April 25, 2009 Fine Art Auction Catalog - Fuller's Fine Art Auctions
April 25, 2009 Fine Art Auction Catalog - Fuller's Fine Art Auctions
April 25, 2009 Fine Art Auction Catalog - Fuller's Fine Art Auctions
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<strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>Saturday, <strong>April</strong> <strong>25</strong>, <strong>2009</strong> at 12 Noon730 Carpenter Lane, Philadelphia, PA 19119-3406Including works from various Estates, Private Collections and InstitutionsPreviews:<strong>April</strong> 18 – 24, <strong>2009</strong> (Saturday through Friday), Daily from 12 Noon until 6 pmPreview reception open to the public on Thursday, <strong>April</strong> 23 from 5 pm until 8 pmDay of Sale, Saturday, <strong>April</strong> <strong>25</strong>, beginning at 9 amPreview the Sale online at www.FullersLLC.com<strong>Catalog</strong> ContentsLots 1 - 211 pages 4 - 27Terms and Conditions of Sale pages 28 - 30Terms of Guarantee page 31Alphabetical Index of <strong>Art</strong>ists’ Names page 32JEFFREY P. FULLER, PENNSYLVANIA AUCTIONEER LICENSE AU005414FULLER’S LLC, PA <strong>Auction</strong> Company License RY000923Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Important Notice to all Buyers:A buyer’s premium will be added to the successful bid and is payable by the Buyer aspart of the total purchase price. The buyer’s premium for each individual lot is 15% of thesuccessful bid price up to and including $500,000, and 12% on any amount in excess of$500,000, except for Live <strong>Auction</strong>eers. Please refer to the Terms and Conditions of Sale inthis catalog for further details.Fuller’s <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s is now accepting consignments for our forthcomingauctions. We offer competitive terms for your works of art. Please call Jeffrey Fuller at215-991-0100 or email info@FullersLLC.com at your earliest convenience.Location: Fuller’s <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s is located in a Wissahickon schist stone warehousebuilding in the historic northwest section of Philadelphia known as West Mt. Airy, one blockfrom Carpenter’s Woods.<strong>Auction</strong> catalog with real time online bidding is available throughLive <strong>Auction</strong>eers (www.liveauctioneers.com)Visit our website www.FullersLLC.com for complete catalog and bidding instructions.Please note that all of the works of art reproduced in this catalog and on our website whereapplicable are copyright the artists or the estates of the artists.Cover illustration: Lot 55Back cover illustration: Lot 64Copyright © <strong>2009</strong> Fuller’s LLC. All Rights Reserved2Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Dear Friends and Colleagues,It is with great enthusiasm that we present this <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>.With thirty years experience as a full service, quality fine arts businessspecializing in the sale and appraisal of fine art, we are proud to bringthe works of art in this Sale to auction.In the following pages you will find a diversity of works of art spanningcenturies. This Sale includes a collection of 19 th Century British workson paper, 19 th Century animalier bronzes together with 20 th Centurypaintings and prints. There is some treasure here for everyone.As the founder and director of Fuller’s <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s and JeffreyFuller <strong>Fine</strong> <strong>Art</strong>, Ltd., I thank all of the Consignors of the works that weare please to offer for sale through this auction. I am indebted to ourwonderful staff, especially Jim Robinson, Marie Woodward, and GaryPelkey, who have carefully and thoroughly prepared all that will makethis auction a success. And most of all, I thank you the bidders andbuyers without whom there would be no sale.Thank you.Jeffrey P. FullerDirectorFullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 3
10. Edward Calvert (British, 1799-1883) Parkland with Figures, ink on paper, notation in pencilon verso “Edward Calvert”, 7-1/8 x 9-1/4 inches (sheet), under glass in a mat in wood frame.Exhibitions: “The Visionary Gleam,” The Little Gallery, London <strong>April</strong> 21-May 12, 1977(catalog no. 7). Provenance: The Little Gallery, London; Estate of John R. Kaiser. $400-600.11. Edward Calvert (British, 1799-1883) Shepherd with Flock, watercolor on paper, notation inpencil on verso “Edward Calvert”, 6-1/8 x 9 inches (irregular sheet), under glass in a mat in woodframe. Exhibitions: “Sketches of the Masters,” The Little Gallery, London, October 30-November22, 1975 (catalog no. 9). Provenance: The Little Gallery, London; Estate of John R. Kaiser.$600-800.12. Edward Calvert (British, 1799-1883) Two Female Nudes, oil on board, notation in crayon onverso “Edward Calvert”, 7-3/4 x 4-3/4 inches (board), under glass in a mat in a wood frame.Provenance: Collection of Alfred Herbert Palmer; F. L. Griggs; The Little Gallery, London; Estateof John R. Kaiser. $300-500.13. Edward Calvert (British, 1799-1883) A Wooded Pool, ink on paper, notation on verso “EdwardCalvert” and notation on frame verso “From the Walker Gallery, Bond Street, London. Probablysold to them by A. H. Palmer who supplied them with many Shoreham paintings by his father,Samuel Palmer, and other members of the Shoreham group”, 10-1/8 x 8-1/2 inches (sheet),under glass in a mat in wood frame. Provenance: Alfred Herbert Palmer; Walker Gallery, London;Estate of John R. Kaiser. $600-800.14. Edward Calvert (British, 1799-1883) Woman and Child, graphite and gouache on paper, signedlower left recto “EDW. CALVERT”, 13-1/8 x 9-7/8 inches (irregular sheet), under glass in a mat inwood frame. Provenance: Estate of John R. Kaiser. $300-500.15. attributed to Edward Calvert (British, 1799-1883) Spirit Bride (To Sleep), oil on paper mountedto board, 11 x 13-1/2 inches, wood frame. Exhibitions: “Pictures from an Exhibition” The LittleGallery, May 4-<strong>25</strong>, 1978 (catalog no. 6). Provenance: Little Gallery, London; Estate of John R.Kaiser. $300-500.16. Thomas Churchyard (British, 1798-1865), Suffolk Landscape, watercolor on paper, dated andsigned in ink lower recto “<strong>April</strong> 1836 from Library Window T. Churchyard”, 8-3/4 x 7 inches(sheet), under glass in a mat in wood frame. Provenance: The Little Gallery, London; Estate ofJohn R. Kaiser. $200-400.17. Thomas Clark (British, active circa 1827-1858) The Serpentine, graphite and watercolor onpaper, 4-1/2 x 6-3/4 inches (sheet), under glass in a mat in wood frame. Exhibitions: “TheVisionary Gleam” Little Gallery, London <strong>April</strong> 21-May 12, 1977 (exhibition catalog no. 8).Provenance: Thomas Agnew & Sons, Ltd.; The Little Gallery, London; Estate of John R. Kaiser.$150-300.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 5
18. Thomas Clark (British, active circa 1827-1858) In Hyde Park, pastel on paper, titled on labelmounted to backing sheet “In Hyde Park”, 4-3/8 x 6-1/2 inches (sheet), under glass in a mat inwood frame. Exhibitions: “In England’s Green and Pleasant Land,” May 20-29, 1982 (catalog no.6). Provenance: The Little Gallery, London; Estate of John R. Kaiser. $200-400.19. Francis Danby (British, 1793-1861) Stream and Falls, ink wash on paper, notation in pencilon verso “Danby”, 8-1/2 x 7-3/4 inches (irregular sheet), under glass in a mat in wood frame.Provenance: Estate of John R. Kaiser. $200-300.20. Peter De Wint (British, 1784-1849) View of Salisbury Cathedral from the Meadows, circa 1840,graphite on paper, with notation in pencil on verso “De Wint / Salisbury”, 4-1/4 x 9-3/8 inches(irregular sheet), under glass in a mat in wood frame. Provenance: The Little Gallery, London;Estate of John R. Kaiser. $200-400.21. Daniel Finch (British, 1789-1868) Wooded Stream, ink and ink wash on paper, notation on matverso “D Finch”, 6-1/4 x 7-7/8 inches (sheet). Provenance: Paul Watson, England; Estate of John R.Kaiser. $150-<strong>25</strong>0.22. Daniel Finch (British, 1789-1868) Canal Scene, ink and ink wash on paper, 5-1/2 x 6-1/2 inches(sheet). Provenance: Paul Watson, England; Estate of John R. Kaiser. $100-200.23. Heneage Finch, Fourth Earl of Aylesford (British, 1751-1812), Woodland Sketch, ink and inkwash on paper, 4-5/8 x 7-3/4 inches (sheet). Provenance: Paul Watson, England; Estate of John R.Kaiser. $300-500.24. Heneage Finch, Fourth Earl of Aylesford (British, 1751-1812) Landscape Panorama, ink andink wash on paper, notation inside of mat “Heneage Finch 4th Earl of Aylesford, 1751-1812 / exCollection Gilbert Davis”, 2-1/8 x 7-7/8 inches (sheet). Provenance: Collection of Gilbert Davis;Paul Watson, England; Estate of John R. Kaiser. $200-300.<strong>25</strong>. Heneage Finch, Fourth Earl of Aylesford (British, 1751-1812) At Moulsey, ink and ink wash onpaper, inscribed in pen and brown ink on the original mount “at Moulsey” with notation on matverso “Heneage Finch, Earl of Aylesford 1751-1812 / Farm Buildings at Moulsey with Pheasantsin the Foreground...”, 8-1/2 x 11 inches (sheet), Exhibitions: “Exhibition of English Drawings,Watercolours and Paintings,” P. & D. Colnaghi & Co., Ltd., November 14-December 7, 1973(no. 91); “Landscape at Moulsey with Trees, Buildings and Turkeys,” P. & D. Colnaghi & Co., Ltd.Provenance: P. & D. Colnaghi & Co., Ltd., London; Estate of John R. Kaiser. $600-800.26. Heneage Finch, Fourth Earl of Aylesford (British, 1751-1812) Packington, ink and ink wash onpaper, titled in ink on the mount “Packington” with notation in pencil “Lord Aylesford”, 8-1/2 x10-1/2 inches (sheet). Provenance: Estate of John R. Kaiser. $400-600.6Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
