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Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>WELCOME TO THE 4THINDIAN FILM FESTIVAL OF IRELANDMovies@Dundrum, Rua-Red Arts Centreand <strong>Film</strong>base, Dublin7 -10 June <strong>2013</strong>I have great pleasure in welcoming you all to <strong>the</strong>4th Indian <strong>Film</strong> <strong>Festival</strong> <strong>of</strong> Ireland <strong>2013</strong> atMovies@dundrum, Rua Red Art Centre Tallaghtand <strong>Film</strong>base in Temple Bar.The Indian <strong>Film</strong> <strong>Festival</strong> <strong>of</strong> Ireland (IFFI) has fastbecome Ireland’s boutique film festival, introducing<strong>the</strong> world’s largest film industry, <strong>the</strong> Indian cinemato <strong>the</strong> Irish audience. IFFI <strong>2013</strong> is delighted to spread its wings across<strong>the</strong> city, and we shall be screening films simultaneously at Rua RedArt Centre, and at <strong>Film</strong>base in <strong>the</strong> City Centre. We had pre-festivalscreenings as far as NUI Maynooth, Centre for Creative Practice,Draoicht Arts Centre in Blanchardstown, <strong>the</strong> Chester Beatty Libraryand at <strong>the</strong> Dunamaise Arts Centre in Portlaoise.The popularity <strong>of</strong> Indian films is growing in Ireland as evidenced <strong>by</strong>some <strong>of</strong> our pre-festival screenings <strong>of</strong> Ek Tha Tiger, <strong>the</strong> film shot andco-produced in 2011 in Dublin. Bollywood Ireland is now developingour own Irish-Indian cross-over fiction and non-fiction films to bemade here and creating an Irish-India film production corridor.Like <strong>the</strong> previous IFFI, we welcome stars from <strong>the</strong> world <strong>of</strong> IndianCinema as festival guests. This year we have Victor Banerjee, aBAFTA nominated actor, and <strong>the</strong> star in mini-retrospective; AtulTiwari, a prolific actor and screen writer; Lubna Salim, an actress,who is a household name in India, and Salim Arif a film designerand director.This year’s gala film festival dinner, with its glitzy Indian fashionshow and <strong>the</strong> award night will be held on <strong>the</strong> 8th June at TrinityCollege in aid <strong>of</strong> <strong>the</strong> Trinity Foundation.I am delighted to bring you this exciting film festival once again. Ihope you’ll enjoy films being screened in <strong>the</strong> festival, and that youwill also participate in <strong>the</strong> related events over <strong>the</strong> course <strong>of</strong> <strong>the</strong> fourdays <strong>of</strong> <strong>the</strong> festival. I sincerely thank all those who made this possible<strong>by</strong> <strong>the</strong>ir generous support.SIRAJ ZAIDI<strong>Festival</strong> Director, Indian <strong>Film</strong> <strong>Festival</strong> <strong>of</strong> Irelandwww.<strong>indian</strong>filmfestival<strong>of</strong><strong>ireland</strong>.ie<strong>Festival</strong>Crew<strong>Festival</strong> DirectorsiraJ ZaiDi<strong>Festival</strong> SecretaryMary O’sullivanHospitality & Transportationrobbie DalyMary O’sullivan<strong>Film</strong> <strong>Festival</strong> CrewPrachi sharmaJustin reddinsonya staffordlea PhilcoxMikael thierylouise MurphyMedia & MarketingMary O'sullivanverónica escobar ayusoPriyanka singhDigital Co-ordinatorsebastian stephenson<strong>Festival</strong> Rota Deskrita smith<strong>Festival</strong> Co-ordinatorGiovanna rampazzoPhotographersMary O'sullivanIFFI Documentaryritchie O’KeeffeJohn Daly<strong>Festival</strong> Contact No.089-4822337


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong><strong>the</strong> <strong>indian</strong> <strong>Film</strong> <strong>Festival</strong> <strong>of</strong> <strong>ireland</strong> <strong>2013</strong><strong>was</strong> <strong>kindly</strong> <strong>supported</strong> <strong>by</strong>:Embassy <strong>of</strong> IndiaZenith Infosystems, DublinPatrOns anD FrienDs OF <strong>the</strong> inDian FilM <strong>Festival</strong> OF irelanDCliona BuckleyGurbeer Singh ChadhaAsheesh DeewanDr. J. Puri


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>


Awards DinnerIndian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>iFFi <strong>2013</strong> CineMaaDMissiOn PriCesadult ticket €8.00Child ticket €5.00Documentary screenings“Try again. Fail again. Fail better.”A typical Trinity studentSamuel Beckett remained his own sternest critic to <strong>the</strong> end <strong>of</strong> his life, when writingWorstward Ho. From his beginnings in Trinity College Dublin he had honed hiscompetitive ambitions, as an author and also as an enthusiastic cricketer inCollege Park. Near<strong>by</strong>, ano<strong>the</strong>r Nobel prizewinner, Ernest Walton, <strong>was</strong> explaininghow he split <strong>the</strong> atom. Today postgraduate students in Trinity can strive to match<strong>the</strong>ir own highest standards in Science, Technology, Arts and Humanities. Youshould bring your A game to Ireland’s most ambitious university.Celluloid Man @ <strong>Film</strong>base €8.00Opening <strong>Film</strong> "Meherjaan" €15.00ReD CaRPeT wITH THe STaRS aND DIReCToRSClosing <strong>Film</strong> "OMG" €8.00all welCoMe To joIN FoR a SPeCIalCloSINg INDIaN DINNeR IN aNaNDa -MuST SHow TICkeT aT ReSTauRaNT(PaID To ReSTauRaNT SePaRaTely) €20.00Membership card requiredoNCe oFF - avaIlable FRee aT FeSTIval DeSk<strong>Festival</strong> Programme FreeVisit www.tcd.ie/graduate_studies to see what you could become.


