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Chapter 1 In which Mrs Milica gains ingress to the Colonel's house ...

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pota<strong>to</strong>es as big as coconuts and soyabeans as big as tennis balls? If lies could hurt, what<br />

a lamentation <strong>the</strong>re would have been at <strong>the</strong> Party meetings, what groans and howls, like<br />

in <strong>the</strong> cauldrons of hell. And, as I was saying, everything was fine until he <strong>to</strong>ok that<br />

cursed course. As soon as he got his diploma, it was as if <strong>the</strong>y’d clouted him over <strong>the</strong><br />

head with a cudgel, for him <strong>to</strong> lose his memory. Half a year later, after he’d bought <strong>the</strong><br />

drinks <strong>to</strong> wet <strong>the</strong> diploma, so that it wouldn’t tear, <strong>the</strong>y promoted him <strong>to</strong> head of<br />

workshop. So, one fine morning, I find myself late for work not with <strong>the</strong> head of shift<br />

but with <strong>the</strong> head of workshop. We arrive, I go <strong>to</strong> <strong>the</strong> locker room <strong>to</strong> get my overalls,<br />

and he goes <strong>to</strong> <strong>the</strong> office. The new head of shift, a certain gaffer Apricot, comes and he<br />

says <strong>to</strong> me: you’re late, I’m docking you two hours’ pay, that’s <strong>the</strong> regulation. “Since<br />

when?” says I. Where do you think <strong>the</strong> order came from? From our Litza, who had<br />

only just been running <strong>to</strong> catch <strong>the</strong> tram with his <strong>to</strong>ngue flapping over his shoulder. A<br />

week later, Litza was coming <strong>to</strong> work in a new Dacia, and we no longer saw each o<strong>the</strong>r<br />

at <strong>the</strong> tram s<strong>to</strong>p. At <strong>the</strong> fac<strong>to</strong>ry, he had started <strong>to</strong> pretend he didn’t know me. He would<br />

answer me as if he had glue in his gob. Hey, Litza, I would say. “Comrade,” says he,<br />

“we are in <strong>the</strong> process of production, let us address each o<strong>the</strong>r in a seemly fashion.”<br />

Bugger you <strong>the</strong>n, our Litza, <strong>the</strong>y did well <strong>to</strong> clout you over <strong>the</strong> head with a cudgel at<br />

university, but it’s a pity <strong>the</strong>y didn’t clobber you hard enough. He had completely<br />

forgotten how we used <strong>to</strong> sit and drink wine, chattering like two old biddies, how we<br />

used <strong>to</strong> make pork scratchings from <strong>the</strong> CP pig, how we used <strong>to</strong> tell s<strong>to</strong>ries about <strong>the</strong><br />

blokes on our shift, <strong>which</strong> of <strong>the</strong>m was one of <strong>the</strong> lads and <strong>which</strong> was a snitcher, what<br />

plots <strong>the</strong>y were hatching, <strong>which</strong> was a hard worker and <strong>which</strong> was a slacker, because<br />

o<strong>the</strong>rwise he would never have been able <strong>to</strong> deal with with so many ne’er-do-wells.<br />

He’d forgotten, I’m telling you, marrer. It was as if someone had wiped his brain with a<br />

sponge soaked in vinegar. Well <strong>the</strong>n, Litza, I <strong>to</strong>ld myself, <strong>the</strong> gaffer’s going <strong>to</strong> sort you<br />

out. Do you think you can put on airs with me? And as I was going <strong>to</strong> <strong>the</strong> fac<strong>to</strong>ry on<br />

<strong>the</strong> tram one morning, I decided that I should go and have a word with Ceau§escu. So I<br />

didn’t get <strong>to</strong> <strong>the</strong> industrial zone, I got off at <strong>the</strong> station and boarded a train. I didn’t<br />

even buy a ticket, because I didn’t have enough money on me. When <strong>the</strong> conduc<strong>to</strong>r<br />

shows up, before <strong>the</strong> next station, and asks after my health, I tell him that I don’t have a<br />

travel permit, and <strong>to</strong> leave me be. “But where are you going?” “To see Ceau§escu,”<br />

says I. I was puffing on a cigarette. The conduc<strong>to</strong>r gives me a long stare, looks me up<br />

and down, and <strong>the</strong>n goes his way without saying anything. I felt like I was in America:<br />

anything he might have said could have been used a<strong>gains</strong>t him. He scuttled through <strong>the</strong>

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