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CAFÉ DE FLORE A film by Jean-Marc Vallée - Adopt Films

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Vanessa Paradis<br />

Kevin Parent<br />

Hélène Florent<br />

Evelyne Brochu<br />

in<br />

<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong><br />

A <strong>film</strong> <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />

Running Time: 120 minutes<br />

Language: In French with English Subtitles<br />

Publicity Contact:<br />

New York City<br />

Hook Publicity<br />

Jessica Uzzan<br />

Jessica@hookpublicity.com<br />

Luke Carron<br />

assistant@hookpublicity.com<br />

Los Angeles<br />

Marina Bailey Film Publicity<br />

Marina Bailey<br />

Marina@marinabailey.com<br />

Sara Tehrani<br />

pr@marinabailey.com


Synopsis<br />

“Café de Flore” is a love story about people separated <strong>by</strong> time and place but<br />

connected in profound and mysterious ways. Atmospheric, fantastical, tragic<br />

and hopeful, the <strong>film</strong> chronicles the parallel fates of Jacqueline, a young<br />

mother with a disabled son in 1960s Paris, and Antoine, a recently divorced,<br />

successful DJ in present day Montreal. What binds the two stories together is<br />

love - euphoric, obsessive, tragic, youthful, timeless love.<br />

In 1960s Paris, a working class woman gives birth to her first child, Laurent –<br />

a Down Syndrome son. Undaunted she embraces the challenge of raising her<br />

beloved offspring as normally as one would any other child. Her husband<br />

abandons them both. She bravely brushes this additional hiccup aside as<br />

Laurent replaces her spouse as the perfect man of her dreams. As Laurent<br />

approaches school age Jacqueline’s aplomb becomes obsessive and cloying.<br />

Her increasingly self-destructive attachment to her son is raised to a fever<br />

pitch when, at the age of seven, he meets a Down Syndrome girl (Véronique)<br />

and experiences his first crush. His sudden desire for independence, and his<br />

attraction to Véra, are the catalysts that transform Jacqueline from a loving<br />

mother into something resembling a lover scorned. What emerges is a love<br />

triangle of potentially tragic proportions.<br />

In 21 st century Montreal, a forty year old divorcee, Carole, is trying to restart<br />

her life after her divorce, two years earlier, from Antoine, a devastatingly<br />

handsome, successful touring DJ. Soul mates who’ve been a couple since the<br />

age of fifteen, their divorce is a schism that might prove impossible for either<br />

of them to put in the past. Making the transition even more difficult for<br />

Carole is the fact that her two daughters, one teen, one tween, are about to<br />

gain a stepmother, a stunningly beautiful, heartbreaking blonde, a woman<br />

about to “steal” away the perfect man of her dreams. The young girls are<br />

being cruelly pulled in two different directions, Antoine’s father, a recovering<br />

alcoholic, seems to side with his ex-daughter-in-law, and Carole is<br />

succumbing to fits of depression and potentially dangerous bouts of<br />

sleepwalking. What emerges is a love triangle of potentially tragic<br />

proportions.


Biographies<br />

<strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> ⎜⎜ Writer / Director<br />

Montreal <strong>film</strong>maker <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> made his groundbreaking feature debut<br />

with “Liste Noire” (Black List), in 1995. The strikingly stylish erotic thriller<br />

was a first for its genre in Quebec cinema, and was honored with nine Genie<br />

Award nominations. Ten years later, he returned to French-language features<br />

with the internationally acclaimed hit, “C.R.A.Z.Y. ” Blending a beguiling<br />

coming-of-age tale with a magical ode to outsiders of all ages, the powerful<br />

yet poignant C.R.A.Z.Y.’s intensely personal story embraces universal themes.<br />

The picture became a phenomenon; distributed in over fifty countries and<br />

winning some twenty international festival awards – including the prestigious<br />

“Best Canadian Film” prize at the 2005 Toronto International Film Festival,<br />