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>* S t a r g u e S t S *actor viCtOr BanerJeeHe is representing his recent film Meherjaan in IFFI <strong>2013</strong>, workingin Hindi, bengali and english language films. He has alsoappeared on a number <strong>of</strong> Tv Series on Indian television. He hasworked for prominent directors like jerry london, Shyam benegal,Satyajit Ray, Roman Polanski, james Ivory and David lean.banerjee is a descendant <strong>of</strong> womesh Chandra bonnerjee, aleading intellectual, a prominent man <strong>of</strong> his time and <strong>the</strong> firstpresident <strong>of</strong> <strong>the</strong> Indian National Congress (1885). He had hisschooling in St. edmund's, Shillong, and graduated in englishliterature from St. Xavier's College, Calcutta. In 1984, he acted as Dr. aziz ahmed in Davidlean's adaptation <strong>of</strong> <strong>the</strong> book a Passage to India, (IFFI <strong>2013</strong>) bringing him to <strong>the</strong> attention<strong>of</strong> western audiences. victor <strong>was</strong> nominated for baFTa award for this role in 1986. He wontwo o<strong>the</strong>r awards for this role: evening Standard british <strong>Film</strong> award and NbR award(National board Review, uSa). He acted in Merchant Ivory Productions Hullabaloo overgeorgie and bonnie's Pictures and Satyajit Ray's ghare baire (IFFI <strong>2013</strong>). Though inrecent years he has largely been involved with bollywood, he is also affiliated with <strong>the</strong>bengali film industry. He also plays 'character actor' roles from time to time in <strong>the</strong> britishcinema. He <strong>was</strong> also cast in <strong>the</strong> role <strong>of</strong> jesus <strong>by</strong> director Stephen Pimlott in <strong>the</strong> 1988production <strong>of</strong> <strong>the</strong> york Mystery Plays.actor luBna saliMRecently seen as Susheela in film oh My god, as <strong>the</strong> godfearing wife <strong>of</strong> <strong>the</strong> main protagonist, lubna Salim has been aconstant presence in Indian homes on Indian Television withCommercials like Red label, Pepsodent, Rin, ICICI, ariel,Nutrela, Nestle, Tata Sky etc. She is still remembered asleela bhabhi <strong>of</strong> popular baa bahu aur ba<strong>by</strong> Tv serial. ekPacket ummeed as Paroma for NDTv Imagine, Mera Naam karegi Roshan for Zee Tv,Daaman for Sahara Tv, bharat ek khoj, Tehreer Munshi Premchand ki, Chhatrapati Shviraifor DD, Heroine Telefilm for Madhur bhandarkar telefilms for Sony Television have been hero<strong>the</strong>r notable works. She won <strong>the</strong> Star Parivar awards <strong>of</strong> 2007, ITa award 2007, IndianTelly awards 2007, gold award 2008 for her work in <strong>the</strong>se serials. lubna formed her own<strong>the</strong>atre group eSSay CoMMuNICaTIoNS with her fa<strong>the</strong>r javed Siddiqi, <strong>the</strong> eminent writerand her husband Salim arif, ano<strong>the</strong>r well known name in <strong>the</strong>atre and films. on stage, herroles in gulzar’s Sunte Ho a dramatic adaptation <strong>of</strong> Ravindranath Tagore’s Stree Patro,arre o Henry and a Trilogy on stage <strong>of</strong> gulzar’s writings, plays like kharaashein-<strong>the</strong> scarsfrom riots, lakeerien – on changing Indo-Pak Relations, atthaniyaan on Mumbai street lifehave won critical acclaim. javed Siddiqi’s kachche lamhe, Ham Safar, Peele Patton kaban, a collection <strong>of</strong> three monologues have been her o<strong>the</strong>r significant plays. She has beenconsistently involved with stage plays with her latest being gulzar’s Paansa, a stageadaptation <strong>of</strong> Pavan k varma’s long poem yudhishtir and Draupadi. Her forthcoming filmsinclude Saheb, Directed <strong>by</strong> jabbar Patel and abida <strong>by</strong> Maria Syed. She <strong>was</strong> given <strong>the</strong>women’s achievers award 2012 for her contribution to <strong>the</strong>atre.9


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>* S t a r g u e S t S *writer actor atul tiwaria National School <strong>of</strong> Drama, Delhi graduate and bertolt brecht <strong>the</strong>atrescholar in berlin, atul Tiwari is a highly respected and high pr<strong>of</strong>ile screenplay, story and dialogue writer <strong>of</strong> <strong>the</strong> Indian film industry. atul <strong>was</strong> invitedto Trinity College Dublin in 2009, to introduce his highly acclaimed film onSubhash Chand bose and to deliver a lecture on bose. He has alsolectured on his film bhagat Singh in glasgow uk (2010). He has writtenseveral Indian films such as Dasavatharam (2008) (Hindi version); NetajiSubhas Chandra Bose: The Forgotten Hero (2005) (screenplay); Chot [aaj Isko, kal Tereko] (2004)(dialogue) (screenplay); Kash ... Aap Hamare Hote (2003) (dialogue) (screenplay) Soch (2002)(dialogue); also known as: "Soch - thoughts <strong>of</strong> killing for love" - germany (Title on DvD); Agni Varsha(2002) (dialogue) Mission Kashmir - The bloody path <strong>of</strong> freedom (2000) (dialogue) .. also known as:"Mission kashmir" - India (original): Shaheed uddham Singh: alais Ram Mohammad Singh azad(2000) (dialogue: Hindustani & english) (written <strong>by</strong>) Threatening kaal (1994) (dialogue) woh Chokri(1994) (Tv) (dialogue). as actor Idiots 3 (2009) .. Minister in auditorium Hazaar Chaurasi ki Maa(1998); Hazaaron khwaishein aisi (2003) (Hindi dialogues). He has recently written a latest Indian filmvishwaroop (IFFI <strong>2013</strong>) a blockbuster film with kamal Hassan. He is also appearing in <strong>the</strong> film P.k. anamir khan production film - directed <strong>by</strong> Raj kumar Hirani." atul will be chairing and holding IFFI <strong>2013</strong>Master class, in association with Screen Training Ireland and <strong>the</strong> Irish <strong>Film</strong> board on <strong>the</strong> craft <strong>of</strong> scriptwriting trends in Indian film industry at <strong>the</strong> Trinity Hub.Designer-Director saliM ariFCurrently working as Head <strong>of</strong> <strong>the</strong> Department <strong>of</strong> actors’ Studio in whistlingwoods International, Mumbai, asia’s leading <strong>Film</strong> School, Salim arif is anillustrious alumnus <strong>of</strong> National School <strong>of</strong> Drama, New Delhi, and a verywell known name in <strong>the</strong> field <strong>of</strong> Indian Theatre and <strong>Film</strong>s. Shyambenegal’s bharat ek khoj, gulzar’s Mirza ghalib, Dr. ChandraprakashDwedi’s Chanakya got him International recognition as a Period <strong>Film</strong>Designer <strong>of</strong> substance. Nirja guleri’s Chandrakanta, ketan Mehta’sSardar Patel, gulzar’s Maachis & Hu-Tu-Tu, govind Nihalani’s Takshak, anil Sharma’sab Tumhare Hawale watan Saathiyo and Rajan kothari’s Das Capital are his o<strong>the</strong>r films as aDesigner. He has been a consultant for period details in anil Sharma’s gadar and Mani Ratnam’sguru. Innovative in approach, Salim arif has directed actors like Farooque Shaikh, Sonali bendre,Tabu, Rakesh bedi, anjan Srivastava, avtar gill, atul kulkarni,yashpal Sharma, javed khan,Rajeshwari Sachdeva, Sulabha arya, bharat kapoor,vaishali Thakkar, lubna Salim, Seema azmi,Harsh Chhaya, kiran karmarkar, anoop Soni and singers like bhupinder-Mitaali, Talat aziz, Rekhabhardwaj, Seema Sehgal, jaswinder Singh amongst o<strong>the</strong>rs in several plays. These plays have madehim one <strong>of</strong> <strong>the</strong> most exciting and popular directors on Hindi <strong>the</strong>atre scene in India and abroad. Hemade his mark as Director-Choreographer <strong>of</strong> important National events with Drums <strong>of</strong> India and windInstruments <strong>of</strong> India shows for Republic Day Parade in 1985 and 1986. goonjte Patthar events inmonuments <strong>of</strong> Delhi got him critical acclaim in apna utsav 1986. He also choreographed and directedoctave 2010 presented <strong>by</strong> NCZCC, allahabad in Surajkund, New Delhi and lucknow. bodhi <strong>Festival</strong> ingaya in <strong>2013</strong> has been his recent show. He <strong>was</strong> commissioned <strong>by</strong> encyclopaedia britannica (India) todo an appraisal on Costumes in Hindi Cinema titled The essence and Fabric for encyclopaedia <strong>of</strong>Hindi Cinema published in 2003. He is also on <strong>the</strong> visiting faculty <strong>of</strong> several prestigious institutionsincluding National School <strong>of</strong> Drama, New Delhi, <strong>Film</strong> and Television Institute <strong>of</strong> India, Pune, bNa,lucknow, National Institute <strong>of</strong> Fashion Technology, Mumbai and National Institute <strong>of</strong> Design,ahmedabad. He is also a resource person for Sangeet Natak akademy, New Delhi. He <strong>was</strong> awarded<strong>the</strong> prestigious urdu adab award <strong>of</strong> u.P.Hindi-urdu award Committee for his contribution in Theatre.11


