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Volume 16 Issue 9 - June 2011

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How Size CountsJIM GALLOWAYKaren Schuessler Singers.performing it since 1994. This year’s performance, on <strong>June</strong> 4, willinclude displays by Salthaven Wildlife Rehabilitation and EducationCentre. Salthaven’s focus is on the rescue and rehabilitation of sick,displaced, injured and orphaned wildlife. They also do local educationand outreach to raise environmental awareness.Mozart’s Mass settings have become compositions for the ages,but at the time of their writing Mozart was as mired in politics asany working artisan. He wrote the majority of his mass settings inSalzburg, under the patronage of Archbishop Colloredo. Mozart washeld to strict structural controls regarding both the style of musicand length of composition that he was expected to produce. Hedisliked the autocratic style of the Archbishop, and wrote scathinglycontemptuous letters to his father about the musicians for whom hewas forced to write. For all that they were composed under arduousconditions, his Salzburg masses remain consistently popular. Theyare never less than professional, and all of them have moments ofboth inventiveness and insight. The Voices Choir performs Mozart’s1779 “Coronation” Mass on <strong>June</strong> 25.Politics is inherent in the traditional British Proms concert, inwhich ethnic pride is celebrated and satirized at the same time. Noconductor does this better than Bramwell Tovey, who leads theTSO’s “Last Night of the Proms” with the Toronto MendelssohnChoir, on <strong>June</strong> 21 and 22.Some other events of interest during the summer months:The excellent choir of the Church of St. Mary Magdalene has aFriday concert series on <strong>June</strong> 3, 10 and 17, featuring Mass settingsby Victoria, Guerrero and Palestrina.Further into the summer, the Elora Festival Singers performseveral choral concerts each week of the the Elora Festival. Ofparticular interest is the July 21 performance of famed composerArvo Pärt’s Passio, an intense setting of the Passion story. I can’tremember the last time (if ever) that this piece was performed in thisarea – this is a good opportunity to hear it live.Finally, Choirs Ontario is a valuable resource that is perhapsless known to choral audiences than it is to choral organizations.It both fosters and coordinates choral opportunities for youngsingers, and is an important resource for the province’s choirs. Theorganization’s website (www.choirsontario.org) is worth checkingout for a number of workshops and choral camps taking placebetween <strong>June</strong> and August.Ben Stein is a Toronto tenor and theorbist. He can becontacted at choralscene@thewholenote.com.PETER MAHONSales Representative4<strong>16</strong>-322-8000pmahon@trebnet.comwww.petermahon.comJazz Festival season is well underway and it doesn’t get any eas-the question as to what constitutes jazz. The parameters havechanged drastically and the word jazz has been embraced by everythingfrom airlines to deodorants. But for the sake of this discussionlet’s use the term classic jazz which will range from Buddy Boldenand King Oliver to Miles Davis and John Coltrane. And if you questionsuch diversity of styles, bear in mind that this year’s JUNO forbest traditional jazz went to John MacLeod’s Rex Hotel Orchestra.But classic jazz and major concert halls?Yes, you can successfully present the Dave Brubeck Quartet,Wynton Marsalis and the Lincoln Centre Orchestra and All-Starpackages like Return To Forever, but more and more festivals haveto turn to performers with only a passing acquaintance with jazz.This year, Tom Jones headlined at the New Orleans Jazz & HeritageFestival and one of the headliners at the Vienna Jazz festival is –wait for it – Liza Minnelli! With all due respect, she has as much todo with jazz as I do with ballet dancing.I remember a disastrous attempt in 1991 by Kiri Te Kanawa tomake a jazz album with Andre Previn on piano, Mundell Lowe onguitar and Ray Brown on bass. It’s just not that simple. You can’tjust decide to be a jazz performer overnight.In Toronto, one of the major attractions is Jessye Norman andI’m sure she will be more successful than Kiri Te Kanawa, but itjazz festival.Canada’s Bechstein Selection CentreYoung Chang Piano GalleryWorld Class Repairsto all musical instruments10 Via Renzo Drive, Richmond Hill(east side of Leslie St., just north of Major Mackenzie Dr.)905.770.52221.800.463.3000cosmomusic.ca<strong>June</strong> 1 – July 7, <strong>2011</strong> thewholenote.com 21

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