11 Genie Awards, 15 Jutra Awards, and the Golden Reel Award as Canada’s<br />

top-performer at the domestic box office.<br />

<strong>Jean</strong>-<strong>Marc</strong> has also flirted with Hollywood, as well as completing the first two<br />

installments of his short <strong>film</strong> trilogy devoted to father-son relationships; a<br />

theme very close to the <strong>film</strong>maker’s heart. “Les Fleurs magiques” (Magical<br />

Flowers, 1995) and “Les Mots magiques” (Magical Words, 1998) are<br />

individual pieces unified <strong>by</strong> a dream-like quality, and an eye for their<br />

subjects that is both tender and tortured. Both shorts were awarded numerous<br />

festival prizes at home, and abroad.<br />

His last <strong>film</strong> “The Young Victoria,” produced <strong>by</strong> Graham King and Martin<br />

Scorsese, won an Oscar for Best Costumes in 2010 and received nominations<br />

for Best Art Direction and Best Makeup.<br />

Vanessa Paradis ⎜⎜ Jacqueline<br />

Vanessa Paradis’ career began when she was discovered on a popular TV<br />

show, “L'Ecole Des Fans,” which provided children with the opportunity to<br />

demonstrate their talents.<br />

Years later, at thirteen, she recorded her first single, “La Magie Des Surprises-<br />

Parties.” Her career skyrocketed when her record-producing uncle, Didier<br />

Pain, was working with a musician on a song entitled “Joe le Taxi” in which<br />

Vanessa was invited to sing. The outcome was instant success.


In 1988, her first album, M & J, was released and later Variations Sur Le Mme<br />

T'aime (1990). Her third album, the eponymously titled Vanessa Paradis, was<br />

produced <strong>by</strong> Lenny Kravitz in 1992.<br />

Her first role for the big screen was in <strong>Jean</strong>-Claude Brisseau’s “Noce<br />

Blanche” (1989). For her exquisite performance in the movie, Vanessa took<br />

home a César (the French equivalent of an Oscar). At this point, Vanessa<br />

realized that she preferred acting over singing. She later went on to star in<br />

René Manzor’s “Un Amour de Sorcière” (1997).<br />

In 2000, she released the album Bliss and after seven years of silence, she<br />

released Divinidylle in September of 2007. In 2010, she released and toured<br />

for her new album Versailles.<br />

She has also become a fashion icon <strong>by</strong> working on exclusive ad campaigns<br />

for Chanel.<br />

Meanwhile, she has continued her career as a <strong>film</strong> actress, notably starring in<br />

“Girl on the Bridge” <strong>by</strong> Patrice LeConte (1999) “The Return of James Battle”<br />

<strong>by</strong> Didier and Thierry Poiraud (2004). In 2010, her role in Pascal Chaumeil’s<br />

“Heartbreaker,” which garnered over 3.7 million admissions, brought her to<br />

the forefront of French cinema.<br />

Kevin Parent ⎜⎜ Antoine<br />

In 1995, Kevin Parent made his debut in the music industry with the album<br />

Pigeon d’argile. In 1998, the album, Grand parleur, petit faiseur, confirmed<br />

his talent and originality.<br />

The two albums are among the biggest sellers in recording history in Québec<br />

and earned him many Félix (Québec awards in music industry), including<br />

Male Performer of the Year, Song of the Year, and Songwriter of the Year.<br />

Music videos gave Kevin Parent the opportunity to work with noted Canadian<br />

directors such as Denis Villeneuve and Francis Leclerc. Leclerc’s<br />

productions, “Seigneur” and “Fréquenter l'oublie,” have also been crowned<br />

Best Music Videos of the Year <strong>by</strong> l’ADISQ (Québec association for music<br />

industry).