27. Heneage Finch, Fourth Earl of Aylesford (British, 1751-1812) In the Park at Packington, inkand ink wash on paper, titled in the mount “In the Park at Packington” with notation in pencilon verso “Heneage Finch, 4th Earl of Aylesford / In the Park at Packington”, 10-1/2 x 11 inches(sheet). Provenance: P. & D. Colnaghi & Co., Ltd., London; Estate of John R. Kaiser. $600-800.28. Heneage Finch, Fourth Earl of Aylesford (British, 1751-1812) Brecknock, South Wales, charcoal,conté crayon, and ink wash on paper, titled on the mount “near Brecknock” with notation onverso “Heneage Finch 4th Earl of Aylesford”, 8-3/8 x 11-3/8 inches (sheet). Provenance: PaulWatson, England; Estate of John R. Kaiser. $600-800.29. Henrietta Anne Fortescue (British, born circa 1765-1841) Le Chateau de Chalant near Varey, inthe Val d’Aosta, 1817, ink on paper, titled, signed and dated lower recto “Le Chateau de Chalantnear Varey, in the Val d’Aoasta H.A. Fortescue Nov. 21st 1817”, 10-3/8 x 14-1/2 inches (sheet).Provenance: Estate of John R. Kaiser. $200-400.30. Henrietta Anne Fortescue (British, born circa 1765-1841) Fontanamore, 5 miles, North of S.Martin, 1817, graphite and ink on paper, titled, signed and dated lower recto “Fontanamore, 5miles, North of S. Martin H.A. Fortescue Dec. 2 1817”, 10-1/4 x 15 inches (sheet). Provenance:Estate of John R. Kaiser. $200-400.31. Myles Birket Foster (British, 18<strong>25</strong>-1899) View on the River Dove, watercolor on paper, initialedlower right recto with signature device “BF,” with notation in pencil on verso “Birket Foster”, 6 x10-7/8 inches (sheet), under glass in a mat in wood frame. Provenance: Estate of John R. Kaiser.$600-900.32. William Samuel Howitt (British, circa 1765-1822) Fox in a Landscape, watercolor on paper,“Howitt / Canis aurous / from Life in the Forest”, signed lower left recto and titled in lowermargin, 9-1/8 x 7-1/2 inches (sheet), under glass in a mat in wood frame. Provenance: Estate ofJohn R. Kaiser. $200-300.33. Alexander Jamieson (British, 1873-1937) Parkland in Scotland, watercolor on paper, 6 x 8-3/8inches (sheet), under glass in a mat in wood frame. Provenance: The Little Gallery, London;Estate of John R. Kaiser. $300-500.34. Lucy Elizabeth Kemp-Welch (British, 1869-1958) In the Pond, watercolor on paper, “LUCY KEMPWELCH STUDIO COLLECTION”, blind stamped, 7-1/4 x 11-1/4 inches (irregular sheet), underglass in a mat in wood frame. Exhibitions: “The Life and Work of Lucy Kemp-Welch”, DavidMessum, Buckinghamshire and London, May 1- May 22, 1976 (catalog no. 69, reproduced page98). Provenance: David Messum, London; Estate of John R. Kaiser. $300-500.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 7
35. Horace Mann Livens (British, 1862-1936) Gypsy Caravans on Epsom Downs, pastel on paper,initialed lower left recto “HML”; with notation on verso “H. M. Livens / Gypsies on EpsomDowns”, 4 x 4-3/4 inches (sheet), under glass in a mat in wood frame. Exhibitions: “Sketches ofthe Masters,” The Little Gallery, London, May 21-June 4, 1981. Provenance: The Little Gallery,London; Estate of John R. Kaiser. $150-<strong>25</strong>0.36. Edward Lear (British, 1812-1888) View of Larissa, Greece, watercolor and ink on paper, titled anddated lower right recto “Larissa / Ap. 24” with pencil notation on verso “Edward Lear / View ofLarissa / Greece”, 5-1/2 x 9 inches (sheet), under glass in wood frame. Exhibitions: “Constableand Others,” May 6-28, 1976 (catalog no. 29). Provenance: The Little Gallery, London; Estate ofJohn R. Kaiser. $500-700.37. Samuel Palmer (British, 1805-1881) Devonshire Landscape (with watercolor sketch on verso),watercolor on paper, notation on verso of frame “From the collection of A.H. Palmer” 6-7/8 x9-7/8 inches (sheet), under glass in a mat in wood frame. Provenance: Alfred Herbert Palmer;The Little Gallery, London; Estate of John R. Kaiser. $2000-3000.38. attributed to Samuel Palmer (British, 1805-1881) The Waterfall, graphite and watercolor onpaper, notation in pencil on verso “Samuel Palmer”, 10-1/4 x 7 inches (sheet), under glass in amat in wood frame. Exhibitions: “Constable and Others,” The Little Gallery, London, May 6-May28, 1976 (catalog no. 36). Provenance: The Little Gallery, London; Estate of John R. Kaiser. $300-500.39. British School, 19 th Century Edward Calvert with His Daughter, watercolor over pencilheightened with bodycolor, notation in pencil on verso “Samuel Palmer”, 9-3/4 x 11-7/8 inches(sheet). Exhibitions: “The Visionary Gleam,” The Little Gallery, London <strong>April</strong> 21-May 12, 1977,(catalog no. 27). Provenance: The Little Gallery, London; Estate of John R. Kaiser. $100-200.40. Edmund Thomas Parris (British, 1793-1873) Kensington Gardens, 1840, graphite on paper,titled and dated lower left recto “Kensington Gardens 1840”; with notation on verso “EdmundThomas Parris 1793-1873 / London”, 4-5/8 x 7-1/4 inches (sheet), under glass in a mat in woodframe. Provenance: The Little Gallery, London; Estate of John R. Kaiser. $100-200.41. Edmund Thomas Parris (British, 1793-1873) Kensington Gardens, The Serpentine, 1840, graphiteon paper, titled, initialed and dated lower right recto “Kensington Gardens ETP May 30th 1840”with notation on verso “Edmund Thomas Parris 1793-1873 London”, 5-1/4 x 7 inches (sheet),under glass in a mat in wood frame. Provenance: Estate of John R. Kaiser. $100-200.42. Samuel William Reynolds (British, 1773-1835) Portrait of Thomas Girtin, mezzotint, 15 x 10-1/4inches (plate); 19-1/2 x 14-1/2 inches (sheet). Provenance: Estate of John R. Kaiser. $100-200.8Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
43. John Macallan Swan (British, 1847-1910), Sketch of a Leopard, charcoal on paper, “John MSwan”, signed lower left recto, 12-3/4 x 8-7/8 inches (sheet), under glass in a mat in wood frame.Provenance: Abbott and Holder, London; Estate of John R. Kaiser. $200-400.44. John Macallan Swan (British, 1847-1910) Tiger, graphite and watercolor on paper, notation inpencil on verso “J. M. Swan, RA”, 6-1/4 x 4-5/8 inches (sheet), under glass in a mat in wood frame.Provenance: The Little Gallery, London; Estate of John R. Kaiser. $200-400.45. James Ward (British, 1769-1859) Portrait of a Cat, charcoal on paper, signed lower right verso “J.Ward” with notation in pencil on verso “James Ward”, 7-1/2 x 6-1/2 inches (sheet), under glass ina mat in wood frame. Provenance: The Little Gallery, London; Estate of John R. Kaiser.$300-500.46. Ian Seymour Wells (British, b. 1937) Tiger Wells, ink on brown envelope with original postmark,signed and titled along lower margin “Ian Seymour Wells Tiger Wells I. Seymour Wells”, 7-1/4 x11 inches (irregular sheet), under glass in a mat in wood frame. Exhibitions: “In England’s Greenand Pleasant Land,” The Little Gallery, London, May 20-29, 1982. Provenance: The Little Gallery,London; Estate of John R. Kaiser. $100-200.47. Joseph Wolf (British, 1820-1899) Study of a Leopard Cat, graphite, ink and watercolor on paper,signed and titled in pencil lower recto “J. Wolf F. Bengalensis” with notation on verso “ FelisBengalis or Leopard Cat (India, China & S. E. Asia)”, 4-7/8 x 7-5/8 inches (sheet), under glass in amat in wood frame. Provenance: The Little Gallery, London; Estate of John R. Kaiser. $300-500.48. A Memoir of Edward Calvert <strong>Art</strong>ist by His Third Son Illustrated with Reproductions from hisOwn Paintings and Sketches London: Sampson Low, Marston and Company, Ltd., 1893 signedby the author and numbered 44 of 350; with 7 books and catalogs on artists Edward Calvertand Samuel Palmer including the following titles: Raymond Lister Edward Calvert London: G.Bell and Sons, Ltd., 1962. Samuel Palmer & His Circle: The Shoreham Period London: The <strong>Art</strong>sCouncil of Great Britain, 1957. Raymond Lister Samuel Palmer a Biography London: Faber andFaber, 1974. <strong>Catalog</strong>ue of an Exhibition of Drawings, Etchings & Woodcuts by Samuel Palmer andother Disciples of William Blake with an introduction and notes by A. H. Palmer London: Victoria& Albert Museum, 1926. Raymond Lister Samuel Palmer: his life and art Cambridge; CambridgeUniversity Press, 1987. Raymond Lister The Paintings of Samuel Palmer Cambridge: CambridgeUniversity Press, 1985. Carlos Peacock Samuel Palmer: Shoreham and After London: John Baker,1968. Provenance: Estate of John R. Kaiser. $1000-1500.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 9
49. Group of 10 books and catalogs including the following titles: Charles Simpson R.I. Animal& Bird Painting London: B.T. Batsford Ltd., 1939. Wallace Morfey Painting the Day: ThomasChurchyard of Woodbridge Woodbridge, Suffolk: The Boydell Press, 1986. People and Places: AnExhibition of English Watercolours of the 18th and 19th Centuries New York: Shepherd GalleryAssociates, 1992. Denis Thomas, ed. The Price Guide to English Watercolours Woodbridge, Suffolk:Baron Publishing, 1971. Iolo A. Williams Early English Watercolours Bath: Kingsmead Reprints,1970. David d’Angers: 1788-1856 Paris: Hôtel de la Monnaie, 1966. Drawings of John M. SwanR.A. London: George Newnes Limited, New York: Charles Scribner’s Sons, no date. Bernard VanDieren Epstein London: John Lane, The Bodley Head, W. New York: John Lane Company, 1920.Hammond Smith Albert Goodwin, R. W. S.: 1845-1932 Leigh-on-Sea: F. Lewis Publishers, Ltd.,1977. Landscape in Britain: c. 1750-1850 London: The Tate Gallery, 1973. Provenance: Estate ofJohn R. Kaiser. $50-100.50. Group of 18 books and catalogs including the following titles: H. G. Conway Bugatti ‘Le pursangdes automobiles’ Sparkford Yoevil Somerset: G. T. Foulis & Co., Ltd., 1975. art nouveau, artdéco, ventes aux enchères publiques Paris: Mes Guy Loudmer & Hervé Poulain, 16 May 1979.Mary Harvey The Amazing Bugattis London: The Design Council, 1979, signed by Mary Harvey.Rembrandt Bugatti: An Exhibition of Twenty Bronze Sculptures London: The Sladmore Gallery,1998. Rembrandt Bugatti: An Exhibition of Sculpture London: The Sladmore Gallery, 1988. E.Hallums The Quality of Work and the Quality of <strong>Art</strong>: A Study on Bugatti London: Mithra Press, 1979.<strong>Fine</strong> Bronze Sculpture London: The Sladmore Gallery, 1999. Geoffrey Dashwood An Exhibitionof Birds in Bronze London: The Sladmore Gallery, 1987. Albéric Collin A Collection of SculptureLondon: The Sladmore Gallery, 1999. Steinlen’s Cats: Bronzes, Paintings and Drawings London:The Sladmore Gallery, 2002. Un Siecle de Bronzes Animaliers Paris: Galerie Paul Ambroise, 1975.Lilen F. Robinson and Edward J. Nygren Antoine-Louis Bayre: The Corcoran Collection Washington,D.C.: The Corcoran Gallery of <strong>Art</strong>, 1988. French Sculpture: 1780-1940 Somerset: Bruton Gallery,Ltd., 1981. Rodin and the French Genius: 100 Years of Figurative Sculpture Somerset: BrutonGallery, Ltd., 1984. James Mackay The Animaliers: A Collector’s Guide to the Animal Sculptors ofthe 19th & 20th Centuries New York: E. P. Dutton & Co., 1973. Jane Horswell Bronze Sculpture of‘Les Animaliers’ Reference and Price Guide Suffolk: The Antique Collectors’ Club, 1971. ChristopherPayne Animals in Bronze: Reference and Price Guide Suffolk: Antique Collectors’ Club, 1986.Jeremy Cooper Nineteenth-Century Romantic Bronzes Boston: New York Graphic Society, 1975.Provenance: Estate of John R. Kaiser. $50-100.51. French School, 19th Century Goat and Sheep, ink on paper, 3-1/8 x 5 inches (sheet), underglass in a mat in wood frame. Provenance: Estate of John R. Kaiser. $100-150.52. McCurdy (20th Century) Face of the Prophet, ink and wash on mat board, signed lower rightrecto “McCurdy”, 13 x 10 inches (sheet), under glass in a mat in a wood frame. Provenance:Estate of John R. Kaiser. $100-200.10Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
