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Remarkable Students Enjoy Degree of Success - CUNY

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cuny.edu/news • C ITY U NIVERSITY OF N EW Y ORK FOUNDED 1847 • Summer 2003AT AGLANCE1Blaze <strong>of</strong> Glory for<strong>CUNY</strong>AC Athletes in2002-2003 SeasonMechelleBarnwell,blazingaround theArmory inNew York inMarch,helped<strong>CUNY</strong> chalkup a best-evertotal <strong>of</strong> 43All-American honors this year.Except for one in basketball, allwere in track and field. See page 5.2Salk Her StoryScholarshipsKeynote Speaker TellsAt the annualSalk Awardsceremony, Dr.Angela Diaztold <strong>of</strong> parlayingclassestaken at CityCollege into amajor careerin adolescenthealth at Mt.Sinai Hospital. See page 4.3Bronzino’s Erotic MotifsExplored at GradCenter on his 500thIt took thisVenus,Goddess <strong>of</strong>Love, paintedin the 16thcentury by thepainter-poetAgnoloBronzino,more thana century todisrobe. For a report on aconference on him, see page 12.4Sound Design Wizard atCollege <strong>of</strong> TechnologyCreates “Virtual” MusicThat is nota framedposter buta new breed<strong>of</strong> speakersseen withPr<strong>of</strong>essor<strong>of</strong> SoundDesignDavid Smith.For a storyon his advances in re-creatingorchestral sound and the worldwidetravels <strong>of</strong> his virtualmusicians, see page 3.<strong>Remarkable</strong> <strong>Students</strong> <strong>Enjoy</strong> <strong>Degree</strong> <strong>of</strong> <strong>Success</strong>Highlights from Commencements <strong>of</strong> 2003By Drew Fetherstonn a perfect world, this story wouldbegin here and its jump would be a fewI thousand pages long, chronicling thestruggles and triumphs <strong>of</strong> the more than28,500 women and men who received adegree from <strong>CUNY</strong> in the last month.It would give a full account <strong>of</strong> studentslike Emmanuel Fallah, who emerged froma Nigerian refugee camp to complete hisnursing studies at the College <strong>of</strong> StatenIsland and who hopes to return to aid hissuffering people.It would tell Lidija Markes’ story:growing up in Croatia, losing her father toheart disease and her country to war, yetpersevering to graduate from the Borough<strong>of</strong> Manhattan Community College with anear-perfect GPA.It would tell <strong>of</strong> Bridgete Smith, animmigrant from Trinidad and Tobagowhose struggle with lupus led her tomajor in medical nutrition under mentorship<strong>of</strong> a Lehman College pr<strong>of</strong>essor.It would detail the life <strong>of</strong> John Bradley,who turned to <strong>CUNY</strong> after being laid <strong>of</strong>fin the early 1990s at age 48, after 23years’ work as a journeyman steamfitter.His B.S. is in economics; he plans to continuetoward a Master’s in operationsresearch, working with mathematicalAmodels <strong>of</strong> economics situations.It would go on for a few pagesabout Sylvia Arredondo, whocame to the United States as anau pair from Guatemala, and whothought her dreams <strong>of</strong> getting aneducation would be cut short byfinancial problems. A BMCC pr<strong>of</strong>essorhelped her find aid, allowingher continue engineeringstudies at City College, where shegraduated as valedictorian.Sadly, there is no room to tellthe stories <strong>of</strong> all who passed themilestone <strong>of</strong> a college degree.Here, though, are brief storiesabout a few that may suggest the wealth<strong>of</strong> human experience and achievementthat enriches the University.Lab Work Impossible?Not for this New Ph.D.n her early days as an aspiring scientist,IMelissa Garcia was once told that thefact that she had spina bifida, a congenitalcleft <strong>of</strong> the vertebral column, would ruleout her working in a laboratory. Instead <strong>of</strong>taking “no” for an answer, she decided totake a Ph.D. in biology, as lab-intensive acareer as can be imagined.BOARD CONSIDERS TUITION PROPOSALThe Board <strong>of</strong> Trustees Committee on Fiscal Affairs has recommended a new tuitionschedule for Fall 2003. The full board is scheduled to consider the proposal on June23, 2003. For details on tuition and related matters, including updates, visitcuny.edu/news and click on “Budget Watch.”Presidents Gerald Lynch, left, and Robert Hampton.tions and the National Research Council.Hampton has published extensively on thesubject <strong>of</strong> family violence, and has beenlead editor <strong>of</strong> six books on the subject.“Dr. Hampton’s distinguished record <strong>of</strong>academic and administrative leadershipmakes him eminently suitable for appointmentas president <strong>of</strong> York College,”Chancellor Matthew Goldstein said.During Lynch’s presidency, John Jay hasgrown from a small police-science collegeto an internationally-recognized center <strong>of</strong>research, education and training in criminaljustice and public safety. When he arrived,the city was in severe fiscal crisis and theCollege’s very survival was in doubt. Lynchlaunched a successful campaign to per-Melissa Garcia, '03, overcame many obstacles to earna Ph.D in biology. Next is a post-doc post at theNational Institute <strong>of</strong> Environmental Health.In the course <strong>of</strong> earning her 2003 doctoratein the Molecular Cell Developmentsub-program from the <strong>CUNY</strong> GraduateCenter, Garcia inevitably became a labanimal, studying the mechanisms involvedin visual and central nervous systemdevelopment. As part <strong>of</strong> this research, sheidentified a novel gene that appears toplay a role in “growth cone navigation”during development <strong>of</strong> the central nervousand visual systems.Garcia’s Bachelor’s is from H<strong>of</strong>straUniversity, and her Master’s is from LongIsland University, where she worked onstem cell research. Afterward, she workedin Amplicon Corporation labs on mappingnewly-identified genes involved inbreast cancer pathogenesis, then in NorthShore University Hospital labs on genesinvolved in rheumatoid arthritis and perfectpitch. At the Graduate Center, Garciawas the recipient <strong>of</strong> a Humana Two-YearFellowship and a Presidential DissertationFellowship.Continued on page 6York Hails New President; Farewell at John Jays the academic year concluded,milestones at two collegeswere announced. At YorkCollege, Dr. Robert L. Hampton,the University <strong>of</strong> Maryland’s associateprovost for academic affairs anddean <strong>of</strong> undergraduate studies, hasbeen chosen as president by theBoard <strong>of</strong> Trustees on the recommendation<strong>of</strong> Chancellor MatthewGoldstein after a national search.At John Jay College <strong>of</strong> CriminalJustice, Dr. Gerald W. Lynch, whosetenure as college president—he wasnamed acting president in 1975 and madepermanent in 1977—is the longest ever ata <strong>CUNY</strong> senior college, announced hewould retire next year.Hampton earned his B.A. in sociologyat Princeton University and his advanceddegrees from the University <strong>of</strong> Michigan,where he also taught. He taught atConnecticut College and was a lecturer inpediatrics at Harvard Medical School for14 years. He was a senior <strong>of</strong>ficial atMaryland for nine years. He has held fellowshipsfrom the Woodrow Wilson, Ford,Mellon, Danforth and Rockefeller foundasuadepublic and University <strong>of</strong>ficials thatthe College’s mission was vital.Lynch is stepping down as John Jay’sfreshman class, the graduating class andenrollment totals are at all-time highs. TheCollege boasts a Master’s program in publicadministration ranked first nationally by U.S.News & World Report. Since 9/11, theCollege has developed training programs incounter-terrorism, cybercrime and intelligenceanalysis. “Human Dignity and thePolice,” an innovative course to improverelations between police and public, wasdeveloped under Lynch’s supervision. It istaught throughout Latin America and theCaribbean, as well as to police from morethan 40 countries in Africa, Asia and EuropeIn a joint statement, Trustees ChairBenno C. Schmidt Jr. and ChancellorGoldstein commended Lynch for “hisexemplary leadership. From his pioneeringwork in establishing support for theCollege during the fiscal crisis <strong>of</strong> the1970s, to his success in bringing aboutconsistently higher academic programrankings, President Lynch has providedinvaluable service to the people <strong>of</strong> ourCity and State.”BOTTALICO


FROM THECHANCELLOR’S DESKWeathering the Budgetary StormFollowing is an excerpt adapted from a fulllength,cover article by Chancellor Goldstein,which may be found in its entirety in thecurrent issue <strong>of</strong> Presidency magazine.Uncertainty,” wrotepsychoanalyst andsocial philosopherErich Fromm, “is the verycondition to impel man tounfold his powers.”Recent world events,the current economicdownturn, and budgetaryshortfalls at the state andlocal levels have forcedthose <strong>of</strong> us in publicuniversities to operate in aclimate <strong>of</strong> uncertainty. The combination<strong>of</strong> intense needs, scarce resources, and highexpectations presents significant challengesto fulfilling the educational mission <strong>of</strong> ourinstitutions. But public institutions <strong>of</strong>higher education can convert dauntingbudgetary challenges into exciting opportunitiesfor change and innovation. Indeed,these realities should underscore a resolveto establish priorities and redirect policies,efforts, and resources to maintain—andperhaps even enhance—our most preciousacademic assets.Given the current economic picture,we see the future strength <strong>of</strong> our universityin its reconceptualization as an integratedwhole, which maintains the historicidentities and loyalties <strong>of</strong> its individualcolleges while taking advantage <strong>of</strong> a“Adapted and expanded here is a story from anew second-season edition <strong>of</strong> <strong>CUNY</strong>-TV’s“Study With the Best” which airs Sundaysat 8 p.m.In November <strong>of</strong> 2001, Adolfo Carrionwas elected Bronx Borough President.It seemed like the perfect result <strong>of</strong> anatural progression. He had grown up inthe borough and had taught school there.He also worked as a city planner and as adistrict manager <strong>of</strong> Bronx CommunityBoard 5. Eventually, he served as a citycouncilman from the Bronx.Carrion has dedicated his career <strong>of</strong> publicservice to the Bronx, but he did leave theBronx at least once—to attend HunterCollege on the Upper East Side.“I went to Public School 111, JuniorHigh School 142,” Carrion recalls, “and I wasin the second graduating class from HarryTruman High School in Co-op City. Beinghere in the city, being a ‘city kid,’ has beenthe most enriching life that you could have.I’m the father <strong>of</strong> four kids, andthey are in public school.”Carrion points out that hismother “was a student <strong>of</strong>Bronx Community College,and my dad is a minister…was a minister for about 50years until he retired recently. So I grew upin the shadow <strong>of</strong> his public service.”Carrion first set out to study world religionsand philosophy, thinking he, too,would enter the ministry. “There was asense <strong>of</strong> a calling, a sense <strong>of</strong> serving people,building a better society, giving peoplean opportunity for a better life.” Butcompact geography that enabled facultyand students to view the entire universityas their campus. As an integrated university,we are making administrative and fiscaleconomies that will allow us toredirect resources and createnew revenue streams.Thinking <strong>of</strong> <strong>CUNY</strong> as anintegrated university has led usto develop and implement afundamentally different way <strong>of</strong>envisioning, managing, andadministering our institution.This new mind-set protectsour core business <strong>of</strong> teachingand learning, enables us tobuild and support our faculty,and ensures a safety net forour most disadvantaged students. The followingguidelines, extracted from ourexperience, may help other institutionsconfront the daunting economic challengesahead.1. Engage in an academic strategic planningeffort that builds excellence and prominencein selected fields across the entire institution,instead <strong>of</strong> allocating new resources unit byunit. We have created a “flagship environment”which, among other things, hasallowed us to pursue faculty hiring in away that steadily increases our fulltime/part-timeratio—important becausefor many years we relied disproportionatelyon part-time instructors—butwhich also allows individual units to contributeto the intellectual breadth andCarrion soon found himself pursuing thosegoals not in a pulpit but in a classroom.“I was working withkids right here inthe inner city, on184th Streetbetween Morris andWalton Avenues.”Feeling constrainedby the curriculum,however,Carrion went to hisprincipal and urgeda teaching plan thatinvolved city planningand architecture.“I said, if weallow these kids to approach their environmentfrom a completely differentangle, I think they will discover the placewhere they live. They will begin to understandhow local government works.”Carrion recalls with a laugh, “It waskind <strong>of</strong> humorous. My seventhgraders got the giggles whenthey found their first commondenominator in their bathrooms.What happens when you flushthe toilet? Answering that questiontook us to the water supply,to the history <strong>of</strong> growth in theBronx, to water pressure and how a toilettank refills. Then we addressed the issue<strong>of</strong> waste management. Where does thewaste go? Who pays for it? How are thepipes maintained? Who decides? How arethese people elected?”