DG - The Last Conquistador - PBS

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Discussion Guide | The Last ConquistadorGeneral Discussion QuestionsSeason21Immediately after the film, you may want to give people afew quiet moments to reflect on what they have seen. If themood seems tense, you can pose a general question andgive people some time to themselves to jot down or thinkabout their answers before opening the discussion.Unless you think participants are so uncomfortable thatthey can’t engage until they have had a break, don’tencourage people to leave the room between the film andthe discussion. If you save your break for an appropriatemoment during the discussion, you won’t lose the feeling ofthe film as you begin your dialogue.One way to get a discussion going is to pose a generalquestion such as:• If you could ask anyone in the film a single question,who would you ask and what would you ask them?• What did you learn from this film? What insights did itprovide?• Describe a moment or scene in the film that you foundparticularly disturbing, interesting, or moving. Whatwas it about that scene that was especially compellingfor you?Acoma Pueblo.Photo courtesy of Valadez Media© American Documentary, Inc.14
Discussion Guide | The Last ConquistadorDiscussion PromptsSeason21The Power of Artconquistador who brought Hispanic culture and the Catholicreligion to the American southwest and Oñate as the• John Houser acknowledges, “The resurrection of historycommander responsible for physical and cultural genocide?through art has liabilities.” How would you describe those“liabilities”? In contrast, what unique contributions can artmake to a community’s sense of its own history?The Role of History• Houser says about Oñate, “It’s not up to me to defend him • Which histories are acknowledged in your community? Door accuse him.” What is the role and responsibility of the artistto the community when creating public art?some accounts stand out more than others? How do you thinkpeople are affected when their history is erased from memory• Houser says that size gives the statue “power.” In your or misrepresented?view, what message is communicated by the size of the statue? • In response to criticism of the monument’s subject,• Opponents suggest that the statue glamorizes genocide Conchita Lucero asks, “Which one of us hasn’t had a benefit ofand the oppression of Native American people. What the things that the Spanish brought?” List the things that Oñatemessage(s) do you take away from thestatue? If you didn’t know anythingabout Juan de Oñate and were simplylooking at it as a sculpture, how wouldrepresents to people of Hispanicheritage. List what he represents tothe Acoma. In what ways were theconquistadors who came to the areayou interpret its message(s)?similar to Europeans who firstsettled the eastern seaboard? How• Houser says, “History is full ofwere they dissimilar?all kinds of dark things. If you tell thehistory the way it actually was,• In response to suggestionsprobably nobody would ever want thethat it is time for the Acoma to “letstatue unveiled. Probably peoplego” of the past or “get over it,” awouldn’t come to look at it. Probablypeople would move away from it.”Contrast this with his description ofthe details on the statue: “Whereverwe do things that are historic, we tryto be as accurate as we can.” DoesNative American man says, “Our cityis thinking about putting up a statueof an individual that massacred ortried to wipe us off the face of theearth …. You’re going to tell yourgrandchildren, ‘I remember 9/11.’Houser’s statue tell an accurateWell, we remember Juan de Oñate.”historical story? Does it tell aMaurus Chino says, “Violence iscomplete story? Is it possible to beviolence; genocide is genocide, andArtist John Houser with head of Juan de Oñate.accurate without being complete?there has to be recognition aboutPhoto courtesy of The XII Travelers Committeewhat really happened.” What is the• Houser says that the statue hasdifference between “letting go” orbecome a “moral dilemma.” Describe the dilemma for the artist“getting over it” and healing? Under what circumstances mightand the monument’s funders.seeking justice for genocide be subject to an “expiration date”?• Opponents create a sculpture of a foot to symbolize How far back into history is it reasonable to go to demandOñate’s dismemberment of Acoma men. How would you justice from people alive today?artistically represent the contrasting visions of Oñate as heroic© American Documentary, Inc.15
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DG - The Last Conquistador - PBS

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