Screen Training Irelandis delighted to supportScreenwriting Masterclasswith Atul TiwariAs part <strong>of</strong> <strong>the</strong>Indian <strong>Film</strong> <strong>Festival</strong> <strong>2013</strong>


100 years <strong>of</strong> <strong>indian</strong> Cinema<strong>by</strong> Prachi SharmaIndian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>Happy birthday to <strong>the</strong> treasure-trove <strong>of</strong> Indian Cinema Cinephilia is felt in India quite likenowhere else. The Cinema in India consists <strong>of</strong> films produced across India, which includes <strong>the</strong>cinematic culture <strong>of</strong> different states that make up <strong>the</strong> country. The Indian film industry is one <strong>of</strong><strong>the</strong> oldest and largest film industries in <strong>the</strong> world, producing on an average <strong>of</strong> 1200 films eachyear and now it celebrates 100 years <strong>of</strong> glory. During <strong>the</strong>se long years, Indian cinema has come<strong>of</strong> age and has broken many new grounds and established several milestones. It is pushing <strong>the</strong>frontiers in terms <strong>of</strong> technology as well as well as contents. It's no mean feat that India producesmore films across all its regions than Hollywood. Nearly 130 films were released out <strong>of</strong> bollywoodin 2011 and o<strong>the</strong>r regional films take a toll over 1000.The birth <strong>of</strong> cinema in India can be attributed to lumieres bro<strong>the</strong>rs. They held <strong>the</strong>ir first public showing <strong>of</strong><strong>the</strong>ir early silent films at Mumbai's watson Hotel in on july 7, 1896. but <strong>the</strong>y were very quick to realise <strong>the</strong> value <strong>of</strong>India as a location for film making, both <strong>of</strong> its natural beauty, exotic culture and rich heritage. Some <strong>of</strong> <strong>the</strong> lumiere filmswere shown in bombay (which is Mumbai now), inspired <strong>by</strong> those films, director 'Hiralal Sen' made o<strong>the</strong>r short films inIndia starting with 'Flower <strong>of</strong> persia' in 1888. The first Indian silent movie released in India <strong>was</strong> 'Shree Pundlik' <strong>by</strong>Dadasaheb Torne, however <strong>the</strong> credit <strong>of</strong> making <strong>the</strong> first indigenous film 'Raja Harishchandra', (released on May 3,1913 <strong>by</strong> Coronation Theatre), <strong>was</strong> attributed to director/producer DadaSaheb Phalke. These were <strong>the</strong> days <strong>of</strong> <strong>the</strong> silentmovies, soon followed <strong>the</strong> first talkie 'alam ara' which <strong>was</strong> screened on March 14, 1931 in Majestic Cinema. The manwho put Phalke's name in film history has been unheard <strong>of</strong>, P.k. Nair fa<strong>the</strong>r <strong>of</strong> NFaI (National <strong>Film</strong> archive <strong>of</strong> India).Nair's life has been captured in <strong>the</strong> brilliant documentary 'Celluloid Man' <strong>by</strong> Shivendra Dungarpur, which talks about hismarathon efforts in single-handedly building one <strong>of</strong> <strong>the</strong> most enviable film archives in India. according to Dungarpuralmost 70 percent <strong>of</strong> <strong>the</strong> films made before 1950 had vanished already. He <strong>was</strong> a passionate collector who travelled farand wide to preserve regional films – assamese, oriya, Punjabi, bengali, Tamil, Telgu and Malayalam. Dungarpur whoproduced and directed this landmark film which releases in <strong>the</strong>atre on May 3, to coincide with <strong>the</strong> centenary, has saidover 1700 silent films were made in India <strong>of</strong> which only 9 or so have survived in <strong>the</strong> National <strong>Film</strong> archives <strong>of</strong> India.However amidst all <strong>the</strong> pain <strong>of</strong> losing our historic treasure, it is Nair's efforts that brings some cheers amidst <strong>the</strong> gloomyscene on <strong>the</strong> cinematic heritage front.Indian cinema appeals to more <strong>of</strong> a transnational audience that create a very appealing image <strong>of</strong> India forglobal audiences. The industry has produced many actors in its centennial, some faded away with time while o<strong>the</strong>rsbecame immortal names and will be remembered for generations to come. Dilip kumar, Nargis, Madhubala, Rajeshkhanna <strong>the</strong> first super star <strong>of</strong> cinema, amitabh bachhan, Meena kumari also referred as queen <strong>of</strong> tears, Dharmendraand in <strong>the</strong> current generations aishwarya Rai, Shahrukh khan, aamir khan are a few names among many. In midst <strong>of</strong>all <strong>the</strong> greats, one name that has never failed to create magic on <strong>the</strong> big screen <strong>was</strong> Dev anand, <strong>the</strong> eternal romantichero <strong>of</strong> bollywood. Dev anand, <strong>the</strong> debonair hero and a versatile director, whose signature puff hair and swaggerenchanted fans across generations, outlived many <strong>of</strong> his contemporaries with his infectious zeal for life and cinema.The charismatic star lived <strong>by</strong> <strong>the</strong> philosophy <strong>of</strong> 'mein zindagi ka saath nibhata chala gaya, har fikr ko dhue me udatachala gaya' written for him in <strong>the</strong> movie Hum Dono in 1961. The o<strong>the</strong>r name which cannot be missed when you talkabout Indian film cinema is Dilip kumar. He may not have been aware <strong>of</strong> <strong>the</strong> fact that working in films would some dayresult him being branded <strong>by</strong> film personalities and <strong>by</strong> fans worldwide as one <strong>of</strong> <strong>the</strong> greatest actors to have eversurfaced in Indian film history. He is also referred to <strong>by</strong> many as '<strong>the</strong> tragedy king <strong>of</strong> Indian Cinema'. He became a greatsource <strong>of</strong> inspiration for actors like amitabh bachhan and Shahrukh khan who regularly cite him for <strong>the</strong>ir role model.Ra<strong>the</strong>r recently in one <strong>of</strong> <strong>the</strong> interviews, Shahrukh khan has said “I did two iconic films one is Dilip kumar's 'Devdas'and <strong>the</strong> o<strong>the</strong>r one is amitabh bachhan's 'Don'”.In <strong>the</strong> 21st century, Indian Cinema is both revisiting and breaking new grounds, from silent pictures totalkies, from black and white to Technicolor, from cinemascope to hand held devices. Indian cinema has kept pace withglobal cinema with its longevity and its ability to make a sub continent dream little larger. It is becoming more global init's outlook. as national award winning film maker k.v. anand says: “as Indian audience embrace globalization itscinema too adapted to <strong>the</strong> growing needs for different plots, newer character and contemporary story lines”. Thechanging demand gave rise to some versatile directors to meet <strong>the</strong> changing need <strong>of</strong> <strong>the</strong> customers <strong>of</strong> entertainmentindustry. yash Chopra rightly called <strong>the</strong> king <strong>of</strong> romance, gave bollywood some fantastic pieces <strong>of</strong> cinema. He <strong>was</strong> alsoconferred with <strong>the</strong> <strong>of</strong>ficer de la legion, <strong>the</strong> highest French distinction for his contribution to Indian Cinema in 2008. yashChopra <strong>was</strong> also Conferred and <strong>was</strong> made <strong>the</strong> honorary pr<strong>of</strong>essor <strong>of</strong> <strong>the</strong> Trinity College, Dublin in 2012 for <strong>the</strong> shooting<strong>of</strong> 'ek Tha Tiger' in a beautiful city <strong>of</strong> Dublin. Sadly he passed awayfew months later and could not come over to collect <strong>the</strong> degree intraditional robes.The annual Indian <strong>Film</strong> <strong>Festival</strong> <strong>of</strong> Irelandcontributed in attracting this film into Ireland.Finally, in a small remote european country like Ireland,Siraj Zaidi, actor, writer, director and producer introduced Indiancinema to <strong>the</strong> Irish audience way back in 1989. The annual Indianfilm festival which promotes Ireland as locations to <strong>the</strong> Indian filmindustry, and <strong>the</strong> Indian cinema to <strong>the</strong> Irish audience, has firmlyestablished <strong>the</strong> strong umbilical film reel that is stretching frommo<strong>the</strong>r India to Ireland. More productions are under development<strong>by</strong> <strong>the</strong> bollywood Ireland ltd that will realise a true co-productionbetween Ireland and India.13