“That experience was for me the trig-depth <strong>of</strong> the entireinstitution.This has enabledus to attract higherquality faculty andbuild bridges across our colleges thatfacilitate the collaborative work <strong>of</strong> colleaguesin different departments andprograms, and that helps increase grantsfrom external sources. Strengtheningour academic reputation in this wayalso has enabled our enrollment togrow, further shored up our economicbase, and secured a significant amount<strong>of</strong> private money for <strong>CUNY</strong>.2. Develop academic and enrollment managementpolicies that overcome obstaclesfor transfer students—an important source<strong>of</strong> revenue for most public institutions.Amore forceful policy on articulation andtransfer (approved by <strong>CUNY</strong>’s board in1999), and the creation <strong>of</strong> <strong>CUNY</strong>’sTransfer Information and ProgramPlanning System (our online courseequivalency guide), have helped ensurea smoother transition for transfer studentsand achieved dramatic success inmoving our students seamlessly fromcommunity colleges to senior colleges.This strategy, so important to our students,is <strong>of</strong> course also critical to oureconomic base. Retention <strong>of</strong> studentsensures a more stable enrollment and amore predictable source <strong>of</strong> revenue.3. Develop centralized and coordinatedadministrative and managerial systemsthat relieve individual units <strong>of</strong> the necessity<strong>of</strong> replicating functions. We are acceleratingour efforts to centralize and coordinateappropriate administrative operations.Given the trend <strong>of</strong> diminishingger to want to affect more than just 30kids in a classroom,” Carrion remembers.Soon he was astudent <strong>of</strong> urbanplanning at HunterCollege, eventuallyearning a Master’s inthe discipline there.“It was one <strong>of</strong> themost exciting chapters<strong>of</strong> my life. Thislaunched me intopolitics, because Inow started tounderstand howdecisions were madeand who was makingthem. And I said, ‘You know what—I can do that! I can represent people.’”Carrion never thought at that time heBoard <strong>of</strong> TrusteesThe City University <strong>of</strong> New YorkBenno C. Schmidt Jr.ChairmanValerie L. Beal Randy M. MastroJohn S. Bonnici Hugo M. MoralesJohn J. Calandra Kathleen M. PesileWellington Z. Chen Carol Robles-RománKenneth Cook Nilda Soto RuizAlfred B. Curtis, Jr. Marc V. ShawJoseph J. Lhota Jeffrey WiesenfeldShamsul HaqueChairperson,Student SenateSusan O ’ MalleyChairperson,Faculty Senatestate support, there is no defensiblerationale for each academic unit toreplicate similar administrative functions—purchasing,human resourceadministration, contracting, and thelike—that could be performed centrallyor regionally with greater efficiency.…Weare building technologyplatforms and shared data systems thatrelieve individual campuses from thenecessity <strong>of</strong> replicating these functions.This will generate savings we can redirectto academic enhancements.4. Plan facilities and programs that capitalizeon strengths across the institution,rather than just individual units. We areplanning and building a number <strong>of</strong>integrated facilities and programs: ascience research and training facility inManhattan that will be shared amonglogical clusters <strong>of</strong> institutions; a newuniversity-wide School <strong>of</strong> Pr<strong>of</strong>essionalStudies that will provide training forprivate companies, unions, governmentagencies, and not-for-pr<strong>of</strong>it organizationswith specific workforce trainingneeds; and a new university-wideSchool <strong>of</strong> Journalism that will capitalizeon our broad strength in urban studies.The reality <strong>of</strong> uncertain governmentsupport—now and in the future—makesit even more crucial for those <strong>of</strong> us inleadership positions to ensure that ouruniversities and colleges are vital and productive.…Asan integrated university, wehave found that we can achieve savingsand protect our core academic functionsimmediately, as well as in the future, bymanaging more effectively and investingsavings and newly created revenues in thevibrancy <strong>of</strong> academic life.Bronx President Carrion, Former Teacher, on EducationBronx Borough President Adolfo Carrionwould one day be president <strong>of</strong> the Bronx,but then he adds, “Any <strong>of</strong> us can achieveanything—anything we put our minds to.Look at the people who have graduatedfrom City University. We have NobelLaureates; we have prizewinning authorsand scientists; we have former mayors; wehave graduates who have accomplishedgreat things.”“The purpose <strong>of</strong> democratic governmentis to enfranchise people by educatingthem so that they can be further enfranchisedboth politically and economically.We must break up the culture <strong>of</strong> poverty,and the only way we’re going to do that isto educate people,” Carrion says.“I am on a mission to allow people tobe enfranchised and to achieve theAmerican dream. It may sound corny, butit’s what wakes me up in the morning.”ChancellorMatthew GoldsteinVice Chancellor forUniversity RelationsJay HershensonUniversity Director <strong>of</strong>Media Relations Michael ArenaEditor: Gary SchmidgallWriters: Drew Fetherston, Rita RodinPhotographer: André BecklesGraphic Design: Gotham Design, NYCArticles in this and previous issues are availableat cuny.edu/cunymatters. Letters or suggestionsfor future stories may be sent to the Editor by email tocunymatters@mail.cuny.edu. Changes <strong>of</strong> addressshould be made through your campus personnel <strong>of</strong>fice.2 <strong>CUNY</strong> MATTERS — Summer 2003


Making the Virtual Orchestra a RealityBy Gary SchmidgallWhen the fiery clash betweenBroadway producers and musicianswas resolved after a shortstrike in March, David B. Smith, chair <strong>of</strong>the program in Entertainment Technologyat New York City College <strong>of</strong> Technology,was delighted. “All this rancor was notgood for Broadway, and I think the agreementended up in afair place.”City Tech’s residentsound wizardhad a keen pr<strong>of</strong>essionalinterest in theBroadway cliffhanger,however. WhenSmith is not focusingon his campus duties,his thoughts are aptto float through thelooking-glass into theastonishing soundworld <strong>of</strong> the “virtualorchestra”— a terrainpopulated by MIDIfiles, DML’s, “patches,”and TAP edits. Inespecially dreamymoments, Smith—who earned a Doctor<strong>of</strong> Musical Arts incomposition and electronicmusic from theUniversity <strong>of</strong> Cincinnati’s CollegeConservatory <strong>of</strong> Music—will sometimespeer into the future and see million-pointFast Fourier Transform convolution andperformance spaces boasting a thousandspeakers.Welcome to the leading edge <strong>of</strong> virtualorchestral sound design, to which Smithhas devoted his pr<strong>of</strong>essional attention for15 years—virtually, as it were, from thebirth <strong>of</strong> the field in the late 1980s. Hisinterest in computer-generated musicbegan in the heyday <strong>of</strong> Switched on Bachand the Moog synthesizer (that is,Pr<strong>of</strong>essor Moog <strong>of</strong> Queens College), whenhe was well along in a 15-year stretch <strong>of</strong>violin studies.In 1999, Smith and Fred Bianchi, a digitalmusic colleague from his Conservatoryyears, decided to put their expertise to thecommercial test and formed the MidtownManhattan firm Realtime Music Solutions.(Bianchi is director <strong>of</strong> Music Technologyat Worcester Polytechnic Institute.) Theircompany was involved in the producers’Plan B, in case a lengthy musicians’ strikethreatened to silence Broadway. “Werehearsed our virtual orchestra with twoshows, Les Misérables and ThoroughlyModern Millie, with full casts,” Smith says.“Rehearsals went well, and the producerswere happy.”But Smith was well aware <strong>of</strong> the dangers<strong>of</strong> making a debut with his new technology—trademarkedSinfonia—in such avolatile situation. “Neither the Broadwayproducers nor I want to replace a wholelive orchestra with a virtual one. Broadwayis Broadway, the top <strong>of</strong> the art form,and it will always require human musiciansin the pit,” Smith says. He did notwant to become a “screaming focal point”<strong>of</strong> anti-sound enhancement demonizers.Many with sharp ears have consideredBroadway sound a disaster for years.Indeed, Smith considers his new andRight, Joseph O’Keefe, senior project managerat Realtime Music Solutions, verifyingthat sequences are performing the score <strong>of</strong>Porgy and Bess correctly.Below, David Smith working withstudents in a sound design class at City Tech.Photo, Michele Forsten.always-being-refined Sinfonia as a form <strong>of</strong>disaster relief from various old-fashionedsound enhancers that are commonly usedin Broadway pits. “Our main focus is notto replace live musicians but to replaceenhancement solutions that straitjacket amusical performance.”The unmusicianly villains—unmusicianlybecause unresponsive to a conductor’scontrol—that Smith has in mind aresynthesizers, sequencers (computers thatcontrol synthesizers—think playerpiano), click tracks (prerecorded partsthat unfold at a given metronomic pace—think cannedmusic), not tomention behindthe-curvesoundretrieval andamplificationsystems.Unbeknownst toNew Yorkers,Realtime’s hardware-filled“boxes,” aboutthe size <strong>of</strong> amicrowave oven,have been travelingaround thenation for severalyears nowwith considerablesuccess—and not a singleserious mid-performance “crash.” Sinfoniaunits are currently augmenting smallorchestras <strong>of</strong> between eight and twelvelive players with virtual musicians innational tours <strong>of</strong> Seussical, The MusicMan, Miss Saigon, and Cinderella. TheRealtime library <strong>of</strong> shows is currentlyabout 30, among them Annie, Ragtime,Guys and Dolls, Fiddler on the Ro<strong>of</strong>, andInto the Woods.How does it all work?The Sinfonia “box” that has been travelingaround the country augmenting orchestras.Once ascore is captured,theindividualinstrumentalparts are editedwith avariety <strong>of</strong>“patches” thatindicate howany givennote or passage<strong>of</strong> noteswill sound,based uponrecordingsmade in Realtime’s studio by live musicianswho have recorded every note intheir instrument’s range in every possiblemanner <strong>of</strong> articulation.As Smith, a violinist with 20 years <strong>of</strong>orchestral experience, explains, the refinement<strong>of</strong> nuance is considerable. “We haveprogrammed more than 50 different waysto articulate a note on a violin—legato,pizzicato, short staccato, détaché, sforzando,to name a few. Our s<strong>of</strong>tware, trademarkedSinfonia, allows us to make aninitial choice from these for every violinnote in a score. If the conductor asks for achange duringrehearsals, we cancreate and/or edit apatch on the spot.”The Sinfoniaplayer—called, naturally,a Sinfonist—Smith likens to anassociate conductor.He also has mucheditorial flexibility.For any given productionor performance,it is easyto transpose songs,cut or rearrangetheir order, alterthe sound volume,and, <strong>of</strong> course,mute the instrumentallines whichare being played by live musicians.The essence <strong>of</strong> Realtime’s technology,however, lies in a key labeled TAP. Witheach hit <strong>of</strong> the TAP key, the music movesat the assigned value (quarter, eighth, half,etc.), following the tempo <strong>of</strong> the performance.Sinfonia is able to follow the expressivenuances <strong>of</strong> the conductor and thestage action just like any other element <strong>of</strong>a live performance. Other keys at the disposal<strong>of</strong> the Sinfonist—who must <strong>of</strong>course be a trainedmusician with experiencefollowing aconductor—areCRUISE TAP (sameas cruise control onthe highway), ATEMPO, PAUSE(good for long fermataswhen a finalnote is being belted),and VAMP(handy when a propor set gets “hungup” and the performanceisdelayed).Louis Crocco, a Sinfonist who hasbeen on the road with Miss Saigon, considershimself as “live” a musician as any<strong>of</strong> his colleagues: “It is a musical instrument…It’s about timekeeping, listeningto the other players, and watching theconductor. It’s not just plugging it in andturning it on.”In 1997, Smith arrived at City Tech,whose Entertainment Technology programis the only one <strong>of</strong> its kind in theNortheast (its current 100 majors specializingin such specialties as sound, lighting,and scene construction, projection, and—recently added—show control). In spring2000 his student sound engineers anddesigners were mounting the College’sfirst application <strong>of</strong> virtual orchestration ina major musical production, Evita, by theCollege’s TheatreWorks company.Realtime’s goal is not a modest one.Smith says it is “to develop a perfectmusical instrument for the 21st century,”and he is not shy about making the most<strong>of</strong> a quickly advancing state <strong>of</strong> theacoustic art. Music history, he points out,is on his side: “The 16th century was aground-breaking era in Italian cabinetry,and violin makers like Amati, Guarneri,and Stradivari made brilliant use <strong>of</strong> thenew technology. Likewise, 19th centuryadvances in machine tooling made possiblethe rapid improvement <strong>of</strong> old-style,valveless brass instruments.”In Smith’s view, the ideal is not an entirelyghostly orchestra. An accomplished livemusician himself, he enjoys live performances—atAvery Fisher and CarnegieHall—too much to want that. He wantsto fill seats that would otherwise beempty. Finally, Smith hopes his perfectinstrument <strong>of</strong> the 21st century willbecome popular among composers <strong>of</strong> theavantgarde. “Forget simulation! Use it toexpand the musical palette.” Smith isshowing the way, with more than 50 compositionsfor the theater to his credit. Justpossibly because his wife is an operaticlyric soprano, he has also ventured intoopera. One current project is a chamberopera titled Brecht at HUAC, about theGerman playwright’s virtuoso testimonybefore Congress amid the communistwitch- hunting after WWII.After mentioning that he has also beenat work on a sequel to The Magic Flute,Smith laughs and ventures a very plausiblehypothesis: “If Mozart were aroundtoday and heard about this new technology,I’d like to think he’d say, ‘Soundsgreat—let’s use it!’”<strong>CUNY</strong> MATTERS — Summer 2003 3


