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its and bobs<br />
lewes worthy: kenneth clark<br />
Kenneth Clark ‘was to<br />
tiles what James Dyson is<br />
to vacuum cleaners,’ his<br />
Guardian obituary noted,<br />
while the Times said he<br />
‘became one of the most<br />
widely respected and best<br />
loved artist-craftsmen in<br />
England.’<br />
His work, like his dress<br />
sense, was bold and<br />
colourful. Clark worked<br />
in collaboration with his<br />
wife, Ann; she did the<br />
designs, while he handled<br />
production. “He was<br />
basically a very brilliant<br />
ceramic chemist; he understood<br />
ceramic materials<br />
completely,” his daughter<br />
Camilla says. “He had a<br />
very good idea of what<br />
raw materials would go<br />
together to make the effect<br />
that was wanted. But mum<br />
was the designer.”<br />
Photo by Fergus Kennedy<br />
“He was very inventive, always thinking of new<br />
stuff to put on tiles, that not many other people<br />
were doing at the time,” his grandson Dan says.<br />
“Quite pioneering really.”<br />
Born in 1922, Clark was originally from New<br />
Zealand. During WW2, he served in the British<br />
Navy, manned a Landing Ship Tank on D-Day,<br />
and was mentioned in dispatches.<br />
An ex-serviceman’s grant enabled him to go<br />
to art school after the war. “The only one he<br />
knew the name of was the Slade,” so he went<br />
there, Ann says. Later, at the Central School of<br />
Art and Design’s ceramics department, he rose<br />
from student to technical assistant to teacher.<br />
One of his four books, The Potter’s Manual, was<br />
a standard text for many years; “a seminal work,<br />
really,” Camilla says.<br />
He and Ann, who he’d met at the Central<br />
School, founded Kenneth<br />
Clark Ceramics in the 1950s.<br />
Around 1980, priced out<br />
of London, they moved to<br />
Ringmer and set up a studio in<br />
<strong>Lewes</strong>, at Southover Grange.<br />
Dan recalls it was “kind of<br />
organised chaos” in there, with<br />
endless pots of glaze, containers,<br />
samples, etc, stacked<br />
everywhere. “They were both<br />
real hoarders, the kind of<br />
wartime mentality.” “Dad was<br />
an incredibly life-affirming<br />
person,” Camilla says. “He was<br />
very positive, very enthusiastic,<br />
very interested in supporting<br />
other artists, and just very<br />
interested in people.” He got a<br />
lot of joy out of life, and once<br />
told his great-grandchildren<br />
that his favourite colour was<br />
‘sunshine’.<br />
A keen gardener and vegetable<br />
grower who was always asking<br />
guests if they “wanna lettuce?”,<br />
he was “big on health foods and very clean<br />
living.” Dan says. He had a study full of books,<br />
and “was always talking about the fascinating<br />
articles he’d read.”<br />
Christianity was central to his life, and probably<br />
helped drive him. Camilla says “he had a great<br />
belief that you have a duty to God to develop<br />
what talents you have and make the most of<br />
them, and also somehow to celebrate God’s<br />
world, I suppose.”<br />
“He was a very particular person; he had his<br />
ways,” Dan says. But he was also “a very bright,<br />
cheerful and enthusiastic person, very healthful<br />
and lively, had a big laugh.” Both Dan and<br />
Camilla use the phrase ‘quite eccentric’. Ann<br />
remembers him simply as “a shining example,<br />
really, of how to be; how not to be defeated by<br />
things.” He died in 2012, aged 89. Steve Ramsey<br />
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