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Edward De Bono - Six Thinking Hats.pdf

Edward De Bono - Six Thinking Hats.pdf

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chin they mark a true diference? The answer is afirmative if the position is deliberate, and refusal<br />

if he is natural. The surprising thing is that a physiological it could really work. There are tests of<br />

que if one smiles. smile infects allfisiología and one becomes but contented less and prone á to<br />

enlutar itself. People react to the artificial smile of the models advertising as if their smiles were<br />

true. The signs become reality. The mask it follows the substance.<br />

In a level more elementary, if y o u t r y to listen another person, of some way you will pass more time<br />

listening --y your to think will improve. If frunces the frown consciously to think, you will not be<br />

able to make no decision until as much smooth out. And this way the decision that you take will<br />

be better than one improvised on the march. The violent young people á that 'a was taught to<br />

think they became less violent because no longer they had to resort a immediately a violent<br />

reactive cliche.<br />

The six "hats to think" ofer a form to translate the intention in efective performance.<br />

I CHAPTER 4<br />

To represent a paper<br />

VA CA TIONS OF THE EGO<br />

To people no it matters to him "to make the crazy person"provided it is clear that it is playing a<br />

role Even it is boasted of its good performance and to make the crazy person until true ends. This<br />

becomes then a success measurement and perfection. The represented paper is the main thing<br />

and now the ego is the director of scene.<br />

One ofproblems of the Zen buddhism are that at the most firmly it deals with the ego "no to be ",<br />

present there becomes in its" attempt ". It has actor style who loses the identity of his ego and<br />

assumes the one of the paper (performance of the method). Another style of actor directs its own<br />

performance. Both they are good actors. Both are taking vacations from ego. The one taking in<br />

the outside and the other in its house.<br />

It played to be another person allows that the ego extends the restrictive image that normally she<br />

has of itself. The actors usually are very timid in the life daily but a roll gives freedom. It can be<br />

dificult to see to us us like mistaken or deceived idiots but if a defined<br />

afluent roll occurs us we can to represent it, to enjoy our capacity to act and not to damage the ego<br />

to us. It gives prestige to be considered a good actor.<br />

The ego runs risk if it does not protect a formal roll. Therefore, people habitually refusal<br />

assumes the role of devil's advocate when it wants to be negative. This it means supposition that<br />

habitually is not negative, but that is useful that somebody plays east role and that sets out to

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