Obstacles and Perseverance—Tale <strong>of</strong> Salk Awards’ Keynoterngela Diaz came to the U.S. from theDominican Republic when she wasA 15 to be with her mother. Sheentered high school and was put in an ESLclass with younger students “who spoke alldifferent languages. But we had a wonderfulteacher who found creative ways to getus to communicate with each other.Because I was good at it, I was allowed intoa math class to study algebra. I couldunderstand the signs and symbols, if notthe language, and did well. But when Iwent to take the Regents exam I couldn’tunderstand the directions, and I flunked it.”After squeezing in an algebra class onher lunch hour, she passed it on her secondtry, but then, much perplexing herteachers, she became a drop-out in hersenior year <strong>of</strong> high school. They kept callingher, <strong>of</strong>fering help even asking if shewas pregnant. Diaz very indignantlyresponded, “No, I haven’t even had sex!”Finally they struck a bargain with her: ifshe came back and took a few morecourses, she would be able to graduatewith her class. So she did.But her mother did not approve <strong>of</strong> theidea <strong>of</strong> going away to college. In their culturegirls who are virgins must live withtheir family, she insisted. “I didn’t knowwhat to do. My mother didn’t speakEnglish, and I had no one to advise me.”Then Diaz found City College, just a fewblocks from their home.One day, a year later, she saw a sign forColumbia University and walked in. “I hadalways wanted to be a doctor, so I askedwhat I had to do to get into medicalschool. I was told I had to take this courseand that course, and I said I’ve alreadytaken those courses at City College. Can Iapply? So the registrar handed me anapplication and I asked her for a pen andfilled it out right there. She asked me forthe $15 application fee—this was in 1977,remember—which I didn’t have! Still, Iwas called back for an interview and I gotin. It wasn’t until I was in my second yearin medical school that something clicked. Ibecame centered. I knew where I wasgoing—and why.”Such was the tale <strong>of</strong> perseverance Diaztold to a riveted audience as keynotespeaker for this year’s Jonas E. SalkAwards ceremony, and the happy endingto her story has been unfolding ever since.She never looked back, despite marriageand the birth <strong>of</strong> three children bythe time she finished medical school andher residency. She completed her postdoctoraltraining at Mount Sinai School <strong>of</strong>Medicine and is now Dr. Angela Diaz,M.D., M.P.H., director <strong>of</strong> the Mount SinaiAdolescent Health Center, CrystalPr<strong>of</strong>essor <strong>of</strong> Pediatrics at Mount SinaiSchool <strong>of</strong> Medicine, and one <strong>of</strong> New Yorkmagazine’s “Best Doctors in New York.”The New York State Department <strong>of</strong>Health named the Mount SinaiAdolescent Health Center a Center forExcellence in Adolescent Health in 2000.Her many honors fill pages.Diaz told the newest Salk Scholars andtheir proud families, “I love what I do. Ilove working with adolescents. AlthoughI am trained as a pediatrician, this is thepopulation that I most love working with.There isn’t a day in my life when I don’tthink I am in the perfect pr<strong>of</strong>ession.”She has also worked with internationalhealth projects in Asia, Central and SouthAmerica, the Caribbean, Europe andAfrica, and is deeply involved in healthadvocacy and policy in the U.S. In 1994she was selected as one <strong>of</strong> 17 WhiteHouse Fellows from nearly 1,300 applicantsand was assigned by theDepartment <strong>of</strong> Interior to assess healthcare delivery in the U.S. Pacific Islandsand Virgin Islands.And Diaz has not ceased being astudent. Unwilling to rest on her newlyearnedHarvard M.P.H. laurels, she is nowworking toward a Ph.D. in epidemiologyat Columbia.The SalkScholarships arethe legacy <strong>of</strong> thedeveloper <strong>of</strong> thepolio vaccine nearlyhalf a centuryago. Dr. Salk, agraduate <strong>of</strong> CityCollege, turneddown a ticker tapeparade in honor <strong>of</strong>his discovery, andasked instead thatthe money be usedfor scholarships. The city provided initialfunding for the Salk Scholarships in 1955.The endowment now provides a stipend<strong>of</strong> $6,000 per scholar for medical school.The Salk Scholars were selected by apanel <strong>of</strong> distinguished physicians, all SalkScholar alumni, based on the quality <strong>of</strong>the scientific research conducted by thestudents, who have glowing recommendationsby pr<strong>of</strong>essors and mentors. The eightwinners and five honorary scholars wererecognized for their research in biochemistry,genetics, environmental toxins, braindevelopment, physics, immunology andother fields.Among this year’s Salk Scholars isChiyedza Small, whose life-long love <strong>of</strong>science developed into an interest inscientific research after her freshman yearat City College, when she spent the summerstudying immunoglobulin classswitching in a human monoclonal B-cellline at Cornell University Medical School.She continued her interest in immunity inthe City College laboratory <strong>of</strong> Pr<strong>of</strong>essorShubha Govind, where she studied hematopoiesisand cellular immune reactions inthe fruitfly. Her collaboration with agraduate student resulted in a refereedpublication in 2002 in BioTechniques. Shewill attend Mount Sinai School <strong>of</strong>Medicine for a Ph.D. in immunology.Dr. Angela Diaz speaking to this year’s Salk Scholars.Kanwal Farouki, another Salk Scholar,was an independent lead person in a complexresearch project on the role <strong>of</strong> p53, atumor repressor cell, in Pr<strong>of</strong>essor CarolWood Moore’s microbiology lab at CityCollege. Because cancerous cells <strong>of</strong>tenarise after their DNA has undergone damage,DNA damage has become a signal forp53 activation. Her research has resultedin academic presentations and an up-comingpublication. She will attend NewYork Medical College.Other Salk Scholarship winners, theircolleges, and the medical schools they willattend include: Mihail Rivlin (Hunter),Albert Einstein College <strong>of</strong> Medicine;Susan Bard (Brooklyn), SUNY DownstateMedical Center; Jeanne Amuta (Hunter),Albert Einstein College <strong>of</strong> Medicine;Frank Akwaa (Hunter), University <strong>of</strong>Rochester Medical School; Amir Estephan(Staten Island), SUNY Downstate; andRonald Charles (City), Weill MedicalCollege <strong>of</strong> Cornell University.The honorary Salk Scholars are: PhyllisEze (City), SUNY Downstate; KwasiManu (Hunter), SUNY Downstate;Larissa Orl<strong>of</strong>f (Queens), University <strong>of</strong>Chicago Pritzker School <strong>of</strong> Medicine;Shella Saint Fleur (Brooklyn), N.Y.U.School <strong>of</strong> Medicine; and Rachna Sondhi(Staten Island), SUNY Downstate.ING Corporation Funds Scholarships for Children <strong>of</strong> 9/11 Familieshe ING DIRECT Kids Foundationhas set aside $167,000 (plus possiblefuture contributions) to be dis-Ttributed as scholarships to part-time<strong>CUNY</strong> students whohad a parent killed orseverely injured in the9/11 terrorist attacks.The Foundationan<strong>of</strong>fshoot <strong>of</strong> ING, thecorporation that doesbanking, insurance andasset management in 60countries – was developedto improve thequality <strong>of</strong> life <strong>of</strong>children and adolescents.“We were looking forsome place where wecould make a difference,”said DeneenDonnley-Evans, theFoundation’s executivedirector, in explaininghow <strong>CUNY</strong> had beenchosen. “We didn’t want to be one cog ina big machine.”<strong>CUNY</strong> and its part-time students havea special resonance for Donnley-Evans:Chancellor Goldstein with ING DIRECT Kids Foundation Executive Director DeneenDonnley-Evans.Her mother, a corrections <strong>of</strong>ficer, was apart-time student for most <strong>of</strong> the timefrom the late 1960s until she earned herdegree from John Jay College in 1974.Nonetheless, findinga place for thefund took somedoing. “We had beenlooking for two yearsto donate money tohelp children whowere affected by9/11,” Donnley-Evanssaid. “We couldn’tfind a group that wasn’tbeing helped byother organizations.”Full-time studentsaffected by the 9/11attack are covered bya New York Stateprogram. <strong>CUNY</strong> has30 participants inthat program, whichdisbursed more than$100,000 in its first year.About 40 percent <strong>of</strong> <strong>CUNY</strong>’s morethan 400,000 students attend part-time,and there was no aid program coveringthem, aside from minimal TAP support.“This new program helps fill a significantgap since the existing World Trade CenterMemorial Scholarships are only availableto full-time students,” said ChancellorMatthew Goldstein. “I am deeply gratefulto Deneen Donnley-Evans…and hercolleagues at the ING DIRECT KidsFoundation.”The ING DIRECT scholarship will beavailable to students who, in addition tohaving been affected by the attacks, alsomeet the University’s admissions criteriafor matriculated undergraduate standing,who attend one <strong>of</strong> the colleges part-timeand who demonstrate financial need.An eligible student who remains in goodacademic standing may receive funds for amaximum <strong>of</strong> 10 semesters. The Universitywill set the award amounts, based on itsregular financial aid calculations.4 <strong>CUNY</strong> MATTERS — Summer 2003


2003 GuggenheimsFor Three Facultyappointment <strong>of</strong> three <strong>CUNY</strong>Tteachers made 2003 a bumper yearfor Guggenheim Fellows, which wereannounced by the Foundation in May.Zoe Bel<strong>of</strong>f,a video artist and adjunctpr<strong>of</strong>essor <strong>of</strong> media and communicationarts at City College, will use her fellowshipto create a video installation employingphotographs made by an early20th-century Parisian medium <strong>of</strong> herséances. Be<strong>of</strong>f’s work has included avariety <strong>of</strong> cinematic imagery, film,stereoscopic projection performance,and interactive media.Queens College pr<strong>of</strong>essor emerita <strong>of</strong>English and prominent New York Citypoet Marie Ponsot will use her Guggenheimto complete her next volume <strong>of</strong>poetry (her last collection, Springing,appeared from Knopf last year). “I haveabout 20 poems finished, and I needabout 20 more,” she said.Roger Sanjek, the Queens Collegeanthropologist featured in the May issue <strong>of</strong><strong>CUNY</strong> Matters for his pioneering researchon ethnicity and race in Queens, will usehis fellowship to complete a book on theGray Panthers. The Panthers was an advocacygroup for the aging—a very timely topic,given the current “graying” <strong>of</strong> the U.S. populationexpected in the next decade.Summer Conferenceon Teaching Holocaustat Queensboroughhe first conference in the nation toTexplore the teaching <strong>of</strong> Holocaust andGenocide Studies at community collegeswill take place on August 10-11 atQueensborough Community College,under the auspices <strong>of</strong> the College’sHolocaust Resources Center, which isnow celebrating its 20th anniversary.Dr. William Shulman, the founder anddirector <strong>of</strong> the Center, calls the Holocaust“a watershed in the 20th century” that hashad “an impact on everything that hashappened since.” Emphasizing the importance<strong>of</strong> the subject for the 21st-centuryclassroom, he observes, “Genocide studiesare crucial. . .learning from the darkesteras <strong>of</strong> human history is essential for theunderstanding <strong>of</strong> ethical behavior.”The conference will bring togetherthose who have already taught these subjectsand those interested in institutingthem. Sessions will be hosted by pr<strong>of</strong>essorsnationwide. Among thepresentationsA false I.D. cardused by Hanne Liebmann duringher flight to Switzerland from NaziGermany, currently on display at theHolocaust Resource Center and Archives atQueensborough Community College.21 <strong>CUNY</strong>AC Student AthletesCapture 43 All-American HonorsThe best season ever for the City University Athletic Conference (<strong>CUNY</strong>AC)has just been completed, with 21 athletes garnering a total <strong>of</strong> 43 All-American honors this academic year. These students came from four communitycolleges (Borough <strong>of</strong> Manhattan, Bronx, Kingsborough, Queensborough)and two senior colleges (Lehman and York).All but one <strong>of</strong> these honors came in track andfield. The loner was BMCC basketball forward FantaSissoko. A highlight <strong>of</strong> the track season was LehmanCollege’s team placing second not once but twice atNCAA Championships. Its head coach, LesleighHogg, boasts the most honorees with six, includingtwo <strong>of</strong> <strong>CUNY</strong>AC’s most decorated sportswomen,11-time All-American senior Paulette Baldwin (also2003 NCAA Indoor Track Athlete <strong>of</strong> the Year), andsophomore Alecia Watson, a 9-time All-American.<strong>CUNY</strong>AC also sent five senior college teams toNCAA championships this year—in women’s volleyball,men’s soccer, men’s and women’s basketball,and s<strong>of</strong>tball. At its May awards ceremony, <strong>CUNY</strong>-AC also honored four competitors who have alsoslam-dunked their classroom work. Queensborough’sIsrael Henriquez has maintained a 3.62 GPALehman freshman MechelleBarnwell competed at theArmory in the <strong>CUNY</strong>Championships in March.in secondary education while competing in the800M dash and relays at such major meets as thePenn Relays and Millrose Games. He transfers toHunter College next fall. Volleyballer Owen Niles isa three-time <strong>CUNY</strong>AC Player <strong>of</strong> the Year and graduatedthis spring from City College with a 3.53GPA (he is continuing in CCNY’s 5-year Bachelor’s <strong>of</strong> Architecture program).Brigette Burke sports a 3.4 GPA in psychology at QCC when not slugging over.500 and captaining the Tigers’ s<strong>of</strong>tball team. Maria Castro, <strong>of</strong> the Lehman Lightning,is a distance specialist in both track and swimming; she just graduated in multilingualjournalism and minors in Italian and computer graphics with a 3.75 GPAand heads now for N.Y.U. and a Master’s in legal and financial translation.will be “The Social Psychology <strong>of</strong> theHolocaust: Exploring Human Behavior inExtremity,” “Genocide and the Holocaust:From the Armenians to the Trial <strong>of</strong>Slobodan Milosevic,” and “Literature andHistory: Natural Partners in Teachingabout the Holocaust.” For more informationon the conference contact Dr.Shulman at 718-281-5770 or WShulman@qcc.cuny.edu.Housed in Queensborough’s Library,the Center—the only one <strong>of</strong> its kind servingNew York City and Long Island—<strong>of</strong>fers a series <strong>of</strong> public lectures, collaboratesin curriculum development; <strong>of</strong>fersboth Center and traveling exhibits; and hasloan programs that draw from its thousands<strong>of</strong> volumes and hundreds <strong>of</strong> videoson the Holocaust and related subjects.The Holocaust Resources Center, onthe Bayside campus, is open M-Th 9 to 4;F 9 to 3; and one Sunday a month 10 to 2(its web site is www.qcc.cuny.edu/HolocaustCenter/).