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<strong>Film</strong> synopsisIndian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>Meherjaan| Director: rubaiyat hossain | 2011 | english/Bengali| 119 mins | Movies@Dundrum 6.30pm Friday 7th June(Star : Victor Banerjee is attending <strong>the</strong> festival)Meherjaan wins a handful <strong>of</strong> awards at International filmfestivals and competitions world wide. This is an Irish premier.It is a full-length feature film made <strong>by</strong> Rubaiyat Hossain as herdebut film. The film has been pulled out <strong>of</strong> <strong>the</strong>atres due to <strong>the</strong> hostile response <strong>of</strong> agroup <strong>of</strong> audience after its release in january 2011.Meherjaan claims to be a women's "feminine" re-visiting <strong>of</strong> bangladesh’sindependence war with Pakistan in 1971. a must watch beautifully shot. It isprimarily, and more interestingly, about female sexuality against <strong>the</strong> backdrop <strong>of</strong>brutality.It’s about women discovering <strong>the</strong>mselves as <strong>the</strong>y are engulfed <strong>by</strong> a war, reclaiming<strong>the</strong>mselves as men around <strong>the</strong>m are consumed <strong>by</strong> battle, and consolidating <strong>the</strong>irnarrative as <strong>the</strong>y look back at an essentially masculine affair.shanghai| Director: Dibakar Banerjee | 2012 | hindi | 120 mins| Movies@Dundrum 4pm saturday 8th JuneThe bustling Indian city <strong>of</strong> bharat Nagar has an upcominginfrastructure project backed <strong>by</strong> <strong>the</strong> ruling political party, thatpromises to turn <strong>the</strong> city into India's grandest metropolis, India'svery own 'Shanghai'. Meanwhile, four individuals find <strong>the</strong>mselvestied up into a gruesome game <strong>of</strong> crime and politics.a shocking and disturbing road accident leaves a socialistpr<strong>of</strong>essor/political activist Dr. ahmedi (Prosenjit Chatterjee) in critical condition.ahmedi's adherent Shalini (kalki koechlin) believes it to be a premeditated murder.a videographer/pornographer joginder Parmar (emraan Hashmi) claims to havedocumented pro<strong>of</strong> on <strong>the</strong> mishap that will bring <strong>the</strong> government down.a high-ranking bureaucrat T.a krishnan (abhay Deol) is brought in <strong>by</strong> <strong>the</strong>government for damage control and investigation. as days go <strong>by</strong>, those involveddiscover a hidden secret in <strong>the</strong> government sector.15


FriDaY 7th June <strong>2013</strong>SCReeN 125.00pm – 5:30pm5.30pm – 6.30pmRed carpet arrivalPhoto ops / opening Ceremony / Intro speechesMinister / DlRC Dignitaries6.30pm – 8:30pm opening film Premièring MeherJaan (2011)Dir: Rubaiyat HossainStar: aCToR victor banerjee presence in <strong>the</strong> <strong>the</strong>atreDuration: 2:00 hrssaturDaY 8th June <strong>2013</strong>SCReeN 124.00pm – 6:00pm shanGhai (2012)Starring: emraan HaSHMI, abhey Deol, kalki koechlinDir: Debakar banerjeeyear 2012Duration: 2:00 hrs<strong>Festival</strong>7.00pm – 8.38pm (check) JaB taK hai Jaan (2012)Starring: Shahrukh khan, kathrina kaif, anushka SharmaDir: yash ChopraDuration: 1:75 minssunDaY 10th June <strong>2013</strong>9.00am- 11: 00pm11:30am – 1:00 pmTRINITy College – long Room HubRegistrationTea / c<strong>of</strong>feeMasterClass with writer atul Tiwari + victor banerjee+ Director Salim arif.SCReeN 124.00pm – 6.12pm eaK tha tiGer (2012)Salman khan, kathrina kaifDuration: 1:32 mins7.00pm – 9:27 pm Premièring vishwarOOPaM (<strong>2013</strong>)Dir: kamal Haasan, attending writer atul TiwariDuration: 1.47 mins


