CAFÉ DE FLORE A film by Jean-Marc Vallée - Adopt Films
CAFÉ DE FLORE A film by Jean-Marc Vallée - Adopt Films
CAFÉ DE FLORE A film by Jean-Marc Vallée - Adopt Films
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Vanessa Paradis<br />
Kevin Parent<br />
Hélène Florent<br />
Evelyne Brochu<br />
in<br />
<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong><br />
A <strong>film</strong> <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />
Running Time: 120 minutes<br />
Language: In French with English Subtitles<br />
Publicity Contact:<br />
New York City<br />
Hook Publicity<br />
Jessica Uzzan<br />
Jessica@hookpublicity.com<br />
Luke Carron<br />
assistant@hookpublicity.com<br />
Los Angeles<br />
Marina Bailey Film Publicity<br />
Marina Bailey<br />
Marina@marinabailey.com<br />
Sara Tehrani<br />
pr@marinabailey.com
Synopsis<br />
“Café de Flore” is a love story about people separated <strong>by</strong> time and place but<br />
connected in profound and mysterious ways. Atmospheric, fantastical, tragic<br />
and hopeful, the <strong>film</strong> chronicles the parallel fates of Jacqueline, a young<br />
mother with a disabled son in 1960s Paris, and Antoine, a recently divorced,<br />
successful DJ in present day Montreal. What binds the two stories together is<br />
love - euphoric, obsessive, tragic, youthful, timeless love.<br />
In 1960s Paris, a working class woman gives birth to her first child, Laurent –<br />
a Down Syndrome son. Undaunted she embraces the challenge of raising her<br />
beloved offspring as normally as one would any other child. Her husband<br />
abandons them both. She bravely brushes this additional hiccup aside as<br />
Laurent replaces her spouse as the perfect man of her dreams. As Laurent<br />
approaches school age Jacqueline’s aplomb becomes obsessive and cloying.<br />
Her increasingly self-destructive attachment to her son is raised to a fever<br />
pitch when, at the age of seven, he meets a Down Syndrome girl (Véronique)<br />
and experiences his first crush. His sudden desire for independence, and his<br />
attraction to Véra, are the catalysts that transform Jacqueline from a loving<br />
mother into something resembling a lover scorned. What emerges is a love<br />
triangle of potentially tragic proportions.<br />
In 21 st century Montreal, a forty year old divorcee, Carole, is trying to restart<br />
her life after her divorce, two years earlier, from Antoine, a devastatingly<br />
handsome, successful touring DJ. Soul mates who’ve been a couple since the<br />
age of fifteen, their divorce is a schism that might prove impossible for either<br />
of them to put in the past. Making the transition even more difficult for<br />
Carole is the fact that her two daughters, one teen, one tween, are about to<br />
gain a stepmother, a stunningly beautiful, heartbreaking blonde, a woman<br />
about to “steal” away the perfect man of her dreams. The young girls are<br />
being cruelly pulled in two different directions, Antoine’s father, a recovering<br />
alcoholic, seems to side with his ex-daughter-in-law, and Carole is<br />
succumbing to fits of depression and potentially dangerous bouts of<br />
sleepwalking. What emerges is a love triangle of potentially tragic<br />
proportions.