53. Théophile Alexandre Steinlen (Swiss/French, 1859-1923) Sketches of Cats, graphite on paper,14-1/8 x 10-3/4 inches (sheet), under glass in a mat in wood frame. Exhibitions: “Cats by Steinlenand Nam,” Ferrers Gallery, March 1971 (catalog no. 9). Provenance: Ferrers Gallery, London;Estate of John R. Kaiser. $300-500.54. Théophile Alexandre Steinlen (Swiss/French, 1859-1923), Reclining Cat, graphite on paper, 5 x9-5/8 inches (irregular sheet), under glass in a mat in wood frame. Provenance: Ferrers Gallery,London; Estate of John R. Kaiser. $150-<strong>25</strong>0.55. Giovanni Boldini (Italian, 1842-1931) Seated Woman with Cat, oil on panel, signed lowerleft recto “Boldini”, 23.9 x 19 cm (9-3/8 x 7-1/2 inches), in a period gilt wood frame. Privatecollection, Merion Station, PA. This work of art has been authenticated by Dott.ssa FrancescaDini. $60,000-90,000.56. Walter C. Hartson (American, 1866-1946) Landscape with Windmill, watercolor on paper,signed lower left recto “WC Hartson”, 8 x 10 inches (sight), under glass in a mat in a wood frame.$100-200.57. Edmund Darch Lewis (American, 1835-1910) River Landscape with Figures, 1870, oil on canvasmounted to Masonite, signed and dated lower right recto “Edmund D. Lewis 1870”, 30 x 50-1/4inches, period carved wood frame. Provenance: Private Collection, Newark, DE. $3000-5000.58. James Hamilton (American, 1819-1878) Coastal Cliffs, oil on canvas mounted to Masonite,signed lower right recto “Hamilton”, 30 x 50 inches, wood frame. Provenance: Private Collection,Newark, DE. $2000-4000.59. Alexander Charles Stuart (American, 1831-1898) Sunset on the Coast, circa 1885, oil on canvas,signed lower left recto “Stuart.”, 30 x 50 inches, wood frame. Provenance: Private Collection,Newark, DE. $1000-1500.60. C. K. Hardy (American, 19 th Century) Foxhound with Rabbit, 1874, oil on canvas, signed anddated lower right recto “C.K. Hardy 1874”, 18 x 24-1/4 x 1 inches (stretcher), period gilt plasterframe. Provenance: Estate of John R. Kaiser. $800-1200.61. Middle European School The Last Supper, reverse painting on glass, 21-1/4 x 19 inches(object), wood frame. Provenance: Fleisher <strong>Art</strong> Memorial, Philadelphia; Private collection.$100-200.62. Middle European School Two Angels, reverse painting on glass, 19 x 16-3/4 inches (object),wood frame. Provenance: Fleisher <strong>Art</strong> Memorial, Philadelphia; Private collection. $100-200.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 11
63. Jeremiah Wilson (American, 1824-1899) After Titian’s Venus, 1859, oil on board, titled, dated,signed on verso “After Titian’s Venus in the Academie de Belle <strong>Art</strong>e, Venice, Italy / June 1859 / byJeremy Wilson”, 6 x 8 inches (board), wood frame. $300-500.64. Rembrandt Bugatti (Italian, 1885-1916) Jaguar assis, 1908, bronze with brown patina,inscribed, stamped and numbered “Bugatti / CIRE / PERDUE / A. A. HEBRARD / (M)”, 5-1/2 x 8 x 3inches. (M) or Modèle is the proof copy, i.e. the first. Literature: the Modèle (M) will be included inthe forthcoming Rembrandt Bugatti catalogue raisonné currently being prepared by VéroniqueFromanger; Edward Horswell, Rembrandt Bugatti: Life in Sculpture Somerset: Butler and Tanner,2004 (another cast reproduced pp. 96-97); Jacques-Chalom Des Cordes, Rembrandt Bugatti:catalogue raisonné Paris: Editions de l’Amateur, 1987 (another cast reproduced p. 203); PhilippeDejean Bugatti: Carlo, Rembrandt, Ettore, Jean New York: Rizzoli, 1982 (another cast reproducedp. 154); Mary Harvey Bronzes of Rembrandt Ascot: Palaquin Publishers, 1979 (another castreproduced p. 40). Exhibitions: Galerie Hébrard, 1908; Salon d’Automne, 1908; Société Nationalede Zoologie, Anvers, 1908; Sladmore Gallery, London, 1998. Provenance: Sladmore Gallery,London; Estate of John R. Kaiser. $50,000-75,000.65. May Malone Stanhope Ashton (American, 1878-1976) House among Trees, oil on canvas,signed lower left recto “M. Ashton”, 18 x 24 inches (stretcher), wood frame. $100-200.66. NO LOT.67. Leon Sitarchuk (American, 1922-1993) Small Change, 1952, oil on canvas, signed and dated onrecto “SITARCHUK ‘52”, 30 x 18 inches (stretcher), wood frame. $200-300.68. Leon Sitarchuk (American, 1922-1993) Two works on paper: Two Men and Three People, 1953,oil on paper, each signed and dated lower left recto “SITARCHUK ‘ 53”, Two Men: 10-1/4 x 6-1/2inches (sight); Three People: 7 x 5-3/4 inches (sight), each framed. $100-150.69. Leon Sitarchuk (American, 1922-1993) Backyard Landscape, signed and dated on recto “L.SITARCHUK ‘41”; 26 x 22 inches (irregular canvas): 22 x 18 inches (image). $1<strong>25</strong>-175.70. Leon Sitarchuk (American, 1922-1993) Factories Along River, 1951, oil on canvas, signed anddated on recto “SITARCHUK ‘51”, 12 x 16 inches (canvas). $100-150.71. Beth Duke (American, b. 1944) Bedded Down, oil on board, signed lower right recto “B Duke”,11-7/8 x 16 inches (board). wood frame. Provenance: Texas Trails Gallery, San Antonio Texas;Estate of John R. Kaiser. $80-120.72. William A. Redgrave (British, 1903-1986) Kneeling Man, Torso and Mau-Mau or Cat, bronze(each), Torso: initialed and numbered “WAR 1/5”; Cat: numbered on bottom “1/9”, Torso: 4-1/4 x3 x 3-3/8 inches; Cat: 1-5/8 x 3-1/2 x 1-3/4 inches, Foundry: <strong>Art</strong> Bronze Foundry, London (each);Provenance: Estate of John R. Kaiser. $100-200.12Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
73. William A. Redgrave (British, 1903-1986) Diana Rigg (Portrait), 1972, bronze, signed andnumbered “Redgrave / 3/5”, 17 x 12 x 5-1/4 inches, 3 x 7 x 5 inches (black stone base), Foundry:<strong>Art</strong> Bronze Foundry, London. Provenance: acquired directly from the artist; Estate of John R.Kaiser. $800-1200.74. William A. Redgrave (British, 1903-1986) Self Portrait, 1981, oil on canvas, initialed and datedlower right recto “WR 1981”, 14-3/8 x 9-3/8 inches (canvas). Provenance: Estate of John R. Kaiser.$200-300.75. Francesco J. Spicuzza (American, born Italy, 1883-1962) Evening Landscape, pastel on paper,signed lower left recto “SPICUZZA”, 13 x 9-1/2 inches (sight), under glass in wood frame.$200-300.76. Adolf <strong>Art</strong>hur Dehn (American, 1895-1968) Road to Port au Prince, 1952, lithograph, numbered,titled, signed and dated along lower margin “10/<strong>25</strong> Road to Port au Prince Adolf Dehn 1952”, 12x 15-3/4 inches (image), under glass in wood frame. Literature: Lumsdaine and O’Sullivan,(no. 492). $100-150.77. Richard Taicher (American, 1929-1989) The Boss, oil on canvas, signed lower right recto“TAICHER”, 22 x 15 inches, wood frame. Provenance: Pearl Fox, Philadelphia; ARCO Chemical Co.,Newtown Square, PA. $100-200.78. Marion Greenwood (American, 1909-1970) Untitled, ink on paper, signed lower left recto“Marion Greenwood”, 17-1/2 x 11-1/4 inches (sight), under glass in wood frame. $100-200.79. Martin Jackson (American, 1919-1986) Pine St-Memory, oil on board, signed lower left recto“Martin Jackson”, 18 x 10-3/4 inches, wood frame. Provenance: Private Collection, Wynnewood,PA. $300-400.80. Carole J. Meyers (American, 20th Century) I See You, 1996, monoprint, signed lower rightrecto “Carole J. Meyers”, <strong>25</strong> x 27 inches (sheet), under glass in wood frame. Provenance: PAFA,Philadelphia; ARCO Chemical Co., Newtown Square, PA. $100-200.81. Mary Abbott (American, b. 1921) Collage, oil, oil stick and collage on paper, signed lower rightrecto “Abbott”, 18 x 24 inches (sheet), under glass in metal sectional frame. $<strong>25</strong>00-3500.82. Bill Wheeler (American, b. 1948) Ionia 2, 1989, collograph, titled, numbered, signed and datedlower center recto “Iona 2, 5/<strong>25</strong>, Bill Wheeler 89”, 18-1/2 x 12-1/2 inches (sight), under Plexiglasin wood frame. Provenance: Ronbie Editions Inc., Yardley, PA; ARCO Chemical Co., NewtownSquare, PA. $100-200.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 13
83. Bill Wheeler (American, b. 1948) Juke Joint 2, 1990, collotype, titled, numbered, signed anddated on recto “Juke Joint 2 4/75 Bill Wheeler, ‘90”, 36 x <strong>25</strong> inches (sheet), under Plexiglasin wood frame. Provenance: Ted Schwartz FA, Colorado Springs; ARCO Chemical Company,Newtown Square, PA. $100-200.84. Piero Dorazio (Italian, 1927-2005) Untitled, 1968-1978, etching and aquatint in colors,numbered, signed and dated along lower margin “59/80 Dorazio ‘68/78”, 13-1/2 x 10-3/4 inches(plate); 27-1/2 x 19-1/2 inches (sheet), under Plexiglas in wood frame. Provenance: ARCOChemical Co., Newtown Square, PA. $200-300.85. Niki de Saint Phalle (French, 1930-2002) Scarf, 1999, screenprint in colors on fabric, signedin screenprint in upper left”1999 Niki de Saint Phalle & Flammarion 4”, 20-1/2 x 20-1/2 inches.$200-300.86. Marcel Wyss (Swiss, b. 1930) Hexagonal Trio I, screenprint in colors, numbered and initialedalong lower margin “40/100 MW”, 28-1/2 x 21 inches (sight), under Plexiglas in metal sectionalframe. Provenance: Weil Brothers Gallery, Miami Beach, FL; ARCO Chemical Co., NewtownSquare, PA. $100-200.87. Arman (Armand Pierre Fernandez) (French/American, 1928-2005) Hommage à Marcel Duchamp:To and For Rose Selavy, 1973, inclusion in resin, chess pieces, cigars, offset printed papers, eachresin piece numbered and signed on recto “40/90 Arman”, 18 x 9 x 3-3/4 inches (closed box).$6000-8000.88. Leo Leuppi (Swiss, 1893-1972) Untitled, 1968, screenprint in colors, numbered, signed anddated along lower margin “43/50 Leo Leuppi 68”, 18-1/2 x 13-1/2 inches, under Plexiglas inwood frame. Provenance: Atlantic Richfield Co., Los Angeles; ARCO Chemical Co., NewtownSquare, PA. $100-200.89. John Ihle (American, b. 19<strong>25</strong>) Sadie Baker & Ace Willis Campbell, photo etching, numbered, titledand signed along lower margin “A/P ‘Sadie Baker & Ace Willis Campbell Ihle”, 39-3/4 x 22 inches(sheet), under glass in metal sectional frame. Provenance: The Print Club, Philadelphia; AtlanticRichfield Co., Los Angeles; ARCO Chemical Co., Newtown Square, PA. $100-200.90. Carlo Vivarelli (Swiss, born after 1919-died after 1986) Untitled, 1964, screenprint in colors,numbered, signed and dated along lower margin “80/100 Vivarelli / 1964/66”, 17-3/4 x 17-1/2inches (sight), under glass in metal sectional frame. Provenance: Weil Brothers, Miami Beach;ARCO, Newtown Square, PA. $200-300.91. Bob (Nieuwenhuis) Bonies (Dutch, b. 1937) Red Blue Diagonal, 1970, screenprint in colors,numbered, signed and dated along lower margin “27/100 Bonies ‘70”, 23-1/2 x 23-1/2 inches(image), under glass in metal sectional frame. Provenance: Weil Brothers Gallery, Miami Beach;ARCO Chemical Co., Newtown Square, PA. $100-200.14Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
