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DECLARATIONI declare that SEMIOTICS AS A MEDIUM OF ANALYSIS IN SELECTEDPOETIC WORKS OF S.E.K. MQHAYI is my own work and that all the sources usedor quoted have been indicated and acknowledged by means of complete reference andthat this sub-dissertation was not previously submitted by me for a degree at anotheruniversity._______________________T.S. MZINZI____________________DATEii
ACKNOWLEDGEMENTSI would like to thank the Almighty God for keeping me alive and for granting me thegrace to take my study to this level. I would also like to give my appreciation to somepersons whose assistance and contribution must be individually acknowledged.Thank you Prof. B.B. Mkonto for your insight and guidance before and during the periodof the preparation of this work. Also for being such an inspiring lecture and supervisor.My grateful acknowledgement to Apostle Bassey Victor for his much valued contributiontowards this work.I am grateful to Dr. L.L. Kwatsha for her advice and contribution that helped me in doingthis work.Miss. Zoleka Nduvane who is a tutor is hereby acknowledged for her advices .I am very gratefully to Ms. Vuyokazi Bontsi for typing the manuscripts of this researchproject.I would like to thank all my friends who gave me their moral support and encouragementduring the period of my study.My special thanks goes to my wife Asakhe Mzinzi for having been my pillar throughoutmy years of studying.iii
Page 4 and 5: DEDICATIONThis work is dedicated wi
Page 6 and 7: CHAPTER TWO: THEORETICAL FRAMEWORK
Page 8 and 9: ABSTRACTIn reference to Moleleki (1
Page 10 and 11: CHAPTER ONEINTRODUCTION1.1 AIMS AND
Page 12 and 13: The whole project to a great extent
Page 14 and 15: Another significance of this resear
Page 16 and 17: to actually be somewhere at the mom
Page 18 and 19: 1.7 LITERATURE REVIEW1.7.1 REVIEW O
Page 20 and 21: Mqhayi learnt responsibility at a v
Page 22 and 23: was the same man who, in journalist
Page 24 and 25: Mqhayi was a man of his people, who
Page 26 and 27: Mqhayi in the following lines write
Page 28 and 29: family will be brought to you, to b
Page 30 and 31: According to Qangule's (1979 p. 10)
Page 32 and 33: Services in Support of Black and Wh
Page 34 and 35: Here again, Qangule (1979 p. 14) sa
Page 36 and 37: CHAPTER TWOTHEORETICAL FRAMEWORK2.1
Page 38 and 39: 2.3 SEMIOTICS AS THE OSTENSIVE SIGN
Page 40 and 41: Yez' ixhom' izindwe yaxhom' ugijo;Y
Page 42 and 43: viii.Tarhu bawo, sive yiphi na?Gqit
Page 44 and 45: iv.Here comes the boy of the raw du
Page 46 and 47: viii.Forgive me, O Father, but whic
Page 48 and 49: comparison to Nabulele being the mo
Page 50 and 51: Here the coming of missionaries of
Page 52 and 53:
Iincwadi sifundisiwe,Le nyaniso iya
Page 54 and 55:
v. You have committed no wrong son
Page 56 and 57:
The following are the semiotic anal
Page 58 and 59:
names, one of them Loliwe (Railway
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1937, a long epic work in eight can
Page 62 and 63:
CHAPTER THREEICONIC AND CONVENTIONA
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“Whoever feeds on my flesh and dr
Page 66 and 67:
justice as an icon of justice. Hale
Page 68 and 69:
“depending on or according with c
Page 70 and 71:
The entire stanza explanation as I
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UMAFUKUZELA (UDR.J.L.DUBE)i. Phinde
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vi.Awu! Laqumb’ ithole lesilo sak
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Pushing aback the dust of the soil
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Your soul, you will retain;Your lif
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Although Mqhayi was an ardent belie
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Carrying the burden of Africa, its
Page 84 and 85:
In this fourth stanza, Dube is inst
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this extensive family are unpopular
Page 88 and 89:
4.3 SYMBOLISM:The fourth poem (from
Page 90 and 91:
vi.Tarhuni baseLusuthu!Umhlekazi l
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Like enormous reality,-The house of
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The following are the semiotic anal
Page 96 and 97:
the third and fourth lines of the s
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We could almost say we are ruined,W
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4.4 MOTIVATION:The fifth and last p
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Inkunz’ emathol’ aziincoyinco.I
Page 104 and 105:
Ubaw’akafile uhleli;Kux’asasing
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House of Sir sikhukhuni,The news ha
Page 108 and 109:
And even changed Mgulugulu,That is
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elief that views death as a journey
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VIII.Stanza eight is also an apprai
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CHAPTER FIVECONCLUSION5.1. INTRODUC
Page 116 and 117:
aspect of the chapter as is to a gr
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style. As is the case with chapter
Page 120 and 121:
there that would help. A researcher
Page 122 and 123:
BIBLIOGRAPHY(MENTIONED AS WELL AS Q
Page 124 and 125:
Finnegan, R. 1989.Oral Tradition an
Page 126 and 127:
Janheinz, J.1972.“John Langalibal
Page 128 and 129:
Kaschula, R. H.1997.Exploring the O
Page 130 and 131:
Mphahlele, E.1974.The African Image
Page 132 and 133:
Opland, J.1983.“Xhosa Oral Poetry
Page 134 and 135:
Shepherd, R.H.W.1955.“Samuel Edwa
Page 136 and 137:
APPENDIX IINTERVIEW EXCERPTS FOR TH
Page 138 and 139:
evolved unique styles that are pecu
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Answer: A man who defied racial dis
Page 142 and 143:
APPENDIX IITABULATED SUMMARY OF INT
Page 144 and 145:
NTANTISOhe was a specialand a linea
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think of somebodyhandling earlyraci
Page 148 and 149:
as a poetic legendcontroversialrepr
Page 150:
APPENDIX IIIFINAL INFERENCESS.E.K.
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