MOnDaY 11th June 2012SCReeN 1211.30am – 1.00pm (Children slot) Gattu (2011)Directors: Rajan khosaDuration: 1:22 mins3:00pm – 5.15pm Pan sinGh tOMer (2011)Dir: Tigmanshu Dhulia. Starring Irfan khanDuration: 2:15 hr7.0pm – 9:10pmOMG - Oh MY GODClosing filmDir: umesh ShuklaDuration 2:10 minsStarring: lubna Salim .. attending <strong>the</strong> festivalMeeT THe STaR lubNa SalIMIndian Dinner in aNaNDa ReSTauRaNT (upstairs)aFTeR THe SCReeNINgsCheDule<strong>Film</strong>base screeningsCurved street, temple bar, Dublin 1Friday: 7th June <strong>2013</strong>6:00 pm PassaGe tO inDiasunday: 9th June <strong>2013</strong>3:00 pm CellulOiD Man(100 years <strong>of</strong> <strong>the</strong> Indian cinema screening)6:00 pm Das CaPitalMonday 10 June <strong>2013</strong>6:00 pm Ghare-Bairerua redtallaght, Dublin 24, screeningsFriday 7th June <strong>2013</strong>6:00 pm viCKY DOnOrMonday 10th June <strong>2013</strong>6:00 pm waqt (tiMe) .... old classic, all time hit.


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Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>Jab tak hai Jaan| Director: Yash Chopra | 2012 | hindi | 175 mins| Movies@Dundrum 7pm saturday 8th Junejab Tak Hai jaan is a love triangle, and also marks <strong>the</strong>return <strong>of</strong> yash Chopra as a director after eight years.In what world would a beautiful, fabulously rich girl whocruises around london in a chauffer-driven bentley fallin love with a waiter? In yash Chopra's world, <strong>of</strong> course! It helps enormously that <strong>the</strong>waiter (Samar anand) is played <strong>by</strong> Shah Rukh khan with charm turned on highbeam.In any case, you don't go to a yash Chopra movie to delve into realism or <strong>the</strong>messiness <strong>of</strong> relationships. you go to partake in a fantasy <strong>of</strong> swooning, idealised love- and jab Tak Hai jaan delivers plenty <strong>of</strong> that.Through a series <strong>of</strong> unconvincing story twists, <strong>the</strong> waiter becomes a major in <strong>the</strong>army - a bomb-disposal expert, no less. Returning to london after 10 years, hesuffers amnesia after an accident. will he be reunited with his love?iFFi <strong>2013</strong> pays tribute to india's legendery film makerYash ChOPrayaSH Raj CHoPRa (27 September 1932 – 21 october 2012) <strong>was</strong> an Indian film director, scriptwriter and film producer, predominantly working in Hindi cinema. Chopra began his career as anassistant director to I.S. johar and his elder bro<strong>the</strong>r, b.R. Chopra. He made his directorial debutwith Dhool ka Phool in 1959, a melodrama about illegitimacy, and followed it with <strong>the</strong> socialdrama Dharmputra (1961). encouraged <strong>by</strong> <strong>the</strong> success <strong>of</strong> both films, <strong>the</strong> Chopra bro<strong>the</strong>rs madeseveral more movies toge<strong>the</strong>r during <strong>the</strong> late fifties and sixties. Chopra rose to prominence afterhis commercially and critically successful drama, waqt (1965) (IFFI <strong>2013</strong>), which pioneered <strong>the</strong>concept <strong>of</strong> ensemble casts in Indian <strong>Film</strong>s.In 1973, Chopra founded his own production company, yash Raj <strong>Film</strong>s, and launched it with Daag: a Poem <strong>of</strong>love (1973), a successful melodrama about a polygamous man. His success continued in <strong>the</strong> seventies, with some <strong>of</strong> Indiancinema's most successful and iconic films, including <strong>the</strong> action thriller Deewar (1975), which established amitabh bachchanas <strong>the</strong> leading actor in bollywood; <strong>the</strong> romantic drama kabhie kabhie (1976) and Trishul (1978).From <strong>the</strong> late seventies till 1989 marked a pr<strong>of</strong>essional setback in Chopra's career; several films he produced ordirected in that period failed to leave a mark at <strong>the</strong> Indian box <strong>of</strong>fice, notably Doosra aadmi (1977), kaala Pathar (1979),Silsila (1981), Mashaal (1984), Faasle (1985) and vijay (1988). However, in 1989, Chopra directed <strong>the</strong> commercially andcritically successful cult film Chandni, which became instrumental in ending <strong>the</strong> era <strong>of</strong> violent films in bollywood and returningmusicals.Chopra directed and produced <strong>the</strong> cult classic lamhe in 1991. Considered <strong>by</strong> critics and Chopra as his bestwork to date, <strong>the</strong> film became one <strong>of</strong> <strong>the</strong> biggest bollywood hits in <strong>the</strong> overseas market, although underperformed at <strong>the</strong>domestic box <strong>of</strong>fice. In 1992 he directed Parampara which <strong>was</strong> critically panned as well as being a box <strong>of</strong>fice failure. Choprasucceeded with <strong>the</strong> box-<strong>of</strong>fice hit and trend setter Darr (1993). Starring Shahrukh khan, it <strong>was</strong> a sympa<strong>the</strong>tic look atobsessive love and defied <strong>the</strong> image <strong>of</strong> <strong>the</strong> conventional hero. Since <strong>the</strong>n, Chopra directed three more romantic films, allstarring khan; Dil To Pagal Hai (1997), veer-Zaara (2004), and jab Tak Hai jaan (IFFI <strong>2013</strong>) before he announced hisretirement from directing in 2012.Chopra founded and <strong>was</strong> chairman <strong>of</strong> <strong>the</strong> motion picture production and distribution company yash Raj <strong>Film</strong>s,which ranks as India's biggest production company as <strong>of</strong> 2006, as well as yash Raj Studios. Chopra's career has spannedmore than five decades and 50 films; he is considered one <strong>of</strong> <strong>the</strong> leading filmmakers in <strong>the</strong> history <strong>of</strong> Hindi cinema. He cameto be known as <strong>the</strong> "king <strong>of</strong> Romance" <strong>of</strong> <strong>the</strong> Indian cinema. Chopra has won several film awards, including six National <strong>Film</strong>awards and eleven <strong>Film</strong>fare awards, including four <strong>Film</strong>fare best Director awards.The government <strong>of</strong> India honoured himwith <strong>the</strong> Dadasaheb Phalke award in 2001 and <strong>the</strong> Padma bhushan in 2005 for his contributions towards Indian cinema.baFTa presented him with a lifetime membership for his contribution to <strong>the</strong> films, making him <strong>the</strong> first Indian to receive <strong>the</strong>honour. He <strong>was</strong> <strong>the</strong> first producer to cearte a histrory with Ireland, and his studio yash Raj <strong>Film</strong>s shot eak tha Tiger (IFFI<strong>2013</strong>) in Dublin in 2011. He <strong>was</strong> conferred honorary pr<strong>of</strong>essor <strong>of</strong> <strong>the</strong> Trinity College Dublin in India just before his death.19


