13.07.2015 Views

The secret to film is that it's an illusion. - WordPress.com

The secret to film is that it's an illusion. - WordPress.com

The secret to film is that it's an illusion. - WordPress.com

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>The</strong> <strong>secret</strong> <strong>to</strong> <strong>film</strong> <strong>is</strong> <strong>that</strong> <strong>it's</strong> <strong>an</strong> <strong>illusion</strong>.- George Lucas


<strong>The</strong> Function of MoviesTwo Primary functions:• ENTERTAINMENT• CULTURAL TRANSMISSION• Movies also have the capacity <strong>to</strong> function as a serious v<strong>is</strong>ual art form withsignific<strong>an</strong>t social influence• Differentiated from other forms of mass <strong>com</strong>munication (outsidesome literary books <strong>an</strong>d recorded music) because of their capacity forsocial influence• Most movies, however, are made <strong>to</strong> make money


H<strong>is</strong><strong>to</strong>ry of the Movie IndustryThomas Ed<strong>is</strong>on: Inven<strong>to</strong>r whose inventions include the electric light, thephonograph, <strong>an</strong>d the Kine<strong>to</strong>scope.Kintegraph: A machine <strong>that</strong> could capture a sequence of images which wassimilar <strong>to</strong> a camera only it au<strong>to</strong>matically <strong>to</strong>ok a picture of the moving imageevery half second. <strong>The</strong> images were then placed in a kintescope.Kintescope: a device <strong>that</strong> had a mo<strong>to</strong>r <strong>an</strong>d shutter mech<strong>an</strong><strong>is</strong>m <strong>that</strong> r<strong>an</strong> a loopof <strong>film</strong> past <strong>an</strong> electric light source. <strong>The</strong> specta<strong>to</strong>r would then peer through asmall window <strong>to</strong> see the moving image.• Lou<strong>is</strong> <strong>an</strong>d Auguste Lumiere used th<strong>is</strong> as the bas<strong>is</strong> of their Cinema<strong>to</strong>graphe,projecting the images for <strong>an</strong> entire audience


H<strong>is</strong><strong>to</strong>ry of the Movie Industry: Cinema<strong>to</strong>graphe• December 28, 1895, Lumieres debuted their first <strong>film</strong> – the arrival of atrain – <strong>to</strong> a paying audience at the Gr<strong>an</strong>d Café in Par<strong>is</strong>• Reality vs. S<strong>to</strong>rytelling• Did not see beyond its recording capacity• L'Arrivée d'un Train à la Ciotat, 1895


H<strong>is</strong><strong>to</strong>ry of the Movie Industry: Silent Era• Early cinema beg<strong>an</strong> with silent <strong>film</strong>s• Technology not developed <strong>to</strong> add sound until 1925• S<strong>to</strong>rytelling was limited <strong>to</strong> placards shown on screen for the audience <strong>to</strong> read• L<strong>an</strong>guage barriers not a big <strong>is</strong>sue because placards could be tr<strong>an</strong>slated <strong>an</strong>dreplaced• S<strong>to</strong>ries were short <strong>an</strong>d simple• George Melies: (1861-1938): An early French flimmaker who pioneered the use ofspecial effects in <strong>film</strong> in order <strong>to</strong> show imaginative s<strong>to</strong>ries• Used <strong>film</strong> <strong>to</strong> create <strong>illusion</strong>s• Objects appear or d<strong>is</strong>appear, tr<strong>an</strong>sformed• Le Voyage d<strong>an</strong>s la lune, 1902• Silent <strong>film</strong>s <strong>to</strong>ok on a s<strong>to</strong>rytelling function after 1910• Birth of a Nation, 1915, first major full-length <strong>film</strong>


H<strong>is</strong><strong>to</strong>ry of the Movie Industry: Silent Era• F.W. Murnau, Nosferatu, 1922• Adaption of the novel Dracula by Bram S<strong>to</strong>ker• Serge E<strong>is</strong>enstein, Battleship Potemkin, 1925• Famous for its editing sequence “<strong>The</strong> Odessa Steps” which intercutsshots of <strong>to</strong>wnspeople trapped by czar<strong>is</strong>t troops with shots of the troopsfiring over the crowd• Robert Flaherty, N<strong>an</strong>ook of the North, 1922• First great documentary <strong>film</strong> ever made, also first <strong>an</strong>thropologicaldocumentary, which depicted the life of Inuit people, particularly a Inuitwhaler• Unfortunately, it showed Inuit people as exotic, <strong>an</strong>d its scenes weresometimes staged


