A film by Yun Suh - City of Borders
A film by Yun Suh - City of Borders
A film by Yun Suh - City of Borders
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
A <strong>film</strong> <strong>by</strong> <strong>Yun</strong> <strong>Suh</strong><br />
USA 2009/ Color/ 66 minutes<br />
World Premiere at the 2009 Berlin International Film Festival<br />
Winner <strong>of</strong> Special Teddy (Audience) Award at Berlin International Film Festival<br />
Official Selection<br />
Hot Docs Canadian International Documentary Film Festival, Los Angeles Film Festival<br />
Seattle International Film Festival, San Francisco International Film Festival, Nantucket Film Festival,<br />
Era New Horizons Film Festival (Poland), Tokyo International Lesbian & Gay Film Festival, Frameline Film Festival (San<br />
Francisco), Outfest Film Festival (Los Angeles), Miami Gay & Lesbian Film Festival, Boston LGBT Film Festival,<br />
NewFest Film Festival (New York), Out at the Movies (New York), Outview Film Festival (Athens, Greece) – Opening<br />
Night, Portland Queer Doc Film Festival – Opening Night, Queer Movie Nights (Halle, Germany)<br />
Press and Distribution Contact:<br />
<strong>Yun</strong> <strong>Suh</strong><br />
001 (510) 295-7588<br />
playbigger@gmail.com<br />
www.city<strong>of</strong>borders.com (check for media coverage)
SYNOPSIS<br />
“When I read in the bible that I could be killed for being gay,<br />
I understood what it was like to be Palestinian.”<br />
– Israeli bar patron.<br />
In the heart <strong>of</strong> Jerusalem stands an unusual symbol <strong>of</strong> unity that defies generations <strong>of</strong> segregation,<br />
violence and prejudice: a gay bar called Shushan. <strong>City</strong> <strong>of</strong> <strong>Borders</strong> goes inside this vibrant<br />
underground sanctuary on the East/West border <strong>of</strong> the Holy <strong>City</strong>, where people <strong>of</strong> opposing<br />
nationalities, religions and sexual orientations create a community among people typically viewed as<br />
each other’s “enemy.”<br />
<strong>City</strong> <strong>of</strong> <strong>Borders</strong> follows the daily lives <strong>of</strong> the Israeli bar owner and four Israeli and Palestinian patrons<br />
as they navigate the minefield <strong>of</strong> politics, religion and discrimination to live and love openly. Set<br />
against the construction <strong>of</strong> the separation wall between Israel and the Palestinian territories and the<br />
struggle for a gay pride parade in Jerusalem, these four inter-woven stories reveal the contradictions<br />
and complexity <strong>of</strong> the struggle for acceptance.<br />
STORY<br />
“Everyone comes from their own ghetto and meets at Shushan,” says the bar owner Sa’ar Netanel, a<br />
secular Israeli and Jerusalem’s first openly gay city council member. Shushan, Jerusalem’s only gay<br />
bar, was born out <strong>of</strong> his struggle for gay visibility and ethnic diversity. His outspokenness has earned<br />
Sa’ar the respect and gratitude <strong>of</strong> the gay community as well as numerous death threats.<br />
For devout Muslim Palestinian, Boody, going to Shushan means endangering his life in an illegal<br />
nighttime border crossing from the West Bank to Jerusalem. He creeps under razor wire; scales<br />
cement walls and dodges Israeli soldiers in order to reach the only place where he feels free to fully<br />
express himself. At home in Ramallah, he has become the target <strong>of</strong> many death threats as the first drag<br />
queen <strong>of</strong> Palestine.<br />
Former Israeli soldier, Adam Russo, dances shirtless on stage, displaying visible scars on his chest and<br />
arms. In 2005, he was stabbed <strong>by</strong> an Orthodox Jew while marching at the head <strong>of</strong> Jerusalem’s gay<br />
pride parade. Being a victim <strong>of</strong> a hate crime has ignited his political purpose to fight for human rights.<br />
His activism for equal rights gets questioned when he and his partner build a home on a contested<br />
settlement land.<br />
On the dance floor, a Palestinian Israeli, Samira Saraya, kisses her Jewish Israeli lesbian lover, Ravit<br />
Geva. They met at a hospital where Samira works as a nurse and Ravit as a doctor. Their union<br />