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>ek tha tigerDirector: Kabir Khan | 2012 | hindi | 132 mins| Movies@Dundrum 4pm sunday 9th Juneek Tha Tiger is a romantic thriller which tells <strong>the</strong> story<strong>of</strong> a Trinity College scientist suspected <strong>of</strong> sellingmissile technology secrets to Pakistan. The Indiangovernment sends a secret agent, codenamed Tiger(Salman khan), to find out about <strong>the</strong> pr<strong>of</strong>essor's activities.Tiger, for <strong>the</strong> first time in his life, falls in love with <strong>the</strong> pr<strong>of</strong>essor's caretaker Zoya(katrina kaif) who is studying at a fictional dance academy located at Trinity CollegeDublin, and toge<strong>the</strong>r <strong>the</strong>y embark on a roller-coaster journey, battling <strong>the</strong> dark world<strong>of</strong> intelligence and espionage that forbids its soldiers from falling in love.box <strong>of</strong>fice India declared <strong>the</strong> film a blockbuster in both India and overseas and itbecame <strong>the</strong> second highest grossing bollywood film <strong>of</strong> all time.Insideoutside.ieWe are delighted tosupport <strong>the</strong> Bollywoodfilm industry in Ireland21


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>vishwaroopamDirector: Kamal hassan | <strong>2013</strong> | hindi/tamil/telugu| 147 mins | Movies@Dundrum 7pm sunday 9th June(The film writer Atul Tewari attending <strong>the</strong> festival andholding a master class)vishwaroopam is a spy thriller film in which kamalHassan plays a middle-aged kathak teacher (vishwanathalias viz), who is being tailed <strong>by</strong> a private investigatorhired <strong>by</strong> his wife, Nirupama (played <strong>by</strong> Pooja kamar). Their marriage <strong>was</strong> one <strong>of</strong>convenience that provided a safe haven for Nirupama to pursue her Ph.D in <strong>the</strong> u.S.a.She is put <strong>of</strong>f <strong>by</strong> viz’s effeminate bearing and doubts whe<strong>the</strong>r her husband has secrets<strong>of</strong> his own. She learns from <strong>the</strong> private investigator that viz is a Muslim. In a suddenturn <strong>of</strong> events, <strong>the</strong> investigator gets killed in a sea-side warehouse <strong>by</strong> Farukh, aprominent member <strong>of</strong> <strong>the</strong> terrorist outfit led <strong>by</strong> omar (Rahul bose). The terror groupled <strong>by</strong> Farukh nabs <strong>the</strong> couple. viz is involved in a fight with <strong>the</strong> terrorists, kills Farukhand his men at <strong>the</strong> warehouse and escapes with Nirupama. omar and viz have a past,one that takes <strong>the</strong> story back to circa 2002, to <strong>the</strong> al-Qaeda training camps inafghanistan-Pakistan border. vishwaroopam is a technically brilliant, ambitious filmwhere most characters are not what <strong>the</strong>y seem and is likely to be appreciated <strong>by</strong>lovers <strong>of</strong> Hollywood action films.23


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>GattuDirector: rajan Khosa | 2012 | hindi | 82 mins| Movies@Dundrum 11.30am Monday 10th JuneIn a nation that is obsessed with flying kites, <strong>the</strong> story isset in a small town Roorkee, uttarakhand, India, wherea nine-year-old orphan, gattu (played <strong>by</strong> MohammadSamad) works in his uncle's garbage-recyclingbusiness. The blue skies above <strong>the</strong> town is dominated<strong>by</strong> a kite named 'kali' with mysterious origins. out <strong>of</strong> <strong>the</strong> many kids who dream todefeat kali, gattu is more determined. He does fail on number <strong>of</strong> occasions but onefine day, his will find a way. He discovers a local school having a ro<strong>of</strong> that rendershim some strategic advantage. Impersonating as a student, he sneaks into <strong>the</strong>school and must now pretend to study. The only problem - he can't read or write! Thelittle street urchin takes up <strong>the</strong> challenge as when <strong>the</strong> desire is strong, dreams aren'timpossible.gattu opened at <strong>the</strong> 17th International Children's <strong>Film</strong> <strong>Festival</strong> at Hyderabad. Thisfilm <strong>was</strong> held in high regards <strong>by</strong> critics and film reviewers all over <strong>the</strong> world. The filmhad been honored with a special mention under Deutsches kinderhilfswerk categoryat <strong>the</strong> 62nd berlin International <strong>Film</strong> <strong>Festival</strong>. It is one <strong>of</strong> <strong>the</strong> few films <strong>of</strong> bollywood towin such acclaim.Paan singh tomerDirector: tigmanshu Dhulia| 2010 | hindi | 135 mins| Movies@Dundrum 3pm Monday 10th JuneFrom a small town <strong>of</strong> Madhya Pradesh, rose anathlete who ruled <strong>the</strong> steeplechase event at <strong>the</strong>Indian National games for 7 years in a row and whose record stood unbeaten for 10years. His name <strong>was</strong> Paan Singh Tomar (played <strong>by</strong> Irfan), but, his fame didn't stop<strong>the</strong>re - he became even more famous or ra<strong>the</strong>r infamous when he gave up hisrunning shoes and went on to become a 'baaghi' (rebel) and wreaked havoc in <strong>the</strong>Chambal valley. Paan Singh Tomar is <strong>the</strong> true epic journey <strong>of</strong> a talented runner whoturned into a rebel.based on a true story, Tigmanshu takes us into <strong>the</strong> world <strong>of</strong> Paan Singh Tomar andenlightens us <strong>the</strong> reasons that impelled a sportsman to take law in his hands. It is afactual account <strong>of</strong> a sportsman who brought honor to <strong>the</strong> country, but felt betrayedwhen he needed <strong>the</strong> country <strong>the</strong> most. In fact, Tigmanshu calls this cinematicendeavor a tribute to <strong>the</strong> sportsmen who won medals for <strong>the</strong> nation, but never got<strong>the</strong>ir due during <strong>the</strong> sunset <strong>of</strong> <strong>the</strong>ir lives.24