$10M Donation atBrooklyn Collegeong recognized for its distinguishedperforming arts curri-Lculum—in music, theater, dance,film, television and radio—BrooklynCollege will soon have outstandingcampus facilities to match. PresidentChristoph Kimmich recentlyannounced that two <strong>of</strong> the College’salumni, Leonard and Claire Tow(‘50 and ‘52, respectively) are donating$10 million for a new Center for thePerforming Arts. This is the largest singledonation in the College’s history, eclipsingthe $6.5 million bequest from formerLeonard and Claire Towphilosophy pr<strong>of</strong>essor Walter Cerf thatcame in 2002.The gift, Kimmich predicted, “willtransform the arts on campus, and we areexceptionally grateful.” Lindly Hanlon,chair <strong>of</strong> the the College’s Arts Council,agreed: “This gift will enable our support<strong>of</strong> an arts curriculum that attracts talentedstudents and faculty from around theworld.” Planners for the Tow Center envisionperformance and rehearsal spaces, setdesign and construction workshops, exhibitiongalleries, classrooms, an arcade, anda grand lobby.Tow is chairman and chief executive<strong>of</strong> Citizens Communications, a majortelephone and cable company, and is alsoinvolved in the reorganization <strong>of</strong> AdelphiaCommunications. He also serves as atrustee on the Brooklyn CollegeFoundation, and the Tows have hithert<strong>of</strong>unded scholarships, internships, andresearch travel stipends for both studentsand faculty <strong>of</strong> the College.MATTERSINBRIEFCity Tech StudentDrapes Hussein StatueFlags are a theme for Anna Fu andEdward Chin.ne <strong>of</strong> the most memorable images <strong>of</strong>Othe recent invasion <strong>of</strong> Iraq was that<strong>of</strong> a young marine clambering up one <strong>of</strong>the seemingly ubiquitous monumentalstatues <strong>of</strong> Saddam Hussein and drapingthe dictator’s head, first with an Americanand then an Iraqi flag.Responsible for that Kodak momentwas a once-and-future student at NewYork City College <strong>of</strong> Technology. EdwardChin is seen here with his wife Anna Fu,a current City Tech student who expectsto get her Associate’s degree in civil engineeringtechnology next year.Corporal Chin left the College in 1999to enlist in the marines, and he is planningto apply for readmission after his releasefrom the military this summer. Chin hopesto complete a Bachelor’s in architecturaltechnology, and Fu (who holds an NSFscholarship) will be working toward aBachelor’s in civil engineering. After graduationand working in their respective fields,the couple envision a husband-and-wifeconsulting firm that will wave the flag forenvironmental clean-up and protection.Four Nominated to BeDistinguished Pr<strong>of</strong>sour pr<strong>of</strong>essors, including one newFarrival to the University, have beennominated by their colleges to the rank<strong>of</strong> Distinguished Pr<strong>of</strong>essor.Deborah Tannen, who is joining theLehman College faculty after 12 years as apr<strong>of</strong>essor <strong>of</strong> linguistics at GeorgetownUniversity, is the author <strong>of</strong> several popularbooks, including You Just Don't Understand:Women and Men in Conversation. The bookwas on the New York Times’ best-seller listfor almost four years, including eightmonths as Number 1. Tannen is the author<strong>of</strong> more than 80 scholarly articles.Edwin G. Burrows, who has beenteaching at Brooklyn College since 1974,is the co-author <strong>of</strong> the Pulitzer Prize-winningGotham: A History <strong>of</strong> New York Cityto 1898. Virginia Valian,a pr<strong>of</strong>essor <strong>of</strong>psychology at Hunter College since 1987,is the author <strong>of</strong> Why So Slow?, an examination<strong>of</strong> the social forces that hinderwomen’s advancement that has achievedan impact outside the academic field.Carl Riskin, who came to Queens Collegein 1974, is a leading authority on incomedistribution, poverty and hunger in China.Several <strong>of</strong> his books have been describedby reviewers as classics in the field.The nominations are to be acted on bythe Trustees at their June meeting.<strong>CUNY</strong> MATTERS — Summer 2003 5


<strong>Students</strong> <strong>Enjoy</strong> <strong>Degree</strong> <strong>of</strong> <strong>Success</strong>Continued from page 1And her next job will be—Garcia seemsto love rubbing it in—in yet anotherlaboratory. She has accepted a post-doctoralposition at the National Institute <strong>of</strong> EnvironmentalHealth, where she plans to study asignaling pathway that may play a role inthe metastasis <strong>of</strong> cancer tumors.Two Queens Grads(One Couple)hen Graziela Ionescu met VasiliWByros in an Italian restaurant inBrooklyn that Vasili was managing for hisGreek father, something clicked. “Webegan to talk, heasked me out, andbefore long, weknew we weremeant for eachother,” Ionescurecalls. Twodays after theygraduated fromQueensCollege onMay 29, theywere married,and in the falleach will be taking up doctoralstudies at Yale, Ionescu in ancient history,Byros in music.Ionescu, a native <strong>of</strong> Romania, maintaineda 4.0 GPA and was the College’sCommencement speaker. A Phi BetaKappa member, she came to the U.S. afterhigh school and soon enrolled atLaGuardia Community College. AtQueens she discovered her passion forLatin, the classics, and ancient Roman history,becoming especially interested inresearching the little-explored subject <strong>of</strong>the relations <strong>of</strong> the Roman Empire withDacia, as Romania was called in ancienttimes.“No other place could have helped mefurther my interests as Queens CollegeByros and IonescuNew Distinguished Pr<strong>of</strong>essorApplauds Her <strong>Students</strong>On January 27, when the Board <strong>of</strong> Trustees formallyappointed Jerrilynn D. Dodds a Distinguished Pr<strong>of</strong>essor, thearchitectural historian, formerly on the Columbia Universityfaculty, spoke briefly but passionately about her City Collegestudents. Referring to her new title, Dr. Dodds said:t is a title I owe most <strong>of</strong> all to City College students—Istudents from the School <strong>of</strong> Architecture, with theirpiercing intelligence, their staggering drive and dedication,and their knowledge <strong>of</strong> a world which I only knewJerrilynn Doddsas an intellectual construct before I came here…If my writing was about cultural interactionwhen I first came to City College, it was the questioning, the deep intellectualcuriosity and life experience <strong>of</strong> School <strong>of</strong> Architecture students that gave it the complexityor depth it required…Multiculturalism, that word by which we have come to distinguish part <strong>of</strong> the CityCollege experience, is not on any level some kind <strong>of</strong> compensatory consideration there,a kind <strong>of</strong> politically correct, working-class consolation which one might weigh againstthe competitive excellence <strong>of</strong> a private college education.It doesn’t work that way. City students are intensely stimulating; they are intellectuallychallenging and alive. And further, I believe that City students, because <strong>of</strong> theirdeep understanding <strong>of</strong> the urban world <strong>of</strong> negotiated identities and ambivalent boundaries,understand more about the world which is to come than any other college studentsI know. Their life experience, together with their City College education, girdthem uniquely to lead this generation. They are prepared for leadership in this international,urban world more than any Ivy League students I have taught…NUÑEZ / SUMMERSCARVALHOdid,” she says. “It had the ideal environment,resources, and pr<strong>of</strong>essors whobecame mentors to me.”Byros, a pianist born and raised inQueens by his Greek immigrant parents,is graduating from the College’s AaronCopland School <strong>of</strong> Music with anMaster’s and will continue for his doctoratein music at Yale. “The School <strong>of</strong> Musicis incredible,” he says, “comparable inquality to much more expensive schoolssuch as Mannes and the ManhattanSchool <strong>of</strong> Music, and the faculty areskilled in performance and have mademajor contributions to the field.”Dentist Turns Cum Laude— Just 58 Years Lateror most students the hiatus betweenFsophomore and junior year is aboutthree months. James O’Connor’s hiatuslasted well over half a century. The 84-year-old former dentist marched in CityCollege’s 2003 honors convocation, havingearned a Bachelor’s degree in philosophycum laude. It was exactly 58 yearsafter the Bronx-born son <strong>of</strong> Irish immigrantsentered City College as a WorldWar II veteran with sciences and a dentalcareer in mind.O’Connor’s big early break came whenN.Y.U. acceptedhim into its doctoralprogram in dentistryeven thoughhe had no undergraduatedegree.“These were specialtimes afterthe war,” recallsO’Connor, whoserved with theU.S. Army inEngland. Hegraduated in1951 and went on to practice in Inwoodfor the next 47 years.James O’ConnorA New Bus Routein Brooklyn:The Gleason Depotto <strong>CUNY</strong> BAometimes, late in the night, a young pas-will stay on the bus <strong>of</strong> AugustineSsengerJessamy to the end <strong>of</strong> the line inBrownsville, talking about plans and dreams.Jessamy, who has been driving the B35 busalong Church Avenue in Brooklyn for nearlyseven years, <strong>of</strong>fers the benefit <strong>of</strong> broad experiencein juggling job, family and education.During those years, he spent nights at thewheel <strong>of</strong> his bus and days with his shoulderto the wheel <strong>of</strong> a college education.He is among this spring’s graduates <strong>of</strong>the <strong>CUNY</strong> Baccalaureate Program, havingcompleted work for a Bachelor <strong>of</strong> Sciencedegree in business administration at Brooklyn College.The 43-year-old native <strong>of</strong> Grenada, who came to this country in 1986, attended withthe help <strong>of</strong> a Thomas W. Smith academic scholarship, which he was granted after heearned an Associate’s degree with honors from Kingsborough Community College. “Thatcovered my tuition and books,” he says.After he came to Brooklyn, Jessamy worked as a field inspector for an insurancecompany. “When I was laid <strong>of</strong>f in a downsizing, I was forced to look around for any job Icould get,” he recalls. “I had a young son, born in 1992, so it was kind <strong>of</strong> a panic situation.A friend <strong>of</strong> mine said, ‘Why not take the bus driver exam?’”Jessamy took the test and passed, but the first <strong>of</strong>fers were for driving in Manhattan andAfter he retired, the notion <strong>of</strong> hittingthe books again proved irresistible. “Thething is that I’m interested in education,and after I retired I felt it was important tocome back to City College and pursue thatdegree I never got.” He found certainaspects <strong>of</strong> life “on the hill” unchanged:“This place is very demanding and challenging,”he says, “and I learned a lot fromthe young people here—from people whodisagreed with me.” (Former Mayor EdKoch had a similar career path: after WWIIinterrupted his CCNY studies, he earnedan N.Y.U. law degree in 1948, but cameback for his B.A. at the College in 1981.)Nikolas Pappas, chair <strong>of</strong> philosophy andteacher <strong>of</strong> O’Connor’s Ancient Philosophyclass, was impressed: “Mr. O’Connorresponded to philosophy the way I wantall my students to. He got into a conversationwith the great philosophers. When hedisagreed with them, he trusted his life’srich experience to tell him when to reexaminehis own beliefs and when heshould stand firm, just as an intelligentperson ought to do in every conversation.”O’Connor, who picked up an M.A. inliberal arts at Fordham before his CityCollege home-coming, says, “I’m proud <strong>of</strong>City College and still think <strong>of</strong> it as the‘poor man’s Harvard.’ I’ve had a happytime here.”“The Strip,” then the StageFormer Beat <strong>of</strong> New Ph.D.or 15 years, from 1965 to 1980, HenryFMiller was a police <strong>of</strong>ficer assigned toDistrict 3 <strong>of</strong> the then New York CityTransit Police in Harlem. At that time,District 3 covered what was one <strong>of</strong>Harlem’s toughest, most crime-riddenareas, known as “The Strip,” from 110th to125th Streets. Talk about street theater.But all the while, Miller, newly mintedas a <strong>CUNY</strong> Ph.D. in Theater, was becominga veteran <strong>of</strong> the 1960s/70s African-American theater. Now 60, he was afounding member <strong>of</strong> the Joseph PattersonPlayers in the South Bronx and alsoworked with the Afro-AmericanRepertory Theater in Harlem. (His wife isa retired Harlem public school principal.)Miller’s ground-breaking dissertation,“Art or Propaganda: A Historical andCritical Analysis <strong>of</strong> African-AmericanApproaches to Dramatic Theory, 1900-1965,” considers how the Black ArtsMovement influenced African-Americantheater.A MAGNET—Minority Access/Graduate Networking—Fellow, Miller hasalso been an engaged theatrical practitioneras well as scholar. He has original playsand musical theater works among hiscredits, and, most recently directed mainstageoperatic productions <strong>of</strong> Porgy andBess in Philadelphia and Indianapolis. Hisone-act plays, The Christmas EveCompanion Plays: A Winter Reunion andGifts <strong>of</strong> Parting, won awards in 1995 and1998. His latest work-in-progress, OnlyYesterday, will be adrama employingthe music <strong>of</strong> DukeEllington thattakes place atthe beginning<strong>of</strong> the HarlemRenaissance inthe 1920s.Miller, a SouthBronx native(his mom was“Miss Palm Café,”a Harlem beauty queen), grew up in theformer neighborhood <strong>of</strong> Isaac BashevisSinger and attended the same junior highschool as Colin Powell.Henry Miller6 <strong>CUNY</strong> MATTERS — Summer 2003