92. Werner Pfeiffer (German-American, 1922-1981) Turnaround, screenprint in colors, numbered,titled and signed along lower margin “34/50 ‘Turnaround’ Werner Pfeiffer”, 12-1/2 x 26 inches(image), under glass in metal sectional frame. Provenance: The Print Club, Philadelphia; ARCOChemical Company, Newtown Square, PA. $100-200.93. Arman (Armand Pierre Fernandez) (French/American, 1928-2005) Poubelle, 1964, assemblageof crumpled papers in Plexiglas box mounted on panel, signed on verso “Arman”, MAT edition40/100, 28-1/8 x 20-1/2 x 5-1/2 inches (panel). $3500-4500.94. Cheryl Bowers (a.k.a. Ciel Olsen Bergman) (American, b. 1938) Santa Fe, 1972, lithographin colors, V/V, 24 x 33 inches (sheet), wood frame. Provenance: ARCO Chemical Company,Newtown Square, PA. $200-300.95. Stanley Whitney (American, b. 1946) Untitled, 1984, color woodblock print, numbered, signedand dated along lower margin “A.P. Stanley Whitney 84”, 26-1/2 x 23-3/4 inches (sheet), underPlexiglas in wood frame. Provenance: Printmaking Workshop, New York; ARCO Chemical Co.,Newtown Square, PA. $200-300.96. Norinne Betjemann (American, 20th Century) Chimera (Obscura), 1990, hand-painted silvergelatin emulsion print, titled, dated, numbered and signed along lower margin “Chimera(Obscura)’ 1990 1/5 Betjemann” 32-1/2 x 28 inches (sheet), under Plexiglas in wood frame.Provenance: Sande Webster Gallery, Philadelphia; ARCO Chemical Co., Newtown Square, PA.$300-500.97. Norinne Betjemann (American, 20th Century) Flux, 1989, silver gelatin emulsion print, titled,numbered, dated and signed along lower margin “Flux’ 2/5 1989 Norinne Betjemann”47-1/2x 37-1/2 inches (sheet), under Plexiglas in wood frame. Provenance: Sande Webster Gallery,Philadelphia; ARCO Chemical Co., Newtown Square, PA. $400-600.98. Kristen Kraa (American, 20th Century) Untitled # 51, 1963, oil on canvas, signed and dated onverso “KRAA / 1963”, 48 x 36 inches (stretcher), wood frame. Provenance: Richard Feigen Gallery,Chicago. $200-400.99. Joe Servello (American, b. 1932) Animal Gathering, 1995, watercolor and ink on paper, signedand dated lower left recto “Servello 1995”, 14-5/8 x 11-3/8 inches (sheet), under glass in a mat inwood frame. Provenance: Estate of John R. Kaiser. $100-200.100. Edwin E. Sponsler (American, 20th Century) Winter Orchard, 1950, oil with paper collage oncanvas, initialed and dated lower right recto “ES / 50”, 20 x 30 inches, wood frame. $200-300.101. Giuseppe Napoli (American, b. 1929) Nude Study, 1959, mixed media on canvas, signed anddated upper recto “giuseppe napoli 1959”, 24 x 20 inches (stretcher), under glass in wood frame.Provenance: Private Collection, Wynnewood, PA. $200-300.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 15
102. Bruce Stark Lowney (American, b. 1937), Plato’s Song, 1973, lithograph, numbered, signedand dated lower recto “10/50 Plato’s Song Lowney 10/73”, <strong>25</strong> x 22 inches (sheet), under glass inmetal sectional frame. Provenance: The Print Club, Philadelphia; ARCO Chemical Co., NewtownSquare, PA. $100-200.103. Jessie Drew-Bear (American, 1877-1962) Still Life with Flowers, 1954, oil on canvas, signed anddated lower right recto “DREW BEAR / 1954”, 20 x 16-1/4 inches (stretcher), wood frame.$400-600.104. Cheryl B. Harper (American, 20th Century) Church and Industry I, 1989, etching in colors,numbered, titled, signed and dated along lower margin “3/10 Church and Industry I CherylHarper 89”, 23-1/2 x 17-1/2 inches (plate), under Plexiglas in wood frame. Provenance: ARCOChemical Co., Newtown Square, PA. $100-200.105. Cheryl B. Harper (American, 20th Century) Church and Industry III, 1989, etching in colors,numbered, titled, signed and dated along lower margin “3/10, Church and Industry III, CherylHarper 89”, 23-1/2 x 17-1/2 inches (plate), under Plexiglas in wood frame. Provenance: ARCOChemical Co., Newtown Square, PA. $100-200.106. Barton Lidice Benes (American, b. 1942) Sandwich Sculpture, assemblage with painted books,signed “BENES”, 10-1/2 x 9-1/4 x 1-3/4 inches. $300-500.107. Dagmar Goretzki (American, 20th Century) #G2, 1985, mixed media, signed and dated lowerrecto with blind stamp “Dagmar O. Goretzki 1985/10”, 30 x 22-1/2 inches (sheet), under glass inwood frame. Provenance: Rosenfeld Gallery, Philadelphia; ARCO Chemical Company, NewtownSquare, PA. $100-200.108. David Blow (American, 20th Century) Rural Synergetics I, 1987, screenprint in color, numbered,titled and signed along lower margin “5/40 Rural Synergetics I David Blow”, 18 x 27-1/4 inches,under Plexiglas in wood frame. Provenance: Sande Webster Gallery, Philadelphia; ARCOChemical Co., Newtown Square, PA. $100-200.109. Carol Summers (American, b. 19<strong>25</strong>) Cairo’s Flag, 1979, woodcut in colors, numbered, titled andsigned center recto “89/100 Cairo’s Flag Carol Summers”, 35-1/2 x 36-1/4 inches (sheet), underPlexiglas in metal sectional frame. Provenance: Associated American <strong>Art</strong>ists, Philadelphia; ARCOChemical Company, Newtown Square, PA. $400-600.110. Mick Moon (British, b. 1937) Green Spice, 1991, screenprint in colors and woodblock,numbered, signed and dated along lower margin “44/45 Mick Moon ‘91”, 54 x 43 inches (sheet),under Plexiglas in wood frame. Publisher: Waddington Graphics, London. Provenance: DolanMaxwell Inc., Philadelphia; ARCO Chemical Co., Newtown Square, PA. $300-500.16Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
111. Mick Moon (British, b. 1937) Hybrids, 1990-1991, screenprint in colors and woodblock,numbered, signed and dated along lower margin “40/45 Nick Moon ‘91”, 54 x 43 inches (sheet),under Plexiglas in wood frame. Publisher: Waddington Graphics, London. Provenance: DolanMaxwell Inc., Philadelphia; ARCO Chemical Co., Newtown Square, PA. $300-500.112. Tom Phillips (British, b. 1937) Sixty-Four Stopcock Box Lids, 1975, lithograph, numbered, signedand dated along lower margin “43/50 Tom Phillips LXXV”, 39-1/4 x 28 inches (sheet), underPlexiglas in metal sectional frame. Publisher: Waddington Graphics, London. Provenance: ARCOChemical Company, Newtown Square, PA. $400-600.113. Carolyn Abarito (American, 20th Century) Landscape with Sun, watercolor and ink on paper,signed lower right recto “Carolyn Abarito”, 18-1/2 x 23-3/4 inches (sheet), under glass in woodframe. $150-<strong>25</strong>0.114. Albert Alcalay (American, b. 1917) Pittsburgh Boston, 1955, oil on linen, signed lower rightrecto; titled, dated and signed on verso “ALCALAY55”; “PITTSBURGH / BOSTON / 1955 / ALBERTALCALAY”, 32 x 43 inches (stretcher), wood frame. Provenance: Private Collection,Wynnewood, PA. $400-600.115. David Fertig (American, b. 1946) The Door to the Studio, 1984, oil on canvas, signed lower rightrecto “D Fertig ‘84”, 82 x 120 x 1-3/4 inches. Provenance: Private Collection, Magnolia, NewJersey. $<strong>25</strong>00-3500.116. Donald John Forsythe (American, b. 1955) A Far Country, 1989, collage on plywood with goldleaf, 23-1/2 x 17-1/2 x 4 inches, wood frame. Provenance: Dolan/Maxwell Gallery, Philadelphia;ARCO Chemical Company, Newtown Square, PA. $400-600.117. Richard Schmidt (American, 20th Century) Floral Arrangement, charcoal on paper, 35-1/2 x <strong>25</strong>-1/2 inches (sight), metal frame. Provenance: ARCO Chemical Company, Newtown Square, PA.$400-600.118. Will R. Barnet (American, b. 1911) Will Barnet Exhibition Poster for David David Gallery 1972,screenprint in colors, signed lower right recto “Will Barnet”, 21 x 15-1/2 inches (image), underglass in metal sectional frame. $100-200.119. Edward (Ned) J. Smyth (American, b. 1948) Study for Sculpture, 1975, graphite on paper.inscribed, signed and dated along lower margin “For Milt + Helen Edward J. Smyth 75”, 23-3/4 x 18 inches (sheet), under glass in wood frame. Provenance: Brutten Herrick Collection,Philadelphia; Private collection. $200-300.120. Elizabeth Davis Wolpert (American, 20th Century) Untitled, oil on canvas, signed lower leftrecto “-Elizabeth Davis Wolpert-”, 14-1/4 x 18 inches (stretcher), wood frame. $200-300.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 17
121. Franklin Chenault Watkins (American, 1894-1972) Still Life, lithograph in colors, signed andnumbered lower margin “Franklin Watkins 87/150”, 22 x 18 inches (image), under glass in metalsectional frame. Provenance: Janet Fleisher, The Little Gallery, Philadelphia; Galerie Philadelphie,Paris. $100-200.122. Diego Matthai (Mexican, b. 1942) Just Sitting & Watching the World Go By, 1980, stainless andchromed steel, 35 x 66-1/2 inches. Provenance: ARCO Chemical Company, Newtown Square, PA.$300-500.123. José Luis Cuevas (Mexican-American, b. 1933) Remanentes de Gueora, 1972, lithograph incolors, numbered, signed and dated lower center recto “85/100 Cuevas / 72”, 22 x 30 inches,under glass in wood frame. Provenance: ARCO Chemical Co., Newtown Square, PA. $200-300.124. Francisco Toledo (Mexican, b. 1940) Midiendo Cochinos (Measuring Pigs), 1971, lithograph incolors, numbered and signed lower recto “XLI/LXXV Toledo”, 17 x 21-3/4 inches (sight), underglass in wood frame. Provenance: ARCO Chemical Co., Newtown Square, PA. $300-500.1<strong>25</strong>. Pedro Friedeberg (Mexican, b. 1937) Ziggurats and Nogurats, 1980, hand-colored cast paper,numbered and signed lower recto “P.A. VI/X FRIEDEBERG”, 33 x 30 inches (irregular sheet), underglass in wood frame. Provenance: ARCO Chemical Company, Newtown Square, PA. $200-300.126. Pablo Esteban O’Higgins (Mexican-American 1904-1983) Grinding Corn, 1950, lithograph,numbered, signed and dated in pencil along lower margin “1/4 Pablo O’Higgins / 50”, 15-1/2 x11 inches (image), under glass in wood frame.$200-300.127. Juan Gomez (20th Century) Facial Cliffs, 1990, ink, watercolor and acrylic on paper, signed anddated right center recto “Juan / Gomez / 90”, 26 x 18-3/4 inches (sight), under Plexiglas in woodframe. Provenance: Pennsylvania Academy of the <strong>Fine</strong> <strong>Art</strong>s, Philadelphia; ARCO Chemical Co.,Newtown Square, PA. $200-300.128. George R. Bunker (American, 1923-1991) Black Island, 1973, screenprint in colors, numbered,signed and dated lower left recto “1/<strong>25</strong> Bunker 1973”, 17 x 23-3/4 inches, under Plexiglas inmetal sectional frame. Provenance: The Print Club, Philadelphia; ARCO Chemical Co., NewtownSquare, PA. $100-200.129. Bruce W. Braithwaite (American, b. 1950) Russell Stover Park Falls, Bucks County, 1994, oil oncanvas, signed lower right recto “Bruce W. Braithwaite”, 23-3/4 x 36-1/4 inches (stretcher), in apainted wood frame. $1200-1800.130. Helen Stein (American, 1896-1964) Untitled, 1981, watercolor and ink on paper, signed anddated lower left recto “Helen Stein 81”, 40-1/4 x <strong>25</strong>-3/4 inches (sheet), under Plexiglas in metalsectional frame. Provenance: Lois Kushner, Bala Cynwyd, PA. $100-200.18Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