H<strong>is</strong><strong>to</strong>ry of the Movie Industry: Colour &“Talkies”• Technicolor Motion Picture Corporation founded in 1922 <strong>an</strong>d introducedcolour motion pictures <strong>to</strong> the market• Gone with the Wind, 1939• Sound was easier <strong>to</strong> add <strong>to</strong> <strong>film</strong>s <strong>an</strong>d beg<strong>an</strong> with live pi<strong>an</strong><strong>is</strong>ts <strong>an</strong>dac<strong>to</strong>rs speaking out parts• Sound was then added <strong>to</strong> <strong>film</strong>s as recorded music played back withac<strong>com</strong>p<strong>an</strong>ying subtitles (i.e. <strong>The</strong> Jazz Singer) <strong>an</strong>d required a lot ofcumbersome equipmentBUT, recording <strong>an</strong>d playing back sound synchronously with therecorded image was practical <strong>an</strong>d thus the silent era came <strong>to</strong> <strong>an</strong> end


H<strong>is</strong><strong>to</strong>ry of the Movie Industry: Hollywood• Hollywood was created in the early 1900s by a movie moguls• New York kept theatre, California did movies• California had a better climate so movies could be shot all yearround• Star System• 1930-1949 era of the Hollywood star system• Paramount Pictures (1912), Columbia Pictures (1920), Metro-Goldwyn-Mayer (1924), Warner Brothers (1923) <strong>an</strong>d 20 th CenturyFox (1935) held long term contracts on star direc<strong>to</strong>rs <strong>an</strong>d ac<strong>to</strong>rs• United States v. Paramount Pictures ended the monopoly <strong>that</strong>movie studios had on movie theatres• independent <strong>film</strong>s grew• Telev<strong>is</strong>ion <strong>com</strong>peted for ac<strong>to</strong>rs <strong>an</strong>d audiences


<strong>The</strong> Movie Industry Today• Not “vertically integrated” with entertainment <strong>com</strong>p<strong>an</strong>ies no longer owningthe me<strong>an</strong>s of production <strong>an</strong>d d<strong>is</strong>tribution• Studio control <strong>is</strong> not as pervasiveBUT• Ac<strong>to</strong>rs/actresses <strong>an</strong>d Direc<strong>to</strong>rs have more power <strong>an</strong>d au<strong>to</strong>nomy• Studios still have power over what movies are produced <strong>an</strong>d marketed• Will often try <strong>an</strong>d ch<strong>an</strong>ge content proposed by screenwriters <strong>an</strong>ddirec<strong>to</strong>rs which c<strong>an</strong> affect creative direction <strong>an</strong>d funding• Studios are also part of media consolidation processes me<strong>an</strong>ing they c<strong>an</strong>use s<strong>is</strong>ter <strong>com</strong>p<strong>an</strong>ies <strong>an</strong>d subsidiaries <strong>to</strong> market their movies• I.e. 20 th Century Fox will have a news item on a movie on Fox News(owned by News Corp.)• Studios cooperate with telev<strong>is</strong>ion <strong>to</strong> market movies, <strong>an</strong>d continuegenerating revenue by licencing movies <strong>to</strong> telev<strong>is</strong>ion <strong>com</strong>p<strong>an</strong>ies


<strong>The</strong> Movie Industry Today: Business Models• It’s simple! Get as m<strong>an</strong>y people as possible <strong>to</strong> watch the movie!• Multiple ways <strong>to</strong> watch movies now, but box office popularityimport<strong>an</strong>t for attracting future viewers <strong>to</strong> other “exhibitionwindows”• High cost, high r<strong>is</strong>k, high reward• Most movies end up losing money, but some make spectacularprofits• Multiple revenue streams: International box office sales, DVD rentals<strong>an</strong>d sales, licensing, product placement, promotional tie-ins


<strong>The</strong> Movie Industry Today: Future Outlook• DIGITIZATION!• D<strong>is</strong>tribution• Special Effects• Cost Savings• Perfect Reproduction• Piracy Concerns


When you're young, you look at telev<strong>is</strong>ion <strong>an</strong>d think, there's aconspiracy. <strong>The</strong> networks have conspired <strong>to</strong> dumb us down.But when you get a little older, you realize <strong>that</strong>'s not true.<strong>The</strong> networks are in business <strong>to</strong> give people exactly what they w<strong>an</strong>t.- Steve Jobs


