Cuesta Benberry - The Anyone Can Fly Foundation, Inc.

---. “Sharing the Past… Creating a Future: An Overview of Quilt Museums and Archives.”Quilter’s Newsletter Magazine 228 (1990). 32 cf.Callahan, Nancy. The Freedom Quilting Bee: Folk Art and the Civil Rights Movement. FireAnt Books 1993.Davis, Olga Idriss. “The Rhetoric of Quilts: Creating Identity in African-AmericanChildren’s Literature.” African American Review 32.1 (1998), 67-78.Freeman, Roland L. A Communion of the Spirits: African-American Quilters, Preservers,and Their Stories. Nashville: Rutledge Hill Press, 1996.Fry, Gladys-Marie. Stitched from the Soul: Slave Quilts from the Ante-Bellum South.New York: Dutton Studio Books, 1990. Penguin Group, in association with theMuseum of American Folk Art.Grudin, Eva Ungar. Stitching Memories: African-American Story Quilts. Williamstown:Williams College Museum of Art, 1990.Horton, Laurel. Rev. of Always There: The African-American Presence in American Quilts,by Cuesta Benberry. The Journal of American Folklore 106.421 (1993), 355-6.Keckley, Elizabeth. Behind the Scenes: Thirty Years a Slave and Four Years in the WhiteHouse. New York:G. W. Carleton & Co.,1868. Introd. James Olney. New York:Oxford University Press, 1988.http://www.hti.umich.edu/cgi/t/text/text-idx?c=moa;idno=ABN9052.0001.001Kranz, Rachel. “Keckley, Elizabeth.” African-American Business Leaders andEntrepreneurs, A to Z of African Americans, African-American History & Culture.New York: Facts on File, Inc., 2004. www.fofweb.com.Lyons, Mary E. Stitching Stars: The Story of Quilts of Harriet Powers. New York:Scribner’s Sons, 1993.Mazloomi, Carolyn and Patricia Pongracz. Threads of Faith: Recent Works from theWomen of Color Quilters Network. 2004.Robinson, Charlottee, ed. The Artist and the Quilt. New York: Alfred A. Knopf, 1983.Rutberg, Becky. Mary Lincoln’s Dressmaker: Elizabeth Keckley’s Remarkable Rise fromSlave to White House Confidante. New York: Walker & Company, 1995.page 25