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5Useful<br />
drills<br />
Hav<strong>in</strong>g built a solid set-up and honed a sharp stroke,<br />
try<strong>in</strong>g a few drills is a great way of back<strong>in</strong>g up <strong>the</strong><br />
work you’ve already done and build<strong>in</strong>g skills like feel<br />
and pace control. Here are four really effective ones<br />
I get my students to use all <strong>the</strong> time. If you go to <strong>the</strong><br />
practice green at a tournament you’ll see <strong>the</strong> world’s<br />
best players do<strong>in</strong>g <strong>the</strong> same th<strong>in</strong>gs. Try <strong>the</strong>m next<br />
time you’re on <strong>the</strong> practice green.<br />
Open hands: Hitt<strong>in</strong>g putts this way helps you feel <strong>the</strong> correct<br />
release of <strong>the</strong> putter head as you have to work harder to deliver it<br />
square. This shows <strong>the</strong> correct face movement required and how<br />
quiet <strong>the</strong> hands need to be.<br />
Mirror: This is an essential bit of kit for me. They are really easy to<br />
use and get you set up perfectly <strong>in</strong> no time. They have a multitude of<br />
uses and like <strong>the</strong> str<strong>in</strong>g l<strong>in</strong>e, a must have piece of kit (<strong>the</strong>y’re about<br />
£35 from <strong>the</strong> big golf retailers).<br />
Face angle: This drill tells you what an open and closed face feels<br />
like. Set-up to <strong>hole</strong> <strong>the</strong> putt and try to hit <strong>the</strong> right (open face) and<br />
left (closed face) pegs by manipulat<strong>in</strong>g <strong>the</strong> face. This comes from <strong>the</strong><br />
same path each time. You will <strong>the</strong>n f<strong>in</strong>d understand<strong>in</strong>g how to square<br />
<strong>the</strong> face at impact much easier.<br />
Eyes closed: Try<strong>in</strong>g to <strong>hole</strong> putts with your eyes closed or a<br />
cap over your face is a great way of build<strong>in</strong>g feel for pace as well as<br />
elim<strong>in</strong>at<strong>in</strong>g that ‘hit’ at <strong>the</strong> ball. You will very quickly feel that <strong>the</strong> ball<br />
is simply ‘<strong>in</strong> <strong>the</strong> way’ of a very smooth stroke and if you do hit at <strong>the</strong><br />
ball it will become evident immediately.<br />
NEEDS LINE TO SEPARATE<br />
AD??<br />
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