FORSTENthe Bronx. Instead, he began working for a social serviceagency in Brooklyn. “I worked in a facility for homelessyoung women with children,” he recalls. “We wouldscreen them and house them for a maximum <strong>of</strong>six months. We prepared them to live ontheir own.” It was deeply satisfyingwork, which left him with a resolve tocontinue trying to help people in need.He rose from family manager to fullcase manager, while, starting in 1994,carrying a full-credit load at Kingsborough.“Working full-time and studyingfull-time was really a killer,” he recalls.A second son arrived, tightening the financialscrews. When the MTA called with an <strong>of</strong>fer <strong>of</strong> aBrooklyn route, he took it. He now works out <strong>of</strong> theJackie Gleason Depot on Fifth Avenue and 39thStreet. Driving, Jessamy says, allowed him to contemplateeducation, because “bus drivers pick their shiftsand days <strong>of</strong>f approximately every two months.” Hedrove from mid-afternoon to the early morning hours.“I’d go to bed about 2 a.m., get up at 8 and go toclass,” he recalls. Back home about noon, a few hours’sleep, then back to the Depot.“Had it not been for my wife, Elizabeth, taking upthe slack, this would have been impossible for me,”Jessamy says. He relaxes by playing guitar and paintinglandscapes and by writing poetry (sample it on thepoetry.com website).Pr<strong>of</strong>. Hershey Friedman was Jessamy’s <strong>CUNY</strong>/BA mentor at Brooklyn College.“Whenever I called, he was right there,” Jessamy says. He was a tremendous help to me.”Being a student gave him good credibility with his sons, now 11 and 16, who face the samechallenges in their daily lives. “Between us, we set goals and then work to achieve them,” saysdad. “They’ve learned that you face obstacles, but if you keep at it you’ll overcome them.”Jessamy is studying now to get his state license as an insurance agent, and has lined uppart-time work with a financial services company. The idea <strong>of</strong> continuing on for aMaster’s is parked in the back <strong>of</strong> his mind, but, Jessamy says with an easy laugh, “For themoment, I plan to keep driving the bus.”From Substance Abuser toCity Tech Valedictorianubstance abuse dogged Jed Gelber forStwo decades—during high school onthe Upper West Side, through a year atSUNY Stony Brook, a stint as a Wall Streetclerk, then duringan enlistmentin the U.S.Marines. “I amliving pro<strong>of</strong> thatwe don’t just geta second chancein life, we get athird, fourth, orfifth,” Gelbersays. “But it’s notan infinite num-Jed Gelberber, and at somepoint you eitherpull yourself out <strong>of</strong> the pit or languish in itpermanently.”Even after another ten years as anabstractor for a title insurance company,Gelber had not hit bottom with his abuse.So, finally, at the age <strong>of</strong> 40, Gelber did pullhimself out <strong>of</strong> the pit—and into New YorkCity College <strong>of</strong> Technology’s paralegalstudies program, the only public one <strong>of</strong> itskind in the City. “In many ways my lifereally did begin at 40, when I recoveredfrom my final relapse. That’s when Ienrolled in City Tech.”He took to campus life, he says, “incrediblywell.” He was rewarded with a 4.0 thatfirst semester, a GPA he has managed tomaintain ever since. “I was especiallyinspired by my criminal law pr<strong>of</strong>essor, whois a supervising attorney at the BrooklynLegal Aid Society,” Gelber says.Gelber, always a skilled writer, kepthimself afloat financially by working as awriting tutor in City Tech’s Office <strong>of</strong>Student Support Services. Though he willbe enrolled at <strong>CUNY</strong> Law School nextfall, he is already mulling a return to campus.“When I finish law school, I’d like tocome back and teach a writing course. Itwill be one way I can give back.”A remarkable irony attended Gelber’sgraduation. His father Jack Gelber, anoted playwright who died just weeksbefore the ceremony, first made his namewith The Connection,a raw look at thedead-end life <strong>of</strong> the drug-addicted. It premieredOff Broadway in 1959, the yearJed was born.SEEK and Ye Shall Find—a Path to Yalesmaele Jacques,Iwho has beenspending a lot <strong>of</strong>time with 2,3,7,8-tetrachloro-dibenzop-dioxin—CTCDDfor short, and part<strong>of</strong> the notoriousdefoliant AgentOrange—will soonbe departing fromBushwick to beginIsmaele Jacquesher studies in advanced microbiology atYale University. It’s a remarkable leap:Jacques attended Brooklyn College as aSEEK student.As a sophomore, Jacques convinced hercounselors to let her take three <strong>of</strong> thetoughest classes in the College’s curriculumall at once: Chemistry 1 (five credits),Organic Chemistry (five credits), andCalculus (three credits), earning two B+’sand an A. She joined the Minority Accessto Research Careers (MARC) program inher junior year, with the goal <strong>of</strong> a careerin medical research and teaching. Lastsummer she interned at Cornell’s MedicalCenter for researchers working on dermalA College Nightmare with a Dream EndingSusan Madera remembers well how—long ago, in 1978—her dream <strong>of</strong> going to college“turned into a nightmare.” Like many a New Yorker, she was bilingual: English and “neighborhood”(hers being Little Italy). A very intimidating teacher <strong>of</strong> Speech 101 at BrooklynCollege made so much fun <strong>of</strong> her “neighborhood” idiomsthat she dropped out after one semester. Marriage, the birth<strong>of</strong> two sons, and a steady rise to head <strong>of</strong> a word-processingdepartment at Morgan Guaranty followed. Then sheresigned to be a full-time mom and began to think about areturn to college. In 1999 Madera came to QueensboroughCommunity College, and this June received herAssociate’s degree with honors in English. She just made herpublishing debut with “One Voice,” an essay describing herlife story that QCC English chair Sheena Gillespie includedin the 5th edition <strong>of</strong> her Across Cultures (Allyn &Bacon), a collection <strong>of</strong> essays on multicultural experiences.Adapted here is the happy ending <strong>of</strong> her essay.Susan Maderawas lucky enough to get a position as a typist in a very prestigious company,IMorgan Guaranty. I began my career in the typing pool, typing on an IBM typewriter.Within a year, word processors came into the <strong>of</strong>fice, and I was thrilled to bepicked as one <strong>of</strong> the people trained to use one. Eventually, they made me an <strong>of</strong>fer Icould not refuse: I headed a department <strong>of</strong> word processors in the investmentresearch division. I left Morgan on maternity leave with my first child. Upon myreturn, I was trained to be on the new IBM computers, and become supervisor <strong>of</strong> aneven larger group <strong>of</strong> people. But once our son was born and I looked into hissparkling eyes, I knew I could not leave him to the care <strong>of</strong> a baby-sitter. When Ireturned three months later, it was to resign my position.I am still a supervisor, but <strong>of</strong> our home. Michael is now twelve years old, andMatthew is six. I want our children to have the benefit <strong>of</strong> a strong background inEnglish. I know the downfalls <strong>of</strong> not speaking properly, and I do not want them toexperience them, as I have.To say that I have conquered all my fears <strong>of</strong> the English language would beuntrue. Twenty-one years after walking away from Brooklyn College, I am back inschool at Queensborough Community College. What was the first class I decided totake? Why English, <strong>of</strong> course. I am doing well in my class, and I am proud <strong>of</strong> myself.I am also quite glad that QCC has decided to give me the three credits I earned inSpeech at Brooklyn College, although I barely passed, with a grade <strong>of</strong> D. I could nothave taken that class again.Over the years, I have gained confidence in myself as a writer. The way I speakdoes not exemplify who I am; however, my writing is a true expression <strong>of</strong> the personI am inside. When I write, words come from deep inside <strong>of</strong> me, and spill out onto thepage. I never stop to correct myself, as I would if I were speaking. I may speak twolanguages, but I write with one voice.fibroblasts. “When I’m taking a newcourse, it’s almost like I get high on thechallenge,” she says.Jacques arrived in the U.S. in 1991with her parents and three younger brothersfrom Haiti, lived in a one-room apartment,then moved into larger accommodationsin the Marcy Projects inBushwick. After graduating fromMartin Luther King High School, sheentered the SEEK program, which<strong>of</strong>fers financial and study support topromising students.Leaving Bushwick is not withouttension for the 21-year-old Jacques.Getting into Yale worried her less thangetting to Yale. “I’m claustrophobic,” shesaid. “I sometimes get severe panicattacks on trains, and I can’t fly. I wasafraid this might limit my choice <strong>of</strong>schools. But I was really proud. It wasthe first time I had ever gone out <strong>of</strong> stateby myself, and the bus ride was fine.”Medical Dream ComesTrue for BLM3p Studentrowing up in Grenada, RonaldGCharles had the grades to attendmedical school, but not enough money todo so. Like so many others, he had tomake the heart-wrenching decision toleave home and emigrate to the U.S. formore opportunity, bringing his youngerbrother with him. Both were acceptedinto City College as full-time students.But they had to endure poor living conditions,and Ronald worked long hours atlow-paying jobs tosupport them both.Despite these hardships,he establishedan outstanding academicrecord andwas named aMinority Access toResearch CareersScholar, whichpaid his tuitionand a monthlystipend for hisresearch. He graduated from CityCollege this June and, fulfilling a lifelongdream <strong>of</strong> becoming a doctor, he has won aSalk Scholarship to medical school.As a MARC Scholar, Charles workedin Pr<strong>of</strong>essor Carol Wood Moore’s lab on aproject to determine the function <strong>of</strong> anunknown and conserved protein inyeast—the novel BLM3p gene, which isone <strong>of</strong> many yeast genes whose functionis unknown. Recently, similar genes werefound in humans, and BLM3p is consideredlikely to be very important in multipleorganisms. Charles is particularlyinterested in understanding how cellsrespond to damage <strong>of</strong> DNA and how thisgene might help in repair processes. Hisresearch paper on the subject, “FunctionalCharacterization <strong>of</strong> BLM3p, a Proteininvolved in Resistance to OxidativeDamage to Saccharomyces cerevisiae,”helped him to win his Salk award, whichhe will enjoy at Weill Medical College <strong>of</strong>Cornell University.Ronald Charles<strong>CUNY</strong> MATTERS — Summer 2003 7


<strong>CUNY</strong> Research Chemists Rejoice at Arrival<strong>of</strong> New Spectrometerhe level <strong>of</strong> excitement rose sharplyamong chemistry researchers at theT City University on May 22. Thiswas the long-awaited day that the installationwas completed on a brand-newVarian Inova 500MHz MultinuclearNuclear Magnetic Resonance (NMR)spectrometer at City College’s MarshakScience Building.Pr<strong>of</strong>essor Mahesh Lakshman, a coprincipalinvestigator on the team responsiblefor the purchase <strong>of</strong> the $520,000instrument, hopes to be putting itthrough its paces over the summer in hisfield <strong>of</strong> research. Soon <strong>CUNY</strong> researcherswill be using the spectrometer to illuminatethe causes <strong>of</strong> cancer, discover newtherapeutic compounds, and improvesolid-rocket propellants.Taking a broader view <strong>of</strong> the future,Lakshman also points out, “The newinstrument will help us to develop aresearch infrastructure that will help us torecruit and retain outstanding faculty andgraduate students, who will be eager touse the instrument in their research.” Heis also happy to know the spectrometerand its 300 Mhz sidekick will also be usedfor teaching undergraduate and graduatestudents, particularly in a training coursein advanced NMR techniques.The Inova spectrometer, purchasedwith matching funds from the NationalScience Foundation, will enable scientistsfrom many <strong>CUNY</strong> campuses to conductnationally competitive, cutting-edgeresearch in diverse areas <strong>of</strong> organic, bioorganic,inorganic, and analytical chemistry.It will also encourage multi-disciplinarycollaborations ranging from organicsynthesis and bio-organic chemistry tobiochemistry and engineering.Lakshman himself will be exploringthe synthesis and study <strong>of</strong> unusual nucleosides(the basic building-blocks <strong>of</strong> DNA)as well as DNA that contains theseunusual nucleosides. His research is particularlyaimed at trying to understandthe underlying pathways involved in cancercausation. His prime research concern,using the Inova, will be the unambiguousverification <strong>of</strong> chemically synthesizednucleosides that can then be inserted intosmall sections or “turns” <strong>of</strong> the doublehelicalstrands <strong>of</strong> DNA.The high-end spectrometer, whichsupersedes a lower-end 300Mhz spectrometer,will significantly upgrade theresolution capacity for analyzing spectraldata <strong>of</strong> a wide range <strong>of</strong> molecules. It willalso reduce the amount <strong>of</strong> material neededfor analysis. “The interpretation <strong>of</strong> datawill be much simpler,” Lakshman says,“especially for complex compounds. Andany ambiguity in structural characteristicswill be significantly lowered.”Among the scientists eager to use theInova—for which a special room has beenNovel Proteins and Other InquiriesUNY faculty have been honored this semester with major grants from founda-government and industry. The awards, reflecting the diversity <strong>of</strong> scholarlyCtions,interests <strong>of</strong> the faculty across the University, include research in bioengineering, biochemistryand disease control. What follows is a sampling. Visit cuny.edu/news for acomplete listing.“IGERT: Multiscale Phenomena in S<strong>of</strong>t Materials,” National Science Foundation,Morton Denn, Levich Institute, City College, $742,000.“Engaging Latino Communities for Education Initiative,” W.K. Kellogg Foundation,M. Saravia-Shore, Lehman College, $400,000.“Title V, Electronic Student Pr<strong>of</strong>iles,” U.S. Department <strong>of</strong> Education, J. LaPerla andK. Bonsignore, New York City College <strong>of</strong> Technology, $318,706.“Teacher Quality Leadership Program,” New York State Education Department, K.Kinsler and M. Gamble, Hunter College, $235,000.“Bridges to the Future Program,” U.S. National Institute <strong>of</strong> Health, C. Wu,LaGuardia Community College, $215,996.“EDGE—Adult and Continuing Education Program,” New York State EducationDepartment, J. MacKillop, City College, $196,001.