In 2003, he joined the rock band The Porn Flakes. This collaboration has<br />

revealed Kevin Parent’s boldness and versatility.<br />

In Spring 2007, Parent released his first album in English entitled, “Fangless<br />

Wolf Facing Winter.” He came back in 2009 with a new self-titled album in<br />

French.<br />

In 2011, he made his first steps in cinema with a leading role in “Café de<br />

Flore,” <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> (C.R.A.Z.Y), a feature <strong>film</strong> also starring Vanessa<br />

Paradis, Évelyne Brochu, and Hélène Florent.<br />

Hélène Florent ⎜⎜ Carole<br />

A graduate of the Conservatoire d’art dramatique du Québec (2000), Hélène<br />

Florent is both an actress and a director. She directed the short <strong>film</strong>s<br />

“Madame Bonheur à la rescousse” (2000), “Jazz Square” (2001), and “Celui<br />

qui l’dit, celui qui l’est” (1998), which won the Audience Award, and the<br />

Screenwriting Award at the Montreal Vidéaste Recherché-e Festival.<br />

As an actress, she works in theater, <strong>film</strong> and television. Her television work<br />

has earned her many Gemeau Prizes (Quebec’s Emmys).<br />

Recent television series include: “Deux frères, la suite” (2000), “Tribu.com”<br />

(2003), “La Promesse” (2005), “Un homme mort” (2005), and “Lance et<br />

compte” (2006-2010). She is also known for her leading roles in “Toute la<br />

vérité” (2010), and “La Galère” (2007-2012).<br />

In theater, Helene Florent has performed on the national Cherbourg scene Le<br />

Trident (Mesure pour mesure, Le Chien, Le Colonel et les oiseaux, Le Malade<br />

imaginaire, Aux portes du royaume, and Le Cid).<br />

With “Yellowknife” (2001) <strong>by</strong> Rodrigue <strong>Jean</strong>, she played her first leading role<br />

in a feature <strong>film</strong>. Then, she landed several roles including feature <strong>film</strong>s<br />

“Mémoires affectives” (2004) <strong>by</strong> Francis Leclerc, “La Vie avec mon père”<br />

(2005) <strong>by</strong> Sébastien Rose, “Familia” (2005) <strong>by</strong> Louise Archambault, “Dans les<br />

villes” (2006) <strong>by</strong> Catherine Martin, “Ma fille mon ange” (2007) <strong>by</strong> Pierre<br />

Szalowski, “Lance et compte : Le <strong>film</strong>” (2010), and her last movie, “Café de<br />

Flore” (2011) <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong>.


Évelyne Brochu ⎜⎜ Rose<br />

Évelyne Brochu, a graduate of the Montreal Conservatory of Dramatic Arts,<br />

has already made her presence known on stage having recently appeared in<br />

the Claude Poissant directed stage play, Tom à La Ferme.<br />

No stranger to <strong>film</strong> and television, Évelyne starred in such notable Quebec<br />

television series including “Aveux, Mirador” and the popular series “La<br />

Promesse,” which garnered her three Gémeaux award nominations in the<br />

categories of Best Supporting Actress and Best Lead Actress in a television<br />

series.<br />

Recent <strong>film</strong> credit include a supporting role in the critically acclaimed <strong>film</strong><br />

“Polytechnique” (2009), directed <strong>by</strong> Denis Villeneuve (“Incendies”) as well<br />

as “Café de Flore,” directed <strong>by</strong> <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong> (C.R.A.Z.Y.) which<br />

premiered at the Venice Film Festival in 2011.


CREW<br />

Director: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />

Writer: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />

Producers (Canada): Pierre Even, Marie-Claude Poulin<br />

Co-producer: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />

Co-producers (France): Nicolas Coppermann, <strong>Jean</strong>-Yves Robin<br />

In collaboration with: Vanessa Fourgeaud<br />

Line Producers: Nicole Hilaréguy, <strong>Marc</strong> Stanimirovic<br />

Cinematographer: Pierre Cottereau<br />

Art Direction: Patrice Vermette<br />

Editing: <strong>Jean</strong>-<strong>Marc</strong> <strong>Vallée</strong><br />