Biographies<br />
<strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> ⎜⎜ Writer / Director<br />
Montreal <strong>film</strong>maker <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> made his groundbreaking feature debut<br />
with “Liste Noire” (Black List), in 1995. The strikingly stylish erotic thriller<br />
was a first for its genre in Quebec cinema, and was honored with nine Genie<br />
Award nominations. Ten years later, he returned to French-language features<br />
with the internationally acclaimed hit, “C.R.A.Z.Y. ” Blending a beguiling<br />
coming-of-age tale with a magical ode to outsiders of all ages, the powerful<br />
yet poignant C.R.A.Z.Y.’s intensely personal story embraces universal themes.<br />
The picture became a phenomenon; distributed in over fifty countries and<br />
winning some twenty international festival awards – including the prestigious<br />
“Best Canadian Film” prize at the 2005 Toronto International Film Festival,<br />
11 Genie Awards, 15 Jutra Awards, and the Golden Reel Award as Canada’s<br />
top-performer at the domestic box office.<br />
<strong>Jean</strong>-<strong>Marc</strong> has also flirted with Hollywood, as well as completing the first two<br />
installments of his short <strong>film</strong> trilogy devoted to father-son relationships; a<br />
theme very close to the <strong>film</strong>maker’s heart. “Les Fleurs magiques” (Magical<br />
Flowers, 1995) and “Les Mots magiques” (Magical Words, 1998) are<br />
individual pieces unified <strong>by</strong> a dream-like quality, and an eye for their<br />
subjects that is both tender and tortured. Both shorts were awarded numerous<br />
festival prizes at home, and abroad.<br />
His last <strong>film</strong> “The Young Victoria,” produced <strong>by</strong> Graham King and Martin<br />
Scorsese, won an Oscar for Best Costumes in 2010 and received nominations<br />
for Best Art Direction and Best Makeup.<br />
Vanessa Paradis ⎜⎜ Jacqueline<br />
Vanessa Paradis’ career began when she was discovered on a popular TV<br />
show, “L'Ecole Des Fans,” which provided children with the opportunity to<br />
demonstrate their talents.<br />
Years later, at thirteen, she recorded her first single, “La Magie Des Surprises-<br />
Parties.” Her career skyrocketed when her record-producing uncle, Didier<br />
Pain, was working with a musician on a song entitled “Joe le Taxi” in which<br />
Vanessa was invited to sing. The outcome was instant success.
In 1988, her first album, M & J, was released and later Variations Sur Le Mme<br />
T'aime (1990). Her third album, the eponymously titled Vanessa Paradis, was<br />
produced <strong>by</strong> Lenny Kravitz in 1992.<br />
Her first role for the big screen was in <strong>Jean</strong>-Claude Brisseau’s “Noce<br />
Blanche” (1989). For her exquisite performance in the movie, Vanessa took<br />
home a César (the French equivalent of an Oscar). At this point, Vanessa<br />
realized that she preferred acting over singing. She later went on to star in<br />
René Manzor’s “Un Amour de Sorcière” (1997).<br />
In 2000, she released the album Bliss and after seven years of silence, she<br />
released Divinidylle in September of 2007. In 2010, she released and toured<br />
for her new album Versailles.<br />
She has also become a fashion icon <strong>by</strong> working on exclusive ad campaigns<br />
for Chanel.<br />
Meanwhile, she has continued her career as a <strong>film</strong> actress, notably starring in<br />
“Girl on the Bridge” <strong>by</strong> Patrice LeConte (1999) “The Return of James Battle”<br />
<strong>by</strong> Didier and Thierry Poiraud (2004). In 2010, her role in Pascal Chaumeil’s<br />
“Heartbreaker,” which garnered over 3.7 million admissions, brought her to<br />
the forefront of French cinema.<br />
Kevin Parent ⎜⎜ Antoine<br />
In 1995, Kevin Parent made his debut in the music industry with the album<br />
Pigeon d’argile. In 1998, the album, Grand parleur, petit faiseur, confirmed<br />
his talent and originality.<br />
The two albums are among the biggest sellers in recording history in Québec<br />
and earned him many Félix (Québec awards in music industry), including<br />
Male Performer of the Year, Song of the Year, and Songwriter of the Year.<br />
Music videos gave Kevin Parent the opportunity to work with noted Canadian<br />
directors such as Denis Villeneuve and Francis Leclerc. Leclerc’s<br />
productions, “Seigneur” and “Fréquenter l'oublie,” have also been crowned<br />
Best Music Videos of the Year <strong>by</strong> l’ADISQ (Québec association for music<br />
industry).