Telev<strong>is</strong>ion: An Overview• We spend more time with TV th<strong>an</strong> <strong>an</strong>y other medium• People between 8-18 spend approximately 6.5 hours a day in front of ascreen (TV, Computer, Cell phone)• Concerns over health, social, intellectual effects• Two-thirds of U.S. homes have cable TV• Time Shift: <strong>The</strong> recording of <strong>an</strong> audio or video event for l<strong>is</strong>tening orviewing later, rather th<strong>an</strong> at the time of the original broadcast.Using TiVo (a digital video recorder) <strong>to</strong> record a favourite programwhile you’re out <strong>is</strong> <strong>an</strong> example of time-shifting.• DVDs, videocassettes, video-on-dem<strong>an</strong>d


Functions of Telev<strong>is</strong>ion• Widespread use <strong>an</strong>d r<strong>an</strong>ge of content• 98% of Americ<strong>an</strong> households have at least one telev<strong>is</strong>ion set• Internet has caused a drop in telev<strong>is</strong>ion viewership but TV <strong>is</strong> still the mostpopular form of media• Youth populations watch more asynchronous TV programming• Entertainment• Surveill<strong>an</strong>ce• Correlation• Cultural Tr<strong>an</strong>sm<strong>is</strong>sion


H<strong>is</strong><strong>to</strong>ry of Telev<strong>is</strong>ionJohn Logie Baird: A Scott<strong>is</strong>h inven<strong>to</strong>r who created the first mech<strong>an</strong>ically sc<strong>an</strong>nedtelev<strong>is</strong>ion device in 1923. H<strong>is</strong> thirty-two line TV had better resolution th<strong>an</strong> the firstattempts at electric telev<strong>is</strong>ion.Vladimir Zworkykin: <strong>The</strong> inven<strong>to</strong>r of <strong>an</strong> improved cathode-ray tube he called the“iconoscope” <strong>that</strong> <strong>is</strong> the bas<strong>is</strong> for the CRTs still used <strong>to</strong>day in telev<strong>is</strong>ion sets <strong>an</strong>d m<strong>an</strong>y<strong>com</strong>puter moni<strong>to</strong>rs. He <strong>is</strong> considered one of the fathers of electronic telev<strong>is</strong>ion.Cathode-ray tube (CRT): A device still used in most telev<strong>is</strong>ion screens <strong>an</strong>d <strong>com</strong>putermoni<strong>to</strong>rs, in which electrons are tr<strong>an</strong>smitted <strong>to</strong> a screen for viewing.Philo T. Farnsworth: Tr<strong>an</strong>smitted the first wireless electronic image (a dollar sign)


H<strong>is</strong><strong>to</strong>ry of Telev<strong>is</strong>ion Timeline1859: Cathode ray tube invented1873: Lou<strong>is</strong> May — basics of pho<strong>to</strong>conductivity1923: John Logie Baird1923: Vladimir Zworykin1927: Philo T. Farnsworth1939: David Sarnoff• Unveiled telev<strong>is</strong>ion <strong>to</strong> the greater public in 1939 at the World’s Fair in Queens, NY• Telev<strong>is</strong>ion was broadcast <strong>that</strong> year in the US by the National BroadcastingComp<strong>an</strong>y (NBC)


Analog <strong>to</strong> Digital• After World War II, number of sets <strong>an</strong>d stations grew rapidly• 1951: Color telev<strong>is</strong>ion debuts in United States• 1981: High Definition Telev<strong>is</strong>ion (HDTV) Analog telev<strong>is</strong>ion technology <strong>that</strong> produced amuch higher resolution image, sharper colour, a wider aspect ratio, <strong>an</strong>d superioraudio <strong>to</strong> older tv technologies• Digital Telev<strong>is</strong>ion (DTV) An all-digital telev<strong>is</strong>ion system in which all information,broadcast by cable or through the air, <strong>is</strong> in digital form.• 2009: All U.S. broadcast TV went digital• Enabled the convergence of <strong>com</strong>puting, telev<strong>is</strong>ion, <strong>an</strong>d tele<strong>com</strong>munications, as well asinteractivty• Multicast: <strong>The</strong> simult<strong>an</strong>eous tr<strong>an</strong>sm<strong>is</strong>sion of multiple ch<strong>an</strong>nels of <strong>com</strong>pressed content, or insome cases the same content but at different times (like broadcasting, from one <strong>to</strong> m<strong>an</strong>y)• Liquid Crystal D<strong>is</strong>plays (LCDs): higher quality, less power, less space