Sound: <strong>Jean</strong> Minondo, Martin Pinsonnault<br />

Special Effects: <strong>Marc</strong> Coté, Sylvain Théroux<br />

Costumes: Ginette Magny, Emmanuelle Youchnovski<br />

Makeup: Christiane Fattori, Frédéric Marin<br />

Hair Stylist: Ghyslaine Sant, Frédéric Birault<br />

Stills photographer: Sébastien Raymond<br />

Casting: Emanuelle Beaugrand-Champagne, Nathalie Boutrie, Constance<br />

Demontoy<br />

Music Clearance: Lucie Bourgouin Permission Inc.


CAST<br />

Jacqueline: Vanessa Paradis<br />

Antoine: Godin Kevin Parent<br />

Carole: Hélène Florent<br />

Rose: Evelyne Brochu<br />

Laurent: Marin Gerrier<br />

Véronique: Alice Dubois<br />

Amélie: Evelyne de la Chenelière<br />

Julien Godin: Michel Dumont<br />

Louise Godin: Linda Smith<br />

Juliette: Joanny Corbeil-Picher<br />

Angéline: Rosalie Fortier<br />

Psychologist: Michel Laperrière<br />

Véronique's mother: Caroline Bal<br />

Véronique's father: Nicolas Marié<br />

Paul: Pascal Elso<br />

Louis: Jérôme Kircher<br />

Mrs. Labelle: Claire Vernet<br />

School teacher: Manon Balthazard<br />

Antoine (14 years old): Émile <strong>Vallée</strong><br />

Carole (14 years old): Chanel Fontaine<br />

Medium: Emanuelle Beaugrand-Champagne


SOUNDTRACK<br />

<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong><br />

(Matthew HERBERT)<br />

Bucks Music Group<br />

Interpreted <strong>by</strong> Matthew HERBERT<br />

With the authorization of Accidental Records<br />

<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong><br />

(Matthew HERBERT)<br />

Bucks Music Group<br />

Interpreted <strong>by</strong> Doctor ROCKIT<br />

With the authorization of Accidental Records<br />

ALL ALRIGHT<br />

(Jon THOR BIRGISSON, Orri PALL Dyrason, Georg HOLM, Kjartan SVEINSSON)<br />

Universal Music Publishing<br />

Interpreted <strong>by</strong> SIGUR ROS<br />

With the authorization of Beggars Group<br />

SVEFN-G-ENGLAR<br />

(Jon THOR BIRGISSON, August AEVAR GUNARSSON, Georg HOLM, Kjartan SVEINSSON)<br />

Universal Music Publishing<br />

Interpreted <strong>by</strong> SIGUR ROS<br />

With the authorization of Pias<br />

FLJOTAVIK<br />

(Jon THOR BIRGISSON, August AEVAR GUNARSSON, Georg HOLM, Kjartan SVEINSSON)<br />

Universal Music Publishing<br />

Interpreted <strong>by</strong> SIGUR ROS<br />

With the authorization of Beggars Group<br />

ANDVARI<br />

(Jon THOR BIRGISSON, Orri PALL DYRASON, Georg HOLM, Kjartan SVEINSSON)<br />

Universal Music Publishing<br />

Interpreted <strong>by</strong> SIGUR ROS<br />

With the authorization of Universal Music Group et EMI Music Canada<br />

SPEAK TO ME<br />

(Nick MASON, Roger WATERS)<br />

The Richmond Organization pour Hampshire House Publishing - Pink Floyd Music Publishing<br />

Interpreted <strong>by</strong> PINK FLOYD<br />

With the authorization of EMI Music Canada


BREATHE<br />

(David GILMOUR, Roger WATERS, Richard WRIGHT)<br />

The Richmond Organization pour Hampshire House Publishing - Pink Floyd Music Publishing -<br />