breaks two <strong>of</strong> Middle Eastern society’s biggest taboos: same-sex relations and intimacy between Jews<br />
and Arabs. Ironically, these barriers have drawn them closer together, but isolated them from their<br />
2
families. Their relationship complicates over the issue <strong>of</strong> starting a family <strong>of</strong> their own, which ignites<br />
their differences in their religious, cultural and personal values.<br />
Outside <strong>of</strong> the bar, Jewish, Muslim and Christian fundamentalists, in a rare show <strong>of</strong> solidarity, strive to<br />
eliminate all demonstrations <strong>of</strong> gay identity through riots and death threats.<br />
<strong>City</strong> <strong>of</strong> <strong>Borders</strong> concludes <strong>by</strong> showing what each participant has gained from being a member <strong>of</strong> the<br />
Shushan community and the effects <strong>of</strong> this singular bar upon their lives, inspiring each to move beyond<br />
its walls to create a different place <strong>of</strong> belonging for him or herself. In observing the patrons’ daily<br />
fight for dignity and their very existence, this extremely relevant and inspiring documentary highlights<br />
the bond forged when people from warring worlds embrace what they share in common rather than be<br />
divided <strong>by</strong> their differences.<br />
DIRECTOR’S STATEMENT<br />
3
The concept for “<strong>City</strong> <strong>of</strong> <strong>Borders</strong>” began in 2002 while I was producing a series <strong>of</strong> radio reports in<br />
Jerusalem and the West Bank on the clashes during the second Palestinian Intifada or uprising. I’m<br />
drawn to the Israeli-Palestinian conflict because I intimately understand both sides <strong>of</strong> the war. Like the<br />
Israelis, I grew up in constant fear <strong>of</strong> my neighboring country, North Korea, coming to attack my small<br />
village and family in South Korea. I did not see North Koreans as humans but as demons determined<br />
to kill me if they had the chance. My childhood playtime <strong>of</strong>ten involved devising escape routes and<br />
places to hide in my home if North Koreans ever invaded. Like the Palestinians, I understand the<br />
horror and hardships <strong>of</strong> living under occupation through my parents who survived the Japanese<br />
colonization <strong>of</strong> Korea. Being on the ground in the West Bank and Gaza, I witnessed the daily<br />
devastating impact <strong>of</strong> the Israeli occupation.<br />
Finding a bar where Israelis and Palestinians take great risks to meet and connect as human beings<br />
amid all the distrust, death and violence renewed my faith in our shared humanity. Sa’ar Netanel’s<br />
vision for his bar where people from different worlds can find common ground and be accepted,<br />
mirrors my purpose for making <strong>film</strong>s. Therefore, I chose this story as the topic <strong>of</strong> my first featurelength<br />
<strong>film</strong> despite daunting barriers <strong>of</strong> budget, bombs, language and culture,.<br />
DIRECTOR/PRODUCER/WRITER/CINEMATOGRAPHER’S BIO<br />
<strong>Yun</strong> <strong>Suh</strong>’s love <strong>of</strong> visual storytelling sparked at age 8 when she immigrated to Connecticut from South<br />
Korea without knowing a word <strong>of</strong> English. Television and movies became her most important<br />
classroom where she learned the language and the American culture. But without role models, she<br />
didn’t think being a <strong>film</strong>maker was a career possibility. She studied to become a doctor to fulfill her<br />
mother’s dream and kept her passion for <strong>film</strong> hidden. Her life took a big turn when her mother died<br />
during her last year <strong>of</strong> college. Believing that her mother’s death was caused <strong>by</strong> her inability to fully<br />
express herself, <strong>Suh</strong> devoted her life to true communication and self-expression.<br />
After earning a biology degree from University <strong>of</strong> California, Berkeley, <strong>Suh</strong> landed jobs in radio and<br />
broadcast television news, where she worked the past eight years, and produced documentary shorts in<br />