131. Jan Morgen (American, 20th Century) Adorned Dignitary, 1988, mixed media on paper, 44 x58 inches (sheet), under Plexiglas in wood frame. Provenance: ARCO Chemical Co., NewtownSquare, PA. $400-600.132. Ralph Taylor (American, 1897-1978) Abstract Composition, gouache on board, signedlower right recto “Ralph Taylor”, 17 x 18-1/2 inches, carved wood frame. Provenance: PrivateCollection, Wynnewood, PA. $200-300.133. Jill Cannady (American, 20th Century) Photorealist Figure Study, 1977, oil on linen, signed lowerright recto “Jill Cannady ‘77”, 44-1/2 x 44-1/2 inches (stretcher), wood frame. Provenance: PrivateCollection, Wynnewood, PA. $200-300.134. Jasper Johns (American, b. 1930) Jasper Johns Philadelphia Museum of <strong>Art</strong> Poster, 1970,lithograph in colors, signed lower right recto “Jasper Johns”, 1 of 200, 23-5/8 x 17-1/4 inches(image), 34 x 23 inches (sheet), under glass in wood frame. $300-500.135. Joe Draegert (American, b. 1945) Bridgehaven, 1988, lithograph in colors, numbered, titled,signed and dated along lower margin “VI/XV Bridgehaven Joe Draegert 88”, <strong>25</strong> x 33-3/4 inches(image), under Plexiglas in wood frame. Provenance: Ronbie Editions, Inc., Yardley, PA; ARCOChemical Co., Newtown Square, PA. $100-200.136. Jody Pinto (American, b. 1942) Fingerspan: for Climbers Rock, Fairmount Park, 1983, lithograph,numbered lower left recto “80/1<strong>25</strong>”; titled lower center recto “FINGERSPAN: FOR CLIMBERSROCK, FAIRMOUNT PARK”; signed and dated lower right recto “Jody Pinto / 1983”, 42-1/4 x 29-3/4 inches, Plexibox frame. Printer: Solo Press, New York. Provenance: Institute of Contemporary<strong>Art</strong>, Philadelphia. $200-300.137. Bruce McCombs (American, b. 1943) Freeway, 1972, etching, titled, numbered, signed anddated along lower margin “Freeway 18/50 B McCombs 72.imp”, 28 x 34 inches (sheet), underglass in metal sectional frame. Provenance: ARCO Chemical Co., Newtown Square, PA.$200-300.138. Laurie Anderson (American, b. 1947) Exhibition Poster, 1983, lithograph, numbered, dedicatedand signed on recto “59 / Hello / from / Laurie / Anderson”, 12 x 17 inches (sheet). Exhibitions:Institute of Contemporary <strong>Art</strong>, Philadelphia, October 15-December 4, 1983. $100-200.139. Marja Lianko-Roberts (Finnish-American, 20th Century), Adjustments to the Present NumberFour, 1979, screenprint in colors, numbered, titled, signed and dated along lower margin “10/<strong>25</strong>Adjustments to the present number four Marja Lianko-Roberts 1979”, 30 x 38 inches (sheet),under Plexiglas in metal sectional frame. Provenance: ARCO Chemical Co., Newtown Square, PA.$100-200.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 19
140. Marja Lianko-Roberts (Finnish-American, 20th Century) Adjustments to the Present NumberFive, 1979, screenprint in colors, numbered, titled, signed and dated along lower margin “9/23Adjustments to the present number five Marja Lianko-Roberts 1979”, 30 x 38 inches, underPlexiglas in metal sectional frame. Provenance: Pace Editions, Inc., New York; ARCO ChemicalCo., Newtown Square, PA. $100-200.141. Claes Oldenburg (American, b. 1929) ‘Object into Monument’ Poster, lithograph, signed lowerright recto “Oldenburg”, 30 x 21-1/2 inches (sheet), Plexibox frame. $100-200.142. Mark Balakjian (British, b. 1940) Frontier II, 1975, mezzotint, numbered, titled, signed and datedalong lower margin “18/50 Frontier II M. Balakjian 75”, 11-1/2 x 15-1/2 inches (image), underglass in a metal sectional frame. Provenance: The Print Club, Philadelphia; ARCO ChemicalCompany, Newtown Square, PA. $150-<strong>25</strong>0.143. George Casprowitz (Canadian, b. 1940) Overhand, 1974, acrylic on canvas, signed, numberedand dated on verso “CASPROWITZ / OVERHANG / ‘74”, 31-1/2 x 31-1/4 x 4-1/2 inches (stretcher),metal frame. Provenance: Marian Locks Gallery, Philadelphia; Atlantic Richfield Company, LosAngeles; ARCO Chemical Company, Newtown Square, PA. $200-300.144. George Casprowitz (Canadian, b. 1940) Cam, 1974, acrylic on canvas, signed, titled and datedon verso “CASPROWITZ ‘CAM’ / 1974”, 31 x 31 x 4 inches (stretcher), metal frame. Provenance:Marian Locks Gallery, Philadelphia; Atlantic Richfield Company, Los Angeles; ARCO ChemicalCompany, Newtown Square, PA. $200-300.145. Martin Rolland (American, b. 1926) Abstract Composition, oil on linen, signed lower rightrecto “MARTIN ROLLAND”, 21-3/4 x 28-3/4 inches (stretcher), wood frame. Provenance: PrivateCollection, Wynnewood, PA. $200-300.146. Louise Nevelson (American, 1900-1988) Untitled from the series ‘Facade’, 1966, screenprintcollaged on silver paper, numbered signed and dated lower margin with blind stamp ‘‘123/150Louise Nevelson 1966 / CHIRON PRESS / NEW YORK”, 22-1/2 x 17 inches (sight), under Plexiglasin metal sectional frame. Publisher: Abrams Original Editions; New York. Provenance: LoisKushner, Bala Cynwyd, PA. $200-300.147. Louise Nevelson (American, 1900-1988) Untitled from the series ‘Facade’, 1966, screenprintwith photographic collage, numbered signed and dated in pencil in the lower margin withblind stamp “123/150 Louise Nevelson 1966 / CHIRON PRESS / NEW YORK”, 22-1/2 x 17 inches(sight), under glass in metal sectional frame. Publisher: Abrams Original Editions, New York.Provenance: Lois Kushner, Bala Cynwyd, PA. $200-300.20Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
148. Pat Barbour (American, 20th Century) Untitled, 1978, three spectracolor drawings on paper,each signed and dated on verso “Pat Barbour / Aug 78”, 13-1/2 x 11 inches (each sheet),under Plexiglas in wood frame. Provenance: Joyce Hunsaker & Associates, Los Angeles; ARCOChemical Company, Newtown Square, PA. $200-300.149. Michael Challenger (British, b. 1939), Late Night Sky Trap, 1972, screenprint in colors,numbered, titled, signed and dated along lower margin “34/1<strong>25</strong> Late Night Sky Trap Challenger72”, 27 x 39 inches (sheet), under Plexiglas in metal sectional frame. Provenance: Van StraatenGallery, Chicago; London <strong>Art</strong>s Group; Atlantic Richfield Company, Los Angeles; ARCO ChemicalCo., Newtown Square, PA. $100-200.150. Lowell Nesbitt (American, 1933-1993) Shoes - State IV, 1974, etching, numbered, signed anddated along lower margin “IV 12/14 L. Nesbitt 1974”, 19 x 28 inches (plate), under glass in metalsectional frame. Publisher: Brooke Alexander Editions, New York. Provenance: Vick Gallery,Philadelphia; ARCO Chemical Company, Newtown Square, PA. $100-200.151. Peter Lister (20th Century) Four Seasons - 2 of 4, 1974, screenprint in colors, numbered andsigned lower recto “15/90 Lister”, 22 x 27 inches (sheet), under glass in metal sectional frame.Provenance: The Print Club, Philadelphia; Atlantic Richfield Company, Los Angeles; ARCOChemical Company, Newtown Square, PA. $100-200.152. Peter Lister (20th Century) Four Seasons - 1 of 4, 1974, screenprint in colors, numbered andsigned lower recto “15/90 Lister”, 22 x 27 inches (sheet), under glass in metal sectional frame.Provenance: The Print Club, Philadelphia; Atlantic Richfield Company, Los Angeles; ARCOChemical Co., Newtown Square, PA. $100-200.153. Ruth Kerkovius (American, b. 1921) Forest and Field, 1974, intaglio, numbered, titled, signedand dated lower margin “9/40 ‘Forest and Field’ Ruth Kerkovius ‘74”, 17-1/2 x 14-1/2 inches(plate), under Plexiglas in metal sectional frame. Provenance: The Print Club, Philadelphia; ARCOChemical Company, Newtown Square, PA. $100-200.154. Peter Petrochko (American, 20th Century) Silver Maple Vessel and Pedestal, 1986, signed onbottom of vessel “North American / Spalted Silver Maple / Peter M. Petrochko © / Dec. 1986”,15-3/4 x 18 x 16 inches, with wood pedestal 34 x 12 x 12, Provenance: Private Collection,Wynnewood, PA. $200-300.155. Vincenta M. Aviles (International School, 20th Century) Untitled, 1970, screenprint in colors,numbered, signed and dated along lower margin “7/15 Vincenta M. Aviles 1970”, 13-3/4 x 17inches (image), metal frame. Provenance: L.C. Rice, New York; Atlantic Richfield Company, LosAngeles; Arco Chemical Company, Newtown Square, PA. $100-200.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 21
156. Nicholas Krushenick (American, 1929-1999) Untitled, screenprint in colors, <strong>25</strong>-1/4 x 19-1/4inches, under glass in metal sectional frame. Provenance: Meil Brother’s Gallery, Miami Beach;ARCO Chemical Company, Newtown Square, PA; Lyondell Chemical Company, NewtownSquare, PA. $100-200.157. Nicholas Krushenick (American, 1929-1999) Untitled, 1967, screenprint in colors, AP, <strong>25</strong> x 19inches (sight), under Plexiglas in metal sectional frame. Provenance: Atlantic Richfield Co., LosAngeles; ARCO Chemical Co., Newtown Square, PA. $100-200.158. Victor Vasarely (French/Hungarian, 1908-1997) Untitled (Geometric Shapes), circa 1973,screenprint in colors, 28 x 23-1/2 inches (image), under glass in metal sectional frame.Publisher: Denise Rene, Paris. Provenance: ARCO Chemical Company, Newtown Square, PA.$200-300.159. Marko Spalatin (American, b. 1945) Module XX, 1974, screenprint in colors, titled, numberedand signed along lower margin “Module XX’ A.P Marco Spalatin”, 30-1/2 x <strong>25</strong>-1/4 inches (sheet),under Plexiglas in metal sectional frame. Provenance: Spectrum Editions, New York; ARCOChemical Co., Newtown Square, PA. $100-200.160. Marko Spalatin (American, b. 1945) Figure III, 1974, screenprint in colors, titled, numberedand signed along lower margin “Figure III AP Marko Spalatin”, 30-3/4 x <strong>25</strong>-3/4 inches (sheet),Plexibox frame. Provenance: Spectrum Editions, Inc, New York; ARCO Chemical Co., NewtownSquare, PA. $100-200.161. Jerome Schurr (American, b. 1940) Genesis, screenprint in colors, numbered, titled and signedlower left recto “18/50 Genesis Jerome Schurr”, 16 x 31 inches (sight), under glass in a metalsectional frame. Provenance: The Print Club, Philadelphia; ARCO Chemical Co., NewtownSquare, PA. $100-200.162. Pilar Castaneda (Mexican, b. 1941) Parcelas, 1979, etching and aquatint in colors numbered,titled, signed and dated in pencil along lower margin “7/50 ‘Parcelas Pilar Castaneda 79.”, underglass in wood frame. Provenance: ARCO Chemical Co., Newtown Square, PA. $100-200.163. Rafael Ferrer (Puerto Rican, b. 1933) Istoria de la Isla III, Tam # 74-189, 1974, lithograph incolors, numbered and signed along lower margin “V/VII R. Ferrer”, 20 x 27 inches (sheet), underPlexiglas in metal sectional frame. Provenance: Tamarind Institute, Albuquerque, NM; ARCOChemical Co., Newtown Square, PA. $100-200.164. Carmen Robb (American, 1937-2007) Tulipan, 1960, aquatint, titled, numbered, signed anddated in lower margin “Tulipan Studio Proof Carmen Robb 1960”, 11 x 15 inches (sheet).Provenance: Estate of John R. Kaiser. $50-100.22Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