“China International Migration Project,” NIH/National Institute <strong>of</strong> Child Healthand Human Development, Z. Liang, Queens College, $138,600.“Molecular Structure and Function <strong>of</strong> Protective Plant Polymers,” National ScienceFoundation, Ruth Stark, The College <strong>of</strong> Staten Island, $120,000.“Characterization <strong>of</strong> Novel Proteins Involved in Sterol Homestasis,” Pfizer, G. Small,City College, $110,000.“Asthma & Hazardous Substances Applied Research & Development: Mapping AirToxics & Asthma in Greenpoint/Williamsburg,” PHS/Centers for Disease Control,J. Corburn and D. Kotelchuck, Hunter College, $100,000.“Gear Up Program,” U.S. Department <strong>of</strong> Education, A. Kahn, LaGuardiaCommunity College, $1,519,998.“Comprehensive Career Development Program,” New York City Housing Preservationand Development, S. Watson, LaGuardia Community College, $1,469,661.“National Center for Permanency Planning,” HHS/Administration for Children &Family Services, B. Leashore and G. Mallon, Hunter College School <strong>of</strong> SocialWork, $1,150,000.CCNY Researcher Padmanava Pradhan, manager <strong>of</strong> the new spectrometer laboratory, withthe new instrument. Photo, Summers/Nuñezredesigned and modified for temperaturecontrol—are several <strong>of</strong> Lakshman’sCCNY colleagues. Dr. Maria LuisaTasayco will be examining protein fragments,and Dr. Valerie Balogh-Nair isplanning to look for novel pharmacophores—compoundswith therapeuticpossibilities—that are effective againstAIDS-related opportunistic infections.Dr. Lane Gilchrist will study the S-layer protein <strong>of</strong> Lactobacillus brevis with aview to characterizing products formed inthe molecular engineering <strong>of</strong> proteins andenzymes in order to enhance their naturalfunctions. Dr. Theodore Axenrod will befocusing on N-nitramino and geminaldifluoramino solid propellants. This, hehopes, will lead to the synthesis <strong>of</strong> highenergy-density materials to be used assolid rocket propellants.Dr. Padmanava Pradhan, the laboratorymanager for the spectrometer, will himselfbe using it for stereo-chemistry research,in which the spatial orientation <strong>of</strong> atomsand substituent groups in organic compoundsis plotted. “My focus will be onTthe interactions between proteins andDNA, with the ultimate goal <strong>of</strong> understandingbetter the causes <strong>of</strong> cancer anddeveloping therapeutical agents,” he says.Dr. Panayiotis Meleties <strong>of</strong> BronxCommunity College will use the Inova forsynthesis <strong>of</strong> a new class <strong>of</strong> man-mademolecules that mimic natural moleculesknown to have anti-cancer antibioticeffects. And Dr. Robert Rothchild <strong>of</strong> JohnJay College will use the Inova to studyhindered molecular motions in novel“crowded” molecules. He hopes thisresearch will provide better insight intobasic behavior <strong>of</strong> molecules, which maylead to molecules <strong>of</strong> potential pharmacologicaland forensic importance.Lakshman adds, “All <strong>of</strong> us who havebeen looking forward to a new NMRspectrometer are particularly grateful toGillian Small, Associate University Deanfor Research. Her assistance was crucial ingetting all the participants together torequest funds for it, and we are grateful tothe NSF for the funds that made theInova a reality.”A Film Festival and a Life Celebratedhe Tenth Annual Bronx CommunityCollege Film & Video Festival wasthe scene <strong>of</strong> a first this year, as theinitial awards created in memory <strong>of</strong> aLaGuardia Community College pr<strong>of</strong>essorwere presented to four student filmmakers.The BCC Media Technology Programestablished the Peter J. Rondinone MemorialAwards after the LaGuardia pr<strong>of</strong>essor diedlast November at age 48. The MediaTechnology program’s director is Pr<strong>of</strong>essorJeffrey Wisotsky, one <strong>of</strong> Rondinone’s CityCollege classmates. The awards recognizestudents who have “demonstrated an abilityto make a positive difference in the Collegeand in their community.”This year’s invitation-only festival, heldat the Clearview 59th Street Cinema inManhattan, was sponsored by theEastman Kodak Co. A larger festival, withscreenings open to the public, will takeplace on the BCC campus in the fall.Rondinone’s first teaching assignmentwas at BCC. He went on to serve as pr<strong>of</strong>essor<strong>of</strong> English and director <strong>of</strong> the journalismprogram at LaGuardia from 1986 untilhis death. His screenplay, “Yo-Yo Land,”written with Wisotsky, was a 1996 finalist inthe Sundance Screenwriters DevelopmentAward competition, and a finalist in Hollywood’s1997 Beigel Screenwriting Contest.Rondinone grew up in the South Bronx,and turned his street experiences into literature,producing a series <strong>of</strong> short storiesthat were published, to critical praise, bySt. Martin’s Press/Picador under the title“The Digital Hood.” His mentor at CCNYwas the author Donald Barthelme.Rondinone once recalled askingBarthelme, “How can I be like you? Heanswered my question with a question:‘How many words do you think I put intoprint before I sold my first short story?’ ”The answer was many thousands.The BCC Media Technology Program<strong>of</strong>fers student filmmakers practical handsonskills taught by experienced pr<strong>of</strong>essionalsin media production and management.8 <strong>CUNY</strong> MATTERS — Summer 2003


You would be very foolhardy tobegin browsing through The Milk <strong>of</strong>Almonds— and it is the perfectbook for aestival browsing—on an emptystomach. In no time at all, you will likelybegin to crave something to eat involvingravioli, artichokes and figs or maybe mortadella,finocchio, or baked ziti…and rushout to the nearest trattoria or ristorante.This is because the full title <strong>of</strong> this newanthology from the <strong>CUNY</strong>’s ownFeminist Press, whose editorial <strong>of</strong>fices areat the Graduate Center, is The Milk <strong>of</strong>Almonds: Italian American WomenWriters on Food and Culture. Each one<strong>of</strong> the foods just mentioned—and manymore, like polenta, pomodori, basile,tripe—appears in a title in this collection,which was compiled by Louise DeSalvo,newly appointed Jenny Hunter Pr<strong>of</strong>essor<strong>of</strong> Literature and Creative Writing atHunter College, and Edvige Giunta,anative <strong>of</strong> western Sicily and pr<strong>of</strong>essor <strong>of</strong>English at New Jersey City University.But don’t expect many recipes in thevolume. It is instead a banchetto <strong>of</strong> poems,essays, stories, and memoirs about everyaspect <strong>of</strong> Italian culture, with food the everpresent,insinuating ingredient. Among the50 writers included are many whose namesroll <strong>of</strong>f the tongue like the titles <strong>of</strong> operaticarias: Rosanna Colasurdo, Gioia Timpanelli,Rosette Capotorto, and Annie Lanzillotto.Some authors are well-established (SandraGilbert, Carole Maso, Nancy Savoca, LuciaPerillo), others just emerging.Nor is The Milk <strong>of</strong> Almonds a mere lightheartedadventure in buon gusto. The editorshave more serious intentions, as theirexplanation <strong>of</strong> the title hints: “In Sicily,where spring comes in February, as thealmond trees blossom, they signal change,renewal, a rebirth…In the island’s distant,mythical past, Persephone comes back inspring, although temporarily, to her mother,Demeter, goddess <strong>of</strong> Sicily, goddess <strong>of</strong>harvest and fertility. A daughter lost, found,then lost again: an endless series <strong>of</strong> departuresand returns, the cycle <strong>of</strong> seasons, therhythms <strong>of</strong> grieving and healing.”DeSalvo and Giunta strike the seriousnote when they conclude their introduction’shighly informative set-piece onalmonds: “Though it takes hard work toshell almonds, it takes even harder workto extract milk from them. Crushedalmonds, sugar, water: the simple, deliciouscombination used to make pastareale, almond paste—literally,royal paste—and used tomake the milk <strong>of</strong> almonds,latte di mandorle, the ambrosia<strong>of</strong> the Italian south.”The “hard work” <strong>of</strong> living iswhat many pieces in the bookare really about. DonnaMasini’s urgent poem “Hunger”has nothing to do with anythingyou might pick up at Gristede’s.In DeSalvo’s own memoir“Cutting the Bread,” whichserves as the volume’s exit aria,she confesses hatred <strong>of</strong> her mother’scooking and recalls her grandmotherbitterly muttering merdaat the awful store-bought whitebread her daughter brought home.Nancy Caronia tells <strong>of</strong> a family’srefusal to acknowledge the years <strong>of</strong>verbal, physical, and sexual abuseperpetrated by its patriarch. Finallycatching him molesting his granddaughter,her grandmother’s automaticcomforting response is to makeThe Food <strong>of</strong> Life—Italian Styleher something to eat. Nancy Savoca’s“Ravioli, Artichokes, and Figs” tells <strong>of</strong> theauthor’s dying mother, who, after refusingfood for days, agrees to share a fig.Religion, inevitably, figures in severalentries. Sandra Gilbert’s poem “Kissingthe Bread” takes flight from the image <strong>of</strong>the priestly hand <strong>of</strong>fering a crust:Kissing the bread was kissingthe carrion that was the body<strong>of</strong> every body, the wrist<strong>of</strong> daughter and husband, the crook’darm <strong>of</strong> the mother, the stonefist <strong>of</strong> the father.On a more exuberant note is MaryBeth Caschetta’s “The Seven Sacraments,”which reports on her cooking up, with afriend on one very busy day in thekitchen, a septet <strong>of</strong> fish recipes to honorthe sacraments. Baptism was linguine inclam sauce; the Eucharist was garlic filet<strong>of</strong> sole over lemon risotto.Cris Mazza writes wryly about beingraised in suburban California by a firstgenerationfather who believed foodshould be grown, raised, hunted or foragedrather than simply collected from asupermarket. Carole Maso opens thebook, fittingly, with a meditation-memoiron breast-feeding titled “Rose and Pinkand Round.”The Milk <strong>of</strong> Almonds is organized inseveral sections: Beginnings, Ceremonies,Awakenings, Encounters, Transformations,Communities, Passings, Legacies. LibraryJournal has called it “highly recommended”for “readers seeking meditations onthe reality <strong>of</strong> women’s lives.”Hot PeppersBright redand pointed like hornsweapons against the evil eyeantidotes against decaylean and dry, asceticextreme like saintsrevolutionariesthat set everything on fire.— Rina FerrarelliBOOK TALKOF THECITYPoems <strong>of</strong> Praise from a “Baruch” LifeIf not a private allusion, there iscertainly a delicious irony in the factthat the phrase “Baruch atah Adonai”figures in one <strong>of</strong> the poems in GraceSchulman’s latest collection, Days <strong>of</strong>Wonder: New and Selected Poems(Houghton Mifflin).This is because Schulman began teachingat Baruch College in 1972, and over theyears—“to my astonishment,” she says—sherose from adjunct pr<strong>of</strong>essor to DistinguishedPr<strong>of</strong>essor <strong>of</strong> English at the College.Baruch (blessed) atah (are you) Adonai(God), she explains, is a prayer commonlyspoken before meals as grace—anotherself-referential wink <strong>of</strong> the poet’s eye? Ina poem titled “Flags,” Schulman describesher father being asked by a wealthy, xenophobicbigot to say graceand, with stifled anger,The Pianoobliging in Hebrew. “Flags” is one <strong>of</strong> tennew poems in Days <strong>of</strong> Wonder, whichHarold Bloom has called Schulman’s best,confirming her “emergence into authenticeminence.” They join her favorites fromfour previous collections that haveappeared over the last three decades.Asked the significance <strong>of</strong> her title,Schulman says there is “no referentamong the poems in the book, but I thinkthe title has everything to do with thebook as a whole, from the cover art[Monet’s “Impression Sunrise”] to theepigraphs [one is from Chaucer: “The lyfso shorte, the craft so long to lerne,/ Th’assayso hard, so sharp the conquerynge.”]. Light,air, praise, wonder—in Hopkins’ sense <strong>of</strong>wonder, as in his poem ‘Pied Beauty.’”Once men pried loose a window to haul inthe Knabe grand piano, and I heardbrick scrape dark wood, four legs land with a thudthat shook bare walls. Harsh birth.You played Chopin,Father tried Brahms as Jacob fought his angel,and I missed keys. Topaz lamps shone brightly,never on our sheet music but on familyphotographs on the piano: a lost uncle,decades <strong>of</strong> cousins. In panic over chords,I could implore the piano’s faces, ponderthe lives it held, or, at the worst times, stareat statues: Esther, Saint Luke, a clay Buddha.When the apartment changed hands, I did notstay to discover how they moved it out.— from Days <strong>of</strong> WonderThe first line <strong>of</strong> the famous Hopkinspoem—“Glory be to God for dappledthings”—certainly catches Schulman’surge toward the exultant and celebratory,even when the subject matter is far fromhappy. This is notably the case in the 15-sonnet sequence titled “One Year WithoutMother” that appeared in 2001; its lasttwo words capture the entire volume:“Praise life.” (These sonnets will put readersin a perfect frame <strong>of</strong> mind to visit theNew York Public Library’s splendid exhibition“Passion’s Discipline: The History <strong>of</strong>the Sonnet in the British Isles and America,”which runs through August 2.) The secondpoem <strong>of</strong> the sequence on Schulman’smother is reproduced here.New Yorkers will specially delight inpoems from her 1994collection, For That DayOnly, which <strong>of</strong>fers vividscenes <strong>of</strong> New York in thetradition <strong>of</strong> Whitman,Crane, and Moore. The titlepoem, for example, recreatesthe city on June 11,1883, and Walt himself andPfaff’s, his favorite wateringhole, figure in “Footstepson Lower Broadway.”Speaking <strong>of</strong> Crane, thereis also in Days <strong>of</strong> Wonder apoem titled “BrooklynBridge.” Among the newpoems is one with apsalmic feel, “JewishCemetery, Eleventh Street.”It describes the tiny 200-year-old burial ground <strong>of</strong>the Spanish-PortugueseSynagogue on 11th Streetnear Sixth Avenue.Schulman is poetry editorfor The Nation and aformer director <strong>of</strong> thePoetry Center at the 92ndStreet Y.<strong>CUNY</strong> MATTERS — Summer 2003 9


