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CHAPTER TWO: THEORETICAL FRAMEWORK 27INTRODUCTION 27SEMIOTIC APPROACHES 272.2.1 FUNCTIONALIST STRUCTURAL APPROACH 272.2.2 HYPOTHETICAL-DEDUCTIVE STRUCTURAL APPROACH 28SEMIOTICS AS OSTENSIVE SIGNS IN THE STUDY OFMQHAYI'S POETRY 28BIOGRAPHICAL SKETCH OF S. E. K. MQHAYI 482.5 SUMMARY 52CHAPTER THREE: ICONIC AND CONVENTIONAL SIGNS 533.1 INTRODUCTION 533.2 ICONIC SIGNS 533.3 CONVENTIONAL SIGNS 583.4 SUMMARY 61vi
CHAPTER FOUR: SYMBOLIC AND MOTIVATIONAL SIGNS 624.1 INTRODUCTION 624.2 PATRIOTISM 624.3 SYMBOLISM 794.4 MOTIVATION 914.5 SUMMARY 104CHAPTER FIVE: CONCLUSION 1055.1 INTRODUCTION 1055.2 PROJECT EN-WRAPPING 1065.3 SUGGESTIONS FOR FUTURE RESEARCH 1095.4 SUMMARY 111BIBLIOGRAPHY 113APPENDIX I 122APPENDIX II 128APPENDIX III 136vii
Page 2 and 3: DECLARATIONI declare that SEMIOTICS
Page 4 and 5: DEDICATIONThis work is dedicated wi
Page 8 and 9: ABSTRACTIn reference to Moleleki (1
Page 10 and 11: CHAPTER ONEINTRODUCTION1.1 AIMS AND
Page 12 and 13: The whole project to a great extent
Page 14 and 15: Another significance of this resear
Page 16 and 17: to actually be somewhere at the mom
Page 18 and 19: 1.7 LITERATURE REVIEW1.7.1 REVIEW O
Page 20 and 21: Mqhayi learnt responsibility at a v
Page 22 and 23: was the same man who, in journalist
Page 24 and 25: Mqhayi was a man of his people, who
Page 26 and 27: Mqhayi in the following lines write
Page 28 and 29: family will be brought to you, to b
Page 30 and 31: According to Qangule's (1979 p. 10)
Page 32 and 33: Services in Support of Black and Wh
Page 34 and 35: Here again, Qangule (1979 p. 14) sa
Page 36 and 37: CHAPTER TWOTHEORETICAL FRAMEWORK2.1
Page 38 and 39: 2.3 SEMIOTICS AS THE OSTENSIVE SIGN
Page 40 and 41: Yez' ixhom' izindwe yaxhom' ugijo;Y
Page 42 and 43: viii.Tarhu bawo, sive yiphi na?Gqit
Page 44 and 45: iv.Here comes the boy of the raw du
Page 46 and 47: viii.Forgive me, O Father, but whic
Page 48 and 49: comparison to Nabulele being the mo
Page 50 and 51: Here the coming of missionaries of
Page 52 and 53: Iincwadi sifundisiwe,Le nyaniso iya
Page 54 and 55: v. You have committed no wrong son
Page 56 and 57:
The following are the semiotic anal
Page 58 and 59:
names, one of them Loliwe (Railway
Page 60 and 61:
1937, a long epic work in eight can
Page 62 and 63:
CHAPTER THREEICONIC AND CONVENTIONA
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“Whoever feeds on my flesh and dr
Page 66 and 67:
justice as an icon of justice. Hale
Page 68 and 69:
“depending on or according with c
Page 70 and 71:
The entire stanza explanation as I
Page 72 and 73:
UMAFUKUZELA (UDR.J.L.DUBE)i. Phinde
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vi.Awu! Laqumb’ ithole lesilo sak
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Pushing aback the dust of the soil
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Your soul, you will retain;Your lif
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Although Mqhayi was an ardent belie
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Carrying the burden of Africa, its
Page 84 and 85:
In this fourth stanza, Dube is inst
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this extensive family are unpopular
Page 88 and 89:
4.3 SYMBOLISM:The fourth poem (from
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vi.Tarhuni baseLusuthu!Umhlekazi l
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Like enormous reality,-The house of
Page 94 and 95:
The following are the semiotic anal
Page 96 and 97:
the third and fourth lines of the s
Page 98 and 99:
We could almost say we are ruined,W
Page 100 and 101:
4.4 MOTIVATION:The fifth and last p
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Inkunz’ emathol’ aziincoyinco.I
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Ubaw’akafile uhleli;Kux’asasing
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House of Sir sikhukhuni,The news ha
Page 108 and 109:
And even changed Mgulugulu,That is
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elief that views death as a journey
Page 112 and 113:
VIII.Stanza eight is also an apprai
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CHAPTER FIVECONCLUSION5.1. INTRODUC
Page 116 and 117:
aspect of the chapter as is to a gr
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style. As is the case with chapter
Page 120 and 121:
there that would help. A researcher
Page 122 and 123:
BIBLIOGRAPHY(MENTIONED AS WELL AS Q
Page 124 and 125:
Finnegan, R. 1989.Oral Tradition an
Page 126 and 127:
Janheinz, J.1972.“John Langalibal
Page 128 and 129:
Kaschula, R. H.1997.Exploring the O
Page 130 and 131:
Mphahlele, E.1974.The African Image
Page 132 and 133:
Opland, J.1983.“Xhosa Oral Poetry
Page 134 and 135:
Shepherd, R.H.W.1955.“Samuel Edwa
Page 136 and 137:
APPENDIX IINTERVIEW EXCERPTS FOR TH
Page 138 and 139:
evolved unique styles that are pecu
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Answer: A man who defied racial dis
Page 142 and 143:
APPENDIX IITABULATED SUMMARY OF INT
Page 144 and 145:
NTANTISOhe was a specialand a linea
Page 146 and 147:
think of somebodyhandling earlyraci
Page 148 and 149:
as a poetic legendcontroversialrepr
Page 150:
APPENDIX IIIFINAL INFERENCESS.E.K.
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