowith trumpeter Warren Vaché. Joe Cohn, son of<strong>the</strong> legendary tenor saxophonist Al Cohn, isano<strong>the</strong>r familiar face at <strong><strong>Jazz</strong>fest</strong>, having played atmost of <strong>the</strong> last several editions, often in <strong>the</strong>company of Harry Allen. His duo performancewith fellow guitar master James Chirillo at <strong><strong>Jazz</strong>fest</strong>2005 is still being talked about by those luckyenough to hear <strong>the</strong>ir joint artistry. Joe is a regularmember of <strong>the</strong> Harry Allen-Joe Cohn Quartet.This is a trio of great jazz artists who play with amusical empathy that is exceptional andcontinuously exciting.Next month a rundown on <strong>the</strong> groupsperforming in <strong>the</strong> Concert Hall.JJ12 April 2007 <strong>Jersey</strong><strong>Jazz</strong>