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The 18th Century Back in Fashion - Château de Versailles

The 18th Century Back in Fashion - Château de Versailles

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fashion <strong>in</strong> the 18 th century<br />

when people th<strong>in</strong>k of 18 th century women’s fashion,<br />

images of figures with wi<strong>de</strong> hips and narrow busts<br />

immediately spr<strong>in</strong>g to m<strong>in</strong>d. panniers – petticoats<br />

stiffened with evenly-spaced whalebone stays – reshaped<br />

the lower part of the body. whalebone corsets turned<br />

women’s busts <strong>in</strong>to upsi<strong>de</strong>-down triangles com<strong>in</strong>g to<br />

a po<strong>in</strong>t <strong>in</strong> the centre of the immense oval of the hips.<br />

eighteenth-century pr<strong>in</strong>ts and pa<strong>in</strong>t<strong>in</strong>gs show women<br />

with fan-shaped figures wear<strong>in</strong>g fancy dresses or<br />

gowns. the "robe à la française", or sack-back dress,<br />

a sort of large, open coat over a skirt with a float<strong>in</strong>g,<br />

pleated back, ma<strong>de</strong> of endless yards of fabric,<br />

captures the imag<strong>in</strong>ation. ma<strong>de</strong> of silk featur<strong>in</strong>g wavy<br />

floral patterns, worn by marquise <strong>de</strong> pompadour,<br />

it represents the qu<strong>in</strong>tessence of the rococo spirit<br />

that characterised the middle of the century. but<br />

fantasies about <strong>18th</strong> century women’s dress often<br />

mix the image of the "robe à la française" with that<br />

of the formal court gown, an unbelievable outfit<br />

compris<strong>in</strong>g a skirt over a huge pannier, a large top<br />

with a wi<strong>de</strong> neckl<strong>in</strong>e and a tra<strong>in</strong> that could be several<br />

meters long with stays attached to the bottom.<br />

pa<strong>in</strong>t<strong>in</strong>gs and pr<strong>in</strong>ts show them overflow<strong>in</strong>g with<br />

flounces, ruffles and a profusion of lace, gauze,<br />

trimm<strong>in</strong>g, spangles, silver strips and semi-precious<br />

stones. <strong>in</strong> the second half of the <strong>18th</strong> century these<br />

dresses provi<strong>de</strong>d fashion merchants, those <strong>de</strong>signers<br />

of ornament – madame alexandre and madame eloffe,<br />

merchants of versailles, and especially Rose bert<strong>in</strong>,<br />

famous throughout europe, who took pri<strong>de</strong> <strong>in</strong><br />

hav<strong>in</strong>g marie-anto<strong>in</strong>ette, the queen of France, as<br />

a customer – with an opportunity to give their<br />

imag<strong>in</strong>ations free reign.<br />

2<br />

1.<br />

2.<br />

Captions<br />

1. Men’s court suit,<br />

circa 1750-1760.<br />

Shot taffeta, cha<strong>in</strong>-stitch<br />

embroi<strong>de</strong>ry, blue silk<br />

thread, embroi<strong>de</strong>ry<br />

patterns, woo<strong>de</strong>n<br />

buttons covered with<br />

embroi<strong>de</strong>red taffeta.<br />

Galliera Collections.<br />

2. Jacket and skirt (back),<br />

circa 1785. Striped Gros<br />

<strong>de</strong> Tours silk trimmed<br />

with<br />

a ribbon.<br />

Galliera Collections.<br />

<strong>in</strong> the late 1770's simplicity started replac<strong>in</strong>g the<br />

pannier’s exaggerated shapes. adjusted dresses with<br />

pleated or hitched-up skirts eclipsed the french court<br />

gown. straight l<strong>in</strong>en or cotton chiffon gowns, an<br />

evocation of l<strong>in</strong>gerie and its <strong>in</strong>timate character,<br />

turned <strong>in</strong>to morn<strong>in</strong>g or afternoon wear. the queen<br />

of France dared to wear percale for her afternoon<br />

outfits. tuckers and ankle-length skirts comprised<br />

negligées for noblewomen and elegant outfits for the<br />

women of humbler means.<br />

men wore "french" suits, which became so popular<br />

they were soon known as "european" suits, ma<strong>de</strong> up<br />

of coats, long-sleeved waistcoats and breeches, which<br />

formed the basic comb<strong>in</strong>ation for centuries to come.<br />

early <strong>in</strong> the century the coats had wi<strong>de</strong> un<strong>de</strong>rskirted<br />

coat-tails, the pannier’s mascul<strong>in</strong>e counterpart, before<br />

mov<strong>in</strong>g <strong>in</strong> the same direction as women’s cloth<strong>in</strong>g<br />

towards a more slen<strong>de</strong>r look. fronts were waisted and<br />

became longer with straight collars. a riot of ref<strong>in</strong>ed<br />

polychrome silk thread embroi<strong>de</strong>ry blossomed on these<br />

coats but the sporty, simple english look’s <strong>in</strong>fluence<br />

tempered that fancifulness <strong>in</strong> the 1780's. solid coats,<br />

military lapels and dark colours counterbalanced<br />

<strong>18th</strong> century exuberance and heral<strong>de</strong>d the follow<strong>in</strong>g<br />

century’s seriousness.<br />

Text based on Pascale Gorguet-Ballesteros' article<br />

<strong>in</strong> the exhibition catalogue.<br />

Captions<br />

3. French court dress,<br />

skirt and stomacher,<br />

circa 1750-1760.<br />

Polychrome figured<br />

silk purl, gold and<br />

silver lamé.<br />

Galliera Collections.<br />

4. Duchess © RMN,<br />

Gérard Blot.<br />

see 18 th century costumes<br />

dialogu<strong>in</strong>g with contemporary mo<strong>de</strong>ls<br />

throughout the "18 th century back<br />

<strong>in</strong> fashion" exhibition.<br />

3.<br />

5. Pair of shoes,<br />

circa 1730.<br />

Leather embroi<strong>de</strong>red<br />

with silver thread.<br />

Galliera Collections.<br />

3<br />

5.<br />

4.

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