Cuesta Benberry - The Anyone Can Fly Foundation, Inc.

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Sherrow, Victoria. “Keckley, Elizabeth.” A to Z of American Business Leaders andEntrepreneurs, A to Z of Women, African-American History & Culture. New York:Facts on File, Inc., 2002. www.fofweb.com.Wahlman, Maude Southwell. Signs and Symbols: African Images in African AmericanQuilts (2 nd Edition). 2001.Webster, Marie D. Quilts: Their Story and How to Make Them. (The first quilt book.)Doubleday, Page & Co., 1915. With a biography by granddaughter, RosalindWebster Perry. Santa Barbara, California: Practical Patchwork Co., 1990.http://www.practicalpatchwork.com/quilts.htmlList of ImagesFigure 1: Echoes of Harlem 1980. © Faith Ringgold. Acrylic on canvas, dyed, paintedand pieced fabric. 96 x 84 inches. Collection of Philip Morris Companies, Inc.http:/www.faithringgold.com/ringgold/d33.htmFigure 2: Ode to Harriet Powers 1995. © Peggie L. Hartwell. Hand appliquéd andmachine quilted cotton. 42 x 48 inches. Collection of Carolyn Mazloomi.http://www.antiquesandthearts.com/a2000.asp?a=GalleryHopping01-09-2001-14-23-45Figure 3: Grandmother’s Flower Garden Quilt, 1930 – 1970. By Hattie Williams Jonesand Mary Allen Smith Williams. Polyester, knit, cotton, pieced. 93 x 72 1/4 inches.Purchase. Collection of the Old State House Museum.http://www.oldstatehouse.com/piece%2Dof%2Dmy%2Dsoul/quilting%2Dfamilies/default.asp?fn=The+Allen+Sisters+%26+Descendants&fid=1&id=14&qid=4&qn=Hattie+Williams+JonesFigure 4: Butterfly Quilt, ca. 1930. By Authorine Wilson Anderson. Cotton, appliquéd.Collection of Old State House Museum 96.01.7.http://www.oldstatehouse.com/piece-of-my-soul/quiltingfamilies/default.asp?fn=Frances+Smith+Wilson+%26+Descendants&fid=2&id=24&qid=6&qn=Authorine+Wilson+AndersonFigure 5: The Liberty Quilt, ca. 1870. By Elizabeth Hobbs Keckley, former slave. Silk,pieced, appliquéd, embroidered. 85 1/2 x 85 1/2 inches. Collection of the Kent StateUniversity Museum.http://www.centerforthequilt.org/treasures/cb/gallery1.php?directory=photos&currentPic=15; http://www.quiltindex.org/fulldisplay.php?pbd=kentuckytest-a0a2n5-aFigure 6: Log Cabin Quilt, ca. 1890. By Hattie Collins, a former slave. Cotton, pieced.74 x 63 1/2 inches. Purchase. Collection of Old State House Museum 88.17.3.page 26
http://www.oldstatehouse.com/piece-of-my-soul/quiltingfamilies/default.asp?fn=Hattie+Collins+%26+Her+Granddaughters&fid=3&id=28&qid=12&qn=Hattie+CollinsFigure 7: Log Cabin Quilt, Medallion Variation (also called Pig Pen), ca. 1955. By MaryAllen Smith Williams. Wool flannel, cotton, pieced. 82 x 73 inches. Purchase.Collection of Old State House Museum 95.01.7.http://www.oldstatehouse.com/piece%2Dof%2Dmy%2Dsoul/quilting%2Dfamilies/default.asp?fn=The+Allen+Sisters+%26+Descendants&fid=1&id=9&qid=2&qn=Mary+Allen+Smith+WilliamsFigure 8: Jesus Bearing the Cross 2003. © Michael A. Cumming. Cotton, linen, machineappliquéd and quilted. 84 x 84 inches. Collection of the Artist.http://www.michaelcummings.com/other.htmlFigure 9: The Family Quilt from Solid as a Rock series 1989. By Carolyn Mazloomi.Cotton, fabric paint, pieced. 49 x 39 inches. Collection of the Museum of Arts andDesign, New York City.http://www.centerforthequilt.org/treasures/cb/gallery1.php?directory=photos&currentPic=18Figure 10: Jewel Fire 1996. © Gwendolyn Magee. Cottons, hand dyed fabrics by JudiRobertson, specialty threads, machined pieced and quilted. 108 1/2 x 88 inches.Collection of the artist. Photo by Roland Freeman.http://www.quiltethnic.com/mission.htmlFigure 11: Lady’s Shoe Quilt, ca. 1890. By Fanny Cork. Cotton, pieced. Thirty blocks.67 x 93 inches. Collection of Cuesta Benberry.http://www.centerforthequilt.org/treasures/cb/gallery1.php?directory=photos&currentPic=14Figure 12: Mask #45 1994. © Dindga McCannon. Leather, mud cloth, shells, snakeskin,cotton, found objects, lace. 50 x 25 inches. Collection of the Artist. http://www.artalive.com/dindga/index.htmFigure 13: Pine Cone Quilt 1995. By Lucy Mingo, Gee’s Bend. Cottons, pieced. 90 x90 inches. Collection of Cuesta Benberry. Photograph courtesy of Saint Louis ArtMuseum.Figure 14: The Tulip Quilt, ca. 1840. By Ann. Cotton, appliquéd, pieced. 100 x 85inches. Photo Courtesy of the Smithsonian Institution, American Museum of Art History,Negative #76-13388. http://www.quiltindex.org/fulldisplay.php?pbd=kentuckytesta0a2q6-aFigure 15: Who’s Afraid of Aunt Jemima? 1983. © Faith Ringgold. Acrylic on canvas,dyed, painted and pieced fabric. 90 x 80 inches. Private Collectionhttp://www.faithringgold.com/ringgold/d34.htmpage 27
Page 3 and 4: the time I think when … because Q
Page 5 and 6: CUESTA: Yeah. Right. That was when
Page 7 and 8: CUESTA: Well, that too is a problem
Page 9 and 10: FAITH: Is that the same thing? Impr
Page 11 and 12: FAITH: And I’m sure a whole lot o
Page 13 and 14: CUESTA: No. They were pretty old. M
Page 15 and 16: CUESTA: I heard Phillip Simmons, th
Page 17 and 18: Cuesta: The buds have embroidery.Ba
Page 19 and 20: flat, under glass, so nobody could
Page 21 and 22: Figure 15: Who’s Afraid of Aunt J
Page 23 and 24: x 53 inches. Collection of the Arti
Page 25: ---. “Sharing the Past… Creatin

Cuesta Benberry - The Anyone Can Fly Foundation, Inc.

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