165. Richard Haas (American, b. 1936) Pennsylvania Academy, 1974, lithograph in colors, titled,numbered and signed lower recto “Pennsylvania Academy 18/40 Richard Haas”, 15-3/4 x 19-1/4 inches (image), under Plexiglas in metal sectional frame. Publisher: Tamarind Institute.Provenance: Brooke Alexander, Inc., New York; Marian Locks Gallery, Philadelphia; ARCOChemical Co., Newtown Square, PA. $300-500166. Richard McClean (American, b. 1934) Native Dancer, 1968, lithograph in colors, numberedand signed along lower margin “96/200 R. McClean”, 19-3/4 x 24 inches (image), under glass inwood frame. $200-300.167. Rita Wolpe Barnett (American, mid-20th century) Winter Landscape, acrylic on canvas, signedlower right recto “Rita Wolpe Barnett”, 36 x 28 inches (stretcher), wood frame. $200-300.168. Sonja Bullaty (American, born Czechoslovakia circa 1924-2000) Of Time and Change, 1981,chromogenic print, signed lower right recto “Sonja Bullaty”, 12-1/2 x 19-1/4 inches (image),under Plexiglas in wood frame. Provenance: Bernice Steinbaum Gallery, New York; ARCOChemical Company, Newtown Square, PA. $100-200.169. Terese M. Cuff (American, b. 1962) One Red Circle - The Alexander, 1991, acrylic on canvas,28 x 44 inches (stretcher), wood frame. Provenance: Pennsylvania Academy of <strong>Fine</strong> <strong>Art</strong>s,Philadelphia; ARCO Chemical Company, Newtown Square, PA. $200-300.170. Burton Wasserman (American, b. 1929) Pair of Screenprints, 1967-1973, each dated, inscribedand signed, ranging in size from 11 x 8 to 9-1/2 x 8 inches (sheet). $100-200.171. Thirza Kotzen (South American, 20th Century) Glacier I, monoprint, numbered, titled andsigned lower recto “1/5 Glacier I Thirza Kotzen” with a signature device, 24 x 22 inches (sheet),under Plexiglas in wood frame. Provenance: The Plum Gallery, Paoli, PA; ARCO Chemical Co.,Newtown Square, PA. $200-300.172. Thirza Kotzen (South American, 20th Century) Castle Gorge - Mountain XXIV, 1983, monoprint,numbered, titled and signed along lower margin with blind stamp “4/5 1983 Mountain XXIV(Castle Gorge) Thirza Kotzen”, 34 x 24-1/2 inches (sheet), under Plexiglas in wood frame.Provenance: The Plum Gallery, Paoli, PA; ARCO Chemical Co., Newtown Square, PA. $200-300.173. Thomas F. Dougherty (American, 20th Century) Country Home, 1989, oil on paper, signed anddated lower left recto “T. F Dougherty 89”, 28-3/4 x 37 inches (sight), under Plexiglas in woodframe. Provenance: Gross McCleaf Gallery, Philadelphia; ARCO Chemical Co., Newtown Square,PA. $400-600.174. after Kazimir Malevich (Russian, 1878-1935) Dynamic Composition, 1990, lithograph in colors,numbered and blind stamped along lower margin “149/300 “, <strong>25</strong>-1/8 x 20 inches (image),under Plexiglas in wood frame. Provenance: Eduard Nakhamkin Ltd., New York; ARCO ChemicalCompany, Newtown Square, PA. $200-300.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 23
175. after Kazimir Malevich (Russian, 1878-1935) Cow and Violin, 1990, lithograph in colors,numbered and blind stamped along lower margin “149/300”, <strong>25</strong>-1/2 x 13-1/4 inches, underPlexiglas in wood frame. Provenance: Eduard Nakhamkin Ltd., New York; ARCO Chemical Co.,Newtown Square, PA. $200-300.176. B. Cenic (French, 20th Century) Untitled, oil on canvas, signed upper left recto “B. CENIC”, 20 x24 inches (stretcher), wood frame. $200-300.177. Athena (20th Century) Greek Cityscape, 1964, oil on board, signed and dated lower right recto“Athena/64”, 20-1/2 x 11-1/2 inches (board), wood frame. $100-200.178. American School, 19th Century Portrait of a Child Standing on Chair, albumen photograph,7-1/4 x 5-1/4 inches, under glass in period wood frame . Provenance: Estate of John R. Kaiser.$15-<strong>25</strong>.179. Fred Fehl (American, born Austria, 1906-1995) Album of 39 silver gelatin emulsion printsfeaturing Vivian Leigh and Mary Ure in the Helen Hayes Theatre Broadway production of “Duel ofAngels” directed by Robert Helpmann in 1960 and a dedicated and signed photograph possiblyof Vivian Leigh, album: studio stamp on verso of each, 5 x 7 inches; signed photograph: “Withkindest / regards / To: ... (illegible)” 5-1/2 x 3-1/2 inches signed photograph under glass in awood frame. Provenance: Estate of John R. Kaiser. $80-120.180. 20th Century School, Portrait of Delphine Seyrig, silver gelatin emulsion print, inscribedand signed lower right recto “For John Robert Kaiser / Very Sincerely / Delphine Seyrig”,11-1/2 x 9-1/2 inches, under glass in a mat in wood frame. Provenance: Estate ofJohn R. Kaiser. $50-100.181. Wallace Nutting (American, 1861-1941) and American School, 19th Century, The SwimmingPool - Studio #220, circa 1912 and Portrait of a Woman hand-colored silver gelatin emulsion printand hand-painted full plate tintype, titled and signed on mount “The Swimming Pool WallaceNutting”, 6 x 9-3/8 inches (sheet); 8-3/8 x 6-1/2 inches (plate), each under glass in period woodframes. Provenance: Apple Hill Antiques, State College, PA; Estate of John R. Kaiser. $<strong>25</strong>-50.182. Homann Heirs (German, 18th Century) Theoria Eclipsium, circa 1750, hand-colored engraving,19-1/4 x 22 inches (sight), under glass in wood frame. Provenance: The Deerhoff Galleries,Washington D.C. $100-200.183. Doppelmayr / Homann Heirs (German, 18th Century) Theoria Lunae, 1742, hand-coloredengraving, 19-1/4 x 22 inches (sight), under glass in wood frame. Antique lunar map with insetsof positions and phases of the moon. The two large insets show meteor crater and Newton’sHypothesis. Provenance: The Deerhoff Galleries, Washington D.C. $100-200.24Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
184. Chez Basset, Paris (Publisher), circa 1778, Representation Du Feu Terrible A Nouvelle Yorck,hand-colored engraving, 11 x 16 inches (sight), under glass in wood frame. Print shows severalbuildings along street engulfed in flames during fire on September 19, 1776, citizens beingbeaten by Redcoats, and looting. $100-200.185. J. Chereau, Paris (Publisher), circa 1790, La Destruction De La Statue Royale A Nouvelle Yorck,hand-colored engraving, numbered upper right recto “No. 46”, 10-3/4 x 15-3/4 inches (sight,under glass in wood frame. Representing the destruction of the statue of King George III in NewYork City following the reading of the Declaration of Independence to the American army, July9, 1776. $100-200.186. after Sully & Kearny, engraved by Murray Draper, Fairman and Co., Published by Wm. Smith(American), Pair of Prints: The Battle on Lake Erie, circa 1815-16, hand-colored engravings, 17-1/2x 26 inches (each image), period carved wood frames. Provenance: Leon F. S. Stark Antiques,Inc., Philadelphia. $400-600.187. Daniel Greiner (German, 1872-1943) The Infant in the News-sheet. An Ode Against the Age byHerman George Scheffauer, 1921, two woodcuts (original pictorial wrappers), First Edition,10-1/4 x 7-3/4 inches. Publisher: Hamburg: The Overseas Publishing Company. Provenance:Sumner & Stillman, Yarmouth, Maine; Estate of John R. Kaiser. $<strong>25</strong>-50.188. Dansk, Five Animal Sculptures, electroplated zinc, cast on bottom of each “DANSK / DESIGNS /JAPAN / GC / © / EP / ZINC”, ranging from 1-3/8 to 4 inches (height). Provenance: Estate of JohnR. Kaiser. $20-30.189. Chinese School, Buddha Head with a Meditative Expression, Heavy Lidded Eyes and ElongatedEarlobes, gilt and polychromed bronze, 9-1/4 x 5-3/8 x 5-1/2 inches, 1-3/8 x 12-1/2 x 12-5/8inches (wood base). Provenance: Estate of John R. Kaiser. $100-150.190. Louis Théophile Hingre (French, 1832-1911) Hare, bronze, inscribed “T. HINGRE / A. amselmet”,2-3/4 x 6-1/8 x 3-5/8 inches. Provenance: Marion Gray Antiques, London; Estate of John R.Kaiser. $200-400.191. Emmanuel Frémiet (French, 1824-1910) Fox (Renard), 1848, inscribed “E FREMIET”, 3 x 7-1/4x 3 inches, Literature: C. Chevillot, Emmanuel Fremiet: La main et le multiple, Dijon, 1988,(reproduction of another cast p. 74). Provenance: Sladmore Gallery, London; Estate of John R.Kaiser. $200-400.192. after Guido Righetti (Italian, 1875-1958) Three Dik Dik (Les jeunes daims), bronze, inscribed“G. Righetti”, 7-1/4 x 15-3/4 x 6-1/2 inches, Exhibitions: “Rembrandt Bugatti and HisContemporaries,” Sladmore Gallery, London <strong>April</strong> 16-May 17, 1980 (reproduction of anothercast exhibition catalog no. 34). Provenance: Sladmore Gallery, London; Estate of John R. Kaiser.$100-200.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com <strong>25</strong>
193. after Guido Righetti (Italian, 1875-1958) Group of Four Sheep (Les quatre moutons), bronze,inscribed along the bottom edge “G Righetti”, 7-1/8 x 14-1/8 x 5-3/4 inches, 1 x 14-1/4 x 6inches (marble base). Exhibitions: “Les Animaliers III. 150 Years of Animal Sculpture,” SladmoreGallery, London May 5-27, 1976 (reproduction of another cast exhibition catalog p. 18).Provenance: Sladmore Gallery, London; Estate of John R. Kaiser. $100-200.194. after Guido Righetti (Italian, 1875-1958) Polar Bear (Ours polaire assis), bronze, inscribed “G.Righetti”, 6-5/8 x 8-1/2 x 7 inches, Exhibitions: “Rembrandt Bugatti and His Contemporaries,”Sladmore Gallery, London, <strong>April</strong> 16-May 17, 1980 (reproduction of another cast exhibitioncatalog no. 40). Provenance: Sladmore Gallery, London; Estate of John R. Kaiser. $75-1<strong>25</strong>.195. after Guido Righetti (Italian, 1875-1958) Sleeping Galago (Galago enroulé dans sa queue),bronze, inscribed “G. Righetti”, 3-7/8 x 5 x 4-3/4 inches, 1/2 x 5-3/4 x 5-1/2 inches (marble base),Exhibitions: “Rembrandt Bugatti and His Contemporaries,” Sladmore Gallery, London, <strong>April</strong> 16-May 17, 1980 (reproduction of another cast exhibition catalog no. 29). Provenance: SladmoreGallery, London; Estate of John R. Kaiser. $50-100.196. after Pierre Jules Mêne (French, 1810-1879) Lamb, bronze, inscribed “J. MÊNE”, 5-3/4 x 9-1/4 x4-1/8 inches, Provenance: Estate of John R. Kaiser. $50-100.197. Pierre-Albert LaPlanche (French, 1854-1935) Pair of Mice Eating Nuts, porcelain, each signed“A LaPlanche” and stamped on base, 3-3/8 x 2-1/2 x 2-3/8 inches, Provenance: Estate of John R.Kaiser. $50-100.198. Miniature Sculptures: Two Bronze Poodles and a Brass Terrier, ranging in size from 1-3/4 to 2-3/8inches (height), Provenance: Estate of John R. Kaiser. $<strong>25</strong>-50.199. European School, 20th Century, Miniature Busts: Racine, Victor-Marie Hugo and TwoAnonymous Men, bronze, Victor-Marie Hugo: inscribed on back of pedestal “NE LE / 26 FEVRIER/ 1802”, ranging in size from 3-1/2 to 5-5/8 inches (height), Provenance: Estate of John R. Kaiser.$<strong>25</strong>-50.200. 19th/20th Century School, Royal Doulton Flambé Seated Fox (Model no. 14) and Boy with Rabbit,hand-painted porcelain and ceramic figurines, fox numbered and stamped on base “14/ MADEIN ENGLAND/ ROYAL DOULTON/ FLAMBE”, ranging in size from 4-3/8 to 6-7/8 inches (height),Provenance: Estate of John R. Kaiser. $<strong>25</strong>-50.201. British School, 20th Century, Beswick Barn Owl (model number 1046) and a Miniature Owl,ceramic and cast iron, ceramic owl stamped and numbered on base “BESWICK ENGLAND 1046”,ranging in size from 7-1/8 to 2-3/8 inches (height). Provenance: Estate of John R. Kaiser.$<strong>25</strong>-50.26Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