Center for Lesbian and Gay Studies ParadesBy Gary SchmidgallThe gleam in Martin Duberman’seye first appeared in about 1986:why not establish a center for thestudy <strong>of</strong> homosexuality? The DistinguishedPr<strong>of</strong>essor <strong>of</strong> history, who arrived at LehmanCollege in 1972, reasoned that, given theexplosion <strong>of</strong> serious research and publicationon the subject in the post-Stonewallyears, the time was ripe to call for “theperks and encouragement and supportand legitimacy that a university settingwould provide” for the burgeoning field.Duberman’s brainstorm was also born<strong>of</strong> frustration. Feeling his own “illuminations”as the tide <strong>of</strong> Stonewall rolled in,the noted scholar <strong>of</strong> 19th-centuryAmerican history and Bancr<strong>of</strong>t Prize-winningbiographer <strong>of</strong> such mainstream figuresas James Russell Lowell and CharlesFrancis Adams felt an urge to indulge in a“shift in expertise.”Part <strong>of</strong> that shift was a desire toexplore gay history, so in the early 1970she <strong>of</strong>fered to teach a Graduate Schoolcourse on sexuality in history, his courseabstract carefully worded not to frightenthe horses. “There was instant consternation,”Duberman recalls. “Impossible! It’snot a recognized topic for scholarly investigation!It’s not a recognized discipline!”Disgusted, Duberman cut his ties withthe Graduate Center entirely and settledin to see how long it would take for theIvory Tower to catch up with the realworld. He also got actively involved in theold Gay Academic Union, which mounteda well-attended “watershed” conferenceat John Jay College in 1973.As it turned out, Duberman and severallike-minded academics had to waitabout 15 years for the prospects for aCenter for Lesbian and GayStudies—or CLAGS, as it is nowuniversally known—to seriouslyjell. The sine qua non,<strong>of</strong> course,was a change in attitude withinthe suites <strong>of</strong> college provosts andpresidents. And that happened,after a false start in whichDuberman approachedYale University with aproposal to house thenation’s first such centerthere.Esther Newton, anearly CLAGS Boarddirector, says, “I vividly recall themeeting <strong>of</strong> our Committee forLesbian and Gay Studies withformer Graduate Center PresidentHarold Proshansky. Having been subjectedfor many years at my college tosometimes outright homophobic administrators,I was prepared for the worst.Instead, Proshansky treated us withrespect from the outset. Without minimizingthe financial and political difficulties,his attitude was: How can we do it?Thanks, Hal!” Duberman, also present,agrees: “It was stunning. Proshansky said, ‘Ireally want to thank you for coming tome with this idea. It’s long overdue.’”Proshansky, however, did set a bar <strong>of</strong>$50,000 in funds to be raised in order togive the center fiscal credibility, andDuberman says gathering that sum “wasno easy matter.”But slowly, over several years, the seedSecond CLAGS director Jill Dolan, left, Joey Arias, and founder MartinDuberman at an early CLAGS reception.money was gathered—sometimes fromunusual sources. Joseph Wittreich,Distinguished Pr<strong>of</strong>essor <strong>of</strong> English at theGC and a long-time and generous supporter<strong>of</strong> CLAGS, likes to recall the anecdote<strong>of</strong> two <strong>CUNY</strong> graduate students diningwith an elderly neighbor in San Diegoand talking excitedly about the plans forCLAGS. “That man—his name was DavidClarke—soon died, and a bequest fromhim provided some <strong>of</strong> CLAGS’s seedmoney. Clarke’s only stipulation,Wittreich adds, “was that, when the twograduate students were able, they shouldmake a comparable gift.”At long last, in April 1991, the Centerfor Lesbian and Gay Studies was formallyestablished, and immediatelybegan to thrive withDuberman as foundingexecutive director.Wittreich attributes thisin part to “the unflaggingcommitment <strong>of</strong> thosefirst board members,notably SamPhillips, who was thenuniversity director <strong>of</strong>personnel, and thesteady support <strong>of</strong>Chancellor W. AnnReynolds.” (The good<strong>of</strong>fices <strong>of</strong> Phillips andReynolds, Wittreich pointsout, led to the establishment<strong>of</strong> domestic partnership benefitsat <strong>CUNY</strong> at about this time.) Dubermanalso acknowledges Frances Horowitz forbeing “wonderfully friendly and helpful”to CLAGS throughout her GraduateCenter presidency.Two impressive declarations <strong>of</strong> confidencein CLAGS came very early on. Firstwas a donation <strong>of</strong> more than $100,000from Dr. David Kessler, a San Franciscan,that gave the Center its first endowmentfund. It supports the annual KesslerLecture, which honors “an individual whohas made an outstanding contribution tothe expression and understanding <strong>of</strong> les-bian and gay life.”Since 1992, theKessler roll callhas brought tothe Universitysuch movers andshakers as JoanNestle, EdmundWhite, BarbaraSmith, MoniqueWittig, EstherNewton, SamuelDelany, EveKos<strong>of</strong>skySedwick, JohnD’Emilio, CherríeMoraga, andJonathan NedKatz.Another substantialCLAGSsupporter fromafar over thedecade has been Honolulu resident IvorKraft, whose donations have even extendedto shipments <strong>of</strong> chocolate-coveredmacadamia nuts (see “The Pleasures <strong>of</strong>CLAGS” sidebar).Also in 1992 came what Dubermancalls “the tremendous boost” <strong>of</strong> a$250,000 grant from the HumanitiesFellowship Program <strong>of</strong> the RockefellerFoundation. The three-year grant—whichwas almost unprecedentedly renewed forthree more years—allowed twelve scholars-in-residenceto come to the GraduateCenter between 1993 and 2000.CLAGS now has the funds to <strong>of</strong>fer fellowshipsand prizes <strong>of</strong> its own. Dubermanhas endowed a fellowship in his ownname which gives $7,500 annually toapplicants without respect to nationalityor academic affiliation. A $5,000 CLAGSFellowship goes yearly to scholars early intheir careers. The Monette-HorowitzDissertation Prize honors the distinguishedgay author Paul Monette and hislover (both AIDS victims), and therecently established Sylvia RiveraAward, honoring the transgenderactivist, will go to the best book orarticle in transgender studies.From the early years, CLAGS hasraised the pr<strong>of</strong>ile <strong>of</strong> gay studies and facilitatednational and international exchange<strong>of</strong> ideas through a monthly colloquiumseries, panels, and conferences. Sparksflew at one early conference on “The GayBrain,” during which Simon LeVay presentedhis theory <strong>of</strong> a connection betweenbrain structure and the diversity <strong>of</strong>human sexual feelings and was sharplycritiqued by such skeptics as Carole Vanceand William Byrne.Former Board member Oscar Monterosays the “highlight <strong>of</strong> my tenure wasworking with Elena Martinez and manyothers” on two Latino/a conferences.“Being around so many committed, articulate,energetic folks was tough buttremendously rewarding,” Montero says,adding, “it was great fun!”In March 1995, more than 500 participatedin a three-day event on “BlackNations/Queer Nations,” and its manyintense and passionate moments werefilmed with support <strong>of</strong> the FordFoundation. Just a month later, 400 peoplewith thespian tendencies were attracted toCLAGS’s conference on Queer Theater.Among the participants were HollyHughes, Larry Kramer, Tony Kushner, andEverett Quinton. Jill Dolan, one <strong>of</strong> theQueer Theater keynoters and a leadingscholar <strong>of</strong> feminist and queer performance,became the second CLAGS director, onDuberman’s retirement in 1996.The pro<strong>of</strong> <strong>of</strong> scholarship is finally inthe publishing, and the influence <strong>of</strong>CLAGS members who are authors, and <strong>of</strong>CLAGS itself in facilitating research inthe field, has been enormous.Duberman is practically a one-manBronx cheer at that ridiculous notion <strong>of</strong>30 years ago that gay studies “is not a discipline.”Predating CLAGS was his importantHidden From History: Reclaiming theGay and Lesbian Past, which was followedby a memoir titled Cures: A GayMan’s Odyssey;a study <strong>of</strong> the ruckus onChristopher Street, Stonewall; anothermemoir, Midlife Queer; and, most recently,a collection <strong>of</strong> vigorous political essays,Left Out: The Politics <strong>of</strong> Exclusion.But, as far as CLAGS is concerned, thejewels in Duberman’s publishing crownare two titles he edited: A Queer Life: TheCLAGS Reader, and the massive QueerRepresentations: Reading Lives, ReadingCultures (both appeared in 1997). Thelatter, which gathers together the work <strong>of</strong>countless scholars from a wide range <strong>of</strong>disciplines that were touched in someway by CLAGS, is perhaps the definitivedemonstration that the discipline <strong>of</strong> gayand lesbian studies is not only thriving,but here to stay.CLAGS also created a productive community<strong>of</strong> gay and lesbian writers within<strong>CUNY</strong>. Among many other present andpast CLAGS Board members who havepublished in the field are Mark Blasius(Political Science at LaGuardia and theGC), who co-edited We Are Everywhere:A Historical Sourcebook for Gay andLesbian Politics,and Steven Kruger(English, Queens and the GC), author <strong>of</strong>AIDS Narratives: Gender and Sexuality,Fiction and Science. Elena Martinez, Chair<strong>of</strong> Modern Languages at Baruch College,is the author <strong>of</strong> Lesbian Voices from LatinAmerica; Representacion en Julian DelCasal. And Esther Newton has to hercredit Mother Camp,a study <strong>of</strong> FemaleImpersonators in America, and a history<strong>of</strong> 60 years in the gay community on FireIsland.James Saslow, <strong>of</strong> Queens College andthe Graduate Center, was on CLAGS’sfounding committee and has almost singlehandedlyjoined the disciplines <strong>of</strong> gay studiesand art history, notably with Ganymedein the Renaissance: Homosexuality in Artand Society and Pictures and Passions: AHistory <strong>of</strong> Homosexuality in the Visual Arts.Saslow is currently helping CLAGS to planan art history conference in 2004.Robert Reid-Pharr, newly arrived in theGraduate Center’s English program andnow a CLAGS Board member, is theauthor <strong>of</strong> Black Gay Man. Robert Kaplan,a CLAGS Board member from 1999 to2001, is currently working on a dissertationwith a tantalizing same-sex angle:“The Federalist Papers and the Bonds <strong>of</strong>White Men in the Vision <strong>of</strong> a NewNation.”He is particularly happy that, <strong>of</strong> late,CLAGS has been focusing more attentionon quality-<strong>of</strong>-life-and-learning within10 <strong>CUNY</strong> MATTERS — Summer 2003


into Second Decade<strong>CUNY</strong>. His fondest memory is <strong>of</strong> the“sunny Saturday morning in May 2000when 60 queer students, faculty, and stafffrom around the University met for thefirst annual Queer <strong>CUNY</strong> conference todiscuss the joys and travails <strong>of</strong> being out—or not out, or semi-out—on campus.” Itwas good to feel “exhilaration thatCLAGS was beginning to get moreinvolved in the life <strong>of</strong> its home institution,”Kaplan says.Among CLAGS projects aimed at fertilizingLGTBQ—Lesbian/Gay/ Transgender/Bisexual/Queer—pedagogy nationally wasthe establishment in 1995 <strong>of</strong> a systematiccollection <strong>of</strong> college syllabi (it went onlinea few years later). Calls from around thecountry about these syllabi are now cominginto the CLAGS <strong>of</strong>fice, which isstaffed by several part-time graduate students.In 1999 two new media for the dissemination<strong>of</strong> work in the field arrived: anemail discussion listserv (gendersexstudies-l)and abook series collaborationwithN.Y.U. Press,Sexual Cultures:New Directionsfrom CLAGS.Spring 1999also brought theannouncementthat Jill Dolanwas leaving<strong>CUNY</strong> for theUniversity <strong>of</strong>Texas. AlisaSolomon, aBaruch Collegepr<strong>of</strong>essor <strong>of</strong> English and Journalism andthree-term CLAGS Board member, washer successor as director.In the spirit <strong>of</strong> the founder’s articulatepolitical activism, CLAGS has <strong>of</strong>tenfocused its energies on political andcultural issues <strong>of</strong> the moment. In 1998CLAGS initiated an AdvocacyCommittee charged with strengtheningthe bridge between academe and activists.Panels were presented on the volatile politics<strong>of</strong> race and culture, and a roundtableon arts censorship was held apropos <strong>of</strong>the famous “NEA Four” case that wasPresident Frances Horowitz with Kessler LecturerSamuel Delany, famed author <strong>of</strong> science fiction.heading to the Supreme Court. CLAGSmembers became involved in the defenseagainst attacks around the nation onLGTBQ study programs.Fall <strong>of</strong> 1999 brought a move to newquarters in the old B. Altman building <strong>of</strong>the Graduate Center and an emphasis onmore global perspectives, which reached aclimax last December with a CLAGShostedorganizational meeting—fundedwith $100,000 from the Ford Foundation—tocreate an International ResourceNetwork among LGTBQ researchers. Itwas attended by 100 people from 35countries.Alisa Solomon recently announced herretirement after four years as CLAGSdirector. Her successor will be PaisleyCurrah, pr<strong>of</strong>essor <strong>of</strong> political science atBrooklyn College and long-time CLAGSBoard member, whose scholarship is onnarratives <strong>of</strong> transgender identity, particularlyas deployed in U.S. courts. His Notthe United States <strong>of</strong> Gender is forthcoming.Solomon sums up, “Over the last 12years, CLAGShas producedmore than 100public events, atwhich morethan 1,000 peoplehave presentedtheirwork. We haveawarded some70 fellowshipsand prizes, collaboratedwithdozens <strong>of</strong> academic,community,and activistorganizations—local, national, and international. We haveconversed with countless LGTBQresearchers who have dropped by our<strong>of</strong>fice or sent us e-mails.