In 2003, he joined the rock band The Porn Flakes. This collaboration has<br />
revealed Kevin Parent’s boldness and versatility.<br />
In Spring 2007, Parent released his first album in English entitled, “Fangless<br />
Wolf Facing Winter.” He came back in 2009 with a new self-titled album in<br />
French.<br />
In 2011, he made his first steps in cinema with a leading role in “Café de<br />
Flore,” <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> (C.R.A.Z.Y), a feature <strong>film</strong> also starring Vanessa<br />
Paradis, Évelyne Brochu, and Hélène Florent.<br />
Hélène Florent ⎜⎜ Carole<br />
A graduate of the Conservatoire d’art dramatique du Québec (2000), Hélène<br />
Florent is both an actress and a director. She directed the short <strong>film</strong>s<br />
“Madame Bonheur à la rescousse” (2000), “Jazz Square” (2001), and “Celui<br />
qui l’dit, celui qui l’est” (1998), which won the Audience Award, and the<br />
Screenwriting Award at the Montreal Vidéaste Recherché-e Festival.<br />
As an actress, she works in theater, <strong>film</strong> and television. Her television work<br />
has earned her many Gemeau Prizes (Quebec’s Emmys).<br />
Recent television series include: “Deux frères, la suite” (2000), “Tribu.com”<br />
(2003), “La Promesse” (2005), “Un homme mort” (2005), and “Lance et<br />
compte” (2006-2010). She is also known for her leading roles in “Toute la<br />
vérité” (2010), and “La Galère” (2007-2012).<br />
In theater, Helene Florent has performed on the national Cherbourg scene Le<br />
Trident (Mesure pour mesure, Le Chien, Le Colonel et les oiseaux, Le Malade<br />
imaginaire, Aux portes du royaume, and Le Cid).<br />
With “Yellowknife” (2001) <strong>by</strong> Rodrigue <strong>Jean</strong>, she played her first leading role<br />
in a feature <strong>film</strong>. Then, she landed several roles including feature <strong>film</strong>s<br />
“Mémoires affectives” (2004) <strong>by</strong> Francis Leclerc, “La Vie avec mon père”<br />
(2005) <strong>by</strong> Sébastien Rose, “Familia” (2005) <strong>by</strong> Louise Archambault, “Dans les<br />
villes” (2006) <strong>by</strong> Catherine Martin, “Ma fille mon ange” (2007) <strong>by</strong> Pierre<br />
Szalowski, “Lance et compte : Le <strong>film</strong>” (2010), and her last movie, “Café de<br />
Flore” (2011) <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong>.
Évelyne Brochu ⎜⎜ Rose<br />
Évelyne Brochu, a graduate of the Montreal Conservatory of Dramatic Arts,<br />
has already made her presence known on stage having recently appeared in<br />
the Claude Poissant directed stage play, Tom à La Ferme.<br />
No stranger to <strong>film</strong> and television, Évelyne starred in such notable Quebec<br />
television series including “Aveux, Mirador” and the popular series “La<br />
Promesse,” which garnered her three Gémeaux award nominations in the<br />
categories of Best Supporting Actress and Best Lead Actress in a television<br />
series.<br />
Recent <strong>film</strong> credit include a supporting role in the critically acclaimed <strong>film</strong><br />
“Polytechnique” (2009), directed <strong>by</strong> Denis Villeneuve (“Incendies”) as well<br />
as “Café de Flore,” directed <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> (C.R.A.Z.Y.) which<br />
premiered at the Venice Film Festival in 2011.