TV D<strong>is</strong>tributionsFour types of d<strong>is</strong>tribution:1. Broadcast : traditional me<strong>an</strong>s of over-the-air d<strong>is</strong>tribution of telev<strong>is</strong>ion programming(based on pho<strong>to</strong>conductivity, <strong>that</strong> allows electronic tr<strong>an</strong>sm<strong>is</strong>sion of v<strong>is</strong>ual <strong>an</strong>d audioinformation)2. Cable: created in 1948 for regions where over-the-air reception was poor, called‘Community Antenna Telev<strong>is</strong>ion (CRTV)’. Developed in<strong>to</strong> ‘Coaxial cable’, <strong>an</strong>d insulated<strong>an</strong>d conducting wire, then in<strong>to</strong> ‘Optical fiber’, a tr<strong>an</strong>sparent filament, usually made ofglass or plastic, <strong>that</strong> uses light <strong>to</strong> carry information thusly making for much fastertr<strong>an</strong>sm<strong>is</strong>sions with greater capacity.3. Satellite: telev<strong>is</strong>ion <strong>that</strong> <strong>is</strong> delivered via satellite tr<strong>an</strong>sm<strong>is</strong>sion <strong>to</strong> satellite d<strong>is</strong>hes <strong>that</strong>decode the signal for the viewer.4. Internet


TV Today• Station consolidation• Lots of stations, limited service providers• Shifting from cable <strong>to</strong> satellite, fiber-optic, or online d<strong>is</strong>tribution• Direct Broadcast Satellite (DBS) <strong>is</strong> cheaper th<strong>an</strong> cable (after initialinstallation costs), have better cus<strong>to</strong>mer service track records th<strong>an</strong> cable• DBS does not offer as much local content as Cable providers do• Satellite/Cable convergence• Cable providers usually have a monopoly on cable d<strong>is</strong>tribution in smallerareas


TV Business1. Advert<strong>is</strong>ing• R<strong>is</strong>k-averse• Copycat culture2. Audience Fragmentation• Cables telev<strong>is</strong>ion offered more viewing choices <strong>an</strong>d Neilsen ratingsbecame less import<strong>an</strong>t in determining audience reach• Cable shows <strong>that</strong> are considered “hits” will have smaller audiences th<strong>an</strong> alow rated network show (i.e. HBO shows vs Fox shows)3. Cable Service• Smaller audiences, less ad revenue• Tier system : basic service, premiere ch<strong>an</strong>nel service, per-program service


<strong>The</strong> Future of TV• Digital TV signal shift• Working out kinks (I.e. not enough digital converters for all householdswith <strong>an</strong>alog sets)• Broadcasters <strong>an</strong>d cable opera<strong>to</strong>rs experimenting with new products (I.e.video-on-dem<strong>an</strong>d, other interactive features such as recording, pausing,etc.)• Network vs. Cable programming• Cable programming <strong>is</strong> edgier, more innovative• Online viewing on the r<strong>is</strong>e• Networks beginning <strong>to</strong> stream high quality videoonline• Developing online advert<strong>is</strong>ing models


Deconstructing TVQUESTION: How do the four functions of media <strong>com</strong>e <strong>to</strong>gether within thefollowing <strong>com</strong>mercials?• C<strong>an</strong>adi<strong>an</strong> Armed Forces Commercials• House Hippo


Pho<strong>to</strong>graphyA picture <strong>is</strong> worth a thous<strong>an</strong>d words


Pho<strong>to</strong>graphy, in a nutshell.Pho<strong>to</strong>graphs mainly perform SURVEILLANCE & CULTURAL TRANSMISSION functionsCamera Obscura: A dark box or room with a small hole in it <strong>that</strong> allowed <strong>an</strong>inverted image of <strong>an</strong> outside scene <strong>to</strong> be shown on the opposite inner wall. Firstnoted in the writings of Leonardo da Vinci.Lou<strong>is</strong> Daguerre: A French scene painter <strong>an</strong>d inven<strong>to</strong>r of the daguerreotype (1839),<strong>an</strong> early type of pho<strong>to</strong>graphy which created <strong>an</strong> image on a metal plate.Matthew B. Brady: A famous pho<strong>to</strong>grapher of the nineteenth century who <strong>to</strong>okportraits of m<strong>an</strong>y well-known people of h<strong>is</strong> day <strong>an</strong>d the Civil War. Did not upholdour modern notion of impartial pho<strong>to</strong>journal<strong>is</strong>m.• Pho<strong>to</strong>journal<strong>is</strong>m: Kevin Carter <strong>an</strong>d Pictures of the Year• Pho<strong>to</strong>graphy: POWER, PRIVACY, <strong>an</strong>d PROFESSIONALISM

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!