“LGTBQ Studies has grown tremendouslysince Martin Duberman hatchedthe idea for CLAGS,” she adds. “TheCenter is proud to have been a part <strong>of</strong>shaping and expanding the field. Intoday’s conservative and economically difficulttimes, we face tough challenges—which makes our work more importantthan ever.”The Pleasures <strong>of</strong> CLAGSALISA SOLOMON’S TOP TEN LIST1. Listening to Joan Nestle’s inaugural Kessler Lecture—nothing short <strong>of</strong> thrilling.2. Being part <strong>of</strong> the energetic debate at the town-hall meeting that closed the trulygroundbreaking “Black Nations/Queer Nations” conference.3. Watching Carmelita Tropicana capture the high emotion <strong>of</strong> the Queer TheaterConference as she emcee-ed a performance evening.4. Creating up-coming programs joining LGTBQ Studies and Disability Studies.5. Learning from master teachers at our regular Pedagogy Workshops.6. Winning approval <strong>of</strong> an Interdisciplinary LGTBQ Concentration at the GC.7. Hashing out ideas for an international network <strong>of</strong> LGTBQ researchers with some100 scholars and activists from 35 countries last November.8. Working daily—and eating Hawaiian chocolates—with a staff made in heaven.9. Feeling the love (yes, really) at our first Board meeting after 9/11—and agreeing to runa special CLAGS News to help us think through the horror.10. Dancing cheek-to-cheek with my partner, Marilyn Kleinberg Neimark, in total blissat the CLAGS 10th-anniversary bash after Judith Butler’s inspiring Kessler Lecture.<strong>CUNY</strong>Joel Klein Discusses Testing Issues,Parental Involvement in City’s Schoolsnnovation and meaningful change were among the topics <strong>of</strong> discussion for NewIYork City Schools Chancellor Joel I. Klein, the special guest <strong>of</strong> Chancellor MatthewGoldstein on a recent broadcast <strong>of</strong> <strong>CUNY</strong> TV’s “<strong>CUNY</strong> Honors,” excerpted here. Thecomplete interview is a available at cuny.edu/news.Q & AChancellor Goldstein: I am struck by yourfocus on leadership because I so much agreewith you. You show me a great school and Iam going to show you an inspired leader.Chancellor Klein: Well, I do agree with yourpremise. I think the leadership is all thedifference in the world. The principal has tobe the instructional leader in the building.If you are there doing something else, it isnot going to send the right message. Second,you’ve got to be a situational manager.What we are doing is teaching people acombination <strong>of</strong> instructional and businessskills in a way that, for example, will help Chancellor Joel Kleinthem understand that the most importantasset any leader has is time. If you dissipateit, you won’t effect change in a system. The third thing we are doing is having avery problem-solving curriculum. We are not big on traditional didactic classroomteaching as a way to really get to students.Q: I am particularly impressed with the notion <strong>of</strong> a common curriculum, which isso fundamental in mathematics and in English. This is revolutionary in this cityand quite exciting.A: We had forty, fifty math curricular and thirty-five different literacy programs.We have—especially in our poverty areas—enormous mobility inside the city.So you may have a young teacher move from school to school two or threetimes and face a new curriculum each time. So why not try to make it easy?If we were getting good results from all these curriculums, I’d say “let a thousandflowers bloom,” and we’d have a beautiful garden. But instead we havebeen getting very different outcomes.Q: With the changes, pr<strong>of</strong>ound changes, organizational management changes andreally deep educational changes, how are you going to know two years from now,three years from now, that these alterations are having the effect that you want?A: Standardized test scores. I don't want to exaggerate their significance, but theyare a reasonable measure in terms <strong>of</strong> whether we are raising performance. Wehave the data and indeed the federal and state governments are going to usethese tests to define our future. We will also look at our graduation rates, therates <strong>of</strong> students passing the Regents exam, our attendance rates. We will be verytransparent about it. My view is that you put this data out there. You don't tryto spin it.Q: There is another ingredient here, and that is the role <strong>of</strong> getting parents verymuch involved in the learning process and in the life and vitality <strong>of</strong> the schools.What are you going to be doing that is different from what others have attempted,and how is that going to be conceptualized and organized?A: You are absolutely right about this-and this comes from my own experience inlife. This is the way parents, my parents saw the role <strong>of</strong> public education in myown life. People used to say, well, your parents read to you at home, but myparents didn't read to me at home. But they conveyed to me that, frankly, if Iwanted to live a different life, an economically more secure life than they hadlived, then education was the medium to do so. They conveyed that I would beunfortunate if I didn't seize it. Even though I was a young kid, I had to understandthat. So a core thing we are doing is putting a parent coordinator in eachschool. This is a new position, and this is going to be somebody whose full-timejob it is, and we are going to have a training program for them as well. Theparent coordinator will relate to the parents in the building.Q: What are some <strong>of</strong> the things that get you upset, surprise you, make you justwant to bang some heads together?A: The fundamental problem is that too <strong>of</strong>ten in the system the interests <strong>of</strong> otherstake precedence over kids. Let's face it, whether it’s vendors or whether it’sinterest groups, whether it is a particular constituency, or how we hire–all thosekinds <strong>of</strong> issues come up in the system and overwhelm the children, who, afterall, are not an organized constituency. And I think that has been at times dismaying,frustrating. But keeping the focus on the needs <strong>of</strong> kids is critical. Thesecond thing that surprised me, I think in a very positive way, is how manytimes, despite common wisdom, you will find in very tough neighborhoodshigh-functioning schools, where you will have a principal who has created alearning environment that is exciting, that works for the teachers. There is analignment, not a we/they confrontation, that works. You can tell walking into abuilding, you can tell whether the principal knows the kids in the building.<strong>CUNY</strong> MATTERS — Summer 2003 11


Celebrating 500th Anniversary <strong>of</strong> an Artist <strong>of</strong> the EroticAgnolo Bronzino was theleading artist <strong>of</strong> mid-16th-century Florenceand an <strong>of</strong>ficial painter at theMedici court. Cupid was <strong>of</strong>tenon his mind. A number <strong>of</strong> hismost important paintings representederotic subjects, and one <strong>of</strong>them is seen here, “Venus,Cupid, and a Satyr,” from Rome’sGalleria Colonna.Bronzino painted the largepanel in 1553-54 as one <strong>of</strong> aseries celebrating Venus, Goddess<strong>of</strong> Love and Beauty, whichadorned a room in the house <strong>of</strong> aFlorentine patrician and connoisseur<strong>of</strong> erotic tableaux representingpagan deities. “Bronzino’sscene suggests the imminenterotic interaction betweenVenus, who reclines on a luxuriouslydraped bed, and her sonCupid,” says <strong>CUNY</strong> DistinguishedPr<strong>of</strong>essor <strong>of</strong> art historyJanet Cox-Rearick. “They playwith the boy’s bow and arrow,and a leering satyr leans eagerlyinto the scene, directing his gazeat the adolescent—just asBronzino hoped viewers wouldgaze at his goddess.”In the 19th century, the prudishowners <strong>of</strong> many such risquépaintings, including others by Bronzino,ordered them to be overpainted. TheColonna Venus was subjected to justsuch a cover-up, as seen here, and onlyin 2002 was her period <strong>of</strong> literally falsemodesty brought to an end. Conservatorsusing infrared reflectography discoveredthe original composition, and the beauty<strong>of</strong> Bronzino’s eroticism was soonrestored to view.Like his great contemporary, Michelangelo,Bronzino was also an accomplishedpoet. Some <strong>of</strong> his burlesquepoems were blasphemous and transgressive.Under the pretext <strong>of</strong> describing anordinary object, such as a paintbrush,Bronzino would employ a coded vocabularyto obscene effect. Such poems area tour de force <strong>of</strong> sexual innuendo andraucous allusion.Last April, the erotics <strong>of</strong> Bronzino’spaintings and poetry came under closescrutiny at a Graduate Center colloquium,“Eros at the Court <strong>of</strong> the Medici,”that celebrated his 500th anniversary (helived from 1503 to 1572). It was organizedand chaired by Cox-Rearick <strong>of</strong> theGraduate Center’s art history department.Since 2000 she has headed up aBronzino’s “Venus, Cupid and a Satyr” is seen in its “polite” state at top,and restored to its original glory in the second image (photos courtesy <strong>of</strong>the Galleria Colonna).new specialization in Renaissance andBaroque art, which <strong>of</strong>fers six courses ayear on Italian and North European topics,among them, for example next fall’s“Duccio to Holbein: The Interaction <strong>of</strong>Italian and North European RenaissanceArt,” “Velasquez: Painting as Making andDiscourse in 17th-century Europe,” and“Trecento Painting and Sculpture in Italy,1250-1400.” The Renaissance/ Baroquespecialization website ishttp://web.gc.cuny.edu/dept/arthi/prog_info/requirements.html#special.The colloquium was held in ElebashHall under the auspices <strong>of</strong> theRenaissance Studies CertificateProgram. Art History is but one <strong>of</strong> severalPh.D. programs at the GraduateCenter that are collaborating on theRenaissance Studies Certificate Program(RSCP), whose Coordinator is MartinElsky. Others are ComparativeLiterature, English, French, Hispanic andLuso-Brazilian Literatures, History,Music, Philosophy, and Theatre.<strong>Students</strong> and faculty in these programscome together in courses, colloquia, lectures,and dissertation seminars. TheRenaissance certificate is added to thePh.D. for students who take requiredand elective coursesemphasizing interdisciplinaryresearch and teachingin Renaissance andEarly Modern subjects.The RSCP website isgc.cuny.edu/renaissancestudies.The RSCP is also affiliatedwith the Society forthe Study <strong>of</strong> Women inthe Renaissance, also basedat the Graduate Center,which sponsors nationalconferences and a monthlyspeakers program.Such a confluence <strong>of</strong>academic resources hasmade the City University,and the Graduate Centerin particular, one <strong>of</strong> themost active sites forRenaissance studies in thenation. This eminencewas underscored in 2002when—thanks to thegood <strong>of</strong>fices <strong>of</strong> the RSCP,<strong>CUNY</strong>’s Renaissancescholars, and ProvostWilliam Kelly—theRenaissance Society <strong>of</strong>America chose to makethe Graduate Center itsnew home.With more than 2,600 membersworldwide, the Society is the mostrenowned Renaissance organization inthe world, and its Renaissance Quarterlyis likewise the most distinguishedmulti-disciplinary journal in the field.The Society’s arrival at 34th andFifth Avenue is a very timely homecoming,for it is now celebratingthe 50th anniversary <strong>of</strong> its foundingin New York, mostly by scholarsfrom Columbia and several<strong>of</strong> <strong>CUNY</strong>’s predecessor colleges.Over the decades, <strong>CUNY</strong> facultyhave been extremelyactive in the RSA. One <strong>of</strong>these, Hunter College andGraduate Center historianemerita Nancy Siraisi, a formerRSA president, will soon bereceiving one <strong>of</strong> its most prestigiousawards, The Paul OskarKristeller LifetimeAchievement Award. Some60 <strong>CUNY</strong> faculty are members<strong>of</strong> the Society, anextraordinarily high numberfor a single institution.And <strong>CUNY</strong> will have ahigh pr<strong>of</strong>ile at the annual RSA conferencenext spring, to be hosted by theGraduate Center. Some 30 sessions onart history, literature, history, music, philosophy,and theater in England, France,Italy, Spain, and the Americas will beorganized by <strong>CUNY</strong> faculty membersand students.The nearly 1,000 attendees will alsobe treated to an exhibition in theGraduate Center Art Gallery, whosecurator is Diane Kelder, an art historypr<strong>of</strong>essor emerita at the Center. Titled“Splendors <strong>of</strong> the Renaissance: PrincelyAttire in Italy,” it will consist <strong>of</strong> 15 spectacularreconstructions <strong>of</strong> courtly clothingfrom the late 15th to the early 17thcentury worn by Duchess Eleonora diToledo <strong>of</strong> Florence, Marchesa Isabellad’Este <strong>of</strong> Mantua, and other members <strong>of</strong>the Medici and Gonzaga families, suchas Vincenzo I Gonzaga, fourth Duke <strong>of</strong>Mantua. Seen below is the ceremonialcostume <strong>of</strong> gold-embroidered whitesatin with an ermine cape he wore onhis elevation to the dukedom in 1587(based on a state portrait <strong>of</strong> him byGiovanni Bauhet).The exhibition <strong>of</strong> carefully researchedand executed reconstructions <strong>of</strong> courtcostumes is the creation <strong>of</strong> FaustoFornasari <strong>of</strong> Mantua. Since 1994 theexhibition has toured major cities inItaly and Spain, as well as five LatinAmerican capitals. The exhibition’scurator is Pr<strong>of</strong>. Cox-Rearick, whohas also organized two RSAconference sessions on Italiancourt attire to complementthe show, which will beopen to the publicfrom March 10to April 24.Costume <strong>of</strong>Vincenzo IGonzaga(photo courtesyKing Studios,Codisotto diLuzzara,Italy).“I love New York. I love this spot.It’s like a giant funnel with all the newpeople coming here. They come withhope, and that’s infectious. It’s theclimate <strong>of</strong> New York to have hope.”— Marie Ponsot, pr<strong>of</strong>essor emerita <strong>of</strong> Queens College,award-winning poet and just-announced recipient<strong>of</strong> a 2003 Guggenheim Fellowship (see page 5)<strong>CUNY</strong> MATTERSOffice <strong>of</strong> University RelationsThe City University <strong>of</strong> New York535 East 80th St.New York, NY 10021PresortedStandard MailU.S. PostagePAIDNew Haven, CTPermit # 1411BUDGETWATCHFor the latest budget analysesand updates visit cuny.edu/newsand click on “Budget Watch.”

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