CREW<br />
Director: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />
Writer: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />
Producers (Canada): Pierre Even, Marie-Claude Poulin<br />
Co-producer: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />
Co-producers (France): Nicolas Coppermann, <strong>Jean</strong>-Yves Robin<br />
In collaboration with: Vanessa Fourgeaud<br />
Line Producers: Nicole Hilaréguy, <strong>Marc</strong> Stanimirovic<br />
Cinematographer: Pierre Cottereau<br />
Art Direction: Patrice Vermette<br />
Editing: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />
Sound: <strong>Jean</strong> Minondo, Martin Pinsonnault<br />
Special Effects: <strong>Marc</strong> Coté, Sylvain Théroux<br />
Costumes: Ginette Magny, Emmanuelle Youchnovski<br />
Makeup: Christiane Fattori, Frédéric Marin<br />
Hair Stylist: Ghyslaine Sant, Frédéric Birault<br />
Stills photographer: Sébastien Raymond<br />
Casting: Emanuelle Beaugrand-Champagne, Nathalie Boutrie, Constance<br />
Demontoy<br />
Music Clearance: Lucie Bourgouin Permission Inc.
CAST<br />
Jacqueline: Vanessa Paradis<br />
Antoine: Godin Kevin Parent<br />
Carole: Hélène Florent<br />
Rose: Evelyne Brochu<br />
Laurent: Marin Gerrier<br />
Véronique: Alice Dubois<br />
Amélie: Evelyne de la Chenelière<br />
Julien Godin: Michel Dumont<br />
Louise Godin: Linda Smith<br />
Juliette: Joanny Corbeil-Picher<br />
Angéline: Rosalie Fortier<br />
Psychologist: Michel Laperrière<br />
Véronique's mother: Caroline Bal<br />
Véronique's father: Nicolas Marié<br />
Paul: Pascal Elso<br />
Louis: Jérôme Kircher<br />
Mrs. Labelle: Claire Vernet<br />
School teacher: Manon Balthazard<br />
Antoine (14 years old): Émile <strong>Vallée</strong><br />
Carole (14 years old): Chanel Fontaine<br />
Medium: Emanuelle Beaugrand-Champagne
SOUNDTRACK<br />
<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong><br />
(Matthew HERBERT)<br />
Bucks Music Group<br />
Interpreted <strong>by</strong> Matthew HERBERT<br />
With the authorization of Accidental Records<br />
<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong><br />
(Matthew HERBERT)<br />
Bucks Music Group<br />
Interpreted <strong>by</strong> Doctor ROCKIT<br />
With the authorization of Accidental Records<br />
ALL ALRIGHT<br />
(Jon THOR BIRGISSON, Orri PALL Dyrason, Georg HOLM, Kjartan SVEINSSON)<br />
Universal Music Publishing<br />
Interpreted <strong>by</strong> SIGUR ROS<br />
With the authorization of Beggars Group<br />
SVEFN-G-ENGLAR<br />
(Jon THOR BIRGISSON, August AEVAR GUNARSSON, Georg HOLM, Kjartan SVEINSSON)<br />
Universal Music Publishing<br />
Interpreted <strong>by</strong> SIGUR ROS<br />
With the authorization of Pias<br />
FLJOTAVIK<br />
(Jon THOR BIRGISSON, August AEVAR GUNARSSON, Georg HOLM, Kjartan SVEINSSON)<br />
Universal Music Publishing<br />
Interpreted <strong>by</strong> SIGUR ROS<br />
With the authorization of Beggars Group<br />
ANDVARI<br />
(Jon THOR BIRGISSON, Orri PALL DYRASON, Georg HOLM, Kjartan SVEINSSON)<br />
Universal Music Publishing<br />
Interpreted <strong>by</strong> SIGUR ROS<br />
With the authorization of Universal Music Group et EMI Music Canada<br />
SPEAK TO ME<br />
(Nick MASON, Roger WATERS)<br />
The Richmond Organization pour Hampshire House Publishing - Pink Floyd Music Publishing<br />
Interpreted <strong>by</strong> PINK FLOYD<br />
