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Viva Lewes Issue #107 August 2015

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interview<br />

Photo by Emma Chaplin<br />

helpful, but he left after the first series and the<br />

rest of the hierarchy in the BBC Light Entertainment<br />

department were very different. I think<br />

I bewildered them; after all scriptwriters were<br />

unfit middle aged men with packets of fags and<br />

a bottle of whisky by the typewriter, not pretty<br />

young actresses. So they virtually ignored me,<br />

turning their backs on me when I walked into the<br />

bar after a recording. One did deign to say “Since<br />

you are here I suppose we’d better have an affair,”<br />

another one assumed I just typed the scripts.<br />

It was very popular. Did that change your<br />

life? Well, we had money for the first time, but<br />

we found producing a script to a deadline very<br />

stressful. In those days, situation comedy was<br />

mostly an extended comic sketch, or a comedian<br />

working with his stooge, but we wrote properly<br />

plotted stories involving characters of equal value<br />

to each other, and got the comedy out of their relationships,<br />

which hadn’t really been done before.<br />

Tell me about the ‘shit point’. It was a term<br />

used by a lovely old Hollywood hack we met.<br />

It refers to the time taken in setting up the<br />

story which if it goes on too long, or isn’t funny<br />

enough, the viewer loses interest, says ‘oh shit’,<br />

and turns to another channel.<br />

Why did the series come to an end? Because<br />

I was hit by a car, when I was pregnant with my<br />

son, and quite badly injured.<br />

What are you most proud of? Well, writing,<br />

producing and performing my award-winning<br />

one woman play about Marie Stopes was an<br />

extraordinary experience. I played it for many<br />

years both here and abroad, sometimes in some<br />

very peculiar venues.<br />

Do you watch Episodes? Yes, and enjoy it<br />

hugely. It’s very accurate. I also love W1A.<br />

Do you think the Americans write better<br />

sitcoms than the British? At their best, the<br />

Americans do an excellent job. Always slick and<br />

professional. Ours are more idiosyncratic.<br />

When did you move to <strong>Lewes</strong>? Four years ago.<br />

I love living here, it’s such a vibrant and interesting<br />

town.<br />

So after acting and script writing, you became<br />

an artist in 1999. Yes, largely self-taught, although<br />

I did courses at The Slade and St Martins.<br />

Which have you enjoyed most? Painting<br />

pictures is my life now and I wish it always had<br />

been. Emma Chaplin<br />

Pauline’s paintings can be seen at 82 Prince Edward’s<br />

Road, open throughout Artwave, every day,<br />

10-5pm. See more of her work and read about her<br />

life paulinedevaney.com<br />

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