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>OMG - Oh My GodDirector: umesh shukla | 2012 | hindi | 130 mins| Moves@Dundrum 7pm Monday 10th JuneStar : Lubna Salim Attending <strong>the</strong> <strong>Festival</strong>oMg is a 2012 bollywood courtroom comedy film where kanjilalji Mehta (Paresh Rawal), a bona fide a<strong>the</strong>ist who runs anantique shop, buys idols <strong>of</strong> gods and goddesses for measlysums and sells <strong>the</strong>m at exorbitant prices. His pr<strong>of</strong>itable businessis shaken <strong>by</strong> an earthquake that reduces only his shop in <strong>the</strong>locality to rubble.He gets ano<strong>the</strong>r jolt <strong>by</strong> <strong>the</strong> insurance company that refuses to cover <strong>the</strong> damagesbecause an earthquake is “an act <strong>of</strong> god”. So <strong>the</strong> goddamned a<strong>the</strong>ist decides to takeon <strong>the</strong> almighty in <strong>the</strong> house <strong>of</strong> law <strong>by</strong> suing god for damages and pulling into <strong>the</strong>fray his various godmen, priests, and swamis etc.and when trouble befalls our resolute a<strong>the</strong>ist kanji, <strong>the</strong> one to come to his rescue isnone o<strong>the</strong>r than lord krishna in a dandy avatar (akshay kumar).25


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>Passage to indiaDirector: sir David lean | 1984 | english (usa) | 163 mins| <strong>Film</strong>base temple Bar 6pm Friday 7th JuneDavid lean's final film for which he also received editing credit, remains anexquisitely assembled hark back to such earlier lean epics as Doctor Zhivagoand Ryan's Daughter. e.M. Forster's a passage to India <strong>was</strong> written at a timewhen <strong>the</strong> end <strong>of</strong> <strong>the</strong> british colonial presence in India <strong>was</strong> becoming a very realpossibility. The novel <strong>was</strong> selected as one <strong>of</strong> <strong>the</strong> 100 great works <strong>of</strong> englishliterature <strong>by</strong> <strong>the</strong> modern library and won <strong>the</strong> 1924 “james Tait black MemorialPrize”. based on <strong>the</strong> novel <strong>the</strong> film is set in colonial India in 1924. The storyrevolves around four characters: Dr aziz, his british friends Mr Cyril Fielding, Mrs Moore and Miss adelaQuested. adela Quested (judy Davis), a sheltered well educated british woman arrives in <strong>the</strong> town <strong>of</strong>Chandrapore, where she hopes to experience real India. Here she meets and befriends Dr aziz (victorbanerjee). Feeling comfortable with adela, aziz invites her to accompany him on his visit to <strong>the</strong> Marabarcaves. She emerges from <strong>the</strong> caves showing signs <strong>of</strong> injury and ill usage. To aziz horror, he is accused <strong>by</strong>adela <strong>of</strong>ƒ physical assault. Typically <strong>the</strong> british ruling class rallies to adela's defence, virtually convictingaziz before <strong>the</strong> trial even begins. Though he is eventually acquitted due to <strong>the</strong> lack <strong>of</strong> evidence, but hisimage <strong>was</strong> ruined in <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> british as well as his own people - <strong>was</strong> so for adela. woven into<strong>the</strong>se proceedings, a sub-plot involving adela's elderly travelling companion Mrs Moore (Peggy ashcr<strong>of</strong>t)who through a series <strong>of</strong> plot twists becomes a heroine <strong>of</strong> <strong>the</strong> Indian independence movement. a <strong>the</strong>atricalversion <strong>of</strong> a passage to India, written <strong>by</strong> Santha Rama Rau <strong>was</strong> previously adapted for television <strong>by</strong> <strong>the</strong>bbC in <strong>the</strong> mid 1970s.ESTAu<strong>the</strong>ntic food served daily frommidday day till late, 7 days a weekSIGRI : COCKTAIL : TANDOORIndian TapasCocktail Bar1st Asian desserts shop in IrelandNow Serving LunchMonday - Friday12-3pmAnne’s Lane, Anne Street South, Dublin 2T: 01 707 9898, 01 707 9899, 01 707 9911E: contact@dhaba.ie, W: www.dhaba.ie11 Upper Camden St., Dublin 2.Tel 01 475 9094www.facebook.com/Ambala.Ireland26


Celluloid ManDocumentary | Director: shivendra singh Dungarpur2012 | india | 164 mins| <strong>Film</strong>base temple Bar 3pm sunday 9th JuneIs a tribute to an extraordinary man called Mr. P.k. Nair, <strong>the</strong>founder <strong>of</strong> <strong>the</strong> National <strong>Film</strong> archive <strong>of</strong> India, and <strong>the</strong> guardian<strong>of</strong> Indian cinema. He built <strong>the</strong> archive can <strong>by</strong> can in a countrywhere <strong>the</strong> archiving <strong>of</strong> cinema is considered unimportant.The fact that <strong>the</strong> archive still has nine precious silent films <strong>of</strong> <strong>the</strong>1700 silent films made in India, and that Dadasaheb Phalke, <strong>the</strong>fa<strong>the</strong>r <strong>of</strong> Indian cinema, has a place in history today is because<strong>of</strong> Mr. Nair. He influenced generations <strong>of</strong> Indian filmmakers and showed us newworlds through <strong>the</strong> prism <strong>of</strong> cinema. as Mr. Nair speaks, we see <strong>the</strong> history <strong>of</strong> Indiancinema unfold. what emerges is a portrait <strong>of</strong> a man so in love with cinema that evenhis family had to take a backseat to his obsession. Mr. Nair is not just <strong>the</strong> founder <strong>of</strong><strong>the</strong> National <strong>Film</strong> archive, but a living, breathing museum <strong>of</strong> cinema. even inretirement, he chooses to stay across <strong>the</strong> road from <strong>the</strong> archive watching over hislegacy. The fact that India has a cinematic heritage at all is <strong>the</strong> singlehandedachievement <strong>of</strong> this man. He is truly India’s Celluloid Man. There will be no one likehim again. (Part <strong>of</strong> 100 years <strong>of</strong> Indian cinema Celebrations) – Q & a with <strong>the</strong> visitingDirectors chair <strong>by</strong> festival director).Das CapitalIndian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>Director: rajen Kothari, Dayal nihalani | 2012 | hindi | 90 mins| <strong>Film</strong>base temple Bar 6pm sunday 9th JunePurshottam (yashpal Sharma) is compelled to make somehard choices because <strong>of</strong> happenings around him. He isforced to sell <strong>the</strong> body <strong>of</strong> his wife to a man who is into <strong>the</strong>illegal business <strong>of</strong> making and selling skeletons fromunclaimed and deserted corpses. The administrationcelebrates during <strong>the</strong> period <strong>of</strong> natural calamities. bureaucrats and politicians survive on what<strong>the</strong>y harvest from relief funds. The middle class is crushed under <strong>the</strong> pressure <strong>of</strong> money andcorruption. This dreadfully pushes <strong>the</strong> common man to die as victim <strong>of</strong> circumstances.tribute to (late) rajen Kotharia short documentry about this legendery Cinematographer anddirector will be presented <strong>by</strong> Salim arif before <strong>the</strong> screening <strong>of</strong> DaSCaPITal. Cinematographer Rajen kothari passed away recently inMumbai due to a cardiac arrest. He <strong>was</strong> just 60 years old. Hisbiggest collaboration <strong>was</strong> with Shyam benegal for films like Zubeida,welcome to Sajjanpur, Subash Chandra bose: The Forgotten Hero etc. He won a <strong>Film</strong>fareaward for <strong>the</strong> Rajkumar Santoshi film ghayal (1990).27