With the authorization of EMI Music Canada
BREATHE<br />
(David GILMOUR, Roger WATERS, Richard WRIGHT)<br />
The Richmond Organization pour Hampshire House Publishing - Pink Floyd Music Publishing -<br />
Warner/Chappell Music, Inc.<br />
Interpreted <strong>by</strong> PINK FLOYD<br />
With the authorization of EMI Music Canada<br />
TIME<br />
(David GILMOUR, Roger WATERS, Richard WRIGHT, Nick MASON)<br />
The Richmond Organization pour Hampshire House Publishing - Pink Floyd Music<br />
Publishing - Warner/Chappell Music, Inc.<br />
Interpreted <strong>by</strong> PINK FLOYD<br />
With the authorization of EMI Music Canada<br />
FAITH<br />
(Laurence TOLHURST, Simon GALLUP, Robert James SMITH)<br />
Universal Music Publishing<br />
Interpreted <strong>by</strong> The CURE<br />
With the authorization of Universal Music Group<br />
PICTURES OF YOU<br />
(William BRANSBY, Simon GALLUP, Robert SMITH,<br />
Paul THOMPSON, Laurence TOLHURST, Roger<br />
O’DONNELL) Universal Music Publishing<br />
Interpreted <strong>by</strong> The CURE<br />
With the authorization of Elektra/Wea & Universal Music Group<br />
JUST LIKE HEAVEN<br />
(William BRANSBY, Simon GALLUP, Robert SMITH,<br />
Paul THOMPSON, Laurence TOLHURST, Roger O’DONNELL)<br />
With the authorization of <strong>FLORE</strong>NT et Kevin PARENT<br />
Universal Music Publishing<br />
A MEANINGFUL MOMENT THROUGH A MEANING (LESS) PROCESS<br />
(Adam WITZIE)<br />
Kranky Limited<br />
Interpreted <strong>by</strong> STARS OF THE LID With<br />
the authorization of de Kranky Limited<br />
WALK ON THE WATER<br />
(Tom FOGERTY, John FOGERTY)<br />
Jondora Music, a division of Fantasy<br />
Inc.<br />
Interpreted <strong>by</strong> CREE<strong>DE</strong>NCE CLEARWATER REVIVAL (CCR)<br />
With the authorization of Concord Music Group
SO IN LOVE<br />
(Cole PORTER)<br />
Warner Chappell Music Inc.<br />
Interpreted <strong>by</strong> Dinah Washington<br />
With the authorization of Universal Music Group<br />
BIG FREEZE<br />
(Serge PELLETIER, Mathieu PONTBRIAND, Christian BAANG, Joseph PERRAULT, Sara BELLE<br />
HUMBLE)<br />
Éditorial Avenue<br />
Interpreted <strong>by</strong> PAWA UP FIRST<br />
With the authorization of Dare to Care Records<br />
NAVVAATARA<br />
(Élisapie ISAAC)<br />
Avalanche Sound Publishing<br />
Interpreted <strong>by</strong> Élisapie ISAAC<br />
With the authorization of Maple Music Recordings<br />
COMME UN SOLEIL<br />
(Pierre <strong>DE</strong>LANOË, Michel FUGUAIN, George BLANESS)<br />
Big Baazar Music Publishing Co. pour Éditions Musicales Le Minautore<br />
CORONA RADIATA<br />
(Michael Trent REZNOR)<br />
Form and Texture Inc.<br />
Interpreted <strong>by</strong> NINE INCH NAILS<br />
With the authorization of The Null Corporation<br />
LE VENT NOUS PORTERA<br />
(Bertrand CANTAT, Denis BARTHE)<br />
Universal Music Publishing<br />
Interpreted <strong>by</strong> Sophie HUNGER<br />
With the authorization of Two Gentlemen Records<br />
GOD’S TILT<br />
Composed and interpreted for the <strong>film</strong> <strong>by</strong> Luc RAYMOND and Benoît VEILLEUX<br />
<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong>, a cappella, was interpreted <strong>by</strong> Vanessa PARADIS and Evelyne BROCHU<br />
and LES PETITS CHANTEURS DU MONT-ROYAL under the direction of Gilbert PATENAU<strong>DE</strong>.<br />
choral arrangement Serge ARCUR