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Issue 58 / August 2015

August 2015 issue of Bido Lito! Featuring MALIK AND THE O.G'S, MARVIN POWELL, AVIATOR, MUSIC MIGRATIONS, LIMF 2015 PREVIEW and much more.

August 2015 issue of Bido Lito! Featuring MALIK AND THE O.G'S, MARVIN POWELL, AVIATOR, MUSIC MIGRATIONS, LIMF 2015 PREVIEW and much more.

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Channel One Sound System (Samantha Milligan / samanthamilligan.co.uk)<br />

WRS<br />

WIRRAL REHEARSAL STUDIOS<br />

REHEARSAL STUDIOS<br />

PRIVATE 24/7 STUDIOS FROM<br />

LOCKUP +1 FULL DAY<br />

PRO REHEARSAL STUDIOS<br />

2 MINS FROM THE TUNNEL<br />

PERMANENT SECURE ROOMS<br />

Permanent secure rehearsal<br />

2 mins from the tunnel<br />

£25/4HRS<br />

£46/WK<br />

£30/WK<br />

FREE CAR PARK<br />

24 HOUR ACCESS<br />

EASY LOADING ACCESS<br />

07906376701<br />

WWW.WIRRALREHEARSALSTUDIOS.COM<br />

Tonight is one of celebration for overworked<br />

students, many of whom are looking for a sendoff<br />

befitting their grateful, summery faces. The<br />

benevolent presidency of CHANNEL ONE SOUND<br />

SYSTEM might offer them a more natural high<br />

than the type currently circulating round the<br />

porta-loos. A modern relic of roots reggae’s<br />

earliest attempts at global peace-keeping, the<br />

outfit rests on the turntables of founder Mikey<br />

Dread, supported by the Zionist mantras of<br />

MC Ras Kayleb. The duo run through decades<br />

of material and empowering gobbledegook.<br />

“Where is Babylon?” Kayleb shouts, with the<br />

bullishness of a preacher. “Babylon’s in your<br />

phone! Babylon’s in your pocket!” All right, OK;<br />

if this is a ploy to download a Channel One set<br />

as an mp3, it doesn’t need to be so obscure.<br />

That said, their abiding message is crystal clear<br />

– love everyone, love yourself, stop whining<br />

about anything that doesn’t involve bobbing<br />

your shoulders (although this is already the<br />

greatest pastime imaginable, from a quick<br />

survey of young gents wobbling to an early<br />

comedown). Mr Dread has been doing this<br />

for 35 years and it’s only courteous to admire<br />

him, playing to the same demographic that<br />

launched him to prominence in the first place.<br />

He must be entirely deaf by now, and although<br />

the set goes on and on, he could go longer.<br />

Down and dirty house carries on inside, but,<br />

truth be told, by this point I’m seeing friends<br />

old and new, each off into the next horizon<br />

of their lives and it’s a fitting denouement to<br />

our time in Liverpool. The music and the lights<br />

coalesce and simmer, spiral around us, and I’m<br />

elated. This may be a different sort of party to<br />

yesteryear, but it’s most certainly not of the<br />

Chelsea Flower Show variety.<br />

Josh Potts / @joshpjpotts<br />

BENJAMIN BOOKER<br />

Carbon<br />

O2 Academy<br />

The blueish hue of the O2 Academy lights are<br />

apt: an all-blue, bully-boy Conservative budget<br />

has been announced and BENJAMIN BOOKER<br />

is beginning his set by cutting the venue’s<br />

between-set playlist short and running Bessie<br />

Smith’s sombre blues classic Muddy Water (A<br />

Mississippi Moan) through a disillusioned<br />

crowd. All such misery is forgotten, if not<br />

temporarily, as Booker opens with Always<br />

Waiting, which begins slow, drawn-out and<br />

grungy, only to trick us by picking up pace<br />

at thirty seconds into an excellent energetic<br />

boogie-punk quickie. A much needed pick-meup.<br />

Earlier, support act CARBON tried to inject<br />

their brand of angst-tinged, drum-heavy rock<br />

‘n’ roll on to an indifferent crowd. Their first<br />

few songs merge together, lost amongst<br />

the conversational murmurs of a growing<br />

audience, while more distinct and developed

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