her spare time. She has extensively covered news on the Middle East and has reported from Israel,<br />
West Bank and Gaza Strip. Her nominations include Best Radio Documentary from the National<br />
Federation <strong>of</strong> Community Broadcasters for her one-hour long radio report, Sabra & Shatilla (2003), on<br />
the survivors <strong>of</strong> the 1982 massacre <strong>of</strong> Palestinians in Lebanese refugee camps. She has also received a<br />
local Emmy nomination for producing a news feature, Comfort Women (2001), a story <strong>of</strong> an illiterate<br />
Korean woman who uses her paintings to break her 50-year silence about being forced into sexual<br />
slavery <strong>by</strong> the Japanese Imperial Army during World War II. In 2002, she earned the Support,<br />
Training and Access for New Directors (STAND) grant from the Film Arts Foundation to pursue her<br />
lifelong dream <strong>of</strong> being a <strong>film</strong>maker.<br />
FILMMAKING TEAM<br />
4
Editor: Jean Kawahara won a 2002 National Emmy for editing the feature-length documentary, Of<br />
Civil Wrongs and Rights: The Fred Korematsu Story, which was also short-listed for the 2001<br />
Academy Awards. Other credits include the award-winning documentary, Yank Tanks; the<br />
independent feature <strong>film</strong>, Nail Polish; and the Sundance selection shorts, Rappin’ Gap and Undertaker,<br />
which earned a National CableACE award. Jean has also received numerous awards for her<br />
commercial work, including a Golden Lion at the Cannes Film Festival and a Clio.<br />
Primary Cinematographer/Co-Producer: Karin Thayer is an award-winning <strong>film</strong>maker and video<br />
journalist who has been producing, shooting and editing stories for 15 years worldwide, in locations<br />
from Brussels to Dubai. Her short <strong>film</strong>s such as Seed (1997) have screened internationally, including<br />
at the Sundance Film Festival. Thayer’s recent clients include: Oxygen Media, the Discovery<br />
Channels, the History Channel, the Travel Channel and the BBC. She earned the 2005 Concentra<br />
European Video Journalism award for producing the BBC TV series, Addiction.<br />
Cinematographer: Robin McKenna has worked as a video journalist for CBC programs, including<br />
the feature-length documentary Minority Report and directed observational series for Life Network,<br />
Oxygen, and Living UK. She served as a cinematographer for numerous documentaries including The<br />
Take (American Film Institute Award for Best Documentary 2004) and The Great War Experience,<br />
which aired on CBC.<br />
Cinematographer: Amir Terkel is an Israeli <strong>film</strong>maker and news videographer with over 10 years <strong>of</strong><br />
experience shooting in domestic and international news stations in Israel and the United States,<br />
including CNN and ABC in Jerusalem. He has explored the Israeli-Palestinian relations as a<br />
cinematographer through several in-depth current affairs programs and feature documentaries, such as<br />
Holy Land Common Ground, Occupied Minds, and Other Voices from Israel and Palestine.<br />
Co-Producer: Simone Nelson has worked with international, award winning artists and companies to<br />
develop and produce <strong>film</strong>, theater, music and digital media productions, projects and events for over 17<br />
years. She has worked with or for, among others: the former head <strong>of</strong> Walt Disney Studios—Peter<br />
Schneider; <strong>film</strong>maker Rebecca Miller; Forensic Films; Film Arts Foundation; Mill Valley Film<br />
Festival; San Francisco Opera; and London’s Shakespeare Globe and Royal Court Theatres. She is<br />
currently the President <strong>of</strong> Bay Area Women in Film and Television and is Consulting Producer on<br />
Saltwater, a narrative feature in pre-production.<br />
CAST<br />
5
35-year-old secular Israeli bar owner SA’AR NETANEL is the first openly gay man to be elected<br />
into public <strong>of</strong>fice in Jerusalem. He was elected to serve on the Jerusalem city council in 2003, the<br />
same year that he opened the Holy <strong>City</strong>’s only gay bar, Shushan. His vision to create a place that<br />
“belongs to everyone in the community and where everyone is welcome” has provided a home for<br />