Warner/Chappell Music, Inc.<br />

Interpreted <strong>by</strong> PINK FLOYD<br />

With the authorization of EMI Music Canada<br />

TIME<br />

(David GILMOUR, Roger WATERS, Richard WRIGHT, Nick MASON)<br />

The Richmond Organization pour Hampshire House Publishing - Pink Floyd Music<br />

Publishing - Warner/Chappell Music, Inc.<br />

Interpreted <strong>by</strong> PINK FLOYD<br />

With the authorization of EMI Music Canada<br />

FAITH<br />

(Laurence TOLHURST, Simon GALLUP, Robert James SMITH)<br />

Universal Music Publishing<br />

Interpreted <strong>by</strong> The CURE<br />

With the authorization of Universal Music Group<br />

PICTURES OF YOU<br />

(William BRANSBY, Simon GALLUP, Robert SMITH,<br />

Paul THOMPSON, Laurence TOLHURST, Roger<br />

O’DONNELL) Universal Music Publishing<br />

Interpreted <strong>by</strong> The CURE<br />

With the authorization of Elektra/Wea & Universal Music Group<br />

JUST LIKE HEAVEN<br />

(William BRANSBY, Simon GALLUP, Robert SMITH,<br />

Paul THOMPSON, Laurence TOLHURST, Roger O’DONNELL)<br />

With the authorization of <strong>FLORE</strong>NT et Kevin PARENT<br />

Universal Music Publishing<br />

A MEANINGFUL MOMENT THROUGH A MEANING (LESS) PROCESS<br />

(Adam WITZIE)<br />

Kranky Limited<br />

Interpreted <strong>by</strong> STARS OF THE LID With<br />

the authorization of de Kranky Limited<br />

WALK ON THE WATER<br />

(Tom FOGERTY, John FOGERTY)<br />

Jondora Music, a division of Fantasy<br />

Inc.<br />

Interpreted <strong>by</strong> CREE<strong>DE</strong>NCE CLEARWATER REVIVAL (CCR)<br />

With the authorization of Concord Music Group


SO IN LOVE<br />

(Cole PORTER)<br />

Warner Chappell Music Inc.<br />

Interpreted <strong>by</strong> Dinah Washington<br />

With the authorization of Universal Music Group<br />

BIG FREEZE<br />

(Serge PELLETIER, Mathieu PONTBRIAND, Christian BAANG, Joseph PERRAULT, Sara BELLE<br />

HUMBLE)<br />

Éditorial Avenue<br />

Interpreted <strong>by</strong> PAWA UP FIRST<br />

With the authorization of Dare to Care Records<br />

NAVVAATARA<br />

(Élisapie ISAAC)<br />

Avalanche Sound Publishing<br />

Interpreted <strong>by</strong> Élisapie ISAAC<br />

With the authorization of Maple Music Recordings<br />

COMME UN SOLEIL<br />

(Pierre <strong>DE</strong>LANOË, Michel FUGUAIN, George BLANESS)<br />

Big Baazar Music Publishing Co. pour Éditions Musicales Le Minautore<br />

CORONA RADIATA<br />

(Michael Trent REZNOR)<br />

Form and Texture Inc.<br />

Interpreted <strong>by</strong> NINE INCH NAILS<br />

With the authorization of The Null Corporation<br />

LE VENT NOUS PORTERA<br />

(Bertrand CANTAT, Denis BARTHE)<br />

Universal Music Publishing<br />

Interpreted <strong>by</strong> Sophie HUNGER<br />

With the authorization of Two Gentlemen Records<br />

GOD’S TILT<br />

Composed and interpreted for the <strong>film</strong> <strong>by</strong> Luc RAYMOND and Benoît VEILLEUX<br />

<strong>CAFÉ</strong> <strong>DE</strong> <strong>FLORE</strong>, a cappella, was interpreted <strong>by</strong> Vanessa PARADIS and Evelyne BROCHU<br />

and LES PETITS CHANTEURS DU MONT-ROYAL under the direction of Gilbert PATENAU<strong>DE</strong>.<br />

choral arrangement Serge ARCUR

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