202. American School, 19th/20th Century, Seated Cat, Ceramic Lamb and a 19th Century ChalkwareDove, polychrome plaster, ceramic and chalkware figurines, ranging in size from 3-5/8 to 10-3/8inches (height). Provenance: Estate of John R. Kaiser. $<strong>25</strong>-50.203. American School, 19th/20th Century, Polychrome Cast Iron Seated Kitten and Parrot, ranging insize from 2-7/8 to 14 inches (height). Provenance: Estate of John R. Kaiser. $80-120.204. American School, 19th/20th Century, Cast Iron Cat and Miniature Dog, ranging in size from10-3/8 to 2-1/4 inches (height). Provenance: Estate of John R. Kaiser. $<strong>25</strong>-50.205. attributed to Wilhelm Schimmel of Cumberland Valley, PA (German/American, 1817-1890),Hand-Carved and Painted Eagle, 8 x 4-1/4 x 2 inches. Provenance: Estate of John R. Kaiser.$100-200.206. Six Walking Canes of Various Materials including Brass, Sterling Silver and Carved, PolychromeWood, ranging in size from 35 to 36-3/4 inches. Provenance: Estate of John R. Kaiser. $100-200.207. French School, 18th Century, Hand-Carved, Polychrome Wood Figure of the Christ Child on awood base and an Antique Amber Rosary with Crucifix, 23-1/2 x 12-3/4 x 7-1/2 inches (figure),2-1/2 x 9-1/4 x 6-3/4 inches (base); 26-1/2 inches (rosary). Provenance: Estate of John R. Kaiser.$300-500.208. Oriental School, 20th Century, Hand-Carved Figure of Kuan Yin, Goddess of Mercy and Friend ofMankind, polychromed standing wood figure with elaborate hair style, 24-1/2 inches (height).Provenance: Estate of John R. Kaiser. $15-<strong>25</strong>.209. Anonymous, Antique Woven Textile Fragment with Floral Motif, 9-3/8 x 1-5/8 inches (irregular),under glass in wood frame. Provenance: Estate of John R. Kaiser. $15-<strong>25</strong>.210. Six Fashion Rings: 10K Gold Masonic Signet Ring (size 10.5, 3.4 dwt.); probably a Silver EternityBand with Engraved Barq Pattern (size 10, 7.8 dwt); Onyx and 14K Cast Gold Ring (size 9, 10.4dwt.); Sterling Silver Ring with Green Stone (size 7-3/4, 5.5 dwt.); probably a Yellow QuartzFashion Ring in 10K Gold with Floral Engraving and Greek Key Pattern (size 6.5, 9.6 dwt.); and aSignet Shield Ring with probably Green Jasper in 10K Gold (size 8, 3.9 dwt.), Masonic signet ringstamped “Danson” and “10K”; Onyx ring stamped inside “sterling”. Provenance: Estate of John R.Kaiser. $400-600.211. Four Pairs of Cuff Links: Pair of 14K Gold Ball Cuff Links (6.0 dwt.); Pair of 14K Gold Cuff Linksfeaturing a Cameo-Like design (8.4 dwt.); Pair of Faux Turquoise Cuff Links; and a Pair of 835Metal Button Cuff Links (9.5 dwt.). Provenance: Estate of John R. Kaiser. $150-<strong>25</strong>0.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 27
Fuller’s LLC (The “<strong>Auction</strong> Company”) Terms and Conditions of Sale1. This auction is a public sale conducted by a Pennsylvania licensed and bonded auctioneer.2. The highest bidder acknowledged by the auctioneer will be the Buyer. In the event of any dispute betweenbidders, or in the event of doubt as to the validity of any bid, the auctioneer will have the final discretion eitherto determine the successful bidder or to reoffer and resell the article in dispute. If any dispute arises after thesale, Fuller’s LLC’s sale record is conclusive.3. All property is sold “AS IS” and neither Fuller’s LLC nor the Consignor makes any guarantees, warranties orrepresentations, expressed or implied, with respect to the property or the correctness of the catalog or otherdescriptions of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance,exhibitions, literature or historical relevance of the property or otherwise, except where applicable underthe terms of guarantee. No statement anywhere, whether oral or written, shall be deemed such a guarantee,warranty or representation. All bidders are responsible for obtaining condition reports and/or personallyinspecting the property before bidding to determine its condition, size, and whether or not it has been restored.Any items purchased and removed from the auction cannot be returned.4. Fuller’s LLC reserves the right to withdraw any lot and/or property before the sale.5. The auctioneer reserves the right to reject any bid which, in his opinion, is not commensurate with the valueof the article being offered. The auctioneer may also reject any bid that may be determined as having a harmfuleffect on the item in question or the sale as a whole.6. All bids are by numbered lots in the catalog unless otherwise announced by the auctioneer.7. Some of the lots in the sale may be subject to a reserve. The reserve is a confidential minimum price agreedupon by the consignor and Fuller’s LLC below which the lot will not be sold. A representative of Fuller’s LLC willexecute such reserves by bidding for the consignor. The reserve will never be higher than the low estimate.8. Title of each lot passes when the auctioneer says “SOLD”. Thereafter, any loss by fire, theft, breakage, or anyother cause is the sole responsibility of the Buyer. Merchandise must be packed and transported by the Buyerat his/her own risk and expense. Shipping is the responsibility of the Buyer. If any employee or agent of Fuller’sLLC packs or transports the merchandise, it is fully at the risk, responsibility and expense of the Buyer and Fuller’sLLC shall not be liable for any loss or damage that may be caused by such employee or agent. The Buyer isresponsible for any duties and taxes related to international shipments.9. A buyer’s premium will be added to the successful bid and is payable by the Buyer as part of the totalpurchase price. The buyer’s premium for each individual lot is 15% of the successful bid price up to and including$500,000, and 12% on any amount in excess of $500,000, except for online bidding on Live <strong>Auction</strong>eers. On Live<strong>Auction</strong>eers, the buyer’s premium on each individual lot is 18% of the successful bid price up to and including$500,000, and 15% on the amount in excess of $500,000. This amount will be added to the successful bid priceof each lot purchased and is payable by the Buyer together with the applicable sales tax, which is applied to thetotal cost of the purchase. Payment is due no later than 15 days after the auction date. All bidders must submit aMasterCard or Visa account number with the expiration date as a security deposit. Fuller’s LLC reserves the rightto charge the total invoice amount plus an additional 2% handling fee to the credit card account on record if thebidder has not paid within 15 days of the auction date. The pick-up or delivery should also be arranged at timeof payment. Storage fees of $5 per lot per business day or $<strong>25</strong> per lot per week will be charged for items left28Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
more than 30 days after the auction. Items left more than 45 days past the auction date will be consigned to afuture auction without notification to the Buyer.10. Unless purchased for resale, the Buyer will be required to pay the Commonwealth of Pennsylvania Sales Taxof 6% and the City of Philadelphia Sales Tax of 1%. Dealers must have a Sales Tax Number and be registered withFuller’s LLC.11. Payment may be made by cash, credit card (Visa or MasterCard), PayPal, or by wire transfer. Visa, MasterCard,or PayPal may be used up to the amount of $<strong>25</strong>,000 per auction. Payment may be made by personal check onlyif credit has been previously established with Fuller’s LLC or if Fuller’s LLC has received a bank authorizationguaranteeing the personal check. Fuller’s LLC reserves the right to hold merchandise purchased by personalcheck until the check has cleared the bank, if Fuller’s LLC deems such action necessary to protect Fuller’s LLC’sinterest.12. Bidding on any item indicates the bidder’s acceptance of these terms and all other terms published orannounced before and at the time of sale.13. Fuller’s LLC has engaged the services of Live <strong>Auction</strong>eers as a service for its clients who wish to bid and buyonline. Please proceed to www.liveauctioneers.com for all necessary information on how to bid and buy onlineusing their system. The user of Live <strong>Auction</strong>eers indemnifies and holds the <strong>Auction</strong> Company and its consignorsharmless against any claim arising out of or resulting from their use of the Live <strong>Auction</strong>eers website, includingall losses, damages, liabilities, and all fees (including attorney’s fees), costs, and expenses incurred in connectionwith any claim. Under no circumstances, including, but not limited to, negligence, shall the <strong>Auction</strong> Companyand its consignors be liable for lost profits or any special, incidental, or consequential damages that result fromthe use of, or the inability to use, this website. If the user of Live <strong>Auction</strong>eers places absentee bid(s) with the<strong>Auction</strong> Company, Live <strong>Auction</strong>eers and also bids in person, by phone or by any other means, it is solely thebidder’s responsibility to cancel any or all absentee bids prior to the start of the auction. If the bidder does not orcannot, regardless of any reason, the bidder will be held responsible for the purchase of the property.14. Fuller’s LLC accepts absentee bids in person, by mail, or by fax. Absentee bids should be received no laterthan 12 Noon on the last business day preceding the auction. Please call Fuller’s LLC to confirm receipt ofany faxed absentee bids. All absentee bids are handled as though the bidder is in attendance. These bids areexecuted by a designated Fuller’s LLC employee. A <strong>25</strong>% deposit is required on all absentee bids. Fuller’s LLCbuys all absentee bid designated lots for the bidder at one bidding increment above where all competitionstops bidding, as long as the absentee bid has not already been surpassed by the bidding at the auction. Pleasecheck and comply with these bidding increments. In case of failure to meet these terms, Fuller’s LLC will reduceeach bid not at an acknowledged bidding increment to the next lower bidding increment. Due to Fuller’s LLC’sstructured bidding increments, it is very likely that several people will leave identical bids. The earlier absenteebid left with the <strong>Auction</strong> Company wins in the event of a tie bid. All absentee bids placed on Live <strong>Auction</strong>eers aresent to the <strong>Auction</strong> Company during the actual sale at the time the lot is being offered for sale. There is no timeadvantage to these absentee bids at all. All absentee bidder names and bids are held in strictest confidence,disclosed only in the event of a question after the sale. Absentee bidding is a convenience offered to Fuller’sLLC’s customers and, while Fuller’s LLC will make every effort to execute the bidder’s instructions, the <strong>Auction</strong>Company is not liable or responsible for any errors or failure to do so. If the bidder places absentee bids withthe <strong>Auction</strong> Company, Live <strong>Auction</strong>eers and also bids in person, by phone or any other means, it is solely thebidder’s responsibility to cancel any or all absentee bids prior to the start of the auction. If the bidder does notor cannot cancel these bids, regardless of any reason, the bidder will be held responsible for the purchase of theproperty.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 29