many who have nowhere else to go. After 16 years <strong>of</strong> struggling for gay rights against a conservative<br />
religious local government, he questions whether he can continue to fight in the face <strong>of</strong> mounting<br />
violence and death threats.<br />
19-year-old devout Muslim Palestinian BOODY risks his life to go to Shushan<br />
because there is no public place for gay men to gather in his West Bank hometown<br />
<strong>of</strong> Ramallah. He performed his first drag queen show on Arab night at Shushan<br />
and has earned fans among people who would typically be viewed as his “enemy”<br />
outside <strong>of</strong> the bar. Despite being harassed all his life for being too flamboyant and<br />
feminine, Boody has developed deep pride in himself, particularly through his faith in Allah. He is the<br />
first drag queen <strong>of</strong> Palestine, there<strong>by</strong> unwittingly making himself a target. Forced to leave his beloved<br />
country to flee persecution, Boody starts a new life in a small town in Ohio, United States.<br />
19-year-old secular Israeli ADAM RUSSO never wants to leave Givat Ze’ev, a<br />
small settlement north <strong>of</strong> Jerusalem, where everyone knows him as a fun-loving<br />
young man and also as a victim <strong>of</strong> a hate crime. While marching at the head <strong>of</strong><br />
Jerusalem’s gay pride parade in 2005, he was stabbed three times <strong>by</strong> a Haredi<br />
Jewish man. He is a media spokesperson for gay pride and refuses to hide his<br />
identity. Despite his fears <strong>of</strong> being attacked again, he continues to march in the city that he loves. He<br />
and his partner AMIT recently built a home together in the settlement where Adam was raised and<br />
plan to perform a civil union in Israel in 2009.<br />
31-year-old Palestinian Israeli SAMIRA SARAYA has lived with her 33-yearold<br />
Jewish Israeli lesbian lover, RAVIT GEVA for more than four years. Their<br />
relationship breaks two <strong>of</strong> Middle Eastern society’s biggest taboos: same-sex<br />
relations and intimacy between Jews and Arabs. The unlikely lovers met at an<br />
Israeli hospital where Samira works as a nurse and Ravit as a doctor. Despite their<br />
clashing backgrounds and personalities, they have risked everything to stay together, including their<br />
relationships with their families. Samira and Ravit test their union as Ravit plans to have a child and<br />
seeks a sperm donor. Raised in a violent household with 13 other siblings, Samira never wanted to<br />
have kids. Relying on faith, Ravit moves forward with her plans to get pregnant and hopes Samira will<br />
join her.<br />
CREDITS<br />
Producer, Director, Writer: <strong>Yun</strong> <strong>Suh</strong><br />
6
Editor: Jean Kawahara<br />
Additional Editing: Eric Ladenburg, <strong>Yun</strong> <strong>Suh</strong>, Ryan Shake<br />
Co-Producers: Karin Thayer, Simone Nelson<br />
Primary Cinematographer: Karin Thayer<br />
Cinematographer: Robin McKenna<br />
Additional Cinematography: Amir Terkel, <strong>Yun</strong> <strong>Suh</strong><br />
Sound: <strong>Yun</strong> <strong>Suh</strong><br />
Original Music: Shranny, Musa Hanhan, Jonathan Zalben, Ronen Landa<br />
Associate Producers: Amir Terkel, Adam Rosenberg<br />
Post Production Sound: Berkeley Sound Artists—James LeBrecht, Patti Tauscher, Dan Olmsted,<br />
Alex Wilmer<br />
Color Correction & Mastering Services: Max Salomon<br />
Graphics: Courtney Booker<br />
Advisors: Justine Shapiro, Deborah H<strong>of</strong>fmann, Vicente Franco, Janis Plotkin<br />
Translators: Shimrit Berman, Omar Fekeiki, Amir Sappir, Merav Rozenblum, Amir Terkel<br />
Funders: ITVS, Center for Asian American Media, Pacific Pioneer Fund, Film Arts Foundation<br />
Development Fund, Fleishhacker Foundation<br />
“<strong>City</strong> <strong>of</strong> <strong>Borders</strong>” is a co-production <strong>of</strong> <strong>Yun</strong> <strong>Suh</strong> and the Independent Television Service (ITVS), in<br />
association with the Center for Asian American Media (CAAM), with funding provided <strong>by</strong> the<br />
Corporation for Public Broadcasting (CPB)<br />
TELEVISION BROADCAST<br />
CITY OF BORDERS is expected to broadcast on PBS in the United States nationwide. Air dates are<br />
TBA.<br />
7