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Viva Lewes Issue #107 August 2015

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its and bobs<br />

lewes worthy: kenneth clark<br />

Kenneth Clark ‘was to<br />

tiles what James Dyson is<br />

to vacuum cleaners,’ his<br />

Guardian obituary noted,<br />

while the Times said he<br />

‘became one of the most<br />

widely respected and best<br />

loved artist-craftsmen in<br />

England.’<br />

His work, like his dress<br />

sense, was bold and<br />

colourful. Clark worked<br />

in collaboration with his<br />

wife, Ann; she did the<br />

designs, while he handled<br />

production. “He was<br />

basically a very brilliant<br />

ceramic chemist; he understood<br />

ceramic materials<br />

completely,” his daughter<br />

Camilla says. “He had a<br />

very good idea of what<br />

raw materials would go<br />

together to make the effect<br />

that was wanted. But mum<br />

was the designer.”<br />

Photo by Fergus Kennedy<br />

“He was very inventive, always thinking of new<br />

stuff to put on tiles, that not many other people<br />

were doing at the time,” his grandson Dan says.<br />

“Quite pioneering really.”<br />

Born in 1922, Clark was originally from New<br />

Zealand. During WW2, he served in the British<br />

Navy, manned a Landing Ship Tank on D-Day,<br />

and was mentioned in dispatches.<br />

An ex-serviceman’s grant enabled him to go<br />

to art school after the war. “The only one he<br />

knew the name of was the Slade,” so he went<br />

there, Ann says. Later, at the Central School of<br />

Art and Design’s ceramics department, he rose<br />

from student to technical assistant to teacher.<br />

One of his four books, The Potter’s Manual, was<br />

a standard text for many years; “a seminal work,<br />

really,” Camilla says.<br />

He and Ann, who he’d met at the Central<br />

School, founded Kenneth<br />

Clark Ceramics in the 1950s.<br />

Around 1980, priced out<br />

of London, they moved to<br />

Ringmer and set up a studio in<br />

<strong>Lewes</strong>, at Southover Grange.<br />

Dan recalls it was “kind of<br />

organised chaos” in there, with<br />

endless pots of glaze, containers,<br />

samples, etc, stacked<br />

everywhere. “They were both<br />

real hoarders, the kind of<br />

wartime mentality.” “Dad was<br />

an incredibly life-affirming<br />

person,” Camilla says. “He was<br />

very positive, very enthusiastic,<br />

very interested in supporting<br />

other artists, and just very<br />

interested in people.” He got a<br />

lot of joy out of life, and once<br />

told his great-grandchildren<br />

that his favourite colour was<br />

‘sunshine’.<br />

A keen gardener and vegetable<br />

grower who was always asking<br />

guests if they “wanna lettuce?”,<br />

he was “big on health foods and very clean<br />

living.” Dan says. He had a study full of books,<br />

and “was always talking about the fascinating<br />

articles he’d read.”<br />

Christianity was central to his life, and probably<br />

helped drive him. Camilla says “he had a great<br />

belief that you have a duty to God to develop<br />

what talents you have and make the most of<br />

them, and also somehow to celebrate God’s<br />

world, I suppose.”<br />

“He was a very particular person; he had his<br />

ways,” Dan says. But he was also “a very bright,<br />

cheerful and enthusiastic person, very healthful<br />

and lively, had a big laugh.” Both Dan and<br />

Camilla use the phrase ‘quite eccentric’. Ann<br />

remembers him simply as “a shining example,<br />

really, of how to be; how not to be defeated by<br />

things.” He died in 2012, aged 89. Steve Ramsey<br />

19

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