15. Telephone lines designated for telephone bidding are available on a first come, first served basis. Pleasereserve a telephone line as soon as possible. Telephone lines must be reserved in person or by telephone nolater than 12 Noon on the last business day before the auction. Unauthorized faxed requests for telephone linesare not accepted. The bidder should first determine the lots on which the bidder wishes to bid before requestinga phone line reservation. Please request and review condition reports for these lots in advance of reservinga phone line. Fuller’s LLC will contact the bidder at only one phone number during the auction. Fuller’s LLCsuggests that the bidder submits absentee bids if the bidder is unsure of his/her whereabouts at the time of thesale. All requests for overseas telephone lines must be accompanied by absentee bids which will be executedon the bidder’s behalf in the event of any problems with the telephone connection. It is the responsibility of thebidder to confirm his/her phone number and the lots to be bid upon by twenty-four hours before the auction.The bidder should not change the phone number after that phone number has been confirmed. If the bidder’sphone number changes, the <strong>Auction</strong> Company reserves the right to refuse the bidder’s bid by telephone in thisauction and will not be responsible for any breakdown in communications.Fuller’s LLC strongly recommends the use of telephone land lines, which are often more reliable than mobiletelephone lines. When bidding by phone, the bidder must be willing to bid up to the low estimate if thecompetitive bidding goes as high as the low estimate. There is absolutely no exception to this rule. However, thebidder may leave absentee bids for any amount on any lot. Bids are placed on the telephone at the discretionof the <strong>Auction</strong> Company and at the caller’s risk. Fuller’s LLC offers telephone bidding as a convenience to itscustomers. While Fuller’s LLC will make every effort to execute the bidder’s instructions, the <strong>Auction</strong> Company isnot liable or responsible for any errors or failure to do so.16. All items advertised in this catalog for sale by auction, with a minimum presale estimate of $1,000 andhigher, have, insofar as they are uniquely identifiable from the description given, been checked against thecomputerized database of stolen or lost artwork, antiquities and other cultural objects maintained by the <strong>Art</strong>Loss Register. A search certificate can be provided by the <strong>Art</strong> Loss Register for an additional fee. The <strong>Art</strong> LossRegister can be reached by mail at 108 West 39th Street, Suite 506, New York, New York, 10018, or by email atinfo@alrny.com. The <strong>Art</strong> Loss Register cannot, however, guarantee the provenance of any cataloged item againstwhich they search, and will not be liable for any direct or consequential losses of any nature howsoever arising.This statement is not to affect, detract from, or override Fuller’s LLC’s Terms and Conditions of Sale, and in theevent of any conflict, the Terms and Conditions of Sale will take priority to the terms of this statement.17. Bidding Increments$0 to $500 ....................................................... by $<strong>25</strong>’s$500 - 1000 .....................................................by $50’s$1000 - 2000 .................................................. by $100’s$2000 - 5000 .................................................. by $<strong>25</strong>0’s$5000 - 10,000 ...............................................by $500’s$10,000 - 20,000 ........................................... by $1000’s$20,000 - 50,000 ........................................... by $<strong>25</strong>00’s$50,000 - 100,000 .........................................by $5000’s$100,000 - 200,000 ...................................... by $10,000’s$200,000 - 500,000 ...................................... by $<strong>25</strong>,000’s$500,000 -and above .................................. by $50,000’s(Variations from the above Bidding Increments are at the auctioneer’s sole discretion.)30Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Fuller’s LLC Terms of Guarantee1. Fuller’s LLC warrants the authenticity of Authorship of each lot contained in this catalog on the terms andconditions set forth below. “Authorship” is defined as the creator, period, culture, source of origin, as the casemay be, as set forth in the heading of a lot in this catalog, with exception of amendments by any oral or writtensales-room notices or announcements. All other warranties of authenticity of authorship express or implied, arehereby disclaimed as Buyer shall take each lot “as is” and with all faults and errors of description.2. Fuller’s LLC warrants the Authorship of a lot for a period of 15 days from the date of the sale of such lot andonly to the original Buyer of record at the auction. If it is determined to Fuller’s LLC’s satisfaction that the headingis incorrect, the sale will be rescinded provided the lot is returned to Fuller’s LLC in the same condition in whichit was at the time of the sale. It is also Fuller’s LLC’s general policy to have the Buyer obtain at the Buyer’s expensethe opinion of one (or two in some cases) recognized experts in the field, mutually acceptable to Fuller’s LLC andthe Buyer, before Fuller’s LLC determines whether to rescind the sale under the above warranty.3. The Buyer’s sole remedy in the event of disputed authenticity of authorship of any lot shall be rescission of thesale and restitution of the original purchase price and premium paid by such Buyer. Fuller’s LLC hereby disclaimsall liability for any damages, incidental, consequential or otherwise, arising out of or in connection with any saleto the Buyer.4. Names printed in bold letters in the catalog which identify a lot specifically as the work of the named artist orauthor shall mean that the work is by the named artist or author, i.e. if the name of the artist is printed in boldletters without a question mark and without any qualifying phrase such as “attributed to,” “circle of,” or “after.”Italicized names in the catalog which attribute the work to a named artist or author shall mean that the work isof a period or school of the artist or author, but is not, with certainty, by the named artist or author. This may alsobe indicated with a question mark following the name of the author.5. Exclusions - Notwithstanding any other provision of these “Terms of Guarantee”, Fuller’s LLC disclaims allwarranties of authenticity of authorship for all lots consisting of works of fine art by or “attributed to” artists,authors or persons living before 1870 and, when no artist, author or person is so identified, works attributed toa period which includes any date prior to 1870, and all warranties relating to the identification of the periods ordates of execution of property, which may be proven inaccurate.6. Definitions of statements:a. “Attributed to “ - work is of the period of the named artist and may be the work of that artist,but not definitely so.b. “Circle of” - work of the period closely associated with the artist or from the studio of the artist.c. “School of” - work by a pupil or follower of the artist, in his/her style.d. “After” - in Fuller’s LLC’s opinion, a copy of the work of the artist.e. “Signed” - has the signature which in Fuller’s LLC’s qualified opinion is the signature of the artist.f. “Bears signature” - has a signature which in Fuller’s LLC’s qualified opinion, might be the signature of the artist.Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 31
Alphabetical List of <strong>Art</strong>istsNameLot NumberAbarito, Carolyn 113Abbott, Mary 81Alcalay, Albert 114Amelia, Lady Farnborough Long 1Anderson, Laurie 138Anonymous 209Arman (Armand Pierre Fernandez) 87, 93Ashton, May Malone Stanhope 65Athena 177Aviles, Vincenta M. 155Balakjian, Mark 142Barbour, Pat 148Barnet, Will R. 118Barnett, Rita Wolpe 167Barret, George the Younger 2, 3, 4Benes, Barton Lidice 106Betjemann, Norinne 96, 97Blow, David 108Boldini, Giovanni 55Bonies, Bob (Nieuwenhuis) 91Bowers, Cheryl 94Braithwaite, Bruce W. 129Bugatti, Rembrandt 64Bullaty, Sonja 168Bunker, George R. 128Calvert, Edward 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15Cannady Jill 133Casprowitz, George 143, 144Castañeda, Pilar 162Cenic, B. 176Challenger, Michael 149Chereau, J. Paris 185Chez Basset, Paris 184Churchyard, Thomas 16Clark, Thomas 17, 18Cuevas, José Luis 123Cuff, Terese M. 169Danby, Francis 19de Saint Phalle, Niki 85De Wint, Peter 20Dehn, Adolf <strong>Art</strong>hur 76Doppelmayr / Homann Heirs 183Dorazio, Piero 84Dougherty, Thomas F. 173Draegert, Joe 135Drew-Bear, Jessie 103Duke, Beth 71Fehl, Fred 179Ferrer, Rafael 163Fertig, David 115Finch, Daniel 21, 22Finch, Heneage 23, 24, <strong>25</strong>, 26, 27, 28Forsythe, Donald John 116Fortescue, Henrietta Anne 29, 30Foster, Myles Birket 31Frémiet, Emmanuel 191Friedeberg, Pedro 1<strong>25</strong>Gomez, Juan 127Goretzki, Dagmar 107Greenwood, Marion 78Greiner, Daniel 187Haas, Richard 165Hamilton, James 58Hardy, C. K. 60Harper, Cheryl B. 104, 105Hartson, Walter C. 56Heirs, Homann 182, 183Hingre, Louis Théophile 190Howitt, William Samuel 32Ihle, John 89Jackson, Martin 79Jamieson, Alexander 33Johns, Jasper 134Kemp-Welch, Lucy Elizabeth 34Kerkovius, Ruth 153Kotzen, Thirza 171, 172Kraa, Kristen 98Krushenick, Nicholas 156, 157LaPlanche, Pierre-Albert 197Lear, Edward 36Leuppi, Leo 88Lewis, Edmund Darch 57Lianko-Roberts, Marja 139, 140Lister, Peter 151, 152Livens, Horace Mann 35Lowney, Bruce Stark 102Malevich, after Kazimir 174, 175Matthai, Diego 122McClean, Richard 166McCombs, Bruce 137McCurdy 52Mêne, Pierre Jules (after) 196Meyers, Carole J. 80Moon, Mick 110, 111Morgen, Jan 131Napoli, Giuseppe 101Nesbitt, Lowell 150Nevelson, Louise 146, 147Nutting, Wallace 181O’Higgins, Pablo Esteban 126Oldenburg, Claes 141Palmer, Samuel 37, 38Parris, Edmund Thomas 40, 41Petrochko, Peter 154Pfeiffer, Werner 92Phillips, Tom 112Pinto, Jody 136Redgrave, William A. 72, 73, 74Reynolds, Samuel William 42Righetti, Guido (after) 192, 193, 194, 195Robb, Carmen 164Rolland, Martin 145Schimmel, Wilhelm (attributed to) 205Schmidt, Richard 117Schurr, Jerome 161Servello, Joe 99Sitarchuk, Leon 67, 68, 69, 70Smyth, Edward (Ned) J. 119Spalatin, Marko 159, 160Spicuzza, Francesco J. 75Sponsler , Edwin E. 100Stein, Helen 130Steinlen, Théophile Alexandre 53, 54Stuart, Alexander Charles 59Sully & Kearny 186Summers, Carol 109Swan, John Macallan 43, 44Taicher, Richard 77Taylor, Ralph 132Toledo, Francisco 124Vasarely, Victor 158Vivarelli, Carlo 90Ward, James 45Wasserman, Burton 170Watkins, Franklin Chenault 121Wells, Ian Seymour 46Wheeler, Bill 82, 83Whitney, Stanley 95Wilson, Jeremiah 63Wolf, Joseph 47Wolpert, Elizabeth Davis 120Wyss, Marcel 86
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