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>Ghare BaireDirector: satyajit ray | 1984 | Bengali | 147 mins| <strong>Film</strong>base temple Bar 6pm Monday 10th JuneReleased in India as ghare baire, Home and <strong>the</strong> world <strong>of</strong>fers arare collaboration between that country's top director SatyajitRay and versatile Indian film-personality victor banerjee.The latter plays a well-educated Hindu living in colonial eastbengal in 1908. when british governor-general lord Curzondeliberately foments unrest between <strong>the</strong> Hindus and <strong>the</strong>Muslims in order to solidify his own power, banerjee's best friend SoumitraChatterjee tries to organize his countrymen into a rebellion. banerjee introduces hiswife Swatilekha Chatterjee to his charismatic rebel friend, hoping in this way to testhis wife's love. Her attraction to <strong>the</strong> rebel is but one <strong>of</strong> <strong>the</strong> many wedges, bothpersonal and political, driven between <strong>the</strong> two friends as Hindu/Muslim tensions flareup. based on a 1919 novel <strong>by</strong> poet Rabindranath Tagore, Home and <strong>the</strong> world hadlong been a pet project <strong>of</strong> Satyajit Ray's, but he'd been unable to bring <strong>the</strong> book to<strong>the</strong> screen until India's political climate allowed him to do so.28


Indian <strong>Film</strong> <strong>Festival</strong> Ireland <strong>2013</strong>vicky DonorDirector: shoojit sircar | 2012 | hindi | 125 mins| rua red tallaght 6pm Friday 7th June <strong>2013</strong>Dr. baldev Chaddha (anu kapoor), a well qualified fertility expert, runs afertility clinic and a sperm bank in Dariyaganj, New Delhi, that guaranteesa high quality and specialized sperm for <strong>the</strong> purpose. unfortunately hehas more failed cases to his credit than successes. a healthy, highperforming donor is <strong>the</strong> need <strong>of</strong> <strong>the</strong> hour. vicky arora (ayushmannkhurrana), a young, good-looking, Punjabi boy from lajpat Nagar, is <strong>the</strong>only son and <strong>of</strong> no financial support to Dolly, a widow, who runs a small beauty parlor fromhome. as luck would have it, a small brawl in <strong>the</strong> colony brings Dr Chaddha and vicky faceto face, where Chaddha concludes that vicky could be THaT donor he has been lookingfor. From here on, Chaddha's days and nights are spent in convincing vicky to become adonor till he finally gives in. vicky finds his love interest in ashima Roy (yami gautam), apretty bengali girl, who works in a bank. but soon <strong>the</strong>ir hunky dory world comes crashingdown because <strong>of</strong> vicky's past as a donor. with a brief emotional roller coaster ride, vickyDonor is a light-hearted take on <strong>the</strong> subject <strong>of</strong> sperm donation.waqt (time)Director: Yash Chopra | 1965 hindi/urdu | 206 mins| rua red tallaght 6pm Monday 10th June <strong>2013</strong>The film set in post-independent India <strong>of</strong> 1960s begins with lala kedarnath(played <strong>by</strong> balraj Sahni) and his family reveling in <strong>the</strong> success <strong>of</strong> <strong>the</strong>irbusiness fortunes. kedarnath slights astrology saying nothing can comebetween a man and his mission, not even fate. However, fate plays a cruelgame with <strong>the</strong> family as an earthquake strikes <strong>the</strong>ir town and <strong>the</strong>ir worldcomes crashing down. everything that lala kedarnath had built in all <strong>the</strong>se years hasvanished in a jiffy; what’s more, he loses his family too. The film is about how <strong>the</strong> separatedmembers <strong>of</strong> <strong>the</strong> family move on from this travesty and several years down <strong>the</strong> line, how<strong>the</strong>ir lives strangely reconnect with each o<strong>the</strong>r. waqt took <strong>the</strong> top spot at <strong>the</strong> box <strong>of</strong>fice in1965. The movie plot re-introduced <strong>the</strong> lost and reunite formula in bollywood. a happyfamily separated <strong>by</strong> waqt (Time), goes through a series <strong>of</strong> trials trying to reunite. waqt alsoshowcases some <strong>of</strong> <strong>the</strong> top dialogues in <strong>the</strong> history <strong>of</strong> bollywood movies and made it onto<strong>the</strong> bFI's long list <strong>of</strong> films in consideration for <strong>the</strong>ir top ten <strong>of</strong> Indian films awards.sPeCial thanKs tO: Minister jimmy Deenihan; His excellency Debashish Chakerverti, ambassador <strong>of</strong>India to Ireland; Turkish airlines; IFb - Screen Training Ireland, jeanette jordan & Sarah lynch, Dundrum TownCentre; Richard Shakespeare, Ca<strong>the</strong>rine keenan, DlRCC; jim Doyle, Ray yates, Dublin City Council; Cliona buckley,Fred Curtis, Fred Curtis Crystal; Mary o'Sullivan; Robbie Daly, giovanna Rampazzo; kassiani; Richie o'keeffe,<strong>Film</strong>base; Dr Puri, Mr Chada, euroasia; RTe Supporting <strong>the</strong> arts; The arts Council; yashraj <strong>Film</strong>s; uTv; john Daly,asheesh Deewan-Segala, jaipur, ananda Indian Restaurant; Simon williams (TCD); Sonu Ma<strong>the</strong>ws george; PrachiSharma; gurbeer Singh Chadha; Sanjay Singh; David johson; googi khursheed; arijit Mustafi; Tom Conity (bollywoodIn education); David Hunchison edger; Murat bulandi; Monica o’<strong>by</strong>rne; Ray yates; Ca<strong>the</strong>rine keenan; lord Mayor's<strong>of</strong>fice; lia Philcox; Mr & Mrs Habeeb Naseer (libaas); Rita Smith; louise Murphy; grainne bennett and <strong>the</strong> full IFFI<strong>2013</strong> Team. all our advertisers and Media partners; all those who made this festival possible.29


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